Ouseburn Open Studios 17th & 18th March; the ultimate Culture Vulture weekend.

One of my absolutely favourite weekends of the year, a true weekend full of Culture Vulturing, is Ouseburn Open Studios. It’s a weekend full to the brim of everything the Culture Vulture is all about – supporting and championing artists and independents, seeking out the unfound and hidden talent in the region, spending time in one of the creative hearts of the region, experiencing different artistic mediums and going into artist studios and creative spaces.


Ouseburn Open Studios is a bi-annual event that takes place in March and November every year, and celebrates art, craft and design in the Ouseburn Valley and offers other culture vultures a rare insight into the working world of artists and designer-makers. It all started modestly in 1995 with a few artists from 36 Lime Street opening their studio doors; over the years, Ouseburn Open Studios has grown and grown and now is one of the highlights of the cultural calendar; showcasing the work of more than 100 artists, designers and makers working across the Ouseburn Valley.


One of the many creative delights in Ouseburn Valley

This year, Ouseburn Open Studios returns on Saturday 17 and Sunday 18 March – 10am-5pm offering a unique insight into the working world of artists and designer-makers whilst signalling the start of the new Spring creative season with venues and artists taking the opportunity to announce new projects, new product lines, workshop programmes and events.

This Ouseburn Open Studios, five venues from across the Ouseburn Valley – located a short 15-mnute walk from Newcastle city centre – are taking part in this spring’s event including: The Biscuit Factory, Kiln, Northern Print, Jim Edwards Studio and 36 Lime Street.  Ouseburn Open Studios is open to the public and is free to attend.

I was recently invited to meet project coordinator and general manager of The Biscuit Factory, Rachel Brown, to find out more about the 2018’s Spring Open Studios.

Rachel Brown said: “The spring event has a laidback vibe, and being smaller in scale means that visitors can take their time to explore the different venues. Whether that’s discovering the freshest of work being created from within the studios, enjoying a newly launched exhibition, dropping in to a demonstration or booking into a workshop. It means that visitors can personalise what they want out of the weekend.”


Handy map of venues

So, for 2018, the spring programme includes:

  • The Biscuit Factory – Inspired by International Women’s Day, the gallery is spotlighting inspirational women in the creative sectors with a weekend that celebrates local female entrepreneurship with pop ups, workshops, demonstrations and open discussions. How absolutely up my street is that!?
  • Kiln – The workshop and kitchen welcomes back its monster making drop-ins; get to grips with clay and make whatever comes to your imagination.
  • Northern Print – The gallery will showcase the work of Japanese artist Katsutoshi Yuasa. Using Mokuhanga – the traditional Japanese woodcut process – his work reflects on photographic and digital images and the time spent in making these hand carved works. And as always, I’m sure there will be print making opportunities for people to have a go at!
  • Jim Edwards – Jim will showcase his new collection of large Nightscape biro drawings of the River Tyne, reminiscent of his sketchbook work. As always Jim will be lurking in his creative workspace and on hand to chat about his working practice.
  • 36 Lime Street – 22 artists and makers will open their spaces over all five levels of this listed building. The theme in the street level gallery is Change, inspired by the centenary of the first votes for women. Visitors can also buy raffle tickets to raise money for building works: covetable miniature prints designed by members and printed by Lee Turner of Hole Editions. I’m building up quite the collection of these raffle tickets! Hannah Scully ones are always beauts!

As always the line up above is amazing but if that’s not enough to persuade you to visit, well I thought I’d gather my top hints, tips and reasons why you HAVE to visit.

  1. You can go inside artist studios.

This is one of my favourite elements of Open Studios. Every single studio is so different and individualistic and they open their doors to the wider public. It’s an opportunity to see works in progress, watch demonstrations, view and take in their work, find out how they make things and about future projects alongside being able to buy lots of lush pieces, prints and cards.

I spend ages just lurking and pottering about – going from studio to studio. For me, it’s a great opportunity to meet new artists and catch up with Culture Vulture favourites. I love hearing about what artists are up to, what commissions they are working on and their creative journey and inspiration.


  1. It’s a lush opportunity to visit a new venue or space.

Even if you’re an Ouseburn Open Studios regular, as artists are always evolving, moving on, moving in and spaces in the Ouseburn are converted and transformed, there is always something new to see, discover and experience. It provides a great opportunity to finally visit a venue or independent, that you’ve been meaning to but haven’t got round to yet.

I’m super looking forward to FINALLY going to The Kiln; yes can you believe that I’ve not properly been yet? Every time, I try to visit it’s either too full or closing (I swear it’s a conspiracy) so I am making it my firm priority to go and really looking forward to it.


