Interview with North East upcoming musician Lizzie Esau; live streaming, song writing as therapy & indie pop.

I’m buzzing to currently be working with much -loved corner stone of the regional music industry, Polestar Studios on their run of live streamed Polestar Live Sessions; celebrating and showcasing North East musicians and bands and their pandemic resilience.

Polestar Studios has been supporting the North East music scene to make great music since the early 90s. Nestled on the edge of the Ouseburn Valley, Newcastle, this rehearsal and recording studio in Byker, was established in 1990 by Pauline Murray; singer of iconic punk band Penetration. Thousands of bands and musicians have used the facility in its long history.

I’m supporting Polestar Studios on their run of Polestar Live sessions, high production quality live streamed gig featuring the hottest grassroots’ North East music. I have the benefit of getting to know and interview all the brilliant musical talent, who are making waves regionally, Nationally and many Internationally in their niche too.

Tonight’s live stream gig is the turn of North East singer-song writer Lizzie Esau and her band, who are set to serve an alt-pop set with beautifully honest lyrics. Lizzie’s music has demanded the attention of not just regional music lovers, but also record labels, producers, DJs, festivals and BBC Introducing. Her latest single ‘What If I Just Kept Driving’ got me through the most Monday of Mondays this week and came to Lizzie in a matter of minutes. With its’ Lo-Fi Bedroom pop vibe and major chords, the song juxtaposes the highs of the music with the lows of the lyrics.

Polestar Live Session – Lizzie Esau

Lizzie’s live stream will be centre “stage” at 7.30pm tonight (Thursday 15 July) on Polestar Studios Facebook page and I can’t wait. It’s free to tune in but you do have the option to donate – all donations go directly to the artist, who is of course being appropriately paid, but a donation to a musician after the year they’ve had, really means the world and supports them get back out there.

So, in my quest to champion Northern talent and brilliance, I thought I’d nab Lizzie for a little Culture Vulture interview and find out more about her career so far, ambition and her music writing inspo! Let’s get to it, here is Lizzie Esau!

Lizzie Esau – Photo credit: Victoria Wai Photography

Hi Lizzie, right let’s get to it – can you introduce yourself for my fellow Culture Vultures? Who are you?

I’m Lizzie Esau, a singer songwriter from the North East.

Can you tell us about your journey so far into the music industry?

I’ve always written little tunes and melodies ever since I can remember, probably from the age of around five or six. It’s something I have always had as a part of my life which for many years fell into the background but across the last three years something changed, and I decided to prioritise what I love and take music seriously.

Through connecting with my manager a few years ago I have now been able to make some great contacts in the industry and had the chance to work with other artists as well as releasing my own music in the last year, which has been so fulfilling.

Lizzie Esau – Photo credit: Victoria Wai Photography

How would you describe your music to someone who hasn’t listened to it before?

My music is a fusion of everything I love and that interests me. If I had to describe the sound, I’d say it’s a hip-hop alternative/ indie pop with honest lyrics and real instrumentation.

Where do you seek inspiration? What’s your music writing process like?

I’m mostly inspired by everyday life and the stresses and joy that it can bring. My writing is very reflective and as cheesy as it sounds, I often use it as a way of therapy which I’m sure is something other creatives can relate to.

The writing process normally consists of a random idea floating around in my head for a while which comes together as a song after sitting at my piano and on logic for a while working out new melodies and parts to the track. After my demo is created the song will then be sent off to the producer I’m working with right now, Steve Grainger, who elevates the track, and then after a bit of backwards and forwards discussion, the track is ready to go out!

Lizzie Esau – Photo credit: Victoria Wai Photography

Who is in your band? How did you pull them together/meet them?

The drummer Alex and I got in touch via social media quite a few years ago and he became part of a band that unfortunately faded out. After connecting with my manager and doing some solo gigs to throw myself into performing, I then reached out again just before the pandemic to create a new band around the music. As soon as we were able to, we started rehearsals again around the new tracks and Alex brought along the bass player Joe who fitted into the band so well being a great friend of his. We have had a few people stand in as guitarist during the time we have been playing together, who have all been such great musicians, and hopefully one day a permanent position will be filled. I feel so lucky to be able to have such professional and dedicated musicians as part of this project and we just can’t wait to get out and play live now!

Lizzie Esau – Photo credit: Victoria Wai Photography

I love your new single, ‘What If I Just Kept Driving’ ; tell us a bit about it? (It’s available to listen to now on all streaming platforms)

The new single is an indie pop track about escaping from the stresses of life through the act of performing mindless activities. The idea for the track came about when I was driving (hahaha!) and all came together very quickly; form the writing process to the production.

