Interview with LUSH comedian AND self-confessed Divvy Si Beckwith.

Today’s blog interview is with my long-time pal Comedian Si Beckwith a head of his show “Get Lush” on Monday 3rd Feb at The Stand Comedy Club Newcastle. Over the years Si and I have lost touch and reconnected more times than I can count.  We have known each other across several lifetimes and awkward stages of life…..an emo phase, an indie phase, a phase when we were both super skint and ate A LOT of chips from a local chip shop, when I made chain smoking look like an Olympic sport, a time when I hadn’t even discovered gin yet, endless bad haircuts, terrible tattoos (mine), poor choices in music (also mine), controversial choices in top 10 film lists (yep – mine too) …..

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So now we are beyond those awkward stages…(I’ve defs got a bad hair cut or two in me left – I mean WHAT was 2018 Horts hair about?!?!), it’s lush to catch up again and find out more about Si’s upcoming show, why it’s a must see and what 2020 holds.

For my fellow Culture Vultures, who are you?

I’m Si Beckwith. I’m a stand-up comedian, writer, podcaster and utter, uttery divvy.

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Si Beckwith – Image credit: Ben Smith

Gosh, I’d totally forgotten about the word “divvy”, I need to reintroduce that into my life. So, tell us about your journey into stand-up/comedy?

I’d always written; and found that the funny bits were the bits I was enjoying writing most. I’d always watched stand-up too but hadn’t seen loads live – I scoured YouTube for loads of videos of amateur comedians, and it was then that I realised that ‘oh, ANYONE can give this a go.’ I went to an open mic night and booked myself in for a spot a couple of weeks later. I’ve just never stopped since.

We’ve known each other a long time – through MANY bad hair-cuts! What was the tipping point into doing comedy professionally?

We have, and ALL the bad hair cuts. I think at one point I was 30% fringe. The tipping point was just not ever wanting to get a real job again. It’s amazing what not wanting to go back to working in a call centre will do for your work ethic into the creative thing that keeps you away from it. I sort of fell into MCing/compering too as it was something I didn’t expect to be such a cornerstone of what I do, but I love it and get some amazing bookings hosting and it’s opened a lot of doors and certainly pushed me on to being a better act.

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You are a super good host and look so comfortable on a stage. We used to argue quite a lot about our lists of favourite movies, bands, songs etc. so continuing that theme, what’s your top peer North East comedians and why?

Louise Young is one of the most naturally talented people I’ve ever met. I saw her about a year before she’d even did comedy and even longer before we’d even met and became friends; she did a poem at this open mic night that blew me away. She’s such a good joke writer and such a unique mind.

Lee Kyle has a wonderful attitude to comedy and constantly makes interesting things. I like things with a DIY ethic and Lee certainly has that. I think Hal Branson is a properly talented man and always a joy to be on a gig with. I’ve really enjoyed working with Ken McGuinness who is a very new act but writes some properly clever comedy. He’s doing support for this show, alongside Anja Atkinson who is really funny and has just constantly developed as a comic. I could list so many though, the North East has a bunch of really talented comedians.

Onto your show…When and where is “Get Lush” on and what is it about?

It’s at The Stand in Newcastle on Monday 3rd February. It’s a daft show about trying to be a better, failing, but still trying. There’s a lot more in there about being working class than I expected, and some really silly drawings. It’s mostly though, just a show about trying your hardest and why it’s okay to be a bit of a knacker.

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Si Beckwith – Image credit: Ben Smith

What was the inspo behind the show?

‘Get Lush’ has been my New Year’s resolution every year for about 15 years. I’d went for coffee with a mate (Rosa Postlethwaite, who is an excellently talented creative) and I’d mentioned it being my regular resolution to myself. She said it stuck with her, she’d mentioned it to friends, and it was a good thing to hang a show on, (she said it much more eloquently than that) so I did hang a show on it.

Love Rosa! Have you felt January pressure to ‘Get Lush’, with all this New year, new year bobbins?

Not really. I’m comfortable with the fact now that my favourite meal is just TWO meals, so it is what it is.

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Second breakfast and second lunch always and forever! So why should people come and see the show?

It’s funny, I’m trying my hardest, there’s a bit about the Jarra March in there and I’m better at drawing than I let on.

Sum it up in 3 words?

Lush. Proper lush.

How much are tickets and where can I get mine from?

Tickets are £7 (a fiver for concessions and Stand members) and you can get them from The Stand’s website here.

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Si Beckwith – Image credit: Ben Smith

You performed Get Lush before at Alphabetti (or a scratch version) – what were audience responses like?

So, so good. It was just lovely, and most of the audience hung around in the Alphabetti bar after and was great to have such positive, kind words. NARC Magazine reviewed it super positively too, and it gave a good jumping off point for tightening up the show.

And what are the plans after the show – you’re taking it to Edinburgh Fringe?

The Edinburgh Fringe indeed. I’ll take it to a couple of other festivals, preview it a few places, and there’s a couple of other North East venues I want to take it to.

Have you performed at the Fringe before – what is it like?

I have. I did a two-handed show back in 2013. I’d not been going long when I did that and learnt so much doing it. We did a compilation show too, so doing two shows a day was a big learning curve. It’ll be my first year with a solo show, so that’s really exciting.

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Si Beckwith – Image credit: Ben Smith

I read “two handed” as tap dancing for some reason (It’s 2am) – would love you to add a bit of tap into the mix. You organise and compare comedy nights alongside your own stand up – can you tell me a bit about that and where we can catch you/a night you’re involved with next?

I do. I run so many now, as I’ve just taken on running comedy at two new amazing venues (all is under wraps a bit at the moment as I wait on a couple of big announcements). The gig I run at The South Causey Inn is amazing though, pretty much all shows have been sell-outs, and the line-ups for next year are UNREAL with Live At The Apollo acts headlining two of the shows, and the bills are just full of some of my favourite funny people. The next one there is Saturday 15th February with Jonny Pelham headlining. We’ve also just started a night at The Bridge Hotel which runs from February and there’s an announcement about that coming very soon too.

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Si Beckwith – Image credit: Ben Smith

Well keep me in the loop – You also run a podcast – can you tell us about that?

I do, it’s me and Ken McGuinness through our Hope For Proles production company. It’s called The Greatest Film You’ve Never Seen. We chat to excellent guests about the best films that they should’ve watched but haven’t. We get to know what it’s like when the film comes into conversation, do they lie and say they’ve seen it? Do they know much about it? Then, and this is the best bit, we get them to describe their own version of the film based on the limited knowledge they have. It’s also, according to my fiancée and fan of the show (I make her listen), a lot of me being a tit and Ken keeping me in check.

Will give it a listen tomorrow – love the concept! So, what’s next for SI in 2020- anything you can share?

Loads. More shows. Lots of gigs. I wanna debut a new show in June (ish) which will be next year’s Fringe show. Got two more podcasts in the pipeline. A play potentially later this year. And there’s some sketch stuff coming soon (alongside the BBC Radio Newcastle Grin Up North stuff) which I am very excited for.

Anything else to close on?

Just stay lush!

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So get your tickets for Get Lush, it will be proper lush. The Stand is a lush venue (they do a lush dinner too) and I will be cackling away in the audience (you’ll hear me from 10miles away). I’m excited to see what comedy shenanigans Si brings to the fore across 2020.

 

An interview with theatre maker Rebecca Glendenning; a Bonnie Workie Ticket and certainly one to watch….

I’ve wanted to interview this lush human for ages – she’s a mega talented writer, performer and theatre maker and reminds me of a younger version of myself…..if I could sing, or dance…or perform…..my point is, we are both passionate about similar things, we love to write and we like to tell stories – whether our own or enable others to tell theirs.

Rebecca Glendenning pops up in my head often has a person who is REALLY doing exciting things on her own terms as a theatre maker and writer. As someone steam rolling towards my mid-30s (make it stop!), it’s lush to look back onto others and see folks, like Becky in their 20s in the creative sector doing exciting stuff. She’s one to watch and from the moment, I saw her perform on stage in the first Bonnie and The Bonnettes’ show a few years ago – I knew she was special. I knew she was my type of human and it’s a pleasure to watch her career gather speed across various projects.

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Rebecca Glendenning

So I’ve wanted to interview her for a while, but of course, I try to find reason and purpose to interview – so the stars aligned when I was meeting Workie Ticket Theatre founder and Co-director JoJo Kirtley and Co-director Lindsay Nicholson recently, about their project Women Warriors and they dropped Becky’s name as a writer on the project. I was already in love with Women Warriors, a theatre project giving voices to female veterans but hearing Becky’s name made me love it more and I did a little excited dance in my chair. Yep… I dance…in business meetings…learn to love it Culture Vultures. #professional

Hi Rebecca, tell my fellow Culture Vultures who you are?

I’m Rebecca Glendenning, a theatre maker and stage manager based in Newcastle. I’m also co-founder of Bonnie and The Bonnettes who are a Newcastle based theatre company. I make fun, affecting work, influenced by politics, gender, and sexuality.

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Rebecca Glendenning

I love asking this question as it’s so different for everyone…tell me about your journey into the creative sector and theatre?

I’ve always loved writing; I used to write books and plays when I was little and just never stopped. I came to Northumbria Uni to study Drama and Scriptwriting in 2013 and in my third year I met Hattie and Cameron who are my Bonnie and The Bonnettes co-founders.

When Bonnie and The Bonnettes, as we are now, first started in our third year of Uni, we performed at one of The Letter Room’s Bonenkai nights and at the first Curious? Festival; getting our name out there. At the same time I was learning basic technical skills through University and volunteering at the old Alphabetti Theatre in the basement. That summer I was one of the volunteer technicians at Northern Stage’s Edinburgh venue in Summerhall and we had a weeks’ worth of training as part of that and then the month of experience working with some really mint artists.

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Curious Arts Festival

Then once I was on the MA Theatre and Performance at Northumbria with Hattie and Cameron we were able to finish making our debut show Drag Me to Love, which we performed at Northern Stage in 2017, start The BonBons Cabaret, and start thinking about our second and current show, And She.

Whilst this was happening I was working more at Alphabetti as a technician! Now that I’d had some training, I started doing bits of Stage Management work on regional tours and for local companies which lead to more stage management and tech work, and then in 2018 I was offered my current job as Technical Co-ordinator of Alphabetti Theatre. I feel like I’ve rambled there, so much has happened in such a short amount of time!

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Bon Bons Cabaret

I’m queen of the excited ramble so ramble away! How did you find out about and connect with Workie Ticket Theatre?

Workie Ticket Theatre founder and Co-director JoJo Kirtley put a call-out on Facebook for plays surrounding women and women’s issues for their ‘Hear Her Roar’ performance night, and my friend tagged me in it. I replied saying I had something for it, and then JoJo got in touch. It was a piece about falling in love with a girl for the first time when I was fourteen. It’s always nice to meet other theatre companies, and working with such a lovely one was a bonus!

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JoJo and Lindsay from Workie Ticket Theatre

Tell me more about your ‘Hear Her Roar’ contribution? I didn’t get to see it but I heard it was really fantastic….