The Kiln – Ouseburn

  1. It’s ace for boozy Culture Vulturing and supporting independents.

We all know I’m a big fan of the #SundayClub and Ouseburn Open Studios is perfect for this. I love going with a friend, planning a lush lunch somewhere (often Ernest) plotting our route, visiting the galleries and venues, and stopping off on the way at many of the independent bars for a drink. As you can imagine, the more stop offs, the bigger the purchases get…..one minute I’m buying some nice print cards, the next a small print, then a chopping board and suddenly I’m putting a deposit on a coffee table commission. It can be a beautiful blur.

And that’s also the beauty of Ouseburn Open Studios – there is a misconception that purchasing art is mega expensive and it’s really not. A lot of work and pieces are really affordable alongside pieces that I like to label “aspirational” – one day! Open Studios is like my version of walking around IKEA; I pretty much know exactly all the art pieces, the commissions and token creative bits that I want for my own house. My house will be full of bespoke pieces by independents, full of colour and total mis-match – representative of my personality.

The Biscuit Factory and in many of the individual studios, there are often a wider selection of bespoke gifts, prints, cards created by artists and creatives etc – by purchasing those, you’re equally supporting independents and creatives and they are super affordable . Last Christmas, every card I sent was from the last Ouseburn Open Studios – each very different, lush and unique. I like the idea of giving someone their own mini artwork.


The Biscuit Factory

  1. Ouseburn Open Studios is super accessible.

If you’re a Culture Vulture, have a family of mini culture vultures, creatively curious or looking for an ace afternoon out with your friends, family or on your own (I often go it alone and love it!), then it’s absolutely for you. The vibe and atmosphere is amazing, everyone is always having a lush time so I always get chatting to people. As so many different types of artists are involved, you may go into one studio and think it’s not quite for you or to your taste, then walk into the next one and love it and so on. For me, I’m less about the florals and more about the abstract, or the graphic design, the colourful, the big and the bold, the obscure and the artistically intricate.

And for families, there is always lots to do too. Many of the venues or artists have child friendly activities for your mini culture vultures to have a go at. But the families that I watch going around, because each studio and space and space is so lush and different, for kids it’s like a new discovery behind every turn and they often can’t wait to show their grown-ups what they’ve just seen in another studio.


  1. It feels like home.

My creative soul feels like it belongs in the creative quarter of Ouseburn. I love the industrial surroundings (not so much the student accommodation!), the graffiti, the lush independents, the vibe and the creativity that is going on all over the place. For me, it’s as much about the outside as it is the inside, taking in the river, popping along to the Tyne Bank Brewery, going to check on the little boat behind Seven Stories and seeing all the small pieces of public art hidden around.

However, true nostalgia and it wouldn’t be an Open Studios without it, is visiting Jim Edwards Gallery Space. You may remember I wrote a recent blog post on him – I’ve been a super fan for a while. I love his work, his depiction of Northern cultural scenes and his representations of views that we all know and love. I was also a super fan of Craig David Pubcat (if you know, you know!) and visiting Jim’s gallery is like a little homage and nod to his memory. I bliddy loved that cat and I love that Jim has captured Craig David in several scenes showing how much he was a part of the fabric of the cultural scene for many.


Jim Edwards featuring CraigDavid Pubcat

  1. It’s not just about looking at things.

Lots of the artists and creatives put on demonstrations or continue their creative practice so you can watch whilst they are engaged in a new project or commission. There is a lot of opportunity to chat and ask questions. But many run drop in workshops across the day – which is a brilliant addition.

This year The Biscuit Factory is doing something a little bit special and very up my street to complement their brand new Spring exhibition (can’t wait to see it – I’ve avoided going so it’s all a lush surprise); they have several artists from the exhibition on hand to chat about their work – a meet the makers type of thing. They have also assembled a creative programme inspired by International Women’s Day with some of my fave female creatives and artists – including The Crafthood, All Round Creative Junkie, A Woven Plane, Trendlistr and Megan Randall (who I haven’t met in person yet – so yey!). If you want to find out more about the line-up well head on over to the facebook event page – as some activities and workshops have specific timings and charges.


So I hope that’s enough to get you excited – I will be out culture vulturing across both days – so if you see me, make sure you say hello! I will also be popping my creative adventures on social via facebook, insta and twitter so if you want to follow that you can.

Facebook: @TheCultureVultureNE

Insta: @horts27

Twitter: @reettinker

For more information on Ouseburn Open Studios visit their website: http://www.ouseburnopenstudios.org

Until next time Culture Vultures!