The music is lively and upbeat which I think is a nice contrast to the honest and more downbeat lyrics describing how I was feeling at the time. The choruses are a little more positive and talk about getting help for these life stresses, putting more of an optimistic spin on things.

I love the video – where did the concept come from?

The video concept came from the director, Sel Mclean, who took into consideration so well who I was as an artist and the style of things that would work best for the track. I loved his idea to have skateboarders there and to have it by the beach at sunrise, I think the whole thing came together so well and everything for the releases seemed to really work together. The whole team were so amazing and made my first ever professional video shoot experience so enjoyable and memorable.

Lizzie Esau – Photo credit: Victoria Wai Photography

The song really speaks to me about the noise of modern life and using driving as a means to escape, self-care and freedom; this is such an important thing in the current context of the pandemic. How have you found the pandemic as a creative?

Just before the pandemic is when I really started to be proactive and get myself out playing solo shows and writing more, so when the pandemic hit it was very disheartening, as I’m sure it was for all creatives especially ones just starting off. But through this time I have connected with my wonderful band and started collaborating with many artists as well as writing more than I ever have before, so in many ways it allowed me the time to put everything into music which I really loved.

However, that doesn’t take away from the fact that this pandemic has been so hard on everyone and that no one is alone in feeling like they have had low points, but I’m glad to see us coming out of it all now! (fingers crossed Haha!).

How did tonight’s live stream gig with Polestar Studios come about?

This gig came about due to the bass player, Joe, being in contact with them and therefore when an opportunity came about to play there, we were all really keen to get involved and get the songs out there for more people to hear!

Lizzie Esau – Photo credit: Victoria Wai Photography

What can people expect from your Polestar Live Session tonight at 7.30pm via Polestar Facebook page and why should people tune in?

You can expect to hear lots of new unreleased music, perhaps even a sneak peek at upcoming singles as well as a cover, which I never tend to do but I couldn’t resist with this one! I will be with a full band on the night so expect big sounding tracks and lots of energy! We can’t wait for it!

Why are organisations like Polestar Studios important to the North East music scene?

I think they’re so important! They give up and coming artists a platform to share their music to a wider audience, especially since they stream the gigs via social media which enables anyone to be able to discover new music. It’s great to have such supportive organisations that enjoy promoting artists and love to watch them succeed; without this so many people would go undiscovered!

Lizzie Esau – Photo credit: Victoria Wai Photography

How do you feel about live streaming gigs? Why are they important?

I think it’s so important to adapt and carry on regardless in any way that we can, so to see so many live stream events and socially distanced performances is so reassuring that music can still be shared no matter what. I think especially in the times we have had, music is so vital to keep everyone’s spirits high and keep optimistic.

How does it feel to be getting featured by BBC Introducing? (It has been ace to hear you on the radio waves!)

It feels so amazing! The support I’ve had from BBC introducing ever since putting out my first demo onto Soundcloud in 2018 has been so wonderful and everything I’ve uploaded has been shown so much love by them! I really loved doing a session for BBC introducing in the North East around my debut official release ‘Young Mind Run Blind’, this was something I have always wanted to do and to do it around my first proper release was really amazing! From then on, every single was so amazingly promoted by them with my third and most recent release being played on radio 1 introducing as Gemma Bradley’s tip of the week meaning all the local radios around the country played it also which was so crazy to hear!

Lizzie Esau – Photo credit: Victoria Wai Photography

What do you think of the North East music scene?

I think the North East music scene is such a supportive space and everyone loves to see one another do well and get to where they want to be. There is so much amazing talent around right now and so many people getting National radio plays which is so amazing to see! Just looking forward to getting out and seeing all of these band and artists I have discovered in lockdown live now!

Who on the scene do you admire/should I check out?

I’m really loving so many artists form the North East right now I think everyone is really thriving! Off the top of my head I’m loving Nadedja, Jodie Nicholson, Martha Hill, Georgia May, Luke Royalty, Future Humans and so many more!

Lizzie Esau – Photo credit: Victoria Wai Photography

Good selection of people there! Can you share any advice for aspiring folx wanting to get into the music industry?

I think my biggest piece of advice is to connect with as many people as you can and to be good at networking, or like I did find a wonderful manager who is great at it, hahaha! I think as soon as I started reaching out to people to collaborate and venues to play at is when things started happening, so just remember to always be proactive and keep writing as much as you can!

Highlight of 2021 so far?