For Hear Her Roar I wrote a piece about falling in love with a girl for the first time when I was fourteen, and all the excitement and cuteness and internalised homophobia that goes with that.

I performed it at two separate Hear Her Roar events and it was a great experience both times. JoJo and the team were really supportive, and so when JoJo got in touch again asking if I wanted to contribute to the Women Warrior’s project I was like, YES!

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The power of social media (other creatives take note!)…So onto Women Warriors;  what was/is it like being a part of their creative team?

Lush! So so Lush!

This was my first ever writing commission. From day one, you just get such a sense of how much the project means to everyone involved, and the care they take with the female veterans and the writers and every member of the team, it’s just lovely!

During the sharing we had a few months ago, which was the first time most of the team had all been in a room together, there was such a caring atmosphere and it just felt so SO special, which I know sounds a bit cliché; but you could tell how much hearing their stories being told meant to the veterans, and how much it meant to the creative team to do them justice.

Tell me about Women Warriors from your perspective – as a writer and part of the creative team?

I think my experience of the Women Warriors project was slightly different to the other writers because I was paired up with a veteran and based on one to one conversations, instead of going to the groups. The reason we were paired together was because she is a gay woman and served at a time being gay was illegal in the British Military.  As a gay woman, JoJo thought that would be a topic very close to my heart.

It’s been a lovely experience that I won’t forget. It’s been amazing to meet her (the veteran) and learn about her life, what she went through and the amazing person she’s come out the other side as. Also as a younger lesbian, it’s been really interesting to learn about an entire section of our history I had no idea existed and not from books but from a woman who lived it.

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Tell me a bit about your piece/ part of Women Warriors?

As I sort of mentioned in the previous question, my contribution is about a female veteran who is gay and served at a time when it was illegal to be gay in the British Military; so she was paired up with a man who she had to marry or she’d be kicked out.

At the time she was recruited, she was homeless due to an abusive home life and being kicked out of the Army would mean going back to that so she married him, and he turned out to be abusive. The piece focuses on her journey through the military having to keep her sexuality a secret and now the amazing work she does to help LGBTQ+ people and how she’s turned such a negative experience into something that helps others.

She’s a bit of a personal hero of mine now, I won’t lie.

Tell us about the process for writing it the piece?

For writing it, I asked the lovely veteran I was paired with a lot of questions, and started out by putting it all in a timeline – she’s done quite a lot! Because it’s based broadly on her life outside the military, as well as inside, I had to leave out a lot of the things in that timeline but it was a really interesting experience hearing her talk. Then it was lots of edits and redrafts until I was happy with it. It was mainly chatting, and taking notes, and asking more questions.

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Bringing her story to life on stage must be such a meaningful moment for you both! So, I’m coming to see it but why should audiences come and see Women Warriors ON 9TH OCTOBER at The Exchange (tickets are still available HERE)

I think, people should come see it because it’s a perspective that’s not heard, and it’s such an important one. There’s so much of life in the military that people who aren’t a part of it, just don’t know, and people know even less about what it’s like for a woman. It’s eye opening, funny, and tender, and just a really good watch.

Try and sum it up in 3 words for me?

Empowering, devastating, vital.

You’re doing LOADS at the moment…. Tell us more?

Right now Bonnie and The Bonnettes are in the middle of touring And She; and gearing up from our Halloween BonBons Cabaret on the 26th of October at Alphabetti. I’ve just come back from stage managing the tour of Holly Gallagher’s show Tensile Strength which is a joy to work on. I’m extending the short piece I wrote for ‘10 Minutes To Stake a Claim’ at Live Theatre Newcastle called ‘Chained Reaction’ too, which is about a woman seeking revenge after her friend is spiked and killed on a night out, which is very fun to write.

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Bon Bons Cabaret

Congrats on your recent tour of And She (I absolutely bliddy loved it and my fave show of the year)…. Tell my fellow Culture Vultures  about the show and where they can see it next?

Thank you! The show is part gig-part mums living rooms, and it the three of us (Bonnie and the Bonnettes)  exploring motherhood, femininity, and woman hood through our mum’s stories, as well as our relationships with our mums now that we’re adults living away from home. There’s original songs from the incredible MXYM, and the feel good element that people know us for; we love a party, but with very real moments too because no parent-child relationship is perfect.

Our next date in the North East is the 7th of November when we’ll be at ARC in Stockton, and out next date is Barnsley on the 19th of October. You can see other tour dates HERE.

 

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And She

I’ve heard rumbles about a NEW show- I’ve always got my ear to the ground – I’ve heard you’re writing a show about you growing up and mosh pits? Can you share anything about that?

Yes!

For Bonnie and The Bonnettes’ third show we’re teaming up with The Six Twenty to make a show called ‘I Died in a Moshpit’, which I’m super excited to be writing.

It’s a lesbian coming of age story from the moshpits of the Leeds underground punk scene. It’ll be gig theatre, and we’ll be working with two actor-musicians to make it. It’s feeling invincible at 17, and terrified of what’s coming next, but maybe if you hold their hand whilst that band play that song, it won’t feel as bad.

I love the sound of that! Big fan of The Six Twenty too – so yey! So finally…. what’s next for Becky?

This Christmas, I am lucky enough to be working on three shows; two for the lovely children’s theatre company Kitchen Zoo who are bringing WOLF to Northern Stage this Christmas in stage 3, and The Three Bears at Christmas to Queen’s Hall in Hexham. I’ll be working on them as Stage Manager and Company Stage Manager – I’m excited to be back in the room with such a lovely company.

And as a performer I’m hyped to be working on Bonnie and Fanny’s Christmas Spectacular at Live theatre which is a Christmas show for grown-ups and is Bonnie and The Bonnettes and Your Aunt Fanny. We’ve just had two weeks R&D together and I can’t give away too much but you’re in for a treat.

Tickets are selling really fast so please grab them whilst you can!

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Bonnie and Fanny’s Christmas Spectacular

Well thanks Becky – that’s a whole lot of something and a whirl wind tour of past, present and future Becky (I watched Muppets’ Christmas Carol recently and I’m running with it). There is STILL time to nab the final few tickets to see Women Warriors tomorrow (9th October) at The Exchange in North Shields – get them from HERE and for anything else Bonnie and the Bonnettes related…. HERE.

That’s all for now Culture Vultures.

This Is Not A Wedding; wedding parties, anarchy and dance….

For this Culture Vulture Interview….i’ve got a goody! I wanted to interview them a few months ago but alas it did not work out. I’ve been watching Gracefool Collective from a far (queen of sounding creepy over here) for some time and their current touring show, is just SO Culture Vulture.

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Full of anarchy, songs you will love, an existential crisis and wedding bells….’This Is Not A Wedding’ is a must see show and it’s coming to Arts Centre Washington on 3rd October – you need to get your tickets ASAP! As someone who is full of anarchy myself, proud feminist and unmarried and over 30, this is all right up my street and so timely…….especially as Mama Horts talks like this on repeat…. ….

”So…when will you get married?”

“Girls with tattoos don’t look very nice in wedding dresses”

“It must not be very serious, if you’re not engaged yet?”

“I always wanted to wear a hat”

“Do you think you will ever get married”

“You know most people your age are married, with a house and kids….”

Uh huh. That’s a lot of pressure. For the record, I’d make a terrible “wife” in the traditional sense – that power relationship has never sat well with me since a child; I remember being so confused as to why women gave up their name and saying to my Mum, “but I really like my name”. I guess marriage is about compromise – but I’ve always seen it as losing my identity, something “grown-ups” did and like a bigger version of Christmas….and I hate Christmas.

However, I treated my 30th birthday like a wedding. It was MEGA – invitations, venue, cake, DJ, cheese cake tower, decorations, speeches, drinks on arrival and I devised a quiz all about myself for attendees……it was my 30th birthday and I can host a quiz about myself, if I want to…..

I digress…. So yeah, weddings aren’t for me. My pals aren’t really the type to get married either….. all in long term things but quite happy as they are. A part from my best Kate, who had the wedding to end weddings…..the only wedding I’ve ever really properly enjoyed going to. It was mint…. Such good time, good vibes and so much cheese. None of the boring stuff……it was genuinely lush and Kate’s take on a traditional wedding.

So I’m loving the sound of Gracefool Collectives’ new show and of course, I’m totally there seeing it at Arts Centre Washington on 3rd October (AND YOU CAN TOO – BY GETTING YOUR TICKETS HERE ) but I thought I’d catch up with Rachel from the company and find out more about these brilliantly talented folk who seem like my creative soul mates.

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Well hello, Rachel, from another Rachel! Do you think they’ve realised us Rachels’ are slowly taking over the world? Tell my readers a bit about you?

I’m Rachel from Gracefool Collective. We four Gracefools, make post-intellectual-pseudo-spiritual-feminist-comedy-dance.

Tell me about your journey into the arts?

I started via the classic route of a baby ballerina in the local pantomime in Bridport, Dorset. I did high octane roles such as ‘sunbeam’ and ‘jewel’ and ‘storm,’ before deciding I liked things a bit more abstract and took G.C.S.E. and A level contemporary dance. After a stint in the youth dance company in Dorset, I thought I’d give dance school auditions a try and somehow ended up at the amazing Northern School of Contemporary Dance.

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Ohhh I was a baby ballerina…..but I lack the necessary grace, precision and I’m not very girly….more stompy! So, how did Gracefool Collective start and what united you?

We were all in each other’s choreographies at NSCD and were united by a general creeping feeling that we found some contemporary dance a little beige. We figured out we preferred disco balls, satire and copious amounts of glitter and it snowballed from there.

In our third year, we made a work together which was an interactive auction with a rapper as the auctioneer and a barbershop quartet of phone bidders. You could bid on lots such as ‘true love,’ ‘mojo’ and my personal favourite, ‘ghost in a jar.’

Now, we make work which is feminist, forthright and fiercely funny. We make wildly entertaining interdisciplinary contemporary performances about the absurdities of modern existence. We aim to provoke, delight, and defy convention through a series of sketches, scenes and images that offer a mixture of play and provocation. This still comes with a side of glitter.

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Honestly, you are all my soul mates… I wish to be covered in glitter at all times and hear the call of the disco ball daily. So, tell me about the show at Arts Centre Washington in Sunderland? When is it?

‘This Is Not A Wedding’ captures the pressure of coming of age in a celebration event like no other. Four bridal-clad women desperately and determinedly offer new versions of long standing traditions reminiscent of rite of passage ceremonies. Over one hour, they embark on acts of anarchy, including a perfunctory sexy version of Pachelbel’s Canon in D and an apocalyptic karaoke sermon featuring Edith Piaf. They roll down the aisle in a ball of brides, perform a robotic bridal march to Taking Head’s Road to Nowhere and make existential speeches questioning the meaning of life. The performers consistently negotiate with the audience – ‘guests’, asking for suggestions and appealing for feedback. Through fast-paced comedic scenes, we communicate our confusion about the expectations of adulthood, all whilst keeping our ‘guests’ satisfied. The pressure and tension of whether we have been successful is constantly questioned. You know that existential crisis about all your achievements that you have when you approach 30? We’ve tried to put that on stage!