All rise for Lady Kitt; subversive, perfectly ridiculous & immensely talented.

The whole point of International Women’s Day is to celebrate women, feminism, Northern lasses and champion women who rock your world. So for this year’s, International Women’s Day, I wanted to profile an artist and creative that I personally have loved from a far since I first became aware of her – her work, passion, innovative and interesting projects and commitment to creativity and  equality.

Well hello Lady Kitt…..total megababe. Kitt’s projects, work, events and her exciting ambitions are not only inspirational to the regional, National and Internation sector – but to me, she is someone  brave, bold, empowered and doing creative things that are truly exciting and making her mark in a thriving and vibing independent arts and cultural sector. She’s my kinda gal and I’m thrilled she accepted my invitation to be feature in this blog post.

BOOM – Happy International Women’s Day Lady Kitt – reet so let’s start at the beginning; tell me about you and your extremely diverse practice?

Hi, I’m Kitt- I’m a…. “Maker”. I guess that best sums it up. Art, jokes, food, quite a lots of mess, and, with my lovely husband Andy, a couple of super little humans. It’s all making really isn’t it?!

It’s funny – the diverse practice thing, I’ve been thinking about it quite a lot recently. I reckon the tools I use are quite diverse- there’s research, paper cutting, mass bubble blowing, fruit carving, performance, lectures, projects, … but really, the core of my work has always pretty much been the same- it’s all about delving into, developing, celebrating the social aspects of creativity.


Everyone has a different journey into the Arts; what was your journey into the arts?

I’m not massively into the idea that people are “born” to certain things; but looking at my early life it’s easy to link it to my practice now. I was brought up in a creative family. I grew up with my wonderful younger brother Louise who was severely disabled and terminally ill. He was an amazing artist and seeing the pleasure and power he experienced through being creative has had a huge influence on how I see art and why I think it’s important. I was taught at home until I was 14 – so had a good amount of time to focus on being creative and lots of time to spend with one of the most important people in my life- my sister, Bridie. Our relationship and creative adventures together are big, big part of almost everything I do.

I'mHappyThatYou'reHappyButI'mNotHappy LADY KITT_resized

I’ve always made physical stuff- embroidery, nests, paper cuts- but for a long time I didn’t think I was an artist. I started off wanting to be a dancer. I trained in the Indian dance/drama discipline Bharata Natyam for six years and was taught contemporary dance by the completely awesome Trish Winters. It was through Trish that I started to experience some really playful ways of using and presenting performance. During my art foundation degree, I started making work that combined performance, working with community groups and making stuff all at once. But it wasn’t until I was at university that I really discovered live art and artists with a ‘social practice’ and then I was like- yes- that’s me- I have a gang!

Lady Kitt is an amazing artist name  – I love it!

Name wise-when I was coming up to my 21st birthday- my parents were talking about what to give me as a birthday present. I’ve always been a Republican (in the anti-monarchy sense), really disliking the idea of being subjugated, inherited titles and all that gubbins, so they offered to change my first name by Deed Poll to “Lady”, as a daft, subversive, two fingers up the whole system. I loved it – it’s such a cheeky gift- so we did all the paper work and everything- sent it off, but it was rejected – on the grounds that I was trying to “assume a title”- which is sort of pleasingly ironic. I thought “fuck it- I’ll just call myself Lady Kitt and I’ll keep doing it until everyone else does too” and that’s what I’ve done.


You have a very strong visual identity within your work and expression of yourself as an artist – how did you develop this?

It’s really interesting that you say I have a strong visual identity; looking at it objectively I can see what you mean, but that’s definitely not how I experience it myself. For me, I have a strong methodological process, and some very definite ideas about making art in inclusive, ethical ways.


I’ve developed my process by pretty much by throwing myself in at the deep end and seeing what happens. I don’t ever really think “this is too ridiculous” (although it nearly always is). I think “how can I do this so it genuinely, clearly says something I’m interested in” or “how can I get lots of people involved and change something we all want to change” or “how can this be the most fun possible?”.

Like with the first Nasty Women exhibition last year- I just thought “this is really important, I want people in the North East to have an opportunity to be part of this. I want an opportunity to be part of this”. I didn’t think “Bugger we can’t do this- we’ve got no money, no infrastructure, no gallery, no clue”- which was all true! So yup, that’s how I develop the process…


But visually, with the sort of “end product” – I don’t consider myself to have a very coherent style or visual language- I just make the next thing that I feel compelled to make, without ever thinking does it look like something I’ve done before- will it “fit in” with my existing body of work? Maybe it’s because the physical objects I make aren’t really the “end product” to me- to me they are a tool for getting to the goal- which could be raising awareness, building a community, changing a policy, having a good time.

