Photography exhibitions for many years, were my comfort zone in art gallery spaces. In my late teens and early twenties, I didn’t feel empowered enough in my own creative sense of self to comment on paintings, sculpture, textiles etc. But photography to me always told some kind of a story! The first photographer that I ever became truly aware of as an “artist” was Sirkka-Liisa Konttinen, a Finnish photographer that ended up living in Newcastle and has an extensive body of work. I loved her depiction of Byker and the sense of place, people and home – she managed to create.
Neon at Sunderland Museum & Winter Gardens
I’ve always been a fan of photography as a means to communicate and explore difficult issues – to display various shades of the same thing and of course, to capture a moment. In fact, I’m working up a project funding proposal at the moment with photography at the heart of it. But my love of photography and respect for it as an art form, has grown exponentially as a social media and marketing professional – it’s ALL about the high quality, visually impactful visuals. And that’s why I invest so much money and resource into the photography of events, projects, people, audiences, places, venues and moments. The right image can have far reaching impact and tells a story….
I was recently, invited to view Observe Experiment Archive – a group photography exhibition curated by North East Photography Network at Sunderland Museum & Winter Gardens – support by Sunderland Culture. For those Culture Vultures unaware, yes Sunderland Museum & Winter Gardens does have a beautiful gallery space so add it to your gallery culture crawl list…. It’s where the Da Vinci exhibition was housed AND they are one of three new venues, to have been selected to present work from The Arts Council Collection (first exhibition in February) until 2022!
It’s great to see how many folks have followed my “story” showcasing my exhibition visit and how many of you have followed up my social media posts, championing the exhibition, telling me that you’re going to visit or have visited!
Observe Experiment Archive is available to view until 5 January and presents multidimensional view- points of our ever changing world. It’s for the curious seekers, experimenters, future innovators and creative thinkers – my visit lasted over an hour, I read ever interpretation cover to cover, it got me thinking, reflecting and full of wonder for the natural world and how we have interacted with it in the past, present and the possibilities that lie in the future. The exhibition explores human interventions, innovations and inventions and the global challenges that can no longer be ignored.
The exhibition showcases the skill and diversity that exists within contemporary photography, reflecting scientific and environmental concerns through both a modern and historical lens. I went in with an open mind – I’d read the blurb before going in, on the website, which in no way captured how truly fantastic this exhibition was. It’s certainly in my top 5 of 2019.
Beautifully curated, inviting and thoroughly interesting. The supporting pamphlet that you can pick up on entry, was the perfect thought fuelling accompaniment to the exhibition as I walked around taking it all in. All 8 photographers featured are very different in style, subject manner and provide a gateway for folks like me, to consider, explore and observe the world in a new way. I learnt a lot, thought about things that I hadn’t really considered in a world that is so busy and it certainly triggered my appetite to learn more.
This exhibition is in no way passive – it invites you to think, reflect, go on google, check out the photographers, participate in their narrative and really demonstrated to me, the unbelievable power of a photo to capture a moment, tell a story, challenge a pre-conception and to trigger thought and potential change. The thing I loved, is that the current state of play around themes like the “environment”, “intrusion of technology”, “human intervention”; the press and on social media present it in an often angry and preachy manner – things MUST change dogma and those who are not participating in the change…. Well, they are unfavourable. What this exhibition manages to do, is explore and present, many of the same elements, impacts and what humans have done, doing and may continue to do but invites you to question and reflect on WHY.
I’m going to give you a little overview of my thoughts on each photographer’s work in the exhibition – without hopefully spoiling it, as you have until 5th January to visit so go go go! Order presented is based on how I worked my way around the exhibition.
Robert Zhao Renhui’s work is a colourful guide to the flora and fauna of the world – it presents a catalogue of curious creatures and their life forms mixing fact and fiction, whilst demonstrating the present and possible effects of human intervention. His pieces are visually stunning and thoroughly Insta ready and his work explores the symbiotic relationship between humans and nature. To accompany the exhibition, there is a wonderful A3 size hand-out which I skimmed over, but properly read when I grabbed a tea at Holmeside Coffee. Very interesting!
Robert’s work at Sunderland Museum & Winter Gardens
Maria McKinney’s recent projects have examined the relationship between humans and cattle collaborating with cattle breeders and genetic scientists. From this work, there is LOTS of learning, especially for me as someone who doesn’t have much knowledge around how humans influence breeding of animals and their genetics. Contemporary cattle farming is depicted in large scale animal portraits, which really do remind me of large scale cow portraits from 18th & 19th century, that can be seen in the collections of Bowes Museum, Northumberland and Laing Art Gallery, Newcastle.