This non-wedding event invites audiences to question the rigidity of life’s milestones, celebrating non-conformity, personal choice and the challenge of coming of age.

It’s at Arts Centre Washington on the 3rd October, 7.30pm, £9 / £7.50 (conc) / £5 (Students).

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Yep…. My life is on long existential crisis/ social experiment….. Why did you make a show about weddings? What was the inspo?

In all honesty we started by just wanting to a make a show which had a semi recognisable structure. We thought this might be easier to pin our ideas around! But as all good Gracefool pieces end up, slowly our personal crises entered the work. We were all questioning what we were doing with our lives and what the next steps were. That morphed it into a show which now doesn’t look like a wedding at all, but just uses the idea of the wedding or celebration event to frame our thoughts about the pressure of time and the deadlines society expects us to achieve.

When seeing the title, lots of people have asked if we don’t like weddings, but it’s not as clear cut as that. As feminists we naturally question the traditions that are expected of us as women, but we appreciate the power of bringing two families and communities together and the moments that celebrate being alive. Plus, we LOVE a good party.

Our questions are more about how this seems to still be considered the pinnacle of a woman’s success. There seems to be a point where everyone starts to question when you are going to get married or have children. Deviating from this norm can feel like a real rebellion or even be perceived as frightening or unacceptable. What if you have other priorities or beliefs?

Adding to that, there is a huge amount in the show about time – am I supposed to have done all the things I wanted to by now???

Really, we’re just giving you a window into the inner chaos of our minds.

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I do love chaos….So what can audience members expect and why should they come?

This Is Not A Wedding is for anyone interested in laughing, crying, singing, dancing, coming of age, coming together or coming apart at the seams. Come along for riotous fun, or as one of our audience members said,  “a bonkers hour of clowning & baffoonery … but like all excellent fooling [with] an undercurrent of deep questioning about life & it’s meaning”.

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Any audience feedback so far? Any quotes you can share?

Here are some of the best:

“@gracefoolC ‘s #Thisisnotawedding was brilliant – dark clowning with a serious undertone about life and existence …a Samuel Beckett in a wedding dress!”

“AMAZING! Anarchic, thoughtful, clever, unpredictable, contemplative- surprisingly moving at one moment of bleaker vulnerability. And just hilarious.”

“Totally joyous, cheeky, self-aware, laugh out loud fun and all wrapped up in poignancy. Winner.”

“Such a clever exploration of recognisable rituals, really rich with imagery, feisty and stylish. Impressive stuff.”

“Loved this last night! You’re a mighty, talented and gutsy collective of women with awesome comic timing #Thankyou”

“Thanks for having me, Gracefools! I laughed hard and long – congrats on another great show.”

“You guys completely cracked it…some of the best work I’ve seen in 30yrs in dance and theatre”

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Sum the show up in 3 words?

Anarchic, raucous, unpredictable

Do you have an idea of your “perfect” wedding? (Mine has always been in trainers and non conventional – big party….artist commissions for the decorations)

A massive party with great (preferably unlimited) food and an excellent sound system. I’m getting married next year and there are alpacas at the venue. Perfect right?

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Yesss! If I was getting married Sebastian (my cat) would be my best man…..Why does society fixate on the brides dress? Why does society fixate on the traditions?

I don’t know really, it seems odd when you really look at it. The dress is such a big tradition – we know what a bride is ‘supposed’ to look like. We like things that make us feel part of the ‘group’ and if we all do the same then we’re part of that right?

Or, maybe there is so much uncertainty in life now maybe we like to hold on to things that feel certain? I guess that we like things that make us feel safe and like we understand the,. Perhaps because there is so much choice now, it’s safer to go with the route we know, which is why it can be seen as scary if someone takes a path you haven’t considered. Anything can be scary at first if you haven’t experienced it, or know someone who has. Plus, I suppose as a society we aren’t used to women having lots of choice – so we’re still getting used to women having agency to make varied and different decisions.

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The dresses in the show are amazing, outrageous and difficult to move in. They are real dresses that have been worn for weddings or were bought to be worn at a wedding. A normal bridal outfit is very performative. It really is a costume in a performance when you think about it! What’s interesting is that you can look at hundreds of bridal dresses and they don’t look very different from one another. On this specific day society expects a woman to be at her peak in a very particular way. When seeing this, you question whether the scope of what womanhood is supposed to be is still incredibly narrow. What are we emulating and why? If we are now becoming more open to different ideas about womanhood, why isn’t there much movement in this particular aspect?

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What wedding traditions would you get rid of?

Anything that seems like you are doing it because you feel you have to. Oh and the obey bit. Absolutely not cool.

Why is there so much pressure to get married? I’m 33, unmarried (never been interested in getting married), society makes me feel that it is something i should be doing and lush friends often ask “so when are you getting married”…Spoiler alert: probably NEVER….

It still feels like the pinnacle of women’s achievement is marriage. I think sometimes as a society we can still find it difficult to see a woman as having value on her own, not just existing as an extension of her husband/partner. But I also feel that when those questions come they often aren’t ill-meaning – they’re habit. We’re just taught that that is what we are aiming for as women.

At the end of many fairy-tales and movies you find true love and… well, that’s usually the end! We’re able to question so many more of the things that are expected of us now, to have children, to not have children e.t.c. but it is still against the social narrative to choose a different path. I always think that it’s not all that long since we got the vote and we’re still arguing about whether women should have rights, choices, agency…the list goes on. It takes a long time for attitudes to change. Hopefully the question one day will just be, ‘what do you want to do?’

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Previous shows/projects you want to tell me about?

Our last show This Really is Too Much won the Stockholm Fringe Festival GRAND PRIX, the Swedish Festival’s top award and was part of the prestigious Underbelly Untapped award for innovative new writing at the 2017 Edinburgh Fringe.

It combined dancing with dark comedy to delve into a world of farcical stereotypes and preposterous power struggles, wrestling with gender, identity and social convention. This Really Is Too Much was an outlandish and wildly entertaining medley of absurd political speeches, talent contests and box ticking.

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Highlight for 2019 for Gracefool Collective?

Being one of the top 9 moments on the BBC’s Dance Passion Day!

What does it mean to be a feminist in 2019?

Intersectionality and Listening.

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What’s next for Gracefool collective?

Due to our collaborate ethos and non-hierarchical structure, ideas don’t develop fully until we’re first in the studio for a new work, so… we’ve no idea! It will probably become a work that deals with what we are concerned about now.

At the moment we are thinking about how Brexit impacts upon this as internationals working professionally. We’re dealing with loss, grief, trying to find a sense of belonging and whether or not to have children. This work touches on ideas of impending doom and the apocalypse. We’d love to explore this existential crisis further!

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Wow…..I want to join Gracefool Collective….love what their about and the energy is palpable. I love creative folks with real purpose …

So are you going to join me and come and see ‘This Is Not A Wedding ‘ at Arts Centre Washington, Sunderland on 3rd October? You can still get your tickets HERE!

(#AD) An Indian Abroad: An Interview with theatre maker, writer and…professional wrestling manager(!?) – Pariah Khan

My creative journey started when I began writing – that was always my safe space; making up stories in my own head, wild and fantastical and writing them down. I was a big fan of make believe – I could spend an entire day on my own, in my own head having an absolute ball, adventures and I’d write all about it.

When I got older – I really hated being an introvert. Being so much in my own head – sometimes I preferred it there (sometimes I still do)…but I recognised that I needed to engage, to communicate, to socialise, to interact with the world to make sense with it, to experiment and theatre and drama became my safe space to do that. It was always hard, terrifying but I grew to fall in love with the being a part of theatre making and drama.

Now I was never the star of the show…..I was not really a natural performer but I forced myself to do it so I could prove a point and learn how to command a space and an audience. But I loved being part of a production and I still love being a part of the theatre. I work with lots of performers and theatre companies now at The Culture Vulture and it’s an absolute delight. I also attend the theatre as much as I possibly can…..theatre to me, is the same to others as reading a book. It’s not a one off, or a once a year activity….I love going regularly, discovering new writers, new performers and it’s the type of activity that I just really love; it feels good for my soul and it feeds my curiosity. As an introvert, I really love escapism…. And theatre, seeing a show is exactly like that, escaping into someone else’s’ constructed creative reality.

Now very few writers are theatre makers or performers. Very few performers and theatre makers are writers. Totally different skill set – but a gifted few out there are all three. This talented elite are all singing and all dancing and usually make great theatre. But there is an even MORE, crème de la crème within this elite and that’s those who can write, make theatre, perform AND make you laugh…. I’m about to introduce you to one such person and the subject of this blog post – Pariah Khan!

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Pariah Khan is a writer, performer, filmmaker and professional wrestling manager (naturally). He was named one of Bristol’s most influential young people for his work in theatre and comedy. He was selected by BBC Three and The Latimer Group as one of the UK’s top 50 creative young people and he was selected by Channel 4’s Random Acts to write and direct his first short film ‘Slice’.

Basically, he’s super talented and he the man behind An Indian Abroad, coming to Northern Stage on 20th July as part of GemArts Masala Festival. Tickets are from £10.

This wonderful show tells the story of Krishnan, stifled by life in middle-class India and desperate to see more of the world, he visits the exotic island of Great Britain to learn about life and who he is. What does Krishnan’s journey teach him about the world? What might he learn about himself? And what happens when he falls in love with one of the natives?

Reviews:

“A shrewd and bitingly funny send-up of the ‘spiritual journey” ★★★★ Pub Theatres Magazine

“With precision, smart observational writing, and a small selection of props, Khan has created something really wonderful – a warm, funny, and thought-provoking piece of theatre” ★★★★ Stage Talk Magazine

“That Pariah Khan is a smart man. It’s a jaunty hour, full of well-timed gags yet beneath the joviality, there lies an acerbic touch” ★★★★ Bristol Post

“A generous and hilarious writer and performer with a keen eye for detail and impeccable comic timing. Hari has a big future ahead of him” Nikesh Shukla, Editor of The Good Immigrant

Basically, it’s going to be hilarious and it’s a must see as part of GemArts award winning Masala Festival at Northern Stage. And naturally, I was curious about this talented theatre maker and part time wrestling manager……so I embraced my inner Martin Bashir and decided to get in touch, to interview him…..

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Pariah Khan: The Interview

For the record, please tell me who you are?

Pariah Khan, the Prince of Persuasion, the South Asian Sensation, the Bodacious Bro with a Bebop Flow and Writer & Performer of one man show An Indian Abroad. I work in theatre, stand-up, film and I’m a professional wrestling manager.

I love hearing about people’s journey into the creative sector and performance, it’s always so colourful and different…..so, tell me about your journey into writing and performing?

I never grew up around theatre or was that interested in it, apart from studying Blood Brothers at school. I decided to take Theatre Studies at A Level because I thought it would help my performance skills in order to get into wrestling, and just like that I fell in love with theatre and performing.