I love your ethos of experimentation, challenging creative roles and processes – where does your creative playfulness come from?

Thank you! I like to see people reacting to things in curious, inquisitive, ways and I like to create situations that let people do that. So some of it comes from that- basically it just makes me happy!

It‘s fun for me to invite people to apply to be my muse (like it’s a formal job), or to encourage people to use my head as an art gallery or to make a performance where the content is authored by viewers sending me text messages telling me what to do. So that’s part of it- And some of it is more philosophical. People are creative- making things in a (generally!) thoughtful way is one of the things that makes us Human.

Sirens Call 2018 LADY KITT_resized

Often people don’t get (or give themselves) opportunities to enjoy that- I want to create situations that encourage people to make physical stuff, make decisions and think about / celebrate the importance of being creative. I also hate all the hierarchical “hi/ low brow art” crap. I think it’s detrimental to individuals and to society. People thinking that they are not creative or not creative in the “right way” stops them from developing vital skills.

Making stuff gives people agency- it’s a chance to physically encounter change. Making in groups is like apes grooming- it’s social glue. When people start being creative together they almost instantly create a little community that has its own culture and rules- just like that, out of nothing, it’s like magic. Once people do that and know that they can do that then, they often start to explore other wider things that they can create and change. A community full of people who feel empowered in that way can be supportive, kind, resilient. Elitist ideas of what is art and who is an artist just stop all that dead. Sorry, I could go on about this for EVER.

1,337 WaysILoveYou LADY KITT 2018

It’s great to be able to showcase you, on International Women’s Day….. what does being a female artist in 2018 mean? What does it mean to you?

Wow- well, I’m extraordinarily lucky. For me being a female artist in 2018 (in the UK), means freedom. I’m free to say what I want to say in the way I want to say it. A few people might think I’m idiotic, a lot of people will question me (and so they should) – but no one can stop me. Being a female artist in other places in 2018 doesn’t mean freedom, it can mean absolutely the opposite. And being a female, or a being queer, or being an activist can still mean torture and death. For me, knowing this and campaigning to change it, is a very important part of being a female artist and of being a Nasty Woman.

detail 1 105 WaysYouAreWorthMoreToMeLikeThis Lady Kitt 2018

How do you plan to mark it this week and #pressforprogress?

Again I’m so lucky. This year I have work in 4 exhibitions all over the UK all opening on Thurs 8th. I’ll be in London performing at the Creative Debuts and Nasty Women “Empowerment” exhibition along with a group of bloody amazing Nasty Women from all over the world.

We are also launching the Nasty Women International Art Prize this week. The aim of the prize is to: Recognise and reward Nastiness in art and activism. Prizes include an Artist residency, money and opportunities to show work in UK, USA & Holland.

Votives To King Kitt and the Pixelated Pain 2018 Lady Kitt 50 pound note detail

Last year hundreds of artists from all over the world gave their time and work to Nasty Women events- the generosity was overwhelming. It’s estimated that the movement has raised half a million dollars for Planned Parenthood and other women’s & LGBTQ+ charities so far. This year Nasty Women organisers wanted to create an opportunity to celebrate those artists and an art prize seemed like a good choice! The judging panel consists of 12 Artists, curators, gallerists & activists from around the world including:

Carolina Wheat & Liz Nielsen from Elijah Wheat Showroom, New York (USA), artist and co-founder of NW Amsterdam Airco Caravan (NL), Curator & NW North East Co-founder Michaela Wetherell and me!, to name just a few. There’s so much to say I don’t really know where to start, but we’d love it if lots of North East based artist entered! Anyone who is interested can check out here.

Do you have a female artist that you’re inspired by?

So many, but not just women, not just artists… all sorts of everyone. Me and my sister just went to see Bryony Kimmings “a pacifist’s guide to the war on cancer”; it was so funny and thoughtful and generous and utterly devastating, but in a really cathartic way.

I’ve just read Scottee’s play “Bravado”- it’s had a big impact on me, I’m making a lot of work about toxic masculinity at the moment and he’s perspective as a “sheep in wolves clothing in the world of men” is very shocking and inspiring.

Betsy Greer- the mother of Craftivism!

Nasty Women North East co-founders Michaela W and Aly Smith.

Venus di Milo- a Newcastle based performer who describes herself as “just a drag queen with no arms”.

Leeanne and Gareth at Thought Foundation in Gateshead– running a stunning, creative business whilst bring up two small children….

The world is full of bloomin’ fantastic, inspiring and very Nasty (in the nicest possible way) people.