My 2021 highlight so far has to be hearing my new single ‘What If I Just Kept Driving’ on radio 1! It was so surreal as I always have I on in my car so to hear my own music getting played on my favourite radio station was just the best feeling and has already led to some exciting conversations and interest from new listeners!

Lizzie Esau – Photo credit: Victoria Wai Photography

Do you have a moment in mind/visual moment, when you think – “I’ve made it!”?

I’ve always dreamed of headlining Glastonbury or playing on the main stage, I’d definitely know I’ve made it then! But to be honest just playing anywhere at Glastonbury would be such a great feeling for me, and I think the day I see a load of people I don’t know in a crowd singing my lyrics back to me will be so surreal and I’ll know I’ve made an impact on them for sure!

So, what’s next for you?

I have so many new tracks, ideas and possible collaborations happening which makes me so excited for what’s coming in my career! I think the next thing you’ll hear from me will be a bit of a surprise so keep an eye out! I’m also playing live lots and I really hope to continue that and grow the amount of people listening to my music as we move out of the pandemic!

Lizzie Esau – Photo credit: Victoria Wai Photography

Anything else you want to tell my readers about?

Yes! Lots of gigs happening soon! I am particularly excited for the Cluny on the 23rd of July which is an event with Urban Kingdom and Generation W where I’ll be playing alongside three other amazing female artists. I’ve also got lots of gigs lined up in September including my debut headline show on the 18th at Head of Steam in Newcastle with the band which we are so excited for! As well as this, I’ll be playing a few exciting support slots so make sure to check out my socials to find out about it all!

Lizzie Esau – Photo credit: Victoria Wai Photography

Well thank you Lizzie and if you can, make sure you check out her live stream tonight at 7.30pm from Polestar Studios Facebook page!

You can also connect with Lizzie via:

Instagram: @lizzieesau

Facebook: @lizzieesau.music

Tik Tok: @lizzieesau

SoundCloud

YouTube

Spotify

Interview with artist Wild Lamb – Paige Livingstone – let the lass eat cake!

There is nothing more exciting than finding out that two of my favourite artists are collaborating and doing something lush……Slutmouth and Wild Lamb Illustration have been collaborating in the most perfect way over the last few months.

Slutmouth – Bettie Hope; Love her beyond words and her work – I’m a total Instagram fan girl over this lass. Her mixed media work explores sex, sexuality, gender inequality, identity, queerness, feminism, rejection of societal taboos in a really playful, empowering, interesting way. I’ve interviewed Bettie before and you can read that HERE!

Slutmouth – Bettie Hope’s work at Let Us Eat Cake at Pineapple Art Gallery

Wild Lamb – Paige Livingstone; I discovered her work as always, via the good old ‘gram! Her work is a fierce visual treat, bold, colourful, collage, illustration, exploring portraiture in such an iconic way and her style evolves – her work like Bettie’s, has a touch of expect the unexpected. In Paige’s artworld, any and all folx identifying as women can be and are icons! At least, that’s what I feel looking at her work. Oh and she loves cats. So….. winner for this crazy cat lady.

Paige Livingstone

So Slutmouth and Wild Lamb have been collaborating together on a project called Let Us Eat Cake and is all about celebrating and exploring all aspects of what it means to be a “woman” and of course, all the wonderful female identifying creatives in our lovely North East.

The project was supported by Teesside’s lush creative gallery space Pineapple Black and took the form of an online exhibition, which was just fantastic. I sat down to take it in thinking about 30mins would do it, and 3hours later, I was still sat looking at each piece and looking up the artist. The digital exhibition featured work from local, National and International female identifying artists and visually explored contemporary issues important to and effecting women today. The digital exhibition was Pineapple Blacks most popular online exhibition with over 1000 virtual visitors – that’s an amazing figure! You can view the digital exhibition HERE.

They’ve now launched the physical Let Us Eat Cake exhibition at Pineapple Black and it’s available to view from now (started on 25th June) until 23rd July (last day). And I couldn’t recommend it more! This new physical exhibition, featuring some different work to the online exhibition, includes local, national and international female-identifying artists of a working-class background, is underpinned with the passion and purpose to create an empowering platform and to inspire a new, forward-thinking generation of artists.

Let Us Eat Cake exhibition poster

The exhibition and wider project title is, of course, a play on the phrase commonly attributed to Marie Antoinette; Let Them Eat Cake, which signified how disconnected she was with the realities of the everyday people in her power. What I took from this exhibition connected with that symbolic moment; that many, when they think of feminism or women, are so unaware and disconnected from the gender inequality that exists across the full intersection and the contemporary issues that impact women.