I carried on through sixth form and university, but when I graduated I wanted to give wrestling a go. Since then, I’ve developed a unique style, performing in front of different audiences; theatre, wrestling and stand-up. This has influenced the show (An Indian Abroad) because my director (Eduardo Gama from Manga Theatre) and I wanted to create a blend of two art forms, combining the subtlety and precision of theatre with the openness and honesty of stand-up comedy. I would say working with Ed has been a vital part of my growth as a performer.

Is this your first show or have you written before?

This is my debut production, and it’s been unbelievably exciting. I’d written smaller scripts beforehand, 10-30 minute pieces showcased at scratch nights, a short film through the Random Acts scheme; but I’d also had experience writing two original full-length musicals during my time at university. All of those experiences were vital for giving me the confidence to pursue a career in the arts.

That’s really interesting – I know so many performers, theatre makers and animators who started their “professional” creative journey through Random Acts! How did go from writing musicals to comedy writing…. Have you always been funny?

There’s an energy and excitement that comedy brings to scriptwriting and live performance and it’s something I’ve always been drawn to. I don’t particularly enjoy writing straight drama or other genres, whereas I absolutely relish comedy, dark comedy and satire. Most of the work I write now has a satirical or subversive nature to it. I’m not sure if I’ve always had a strong sense of humour but I do come from a very funny family, one that celebrates good company and storytelling. I’m not sure if it’s related but I started finding my comedic voice around 13 when my parents separated.

How did you end up being a part of this year’s amazing Gem Arts Masala Festival and part of the programme?

I took part in a Black Box Showcase event at York Theatre Royal where I was invited to perform an extract from the show An Indian Abroad. Vikas saw that I was programmed but wasn’t able to make it, however he approached me to see if I’d be interested in bringing the show to Gem Arts Masala Festival, and here I am!

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Sounds like it was fate….Have you been to “the toon” before? If not, what are you looking forward to most?

I haven’t been there before so I’m quite excited to explore the city. My usual habit is to eat at a local tea room, take a walk through any nice parks and try to catch a show at the venue (or perhaps any of the other wonderful programmes as part of the Festival). However, The Lion King is being released that weekend, so I might try to catch it sometime.

Well as The Culture Vulture, if you need any recommendations for places to see, do, eat…I’m your gal! Right, now onto An Indian Abroad; tell me about the show…

An Indian Abroad is a one man comedy show following Krishnan, a young man from India who decides to take a gap year to Britain to ‘find himself’. It’s an exploration of race, culture and identity in contemporary Britain which is refreshingly honest, heavily autobiographical and entirely false.

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Sounds brilliant and right up my street…but why should people come to see it?

I’m very proud of my show; I feel it intertwines comedy, narrative and more serious elements in a unique and interesting way. If you have an appetite for more diverse stories, are looking for a night full of laughs or are a fan of great theatre, come see An Indian Abroad on July 20th at Northern Stage, as part of GemArts Masala Festival. .

What would you like audiences to take away from seeing the show?

There are several themes and issues explored in the show and from speaking to audience members afterwards, different people strongly resonate with completely different sections. All I can do is present my show, the rest is up to them.

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What was the inspiration behind writing the show….you’ve said it’s autobiographical but also entirely false!?

I moved from India to England, then England to India, then back again. I’ve had the opportunity to see India from a British point-of-view and Britain from an Indian point-of-view. Each has allowed me to truly appreciate and love each culture, but I’m not blind to the negatives in each. So listening to ‘gap yah’ students talk about these transformational experiences they underwent travelling to an ashram in India, really got on my nerves. I felt Karl Pilkington’s bitter, miserable approach to travel was far more authentic, so I decided to flip the gap year concept on its head, in order to expose the ludicrousness of such an exoticized or fetishized narrative.

(For anyone who hasn’t seen the “Gap Yah” sketch… you can watch it here.)

Have you ever had a “gap yah” type of adventure?

No gap years, however I’ve felt like the past 12 months touring this production has ironically been a sort of gap year in terms of learning and growing from it. I moved around a lot when I was younger – born in Libya, moved to India and then to England (and back and forth again) – so the long term travel bug never bit me.

What do you think people think, when they visit/come to live in Great Britain? Is there a particular quirk that you think stands out?

I think my parents’ generation saw Britain as a land of hope and dreams, with the potential for a “better life” and greater opportunity. Years on, I think they found out that wasn’t quite true and life in India would have been fine. But for a more detailed look at what people think when they visit the UK, then they will have to come see An Indian Abroad on 20th of July.

Tell me a bit about being chosen as one of the UK’s top 50 creative young people in the UK?

It was pretty cool, I was chosen as one of 50 people to help BBC Three’s early stages of moving to an online only platform. I learned a lot through that about writing treatments and pitching projects, and the overwhelming likelihood of rejection in the industry.

As an aside; tell me about the professional wrestling management?

I’ve loved wrestling ever since I was young, the battle between good and evil, the ability for characters to change for the better or betray the trust of everyone around them, it harkens back to Greek theatre, or physical theatre. It has been described by WWE wrestler Daniel Bryan as the purest artistic expression of martial arts and combat, which is a fascinating device to frame conflict and resolution.

Back to An Indian Abroad, can you try to sum it up in three words?

Funny, honest, surprising.

What’s next for you?

I’ve really enjoyed touring this show and being invited to different cities to perform. Part of me is ready to start writing the next show; then again, Phoebe Waller-Bridge didn’t stop with a theatrical version.

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And there you have it Culture Vultures – I’m very excited to see An Indian Abroad and escape into Pariah’s world! Expect brilliant writing, lots of laughs, an increased awareness of how ridiculous “gap yahs” are and a brilliant addition to this years’ GemArts Masala Festival. Tickets are flying – so make sure to nab yours which you can do from here!

(Full disclosure – I have received free tickets to see the show at Northern Stage and have an on going short term partnership relationship to champion GemArts Masala Festival 2019)

Gateshead Silent Film Festival 2019 – the low down

So now we are half way through January (how did that happen?!?), I hope you have your diaries full of events, happenings and plans for 2019…….there are so many amazing things going on in the region and my last post covered just a few of my top picks! One of my recommendations was the Gateshead Silent Film Festival – I’ve got my ticket and I’m so excited to go! It will be my third time attending and each year it just gets better and better, and as a Gateshead lass, I’m so proud that something like this happens right here, on my patch!

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This year’s Gateshead Silent Film festival, a collaboration between St Mary’s Heritage Centre & Side By Side Arts; two nights of silent movies accompanied by ‘live’ piano music.

Friday night is ‘Horror’ night showing the 1925 seminal American silent horror ‘Phantom of the Opera’. Scream for Pizza are serving a range of their ghoulishly gorgeous fresh made pizzas from 7pm, and a pay bar is available too. Tickets available here.

Saturday night is ‘Comedy’ night showing ‘Girl Shy’. The Poor Boy (Harold Lloyd) is a bashful tailor’s apprentice who longs to be a published author. Heading for the city to sell his romantic anthology, he encounters the Rich Girl (Jobyna Ralston) on a train, and he helps her hide her dog from the conductor. Excited about a budding romance, the Poor Boy goes off to a publisher and gets rejected. Disheartened, he gives up on the Rich Girl. However, when the publisher changes his mind, the Poor Boy tries to rekindle the spark of romance. Scream for Pizza will also be back serving from 6pm and bar open from 7pm. Tickets available here.

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But instead of me jabbering on about why you need to get tickets for Gateshead’s Silent Film Festival, I thought I’d catch up with Mr Gateshead Silent Film Festival, the Director of Side By Side Arts – Stuart Angus. We caught up recently (before Christmas) and bonded over Stuart’s FANTASTIC gin collection and I had the privilege of finding out all about Side by Side Arts and what is in store for this year’s Silent Film Festival!

Let’s start at the beginning for my fellow Culture Vultures – who are you?

My name Stuart Angus and I am the Director of Side By Side Arts.  I’m originally from Northern Ireland, but moved across when was 18 to study music at Newcastle University and fell in love with the North East so stayed!

The North East tends to do that, once you arrive here, people don’t want to leave/we don’t allow you to leave. So Side By Side Arts, what is it and what does it do?

Side By Side Arts is a Community Interest Company which aims to bring performing arts opportunities covering music, dance and drama to people in the North East who would not normally have the opportunity to take part. Currently we run stage schools for children, supported by partners and various funders, which enable young people from lower income backgrounds to take part. We also lead the Low Fell Community choir, have a music tuition studio, run group and individual piano lessons and even run an annual Silent Film Festival!

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Stuart leading Low Fell Community Choir at BALTIC as part of Great Exhibition of the North

You’ve just mentioned The Silent Film Festival, that’s what I want to hear more about! Tell my fellow Culture Vultures, what’s happening and what’s on across the festival?

The Silent Film Festival is now in its third year and run jointly with St Mary’s Heritage Centre. This year we are even bigger and better running three events, all celebrating the magic of silent film, over the 25th & 26th January.

Friday 25th January is horror night! Enjoy the gothic settings of St Mary’s while watching the all-time horror classic ‘Phantom of the Opera’.

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Saturday 26th sees the venue transformed into the St Mary’s Speakeasy where the hilarious Miss Dixie Swallows introduces the comedy film ‘Girl Shy’ featuring Harold Lloyd. This is a great love story about a guy who thinks he knows how to make women fall in love with men, but in reality can’t speak to a girl without stuttering!

Both evenings will be accompanied by myself live on piano, a pay bar open and the delicious Scream for Pizza will also be cooking up a storm!

This year for the first time we are also holding the family funny bones hour where we will be showing three short comedy silent films, one of which will be accompanied by myself on piano. These are three of my most favourite short films and the one I am accompanying live is my all-time favourite (Buster Keaton’s One Week). This event is especially for families to come along, be thoroughly entertained and have a great time together as a family.

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I really like your choice of films – Girl Shy is just fantastic. What made you select this year’s films?

I chose Phantom Of the Opera because most people are very familiar with the Andrew Lloyd Webber version, but the silent film is where it all began and a true class. I wanted to show the original film and surprise people with a similar story line but with music that you wouldn’t necessarily associate with the film.

Last year for comedy night we showed Charlie Chaplin and the year before we showed Buster Keaton, so for 2019 following on with the theme of showcasing some of the silent film comedy greats, we thought we’d let Harold Lloyd have a turn this year! Every year, I like to show a film which people are a bit less familiar with (everyone knows the scene where Harold Lloyd is hanging from a large clock face) and ‘Girl Shy’ has all the elements to make a great comedy film from a love story, through to hilarious slap stick and even a comedy chase!

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St Mary’s is just such a perfect venue for this type of event and as always, can’t wait to see it for horror night– from your perspective why did you pick this as your Silent Film Festival home?

St Mary’s is a fantastic venue and is so versatile in its uses. Who could imagine that such a place could host a wedding one week, a conference or a workshop the next and then even a silent film festival?!?! The gothic setting of a church is amazing to show horror films while speakeasies appeared in the most unlikely of places during the 1920’s prohibition, so where more unlikely to have one than in an old church?