127WaysYouAreWirthMoreToMeLikeThis LADY KITT_resized

Tell me about Nasty Women?

Nasty Women is a global art and activism movement started by New York based artist Roxanne Jackson in Nov 2016 just after the election of Donald Trump. It is pro equality and anti-Trump. There have been Nasty Women events all over the world, raising money for and awareness of women’s and LGBTQ+ rights charities and organisations.

93WaysYouAreWorthMoreToMeLikeThis LADY KITT_resized

What is a “Nasty Woman”?

The Nasty Women North East’s definition is:

Anyone!!! It is not necessary to identify a women or an artist

  1. Believing in equality and wanting to protect human rights (in particular women’s rights)
  2. Believing that art (in the broadest sense of the word- poetry, dance, drag, music, knitting etc) can be used to help increase equality and protect human rights
  3. Being happy to welcome and support others who also want to do these things…..

If this sounds like you, then as far as we are concerned you are Nasty- Hurrah!!!

99 Ways You Are Worth More To Me Like This LADY K_resized

Will there be another Nasty Women conference in 2018?

I’m not sure- we won’t be organising one because we’re busy with the art prize and creating a feminist art magazine for children under 10! Also, if there was another I don’t think the same group should organise it -as a big part of the movement is about understand other people’s perspectives and doing things in a way that suits your own setting, so if there is another one I hope it’s somewhere completely different. I hope another group do organise one because I’d LOVE to go to it!

That sounds like a something, the Culture Vulture would be interested in…..how can I, and other potential Nasty Women, get involved?

People can get involved in a huge variety of ways- it’s a totally grass roots, DIY movement, you don’t need permission or any kind of initiation! So you can have an exhibition in your garage and invite your mam and 5 friends and raise money for a local women’s charity.

You can send your art work to one of the many NW shows going on around the world- these are listed in the USA website , you can submit work to the Nasty Women International Art Prize & you can volunteer to help a local Nasty women group


You can also call out inequality and gendered idiocy when you see and experience it, you can tell children you know that they are thoughtful and strong and funny and creative and fierce and fabulous regardless of their gender. You can listen, really listen to the next person who says something sexiest because being Nasty is about being open minded, it’s about understanding perspectives that are not your own and looking for long term solutions.

54 WaysYouAreWorthMoreToMeLikeThis USA LADYKITT_resized

But ok – we are kindreds…..but let’s get back to you – Lady Kitt; what projects do you have planned?

I’m focussing on my projects “Worth”, “King Kitt” and the “Making Manifesto”.

Throughout 2018, to coincide with the centenary of (some) women’s right to vote in the UK, I am making a series of works called the “worth” portraits- inspired, in part, by Caroline Criado-Perez’s campaign to have Jane Austin’s image on the Bank of Engalnd 10 pound note. When that campaign was going on I was horrified by the abuse (including death threats) Criado-Perez received for wanting to celebrate the achievements of women in the same way the achievements of many men have been celebrated for years. The works are portraits of amazing women made by cutting love heart shapes from real £50 notes, each one depicts a woman who I feel needs celebrating. I am always on the lookout for new subjects, so if you know a wonderful women who needs celebrating please get in touch!

I’m also hoping to sleep quite a lot after next week as that’s something that’s been a bit neglected of late….

Votives To King Kitt and the Pixelated Pain 2018 Lady Kitt

What does being a feminist/megababe mean to you?

For me being a feminist is not just about women’s rights- it is about equal rights for everyone. The “King Kitt” series of works are about toxic masculinity- which I feel creates a series of circumstances that can make men comically manly, dangerously macho and devastatingly vulnerable. According to the Office for National Statistics- of the 5,965 suicides registered in the UK in 2016, a total of 4,508 were male and 1,457 were female. More equality will, hopefully, create a society where shocking statistics like that can become historical records, not lived realities.

The Making Manifesto is a research project based at Byker Community Centre about the benefits of community making. It involves a lot of the stuff I’ve ranted about earlier- hi art elitism and Making physical things and giving people agency!


Wow – ok so for me as The Culture Vulture- I feel so inspired – this entire interview has given me a kick to be more Nasty, to be more experimental and to seriously consider doing something North East Nasty Women Conference related.

Big love and happy International Women’s Day Culture Vultures.

Want to find out about the NE music scene? Well you need NE Volume in your life!

So you guys know me as The Culture Vulture – I’m your one stop shop for cultural information, happenings and the queen of championing creative projects and people. However, I’m only as good as my network and the people in it – I’m constantly out there seeking information and keeping my ear to the ground. I started two years ago, just a love of going out and cultural goings on with a passion to champion people, places and projects whilst doing my own stuff.