I had the pleasure of reading some research recently, in which male business leaders, expressed views that gender inequality was not an issue and that women were treated “the same” as them. Such sweeping statements, very much, reminded me of that Marie Antionette “Let Them Eat Cake” moment…..

What Let Us Eat Cake does so brilliantly in this exhibition, is invite you to step inside the world of women, celebrate it, connect with it, engage with intersectional issues and see the world through the individual artist’s lense. It’s also an empowered cry/demand to be seen and this exhibition, provides a platform for that and for each artist to be celebrated.

As you can tell, I bliddy love the exhibition and LOVE Bettie and Paige for pulling it altogether (go see it!). I thought it was a lush opportunity to interview Paige and find out all about the exhibition, her work and to finally get to the bottom of why women are pants are bigging themselves up?! Read on…. you won’t be disappointed.

So here we go, an interview with artist, lush creative and one half of Let Us Eat Cake – Paige Livingstone // Wild Lamb Illustration.

Paige Livingstone

Hi Paige, please introduce yourself for my fellow Culture Vultures?

I’m Paige Livingstone; I work under the name ‘Wild Lamb’ and I’m a collage artist /illustrator and co-curator of ‘Let Us Eat Cake’. I graduated from Northern School of Art in 2019. You can check out my work on my Instagram page.

How would you describe your practice and what you do?

I am a multi-media visual artist; my work and style tend to change slightly depending on whatever project I am currently working on. I don’t ever want to be limited by styles but I’m currently enjoying painting and starting to move a little bit away from collages. They aren’t something I will ever completely stop but I have just fell in love with getting messy and back to basics which I haven’t done in years. Lockdown has definitely been, a good time for me to pick up the paints again.

Paige Livingstone’s work

Were you creative as a mini?

I’ve always been creative; as a kid I would draw every day and scrapbooked a lot. I think is where my love of collage has come from.

Tell us about your journey into the creative industries?

I still feel like I am still just starting that journey! I’m showing my work in exhibitions and curating my own. I’m also working on commissions from both individuals and businesses and my “bread and butter” is selling prints. To be honest it has been such a weird couple of years, I’ve decided to set myself more personal projects and try and carve my own way, it can be a bit disheartening applying for the few and far between creative jobs here in the North East; so at the moment I’m focusing on my own personal development and working for myself.

Paige Livingstone’s work

Yasss – love the focusing on your professionally! So, tell me about your work? What inspires you?

My collage work tends to be inspired by a lot of the old renaissance style paintings; religious iconography, mythology and astrology. I like to use a lot of symbolism in my collages and in a way there’s a lot more depth to them than my illustration work. When it comes to my illustration work, I’m all about just getting the pictures out of my head and on to the paper. And really, there’s no deeper meaning other than “yeah that looks cute” or that was what I was thinking about at the time.

How would you describe your art style?  

I think my collage work is thoughtful; it can sometimes be more tongue in cheek and fun but with a lot of feminist undertones. My illustrations I would describe as some kind of kawaii and creepy cute cartoon chaos.

Paige Livingstone’s work

More chaos the better; your work tends to come in collections – different themes and styles. Tell us a bit more about that….

Yes, I really love doing usually about 12 pieces to a collection. I don’t know why, but when I look at one piece of work it never feels finished until its surrounded by others. I’m also a bit of a hoarding maximalist so the more the merrier but I think 12 or 6 depending on the work and then I feel the collection is complete; I get a buzz out of seeing the whole collection together.

Paige Livingstone’s work

I really love your collage work – do you plan them or do just happen organically in the moment?

I do sit and think about them, whilst I’m doing them, but I don’t plan per se. If I’m doing am analogue one, I might cut out lots of interesting parts and arrange them after. If there’s a theme, as there is with my icons or horoscope collection, I’ll think about it and I’m going to spend time searching for images based on that theme.

Paige Livingstone’s work

I love the contemporary characters, the cats, the retro vibes…….and even the clowns! Can you tell me about those…why do they feature quite prominently in your work?

I absolutely love clowns, dolls and puppets! I’m starting to realise how many people are actually terrified by them (haha!), so I might have a job selling my clowns. I’ve always loved the aesthetic of the circus; anything gaudy and tacky. The retro vibes are probably just my own nostalgia seeping into the work, I think nostalgia is a very powerful tool in reaching your audience.

And cats…….. well everyone loves cats or at least they should!