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I’ve heard lots of people talking about this year’s festival – like they’ve just discovered it, which is always a great sign! But this is actually its THIRD year – how did it all start?

It all started with me going to the Heaton Park Silent Film Night which used to be held in the Summer time. From here I discovered silent films and in particular Buster Keaton. This inspired me to write my final dissertation on the evolution of silent film music and from there my love for the silent film era grew! I was really sad when the Heaton Park Festival ended because of the loss of funding and really wanted to bring silent films back to the North East!

You introduced me properly to silent films and since the first festival, I’ve been keening watching them and I’ve discovered that watching silent films was (and still is) actually anything but silent! People watching giggled, socialised, drank and of course, lots of live musical accompaniment. You’ll be doing live piano along to the films to bring them to life – are you doing a special score?

Every performance that I give is a soundtrack that I have compiled especially for the showing using a massive array of music, a lot of the music you will hear is taken from original music that would have been used to accompany films.

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Why do you love Silent Films? Why is it important for people to fall in love with the genre today?

I love silent films because they don’t have any of the mod cons that you would expect to see in modern cinema. All of the actors do their own stunts, there was no CGI and most importantly the main way that they could tell a story effectively was by using music to match with what you see on the screen.

It’s really interesting that the whole perception of what you watch and experience can be altered by what you hear! That’s why the musician’s job in the silent film era was almost as important as the actors who were on screen. It also led to so much more including folly artistry to provide sound effects which ultimately developed into what we recognise now as a modern day film score.

What I find interesting is that nowadays audiences are looking for that fully immersive experience while watching a movie; from attending showings with live orchestras playing the movie’s scores through to audience participation and live actors interpreting what is shown on screen simultaneously, so of course, what better way to enjoy a film than going back to where it all began?

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For people who haven’t seen any Silent Film before but just fancy a lush different night out to get them through January (it’s a long bliddy month), what can they expect if they get a ticket? Why should they get a ticket?

For people who haven’t watched a silent film I need to ask where have you been for the past two years!?!?!?! Coming to an event like this means that you are able to appreciate a film which is very cleverly made. While you’re watching you will get so engrossed in that you almost forget about everything around you because it is so visual! You can expect to have a unique experience with what you hear as the soundtrack is compiled especially for the event and not forgetting the amazing Miss Dixie on the Saturday night adding that extra bit of comedy!

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What’s next after the Silent Film Festival – what do you have planned for 2019?

2019 looks to be a busy year so far! I have a great project coming up with Imagine Gateshead where I will be working with a group of children to write a song about what they think Gateshead will be like in 100 years’ time! The Low Fell Community Choir are working on lots of great new music and getting ready to perform it over the coming months and I will also be growing the music studio. But most excitingly, I have a couple of new tutors who will be joining me over the coming weeks to take Side by Side Arts to the next level – so singing lessons, dance etc will be added to our growing offer!

You teach the piano and run lessons for adults and children – you’ve promised to give me a lesson or too (I’m not very musical), I need to know what you are going to teach me on the piano? My musical profile consists of Little Donkey on the recorder, The Rugrats theme tune on the glockenspiel so I’m eagerly awaiting another string to this bow…

I really don’t think that it is true that people aren’t musical….. you just have never had the right teacher! I firmly do believe that if you have the willing to learn something like piano and are happy to take 10 minutes a day to do a little bit of practice that you can learn to play in no time at all! (rant over!) So having said that my aim for you is to teach you a Britney Spears song as I know how much you love her!

Proud Britney Spears super fan right here…..right now I’m excited for my lesson. You also head up Low Fell Community choir and keep trying to get me join…… right this is your chance, 30 second pitch. I can’t sing, but love to sing as it makes me feel a bit lush inside….why should I join? If I join, can we do some Tina Turner or Britney? (non-negotiables)

The Low Fell Community Choir is a really friendly and welcoming choir, just like I say anyone can be musical, we really do believe that anyone can sing! We meet every Sunday at 5:30 at the Nest in Low Fell, there is no audition to join, you just have to turn up and sing! I teach everything by singing it to you and then you have a go at singing it back!

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Last year we did some amazing music from an Abba medley through to Adel’s Make You Feel My Love and big classics like Don’t Stop Believing! This year we are working on more epic tunes from Queen’s Somebody To Love, through to songs from Greatest Showman, a few modern day hits and yes! There is even a Tina Turner song to be learnt, but I’m not going to tell you which one – you’re going to have to come along to find out!!!

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I can feel my little feet stomping a la Proud Mary, in excitement already. So Culture Vultures, 25th & 26th January is this year’s Gateshead Silent Film Festival. Tickets are flying and it’s going to be a great weekend of silent film. I will be there lurking in the shadows on horror night, hanging out with minis (more on my level) for Funny Bones hour and cackling away at the back for comedy night.

If you see me – say hiyer and use the hashtag #GatesheadSilentFilm19 on social so I can track your silent film festival shenanigans!

That’s all for now.

Events and Happenings to look forward to across the North East for 2019

So I’ve been plotting and planning this blog post for some time – but you know what it’s like over the festive period…..always more cheese to eat, more gin to drink, another cat to stroke…..

Lots of you send me messages via my various social media channels asking for my recommendations of things to do, happenings, events etc – so I thought I’d write a blog on the things that I’m excited and looking forward to in 2019. There are so many amazing events, exhibitions, performances, happenings, things to see, do, visit, coming up, that it’s impossible to include them all but these are the ones that give me excited butterflies……

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New Year New Artists – Thursday 17 January – Sunday 20 January

If like me New Year and January is all about trying and seeking out new things and you’re feeling musically experimental after BBC3 Radios New Music week across the first week of January, then THIS is for you. I get SO stuck in a music rut through-out the year – but I love gigs, discovering new bands, singers and types of music that day to day, I’d probably not be open to.

New Year New Artists at Sage Gateshead, in association with my pals at NARC Magazine, brings together stars of the future; a weekend full of new music, different genres and artists of tomorrow. You can say you saw them here first!

The programme this year is amazing but if I had to pick a Culture Vulture recommendation it would be to go to Saturday 19 January – BBC Introducing in the North East Presents. This evening will be filled with exciting emerging artists, unsigned, undiscovered and under the radar music across the UK. The line-up includes the AMAZING Beth Macari, who if you are a lover of the regional gig and live music scene, you’ll have seen and fallen in love with her, like I have. She is certainly one to watch!

Ticket/Entrance Cost: Various prices per gig/festival pass (and some are free!)

How to Book: Sage Gateshead Website

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Gateshead Silent Film Festival – Friday 25 January, 8pm & 26 Saturday January, 8pm

This is now in its third year at St Mary’s Heritage Centre and is run by the incredibly talented creative Side By Side Arts.  If you haven’t been to St Mary’s Heritage Centre – then please you MUST go and this is your perfect excuse! It’s one of my favourite venues for an event; think converted Church, atmosphere, bit gothic and PERFECT for a silent film fest!

Side By Side Arts present two nights of silent films accompanied by live piano music, taking you back to 1920s where film making was pure gold, without special effects. Night one is ‘Horror night’ with a screening of The Phantom of the Opera, a 1925 silent horror classic, about an enigmatic masked presence. Night two is ‘Comedy night’ with a screening of Girl Shy, a silent comedy classic about ‘Poor Boy’ heading to the city to sell his romantic anthology and stumbles into a romance of his own! Night two is also being brought to life with compare and Rusty’s legend Miss Dixie Swallows bringing some class and sass to the proceedings. New for this year, is the addition of Scream for Pizza serving up their lush pizza and of course, there is a pay bar and each night ends up with dancing (or in my case twirling) to 1920s-40s music.

Ticket/Entrance Cost: £10 per night (each booked separately)

How to book: Gateshead Council Box Office Website – Horror Night / Comedy Night

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Leonardo da Vinci: A Life in Drawing – Friday 1 February – Monday 6 May

In February 2019, to mark the 500th anniversary of the death of Leonardo da Vinci, 144 of the Renaissance master’s greatest drawings in the Royal Collection will go on display in 12 simultaneous exhibitions across the UK including Sunderland Museum and Winter Gardens! Sunderland has got it going on at the moment and we are SO lucky to have this on our door step – it’s a MUST visit!

1st Feb marks the opening weekend of Leonardo da Vinci, A Life in Drawing – and if like me, you’re all about being there first, then it’s all about the opening weekend! The exhibition is your rare opportunity to see the extraordinary drawings of Leonardo da Vinci from the Queen’s Collection. The drawings on selected for display reflect the full range of Leonardo’s interests and his innovation – painting, sculpture, architecture, music, anatomy, engineering, cartography, geology and botany.

Keep an eye on Sunderland Culture social media and website over the coming weeks for a wide ranging programme of supporting events and activities for families and adults through-out the exhibition period.

 

Even though the exhibition doesn’t open until 1st Feb – tickets are on sale now and I do recommend pre-booking yours to avoid disappointment.

Ticket/Entrance Cost: £2.50 per person & Under 16s free (but ticket still needed)

How to Book: Visit the Sunderland Culture Leonardo website page.

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Sunderland Comedy Project- Thursday 7 February, 7.30pm

With Jesterval Comedy Festival, South Tyneside Comedy Festival, Arts Centre Washington comedy programme and of course, The Stand Comedy Club, I think we do pretty well for comedy. I love attending comedy shows and seeing touring comedians. However, I’ve just found out about The Sunderland Comedy Project and their monthly shows with regional comedians at the lush Sunderland venue, The Peacock. This is a MUST for this Culture Vulture in 2019….

The Sunderland Comedy Project has just announced their February show and line-up; I’m buzzing that Jesterval fave (and organiser) Dave Haddingham is comparing for the evening. Now, I’ve seen Dave many times before and I’ve go to this, just for him alone – he’s hilarious! Other acts announced so far are Karen Bayley and Vince Atta with more to come. This sounds like a great night to discover some new comedy; I will be cackling in the back!

Ticket/Entrance Cost: £10 per-booking or £12.50 on the door.

How to Book: Visit the Jokepit online box office.

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Screenage Kicks: True Romance- Thursday 14 February, 7pm

After a year-long absence, which left a hole in my social life heart, Screenage Kicks is back with a vengeance in 2019! Now, if you haven’t heard of Screenage Kicks – well they are a MUST for you in 2019. Screenage Kicks creates bespoke immersive pop up cinema events celebrating absolute cult cinema classics in truly unique locations. They have to be experienced to be believed – but think live music, character performance, beautifully themed venue decorations and special touches inspired by the films themselves.

So, here they are back for 2019, returning with their first ever (Anti) Valentines special, screening one of their (and mine!) favourite cult classics, Tony Scott’s beloved ‘True Romance’. Presented in full Screenage action packed glory, within the unique and romantic surrounds of a space never yet used by Screenage Kicks; The Assembly Rooms is set to be transformed into The Beverley Ambassador.

Ticket/Entrance Cost: £22 or £39.60 for a couples ticket (Please note – this is NOT a couples event – everyone and anyone is welcome!)