Now my network and cultural knowledge in the cultural sector is second to none. In fact, if I ever went on mastermind, I’d want it to be my specialist topic. I spend an insane amount of time on social media – it’s my job to know the happenings, to seek out opportunities, create connections and have a good overview of the movers and shakers, emerging and exciting happenings. It means that I discover lots of things and exciting people on social – some of whom are doing thriving and vibing things in the sector but I’ve actually never met. Weird right? Admiring their work from a far whilst their work and content becomes a core part of my knowledge bank. Any type of admiring from a far sounds creepy to me – but I’m the proud queen of creeping.

So as The Culture Vulture – you guys know I’m all about championing and seeking out the gems, the new venues, the gigs which you attend and you know you’ve just seen something magical and of course, local artists! On the flip side, I’m also going to see Taylor Swift in May and I’m literally buzz light years about it. But when I think of the North East and music for recommendations and gig suggestions – I think of NE Volume! It’s a great in print and digital publication, that covers lots of real reviews and editorial about the North-East music scene.


Their reviews are written by real people, the venues are many familiar favourites and some new gems, the gigs covered make me so proud of our cultural scene and many a time, I’ve taken a chance on an unknown and LOVED IT.

I love Crack Mag but NE Volume are doing something a bit special and have totally cornered a niche. Their passionate ever-growing readership and thriving online community of music lovers is a testament to the fact they are doing something mega special.

So, I digitally caught up with NE Volume founder Lee Allcock (one of my 2018 new years’ resolutions is to meet in person), to find out more about NE Volume and where it all started!


Lee Allcock

What is NE volume?

NE Volume is a FREE North East music and culture magazine that is stocked in 250+ outlets right across the region (nevolume.co.uk/outlets) and is also available to download at nevolume.co.uk/magazine.

Tell me about you and the beginnings of NE Volume?

I’ve always been passionate about music, especially local bands and artists, and my dream was to become a music journalist. I studied Journalism at Teesside University, volunteered for some other local music magazines while working as a content writer, and I was then given a small grant by Teesside University to start my own business. Of course, I quit my job immediately and the rest is history.


Quitting your job to pursue your dream is right up my street – so what was your motivation for the business, like me – you’re a bit of an workaholic – you must love what you do!

It hasn’t been easy, and there have been a lot of ups and downs, but I absolutely love what I do and I wouldn’t want to do anything else. I support local bands, cultural events, and North East businesses for a living and that keeps me motivated.

There’s the Crack, Narc and others – I love NE volume but do you want to tell my readers what makes you and the publication different?

We’re actually the ONLY music and culture magazine based in Teesside. And, although Teesside is a pretty large area, I felt that The Crack and NARC weren’t really showcasing this area so I wanted to help.

So tell me what was your highlight of 2017 in terms of NE Volume?

To be honest, the fact that we’re still here and running in an internet-based world has got to be the highlight for me. It’s been a tough road, but with the support of so many bands, independent businesses, music venues, our loyal readers, my designer, and my writers, we’ve been able to continue to support the local music and culture scenes – and that makes it all worthwhile.

Of course, I have to ask this question – what’s been your favourite gig?

Liam Gallagher at Metro Radio Arena. Okay, it’s not a small local gig (which I also absolutely adore) but Liam was in his element from start to finish and he had the crowd in the palm of his hands.


Liam Gallagher

What’s your ‘one to watch’ for 2018?

Local band, The Pale White. They’re set to play at Riverside in Newcastle this month and it’s already sold out. They’ve also supported the likes of the Libertines and they’re destined for big things this year – I’m sure of it.


The Pale White

Who is your fave soloist?

Samantha Durnan; her beautiful lyrics and stunning vocals really do pull on the heartstrings.


Samantha Durnan

You also have a cultural corner within your publication, I’ve written for it before as the Culture Vulture (yey!) – but what are your plans for this?

My plan is to increase the number of cultural articles we cover over the course of 2018. We’ll also be looking to review theatre productions and comedy gigs as well as interview comedians and artists.

OK so say I’m in a band and I want to get an NE volume review – what should I do?

Don’t be afraid to get in touch with me at info@nevolume.co.uk including some background about your band and a link to your material and we’ll do all we can to arrange for your release to be reviewed.


You recruit lots of new aspiring writers and journalists – what’s your recruitment process?

It’s very simple: just send an email to me at info@nevolume.co.uk including your CV and a paragraph about your favourite aspect of the North East music scene and I will get back to you within 2 days maximum.