Paige Livingstone’s work

So let’s more onto your work with Bettie! How did you partnership and collab with Slutmouth come to be? How did you meet?

I think we met at Disgraceland in Middlesbrough for Picasso baby (an interactive arty party) and I’ve always loved her work. Also, just for being ballsy enough to have the name Slutmouth, I was a fan from the start! We just got chatting and we were wanting to do something last year, but because of COVID Beth didn’t get in touch till Jan and we were just like “yeah let’s go for it!”.

Paige Livingstone’s work

From your perspective what is Let Us Eat Cake? How did it come about?

Let Us Eat Cake started out as an exhibition but as it has gone on it has become more of a community; or dare I say it…. a movement?? Well, at least locally for us and the artists who have contributed.

We wanted to focus on women in art and get rid of the Fine Art elitist white man bullshit and showcase female artists with a focus on working class women. Let Us Eat Cake is a spin on the famous Marie Antoinette quote because yeah, let us fucking eat cake we deserve it!

Paige Livingstone’s work

What does working class mean to you? What does being a working class artist mean?

Working class to me means salt of the earth and hard working people; I think as working class people we sometimes tend to undersell or pigeon hole ourselves. We don’t always do the job, we want to because it’s not seen as realistic, which is why giving this platform to emerging artists who don’t necessarily have the links in the industry is so important to me; helping them get out there and sell their works.

Why is it important to amplify female identifying artists right now?

Again, I think women are notoriously bad at bigging themselves up, but we have no problem when it’s another woman’s work! So, it’s nice to create a community where everyone encourages and supports one another. Giving people the confidence, they need in their work to truly succeed as an artist is one of the main goals of Let Us Eat Cake and it’s a great feeling to be able to do that.

Paige Livingstone’s work

Tell me about the initial digital exhibition? What was the response like?

We actually became Pineapple Black’s most viewed exhibition, think we smashed the previous one within an hour and a half of going live, so yeah that was another great feeling ! We couldn’t have done it without all the amazing contributing artists’ work; the quality of work submitted was unbelievable.

And we can see the actual exhibition in real life when and where? What can folx expect?

From 25th June – 23rd July at Pineapple Black Middlesbrough. You can expect a lot of big paintings and a good range of styles.  Oh and of course; CAKE.

Let Us Eat Cake Exhibition

Are you originally from Teesside? What’s the Teesside art scene like?

I am originally from Teesside, yes! As for the arts scene, I would say it is still getting to where it needs to be. We have a great talent pool here but limited by funding. I’ve been to some good exhibitions, but I honestly think Let Us Eat Cake is one of the best exhibitions Teesside has ever seen. And that is me being polite by saying ‘one of’, because actually I think it is THE best, hahaha! (What was that about women being bad at bigging themselves up?)

Paige Livingstone’s work

For someone new to or visiting Teesside, which galleries and bars would you suggest they visit?

Pineapple Black, The Auxiliary and MIMA. We also have an amazing Christopher Dresser collection in the Dorman’s Museum that everyone seems to forget about; it is the largest in the world! I’d recommend anyone interested in ceramics to visit there!

Cafe Etch is an amazing art cafe in the captain Cook Square in the Old engravers. I love taking my sketchpad and doing some work there whilst enjoying the cakes and coffee. And they serve booze now too so even better.

Disgraceland on Baker Street along with the other bars around there is always a good shout too and my fave place to drink at the mo, is Alchemy cocktail bar.

Paige Livingstone’s work

Tell me about three Instagram artists – you’re following, that we should follow too….

@mrbabies does amazing surreal collages

@vonnart does beautiful fantasy illustrations

@dariahlazatova does amazing folks surrealist illustrations and portraits

Followed and in love. Do you take commissions? Do you sell prints?

I do both – you can connect with me on my Instagram and contact me that way! Insta: @Wildlambillustrations

Paige Livingstone’s work

What other projects or things have you got going on?

I’ve currently been working on the branding for Pop Bear Essentials for Pop hairdressers in Middlesbrough; it’s really fun and cute! Go and check them out for vegan friendly affordable hair care range @popbearessentials

And we’re hopefully going to be doing more with Cake and I’m going to be focusing on my painting for a bit longer! So stay tuned!

Let Us Eat Cake Exhibition

Thank you Paige – such a beaut interview and excited to see your next collection and for more empowering, unapologetic cakey shenanigans!

You can follow Paige on her Insta and please do, if you can check out Let Us Eat Cake at Pineapple Black in Middlesbrough – it’s an amazing exhibition, my favourite so far this year!