How to Book: Visit the Seetickets Screenage box office.

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The Art of Taxidermy: Artist Talk- Saturday 2 March, 11am

With Taxidermy and Entomology having a big revival and growing in popularity – are you feeling a bit curious? Have you thought about having a go but a bit unsure? I certainly have! Moreover, I have so many questions! Moth Studios are the leading Taxidermy and Entomology studio in the region, hosting a wide range of workshops in their own studio and all their items are responsibly and reputably sourced – for one special morning, Moth Studio is hosting a talk at St Mary’s Heritage Centre Gateshead (what a PERFECT venue for it!?).

In this artist talk and demonstration with Moth Studios, they will share their visionary way of re-introducing Taxidermy, Natural History and Entomology into contemporary lifestyle, exploring techniques they use, hints and tips for your own pieces and how you can get involved in the practice.

The talk is such a unique opportunity to find out more and will close with a Q&A so you can truly satisfy your curiosity.

I really love an Artist talk!

Ticket/Entrance Cost: £6 per person

How to Book: Visit the Gateshead Council box office

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Where There’s Muck There’s Bras- Wednesday 13 March, 7.45pm

This beautiful show at The Northern Stage celebrates the ‘real’ Northern Powerhouse – the sung and unsung women of the North of England. Its politicians, entertainers, musicians, sportswomen, activists, writers, innovators and mould breakers – women who are often missing in the ‘standard’ Northern Powerhouse who (in my opinion) consist mostly of white men in suits. I mean how tragic was the line-up for the Business Conference during Great Exhibition of the North!?!?! I’ve felt more inspired by a smack in the face….

In this hilarious and thought provoking show, stand up poet and Radio 4 regular Kate Fox and actor Joey Holden champion #lasses such as Britain’s first astronaut Helen Sharman, the first female speaker of the House of Commons, Betty Boothroyd and music hall star the inimitable Hylda Baker alongside some #lasses you may not have heard of, Liverpool’s Hilda James who introduced the front crawl to the UK, Lilian Bader, one of the first black women in the RAF and “Red Ellen” Wilkinson the MP who led the Jarrow March!

I heard AMAZING things about this show during its mini tour last year so I’m mega excited to see it myself! In addition to Northern Stage – it’s playing all over the North including Darlington, York, Halifax, Middlesbrough and many other venues – visit Kate Fox Facebook for full tour details.

Ticket/Entrance Cost: From £10 per person

How to book: Northern Stage Website – Where There’s Muck There’s Bras

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Curious Arts Fundraiser – Friday 16 March, 8pm

Curious Arts champions and develops LGBTQ arts, artists and audiences across the North East. Their work, events and yearly festival in July celebrates and explores Lesbian, Gay, Bisexual, Transgender and Queer Culture through the arts. Every event, I’ve attended has blown my mind – interesting, high energy, such a memorable experience and guaranteed that you leave curious for more. In short, I love everything they do. They haven’t announced their festival programme for July 2019 – but I can promise you, it will be amazing!

However, they have just announced their fundraiser evening at Alphabetti Theatre; this evening directly supports the Curious Festival 2019 programme. Last year was a BLAST, so you can expect a line-up packed full of talented performers, dance and drag artists with the proceedings most likely led by Mutha Tucka. I promise, you will laugh until your sides hurt, see performers from the region doing amazing things showcasing the unreal talent we have in the region and you’ll end the night dancing away in Alphabetti’s theatre bar.

And if like me, you’re curious for more or if you can’t make the fundraiser – they also have Northern  Stage is Curious: 2019 on 1 June, for a preview of what to expect from award-winning Curious Festival 2019;  an evening of comedy, theatre and performance from established and emerging Queer Northern talent.

Ticket/Entrance Cost for Fundraiser: £10

How to book: Via the Curious ticket website.

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The Bon Bons Cabaret: God Save the Queens – Thursday 28 March, 9pm

Bonnie and The Bonnettes and The House of Love are back with another one of their fun, feisty, entertaining and infamous Bon Bons Cabarets; God Save The Queens. Tonight they explore and celebrate what it takes, to be a Queen! Whether it’s Mariah Carey, or Mary Queen of Scots, these Queens have always got the job done. From a culturally shifting Christmas number one to running the entire country of Scotland, they inspire generations, they make their mark, their voices heard; they are true Queens. During the night, Bonnie and The Bonnettes explore what exactly makes a “Queen”? Are you born one? Do you transform into one? Do other people’s love and adoration make you become one?

Get ready for a night like no other at Alphabetti Theatre and remember to wear your crowns and tiaras!

Ticket/Entrance Cost: £7 (£5 concessions)

How to book: Via the Alphabetti Theatre website

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The Guilty Feminist- Saturday 4 May, 6.30pm

The Guilty Feminist podcast has become a comedy phenomenon with over 50 million downloads since it launched in late 2016 – it is pretty much my life Bible and small bit of sanity during periods of absolute insanity. I actually didn’t know this was even coming to Newcastle’s City Hall until I was tagged into a social media post and the lush ladies from Third Space Events sorted me a ticket to join their gang! I am so excited – I will be fangirling and whooping like a cracker!

Lush megababe – Comedian Deborah Frances-White and her guests discuss things which all twenty-first century feminists agree on – while confessing the insecurities, hypocrisies and fears which undermine those noble goals. For this special touring version of the show, Deborah will be joined by some of your favourite comedians, guests and musicians from the podcast for a celebration of how far we’ve come, and a conversation about what remains to be done.

Now in a world where “feminism” has become a bit of a (sadly) negative term…. I promise you this evening will have you giggling, thinking “oh my god – ME TOO” and walking away empowered. #LASSES

Ticket/Entrance Cost: £26.50 – £32

How to Book: Visit the Theatre Royal Website

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Elmer’s Great North Parade – Early August – November 2019

In 2016, did you (like me) fall in love with Snowdogs? I was a one woman advocate and superfan! LOVED IT! So I’m so excited that another mass Art participation event is planned for 2019, an even bigger set of feet will be parading through our region’s streets, parks and coastline – Elmer the Elephant’s ‘Great North Parade’, in support of St Oswald’s Children Hospice, is coming to town!

This beautiful art trail made up of individually designed sculptures based on the much loved Elmer character will stomp its way across the region for 10 weeks from August to October 2019.

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It will be similar to in concept to last time – expect Elmer’s across Gateshead, Sunderland, Newcastle, Northumberland & South Tyneside designed by local, regional and International Artists with one or two celebrities thrown in for good measure. You will be able to follow a paper trail map or an app on your phone in order to follow the trail alongside lots Elmer themed events across the whole region.

I am sure Elmer will absolute capture the hearts and minds of the region again – getting you all to be tourists in your own town. I am SO bliddy excited for this and it’s just fantastic that it benefits St Oswald’s Hospice; I was humbled recently, when I was invited for a tour of the hospice and hear about all the great work they do.

Keep an eye on the Facebook page for announcements or sign up to the mailing list.

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World Transplant Games 2019- Saturday 17 – Saturday 24 August 2019

If like me, you get borderline obsessed during the Olympics, then you’ll be super excited about a week long of live sporting events right here to the region. Held over seven days, the Summer World Transplant Games are held every two years in host cities around the world. I’m over the moon NewcastleGateshead have been chosen to host.

Summer 19 will see around 3000 visitors from 70 countries come to NewcastleGateshead to compete; competitors are aged from 4 to over 80 and will all have had lifesaving organ or tissue transplants. There will be events for living donors and donor families, as well as a number of social and cultural events for the public – alongside the obvious opportunity to attend the Games to watch at venues like Gateshead International Stadium. Sports will include archery, athletics, badminton, basketball, cycling, darts, football, golf, volleyball, petanque, squash, swimming, table tennis, ten-pin bowling and tennis.

Details about pricing and how to book are yet to reveal – follow the Facebook event page to keep in the loop!

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Well that was just a flavour of a few of the things I’m excited for across 2019….. quick shout outs also go to:

No28 – their themed quiz nights are amazing – I had a blast at last year’s Peep Show one!

MAPS Festival by Chalk – a creative and immersive weekend of art, music and play aimed at children under 8 and their grown-ups.

Lundgren Tours – they are yet to announce their tours for 2019 – but I’ve heard rumbling of Lake District and as I’m trying to get back to my outdoorsy best, I’m excited!

Tyneside Cinema – I’ve fallen back in love with the cinema again and one of my New Year’s Resolutions is to go to the cinema at least once every two weeks…. Tyneside always feature amazing films and host unique film events.

Low Fell Food Market – Everyone loves a food market and I especially love Spring/Summer ones in Saltwell Park and Gateshead (easier for me to roll home full). They are yet to announce dates – but they are coming!

Great Northumberland – After the MASSIVE success of last year’s Summer event season, it’s no surprise that I’ve heard rumours of this happening again! I really love Northumberland and the programme of events they put on so I’m eagerly awaiting more news and I will update you as I find out!

That’s all for now Culture Vultures!

 

 

Mixtape 90s: The Six Twenty

We all know I love theatre, I love a good old night out, buzz light years over a pub quiz and currently experiencing an intense nostalgic love affair with the 90s….. so Sunderland Stages bringing Mixtape by The Six Twenty to The Peacock in Sunderland is right up my street. Sunderland Stages is all about bringing theatre to unexpected places in Sunderland…..and of course, theatre in an actual pub is pretty unexpected and lush.

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Mixtape is an immersive performance pub quiz….. The Six Twenty have taken it to festivals, Live Theatre and other venues, all with sold out performances. I’ve heard rave reviews so I’m super excited to attend on 30th June…. (tickets are available now – bring a group, bring yourself and in typical 90s Nirvana style – ‘come as you areeee!’)

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It’s also a perfect opportunity to check out the newly opened Peacock venue – a beautiful independent pub within Sunderland’s thriving cultural quarter….. I’ve heard they do a corking Sunday lunch too.

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And, The Six Twenty are a Newcastle based theatre company that is growing and has big plans for the future so this is an opportunity to check them out and their work…..

I caught up with The Six Twenty’s Artistic Director, Creative Producer and all round absolute megababe, Melanie Rashbrooke, to find out more and all about 90s Mixtape….

Hi Melanie, right tell me about The Six Twenty?

The Six Twenty are dedicated to creating playful, entertaining and immersive theatre that’s ambitious and fun. We make new work and also produce re-imaginings of classic and contemporary plays. We tour throughout the UK to theatres, outdoor spaces and unexpected places. We hope to make theatre that inspires, moves and creates conversation and brings people together.

Now tell me about Mixtape?

Mixtape is our infamous comedy music quiz show. It’s a unique concept that was invented at The Six Twenty and is performed and created by a brilliant band of theatre-makers, comedians and musicians who we call Mixtapers. Basically The Mixtapers perform comedy sketches that are created entirely out of song lyrics; the song lyrics can be reordered and repeated but no additional words can be used. Plus the sketch can’t be longer than the running time of the track that inspired it.