What are you up to for 2018?

I’m actually going to start my own radio show (fingers crossed) so I’ll be looking for local promoters, bands, soloists, and independent venue owners to join me for a chat. Again, if you’re interested then please email me and I’ll be happy to liaise with you.


Well that’s lush and Lee has already asked me to be on his radio show (I do love the sound of my own voice so obviously I jumped at it) so something to look forward to! Make sure you check out the current edition of NE Volume – it’s a treat!

Until next time Culture Vultures.

Vegan Restaurant Week 2018 – your next cultural adventure!

So you all know I’m queen of championing Independents in the region and that’s one of the reasons I love Newcastle Restaurant week; an opportunity to eat my way across the city, explore new places and support lots of independents. You may have heard of Newcastle Restaurant week – but have you heard of next week’s Vegan Restaurant Week? You may not have – but you absolutely need to fall in love with it, like I have.


So you may be vegan and this week may be music to your ears! Or you may not be vegan and think – “eh – why would I be interested in this!?”. Well let me tell you, I’m not vegan either. But I’m a cultural adventurer – I absolutely love stepping out of my comfort zone, trying new things and I’m eternally curious. Vegan food when done well means beautiful colourful plates and lush tasting food. There are lots of vegan versions of your meaty favourites, plant based soul soothing dishes and if you’re feeling naughty, well there is even vegan junk food.

So if you have the misconception that vegan food isn’t tasty or not for you – well firstly, you’re absolutely wrong and secondly, give it a try! You’ll be pleasantly surprised – I promise, especially if you like your spice like me.

Lots of Independents are getting involved in Vegan Restaurant Week so it’s an opportunity to not only to try something new but also to visit and experience somewhere new. Last year, I had the pleasure of attending Kommunity’s Vegan supper club run by Mama Zen and it was beautiful. Each mouthful so full of flavour and all great with a gin and tonic on the side.


Kommunity Ncl

If you’re after a recommendation from me – I’d say get yourself to Thought Foundation who are hosting a foodie pop up night with the Calabash Tree on 12th January; you need to book in advance so nab your place and have a taste of the Caribbean. Or, go to Kommunity for Wildflower’s Pop-Up for some lush home-made food at lunch time Thurs-Sat!

So enough from me – I recently caught up with the founder of Vegan Restaurant Week – all round mega babe and Culture Vulture favourite and friend Emma Phillips.

So Emma, tell me and for those that don’t know; what is Vegan Restaurant week?

Vegan Restaurant Week is a celebration of plant-based food here in the North East. It first started in 2017 and was the first event of its kind in the world. Since we launched a state in the US ran a similar promotion, so it must have been a good idea!

What was the inspiration behind starting it?

Vegan Restaurant Week came to being because I wanted to show how easy it was to find plant based food here in the North East, despite misconceptions! I think we were never considered as very ‘forward-thinking’ when it came to cuisine, but times are changing. We have a thriving restaurant scene, especially in Newcastle, but I also wanted to show support to the local independent restaurants and cafes that have accommodated those who don’t eat animal products over the years.


Is it the only UK Vegan restaurant week?

This is the only event of its kind in the UK, and I feel proud VRW has been able to showcase what we have to offer in the region. I would love to be able to take this to other areas in the country as it is a fantastic way of bringing the community together, especially during Veganuary.

So it’s in its second year – what was the reception like to the week last year?

The reception last year was fantastic. Any event is a concern, especially as we had no marketing budget. But the community rallied round, and many restaurants were fully booked during the week.


Who is Vegan restaurant week for?

VRW is for everyone. I was clear from the outset that the week was not just aimed at vegans within the NE. I hoped many people would be interested to try out vegan food, even if it was on account of the special offers that many cafes and restaurants ran during the 2017 event.

I’m heading out with my vegan friend next week – we are massive foodies and love colourful plates. We both like spice and see food as a mega social treat – where do you suggest we go?

I would recommend trying out the pop up event Thought Foundation are hosting on Friday night with Calabash Tree. The menu features Jerk Butternut Squash, Curried Chana Aloo, and for dessert a Spiced Rum Almond Cake.


I’m also taking my friend out with her little boy – she’s a massive meat eater and loves BBQ-esque food and I want to prove her vegan food can absolutely hit the spot – any suggestions?

Somewhere like Grumpy Panda or Junk It Up will be a huge hit with those who like BBQ and/or junk food. Think burgers, Southern Fried Fricken and doner kebabs. This is not what people imagine vegans eat and I love the surprise on people’s faces when they tuck in!