Maria’s work at Sunderland Museum & Winter Gardens (Robert’s in back ground)
Mandy Barker’s work, I found I kept on going back to on my visit to view again! Mandy’s work investigates and showcases marine plastic debris by collaborating with scientists. Her main aim is to raise the awareness of plastic pollution and effects of plastic on marine life. Her photographs are visually beautiful – it wasn’t until, I got up close that I realised exactly, what I was looking at. Whilst, we know humankind treats the sea, like our dustbin, seeing this…… well, it really demonstrates that fact and I think Mandy’s naming of this work, as “SOUP” is just perfect. You can see toys and possessions that I imagine at some-point were much loved and now, they end up floating in the sea creating a kind of “plastic soup” – the plastics float forever, attracting marine life to them, which will eventually lead to their death by poisoning or choking.
Mandy’s work at Sunderland Museum & Winter Gardens
Liza Dracup’s work, embraces an ethos very close to my heart and something, I try to practice as Culture Vulture in my own work; looking at the extraordinary in the ordinary (we are all extraordinary in some way) and the perfection that exists within the imperfect. Her work was full of colour, light and made me smile. This collection of work is inspired by Joseph Swan, inventor of the incandescent electric light bulb – which makes sense as the theme of light and bringing to light nature features in her work. Also loved that she had included the practice of taxidermy, as a means to connect the past and present natural world – I’m fascinated with the practice and it’s having a huge revival!
Tessa Bunney’s work was super interesting – contemporary farming is not something that I really think about (I probably should – as you know, I rely on it to eat…). In her work, she showcases the faces and new world of farming, a mix of traditional practices, innovation and artisan. A theme that runs through this work concerns, the changing nature of rural life and how humans have really shaped that landscape. I’ve worked on a few “rural” arts projects recently so I’m aware of the disconnect between the rural work that we rely upon and the urban world, that for folks like me, is our work and playground.
Penelope Umbrico’s work was one of my favourites- especially as I’ve just wrapped a large scale outdoor event that was all about celebrating the moon! Penelope displays screenshots of photographs since 2015 that are tagged “full moon” from Flickr. These screen shots are presented both in print and in digital form. I could have stared at the digital screen for hours – one moon with MANY different representations! Really interesting and beautiful – I liked the element of collecting content from a digital platform, consuming it and then sharing it with a wider audience…… in that way, so many people have contributed to the work and have ownership of it.
Penelope’s work at Sunderland Museum & Winter Gardens
Sophie Ingleby’s work ‘Seed’, explores human fertility treatment. Now this is something that I am extremely aware of, with lots of my friends having fertility challenges (1 in 6 couples struggle to become parents). I guess, as a trigger warning, this element of the exhibition might not be right for you, if you’re very close to that journey right now or potentially at the recent closing of that capture – but none the less it’s fascinating, showcases the process, the science, the embryologists leading the way, the people hoping to become parents one day…..
Sophie’s Work at Sunderland Museum & Winter Gardens
Last but not least, Helen McGhie’s work explores the nature of darkness and astronomical observation. Again, coming out of wrapping a project all about the moon which also explored space, time, the stars, and moon-landings etc. – this work was just fascinating to me. Helen captures her own personal encounters with the night sky, which are just beautiful to look at and also presents a collection of photographs of objects used as a Northern Astronomer. I spent ages looking at each object capture – really interesting and certainly a bag of tricks.
Helen’s work at Sunderland Museum & Winter Gardens
This exhibition was organised by North East Photography Network (check out their insta!) who were established in 2009 to promote and develop photography in the North East of England and beyond. They work with photographers, artists, curators and a wide range of cultural partners, to create a lively and informed context for photographic activity and to encourage new audiences for photography. NEPN are really going great things – providing commission opportunities, ensuring visibility of photography within the cultural landscape and showcasing what contemporary photography is and could be in the future. Observe Experiment Archive is not only an opportunity to check out an amazing exhibition, but it’s also an opportunity to get a sense of what NEPN is all about. So if you’re an aspiring photographer or photographer in the North East, they are THE organisation to connect with.
Observe Experiment Archive is on to view until 5th January at Sunderland Museum and Winter Gardens, check it out this week or this weekend….you honestly won’t regret it! It has certainly, reignited my interest in photography and given me A LOT to think about.