The Culture Vulture: I literally feel sick with excitement at the thought of this already….. I know 90s songs inside out…….

The audience plays along in teams and tries to guess the songs, bands and artists that inspire the sketches. The team with the most correct answers at the end of the night wins one of our highly coveted Golden Mixtapes. Each of our shows is themed and the next one is The 90s so expect a mix of pop classics, Summer anthems, dance tracks and Brit Pop!  It’s a really fun relaxed show that’s great for music and pub quiz lovers as well as theatre fans.

The Culture Vulture: New life ambition is to own one of these golden Mixtapes…….

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What’s it been like getting rave reviews and sell out shows!?

It’s been great to see the show grow and build a real following. I’m particularly excited by the feedback we get from audiences – especially people who might not attend the theatre that much and who really enjoy the show.

The Culture Vulture: As someone who works on events and organize my own, feeding off the audience buzz and interaction is what feeds the want to do another event. It’s lush when people enjoy and champion what you’ve put on and of course, had a lush time!

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What was the show’s inspiration?

It was something I dreamed up whilst I was working on a writing project with Write on Tap (a group of writers based in Newcastle). The theme for the project was ‘Who I am with You, Who I Am Without You’. I decided to challenge myself by writing a short script using just the lyrics of the U2’s song…yes that one! And thus Mixtape was born.

Also, I love my music and who doesn’t love a good old pub quiz!

You’re bringing Mixtape to Sunderland 30th June, the Peacock….tell me about the show?

We’re bringing our new 90s show; the show recently premiered at Live Theatre (where we create all of our new shows) to a sell-out crowd. Expect a night crammed full of 90s tunes, comedy, crop-tops, dance routines, mayhem and fun!

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What can attendees expect on 30th June? Why should people come and get their tickets?

Comedy, quiz, fancy-dress, music, fun! A night crammed full of super fly hits. From boy bands to dance anthems, grunge and summer hits; this show’s gonna be off the chain. So dig out your 90s crop tops and Docs, brush off your Discman, and bring a team along and see if you can win the Golden Mixtape.

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90s fancy dress is also highly encouraged with the best dressed 90s team winning a special prize too!

The Culture Vulture: Well I’m going to be prancing around the place dressed as blossom with a side pony tail.

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As someone who is OBSESSED with the 90s….I dig the theme. Why did you go for the 90s music?

We’ve created a variety of Mixtape shows based on different music themes including North East bands, Alternative music, Rock ’n’ Roll 50s, Boy Bands vs. Girl Bands, 80s…the list goes on. So it was about time we tackled the most bangin’ decade. There are some seriously good tunes featured in the show.

The Culture Vulture: Right – I need to see every single show……love the sound of all of these!

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Your favourite 90s song of all time?

Ooooh tricky…there’s so many to choose from. I’m going to go with a curve ball option – I’m Too Sexy by Right Said Fred. Come and see the show and find out why……

The Culture Vulture: Now that’s a controversial and interesting choice – I need to know more. I’ve rediscovered E-17 recently – ‘House of Love’ plays on repeat currently…..

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Tell me a bit about some other The Six Twenty projects (fans!) and other things coming up?

In 2016 we won the Bridging the Gap award to create a new show called FANS which is part music gig and part theatre show and written by the brilliant Nina Berry and made with an awesome team of theatre-makers, musicians and creatives. It explores what it means to be a music fan. We’ll be redeveloping the show later this year and then re-touring the show in 2018.

We’re also working on a couple of new shows. One is with Mixtaper Lewis Jobson called Redcoat and explores what it means to be happy and what happens when you have an ‘off day’ and you tell Barney the Dinosaur to f***k off (in front of a load of kids)…at Butlins…in Bognor Regis.

The Culture Vulture: What a great concept for a show…..

The other show we’re working on is with Charlie Raine who performed in FANS. It’s called The Playground. For this we’re interviewing children aged between 4-7 years old about their lives and their views of the world. The final show will be performed by adults for adults as adults – using the words of the children we interview and collaborate with.

The Culture Vulture: This is brilliant – kids say hilarious and pure things.

And of course we’ve got loads more Mixtapes coming up!

To find out more about the projects we’ve got coming up and how you can get involved visit our website at www.thesixtwenty.com

Well thanks Melanie, this all sounds lush and brilliant………. I’m so passionate about theatre in and around the North East – love it! Get your tickets for 90s Mixtape everyone…….you’ll be greeted on the door by The Culture Vulture, manically happy, like some 90s super fan.

Big love from The Culture Vulture. xx

GIFT 2017: The low down- what it is, why you need to go and get tickets immediately…..

I’m a big fan of theatre and performance – as someone who spent their childhood and teens doing drama related activity and in plays – I fell in love with it and it’s fair to say I have a leaning towards the dramatics in my everyday life; I’m certainly an animated personality and my face is the most expressive you’ve seen.

I absolutely love going to the theatre whether smaller productions or things at Northern Stage or Theatre Royal – it’s always a dream. Theatre is all about total immersion, escapism and storytelling. I love disconnecting from my life and my reality and being absorbed into watching someone else’s. Getting lost in a visual story…….

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And it’s not just about the acting and make believe – it’s one of those art forms into which everyone can engage and get involved. Whether it’s the writing, the costume designing, the lighting, the sound, the set design – a feast of visual, performance and digital arts.

Those who read this blog and follow The Culture Vulture, will know by now that I LOVE the undiscovered and the unfound – stepping outside of my comfort zone, seeing different things and new things. Something which embraces my love for performance and need for the new and unfound, is matched perfectly within GIFT Festival which is returning again (yahoo) for 2017 across Friday 28th – Sunday 30th April….. how exciting!?

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GIFT is an annual festival of theatre celebrating the new, unfound and experimental performance and theatre right here in Gateshead……last year, I attended and got to experience a performance as part of a wild hen party; disco, dancing, shots and crisps. And also, a version of Stand By Me with a soundtrack by the Eurythmics.

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This year the programme is jam packed with lots to see performance wise (for adults and children alike), workshops and discussion across Baltic , Caedmon Hall at Gateshead Libraries, St Mary’s Heritage Centre, The Central Bar and Prohibition Bar. And I’m even more excited that FINALLY this year, after a couple of years of no funding, GIFT was awarded their Arts Council funding, on top of running a successful crowd funding campaign….

I caught up with GIFT’s Programme Director and Queen of all things GIFT; Kate Craddock to find out about this year’s programme and what to expect. Kate is someone who I’ve known for many years now and who champions the up and comers in performance and empowers her students, at Northumbria University to reach their full potential……so by my standard, not just a mega talent and asset to the region but also an all-round cultural megababe.

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Hi Kate – last time we caught up was in Prohibition Bar over a G&T – this time, I want to hear all about GIFT 2017….so for those who haven’t been to GIFT before – what’s the low down?

GIFT is back for 3 days at the end of April – Friday 28th – Sunday 30th Aptil. GIFT is an international theatre festival based in Gateshead that aims to present new performances and the kind of that nowhere else in the region is able to put on. We are able to take a chance and do something new.

You are unlikely to see a traditional ‘play’ at GIFT; instead the work is more contemporary, visual, physical, conceptual, devised… .GIFT festival allows for a more experimental programme with less risk for the venue programming the same artists/work alone.

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GIFT offers a platform to showcase opportunity for NE based artists and theatre makers to show their own work in a lively festival context. It also brings International work to Gateshead and the region that we otherwise wouldn’t see. And of course, it brings performances and artists from across the UK who have never performed been here before to introduce North East audiences to new artists and ways of working.

Essentially GIFT is 3 days of artists and audiences coming together, forming a festival community whilst seeing lots of shows together; talking about the work they are seeing, networking and partying. A big feature of GIFT that makes it distinctive from some other festivals is that it is really personal, small scale and grass roots. It really tries to open up possibilities and opportunity for everyone participating.

What inspired you to start GIFT?

There were a number of factors that all came together at once.

I was one of the artists who was in the original SHED Artist studios on Gateshead High St, and I was living in Bensham-spending a lot of time in Gateshead at a time when there was lots of focus on regeneration and redevelopment…

I really wanted to do something that was about connecting the culturally regenerated quayside with Gateshead town centre and beyond – and knew that a festival had the potential to do this – acting as a catalyst. I realised that there wasn’t a theatre venue in Gateshead as such, but instead there were loads of really unique spaces and lots of very wiling supportive people who were happy to let me do things -like put performances in empty shops, or in church halls, or in the interchange.

I was also making some quite experimental performance work myself, but was finding that there was quite a limited number of platforms to show this  kind of work – and I realised I wasn’t alone in that.  – However, there was a community of artists really wanting to make something happen. I was also in a really lucky position where I was travelling and working at other European International festivals; these were hugely inspirational for me -and made me realise that we needed GIFT.

Why Gateshead? What venues have you selected this year?

When I founded GIFT in 2011, I was living and working in Gateshead and I got frustrated with the fact that for lots of people (in Newcastle) Gateshead meant a trip over the bridge to the Sage or Baltic and that was as far as they would venture. I wanted to do something that opened up other areas (some neglected, some beautiful) and connect performance to these areas.

Gateshead Council and Culture Team (formally the Arts team) have always been so supportive of the arts (Angel, Sage, Baltic, all the arts team work etc) and they were so supportive when I first approached them about it. For the first 3 years GIFT took place mainly in Gateshead old town hall, the Central, St Mary’s as well as other venues dotted around. In 2014 we relocated our main hub to Caedmon Hall, which is where we will be again this year for lots of our events. We will also be presenting performances at Baltic  this year for the first time – as well as Prohibition Bar, Central, St Mary’s , Caedmon Hall and our closing part will be at The Old Police House.

Tell me about the programme this year?

This year we have teamed up with 2 other UK festivals to present a programme of work from across Europe. On Friday night we will present the UK premiere of Possibilities that disappear before a landscape’ by El Conde de Torrefiel from Barcelona. This is being presented in collaboration with Transform Festival in Leeds where they are performing the partner piece Guerrilla a week before GIFT. Possibilities is stunning piece that works like a visual essay -so you are both reading and listening to spoken text while seeing multiple images played out on stage in front of you.

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The company are one of the most exciting to emerge from Spain in recent years and are in huge demand. I first saw this company in 2012 and have been trying to get them to GIFT since then – so I am totally thrilled they will be here! I also think they will really appeal to people who love visual art but might not be so sure normally about going to the theatre. We have also teamed up with BE Festival Birmingham to host Best of BE Festival – 3 amazing shows from across Europe. I have seen the work and can’t recommend it enough. Best of BE (or BE @ GIFT) is always a great fun night, and the work always rich and varied.

Also we have Julia Taduevin from Glasgow with ‘Blow Off’ described as one of the most memorable shows of the year by the Scotsman – and it is, completely unforgettable and completely stunning. All female punk band – music, spoken word, feminism – very loud! Would definitely appeal to people interested in live music but don’t think theatre is for them!

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One of the shows coming from Leeds is ‘Something Terrible Might Happen on Saturday’ by Uncanny Theatre at The Central – it will be hilarious and it looks at how obsessed we are with things going wrong. Enjoy the show while having a pint!

Other fab things are we have teamed up with Chalk to host Noise Lab -lots of young children working with a sound artist to turn their tantrums and crying into art, at Baltic.

Who are you most excited about seeing? I know it’s difficult to choose……

Literally all of it; one of the best things for me too is seeing the artists actually meeting each other, talking to each other and their audiences about their work – that is always so brilliant and rewarding; when this happens and works well, I know I am doing a good job.

Is there anything for families?

Yes –Noise Lab by Chalk on Friday morning – this is the strand of GIFT called Little GIFT and is for early years and their parents. On Sunday there is also a rolling programme of live performance and dance work at Baltic that is all free to attend.

Zoe Murtagh will also be at St Mary’s on Friday all day peeling potatoes and inviting audience members to help her discover her Irish heritage -there will be some dancing and laughs involved. Altgif7hough these events are not strictly for families as such, they will definitely appeal to a curious adventurous audience member of any age!

What should someone who has never been to GIFT before expect?

Expect to be surprised by each performance you encounter – and to take risks with what you go see. Expect to be welcomed by the GIFT crowd, to get involved and to throw yourself into opportunities – to chat and to meet new people.

You’ve had challenges this year with funding (again!) and you’ve set up a crowdfunding page – can you tell me a bit more about this and why people NEED to donate? 

Yes, we have really struggled to secure enough funding to make the festival happen this year – but Arts Council Funding has come through at the last minute after a lot of hard work resubmitting applications We also have a crowdfunding page on the go at the moment to help raise money towards supporting a lot of the infrastructure around the festival enabling the festival to happen – like paying technicians at the venues, to support the artists and also to be able to offer artists some support with their shows – towards their production budgets and costs involved in performing at GIFT like travel -and feeding them while they are here!

What would advice would you give to an aspiring performer, or script writer, set designer etc?

See as many performances and different types of performances as you can – and take every opportunity that is offered to you to network and meet people. But of course, the best advice I can give you at the moment is to get yourself along to GIFT between 28 – 30 April!

Thank you Kate…..

And that’s what I love about the Cultural sector at the moment- it’s all about feeling empowered and being the change you want to see; she wanted an experimental theatre and performance festival in the region and made it happen!

Well you can expect to see The Culture Vulture at every single event and performance for GIFT – I’m obviously most excited for ‘Blow Off’, Pug Party anddddd GIFTed: Late Night Lip Sync CabaretBonnie and the Bonnettes and GIFTed guests

Check out the full GIFT 2017 programme in all its glory.

If you see me, feel free to say hello

 

Jesterval North East Comedy Festival 2017; Summer with a side of hysterics.

So it’s that time of year, where I eagerly sit planning my Summer, wishing the Springtime away – I rarely take holidays or take time off, but yet I still manage to cram as much as possibly into the Summer time…. The light nights make everything seem possible and the realities of real life so far away……..always time for one more drink, one more song, one more festival and where going out on a Wednesday was laughable mid-December, suddenly becomes essential.

Whilst I’m busy planning my Summer and my diary is looking jam packed full of lushness – I’m also thinking of festivals; my perfect job would be one I could take 2months off and festival my heart out. I do try to attend at least one a year now either abroad or in the UK away from the North East and as many as possible in the region; this year I’m off to Festival of Thift, Lindisfarne Festival, Q Festival and of course, an annual fave not just for me and my friends, but also Mama Culture Vulture – Jesterval North East Comedy Festival!

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Jesterval has now become so entwined in my Summer holiday planning mostly down to the fact I was absolutely furious a few years ago when I booked a holiday over half the festival. It was so devastating and serious, that I was tempted to cancel….. hehe. But now, in my Summer planning, the question is always first – “right, so when is Jesterval?” – making sure it has prime position and such an oversight never occurs again.

I attend as many of the Jesterval days and nights as possible and I love it for so many reasons; obviously I get to see lush comedy in a brilliant atmosphere from some of comedies bigger hitters before they head off on tour or to the fringe. I also, get to discover some hidden gems, up and comers and lots of people I get to tick off my comedy list who I’d always wanted to see. All of this within an amazing programme, which I love; walking into the Jesterval tent discovering someone brilliant.

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I love the Jesterval community vibe too – you see lots of regular festival goers and there is something so brilliant and uniting, over a beer or G&T, from absolutely laughing your socks off, eye liner crying down our faces, with a laughter stitch causing such pain that I’m a million percent sure I will have a six pack the next day – so much so, I’d go and have been many times, to nights on my own, laughing like a cracker on my own, feeling part of the Jesterval furniture. I also have friends who do the comedy rounds at The Stand and others and it’s great to see them get the opportunity to perform on my door step…… and of course, I’m sure it’s great for them, to have a proud friend wailing, jeering and cheering from the back…friends are the worst hecklers – especially after a gin or two.

But my biggest love for Jesterval, is the fact that it is unrivalled as a festival with such a brilliant programme; I can and do attend things with my really diverse friendship groups, people from work, Mama Horts, people who haven’t really been to comedy gigs before, comedy regulars and my friends with families of little tinkers. This is why I go so much….. so much to do and see – may as well camp on site.

Those eagle eyed of you will have noticed that Jesterval tickets have gone on sale and that this year, it is part of the bigger Q Festival event on Baltic Quays, 14th July – 6th August in a lush Spiegel tent.  Well, I thought it was the right time to catch up with Jesterval programmer Della and get this year’s low down….and find out, who I should be seeing……

Hi Della, Jesterval is back for 2017, I’m buzzin’ obviously as always…..for those who haven’t been before or unsure what Jesterval is, can you explain what it’s all about?

It is a festival of comedy with jesters and val….; hehe not really it’s an amalgamation of jester and festival. And it’s about to go off on the Gateshead quayside, over 45 comedy shows in one space.  Bringing together some of the best UK and International Comedy performers.

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Gosh……I was excited to meet this Val for a second…. That might be my 2017 Jesterval heckle “where’s bliddy Val, I came to see Val?!!!” So how did the idea for Jesterval start – why did you launch a comedy festival here in the North East?

There has been a comedy festival in the north east for a number of years we inherited it 7 years ago. Previously all the shows were hosted in different venues around Gateshead and Newcastle, we wanted to centralise it and make a single fun destination where people could hang out and enjoy a festival atmosphere. We run up here because I am a local lass and therefore save a fortune on travel and why would you want to go anywhere else!?

My favourite memory of Jesterval so far, was a Sara Pascoe show a few years back – on one side of the front row we had a step Dad desperately trying to bond with a teenage step son and a very middle class first meeting of future in laws on the other side…… I’m not sure if I laughed more at Sara’s show or the social awkwardness of these two groups refusing to laugh or look each other in the eye during each rudey joke….it was brilliant! Do you have any fond memories or favourite shows from years gone by?

Too many fond memories too many great shows always enjoy Ed Byrne who has been an ardent supporter of the festival, Luisa Omielan who never fails to smash it and also Lee Kyles’ various shows are always a riotous unpredictable laugh fest!

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Ed Byrne having a Jesterval bev in 2015

You’re announcing the programme bit by bit (sneaky!) – what and who can people expect this year for 2017?

They can literally expect something for everyone, we have the master of one liner’s Gary Delaney, Surrealist Paul Foot, too many comedy award winners to mention, but here are a few Sara Pascoe, Phil Nichol, Brendon Burns, Zoe Lyons, Glenn Wool, Mick Ferry and the list goes on…..

What are you most excited about for 2017?

We are always excited by the idea that people will come along and take a punt on an act that they have no knowledge of but trust our booking instincts; for example last year we hosted Scott Gibson with his show that then went to the Edinburgh festival and won the best newcomer award. He is back again on the 20th of July which like all nights has a stunning line up, with solo shows from Scott, Mike Gunn and Matt Reed.  We are also super pleased to welcome Tom Binns back fresh from filming his new BBC Comedy Series Hospital People.

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Jesterval is known for championing new comedians and comedians experimenting with new material before heading up to Edin – who or which show is your one to watch for this year?

Desiree Burch is relatively new to the UK circuit and most definitely one to watch out for. Because we select the shows for Jesterval we believe that every one of them is as good as the next, but just different.

Right onto the important stuff…..Jesterval is for all kinds of people and I usually go multiple times, can you suggest some shows this year for me…..

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  • For me and my best mate Kate – we like crime dramas, anything ridiculous, lots of gin and crisps, nothing too cheesy or preachy.

I would suggest salt and vinegar crisps as they are definitely not too cheesy. Go and see Lee Kyle and his show “The Best Comedy He Can Do Without Swearing” and Paul Foot’s ‘Tis a Pity She’s a Piglet’.

  • For me and my Mum – Mama Horts LOVES Sara Pascoe, humour taking the mick out of real life things, women stuff etc.

Well as you will know Sara Pascoe is back, so thats a no brainer and as I know your mum loves Hal Cruttenden as do I, then that is Mama Horts sorted.

  • For me, my friend Carla and her little boy Beck – he’s two, likes puddle stamping, bright colours, food (me too) and going up and down stairs?

The Gunge show or Yukfest sounds like it would be perfect for Beck and of course the big kid in you and Carla.

  • For me and my friend Laura with her family- all under ten and a grown up husband…..?

There are so many fantastic family shows and the best part is that they are fun for adults too, believe me, I have seen them.   The Kagools are hilarious and we have even added some circus comedy into the Jesterval family programme this year with “Arr We There Yet“ and “Arthurs Odyssey”. Families will be spoilt for choice.

  • For me and my friend Lucy – we want to check out the undiscovered, someone new?

Sophie Willan is back this year with her Edinburgh preview show ‘Wild’; Sophie is most definitely one to watch out for.  Johnny Pelham and George Zac are also ones for the undiscovered list.

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Right, so the all-important question now – where can I get my tickets for shows? Are they on sale now?

Tickets are on sale now and you can buy them from our website

Jesterval is part of a bigger festival this year, on Baltic Square Gateshead called Q Festival……..can you tell your loyal audience (like me) who go every single year, a little bit more about what to expect?

We are absolutely thrilled to be collaborating with Gateshead Council on Q Festival, the programme is so varied and is such an awesome addition to Jesterval Comedy.  Some of the events you can expect are a Gin festival brought to you by local guys Steampunk Gin, gerrin!, Immersive Cinema from the absolutely talented Screenage Kicks, craft sessions galore, an 80’s party (get your leg warmers ready), a baby rave with Chalk, yes that’s right a blooming rave for the bairns and much more.  I am so excited for this festival and can’t wait to see the people of the North east down on Baltic Square from July 14th to 6th August.

Thanks Della……

Well that sounds proper lush……..and I’m properly excited now and need to get tickets for everything immediately…..for those that love Jesterval as much as I do, get your tickets before shows start selling out and for everyone else, go go go and cherry pick some shows and embrace the Jesterval Comedy Fest vibe.

(All Pictures are used with permission from Jesterval and courtesy of picturesbybish, a fantastically talent photographer!)