Grumpy Panda

You know me, and you know I’m not a vegan. I love trying different foods and I was one of those people that through curiosity discovered that vegan food can be so yummy. What would you say to those curious about vegan food?

There are a lot of misconceptions surrounding what vegans eat. I am by no means a healthy vegan and couldn’t exist on salads alone. I think VRW is a great opportunity to try out something a little different, especially if you’re trying to cut down on your meat and/or dairy intake. There’s a huge array of alternatives out there, and you might actually like them.


Common vegan misconceptions

I’m the queen of seeking out the hidden gems, somewhere I haven’t been before; what is your hidden gem suggestion?

That is a hard question to answer as we want to support everyone involved in the event! Pulp Fiction are offering an All You Can Eat Breakfast Buffet which I think will appeal to those who are trying to be ‘good’ during January. I think many will be surprised to learn Darcey’s in Central Station have vegan grilled cheese and sausage sandwiches on offer, and Chaia in Gosforth have a lovely afternoon tea for just £10 too.


Well thank you Emma – mega excited to eat my way across the region, one lush vegan dish at a time! For the full list of participating restaurants head over to the official website!

Until next time Culture Vultures!

Amy Lord; live art, brain-feeding & 90s at Our Time.

Amazingly talented people walk among us often hidden and unheard….I’ve really learnt that a lot recently. Not all creatively talented people call themselves artists – they are ordinary people, in everyday jobs and yet, they have talents so unbelievably amazing at their fingertips.

And often no matter, how engaged you are in the cultural sector and how “aware” you think you are – I’m always surprised when there is someone, doing something so amazing and fantastic and I didn’t know about it!? Sounds ridiculous – but I prize myself in being in the know and the now – so when I stumble across someone new and exciting, I’m both blown away but a little bit cross at myself – how did I miss this!?


I first heard of Amy Lord, when a friend of a friend told me about this “project” in Newcastle taking over a townhouse and how they were exploring happiness and we had a mega long conversation about what exactly happiness is and how society has this version of happiness and zen……and I’m just over here, being ridiculous, not getting up at 5am and doing yoga and even when I’m happy, my world is chaotic.

So, this townhouse take over culmination was over Late Shows weekend – which is my busiest weekend – I never get to experience the Late Shows as an attendee – I work it and usually on the Gateshead side. So obviously, I missed Amy’s ‘Experiments in Happiness’ take over.


Fast forward a few months and I’m sat listening all about the progression of this year’s Juice Festival and Our Time – Helen who is programme director said the ultimate which immediately secured my project buy in…..

“Rachel – so there is Amy Lord, she’s this mint visual live artist….she’s doing this Art House piece and you’re going to love it, it’s all about the 90s”.



So being the creep, I am – ultimate stalker mode started and what I discovered was an artist that is creating and doing very interesting work in collaboration with some of my favourite people at the moment in the North East Cultural Sector.

I really like visual live art – it combines some of the elements I love most about sculpture but encourages an evolving engagement. Amy describes it as a “multi-textured and layered encounters and experiences” and I think it sums it perfectly. So many elements and things brought together – with a strong focus on visual……

As someone with a passion for events – I really like Amy’s work from an space curation and the facilitation and provocation of audience experience…… that really excites me and I’d love to work with her in the future.

So now over to Amy…….


Who are you?

Hello! My name’s Amy, I’m 31 and I’m from Northumberland! (In the style of Blind Date).

I’m an artist but I also run an events company on the side called Lemonade and Laughing Gas. I’m currently living in between London and Newcastle. I spend a lot of time on the Virgin Trains East Coast train route at the moment…


Tell me about your arts practice?

I make live art. For me, this means creating anything from an interactive installation, a game, a video, a crafting activity and a performance. I always want my work to be personal, political and to not shy away from difficult or challenging subjects. Sometimes my work can be more about the process than the end result. I love working with different groups of different ages to capture the full spectrum of human experience.


Tell me about a recent project?

My latest big project in the North East before my Our Time commission was Experiments in Happiness. I took over an empty townhouse on Grey street and filled it with installations and experiences exploring ideas around happiness and mood. 600 people turned up over 2 days – the interest in the project totally blew me away and has just made me want to do more stuff here.


Everyone has a super interesting story about becoming an artist – tell me about your journey into Arts?

I’ve always got a buzz out of making things from a young age, but I think my first step into the arts was Uni. I was lucky to get into LIPA (Liverpool Institute for Performing Arts) and studied Theatre and Performance Design. Although I loved the course, I knew I didn’t want to be a theatre designer at the end of it. A tutor there introduced me to live art and more experimental theatre in my final year, and I was hooked. My first solo project was a work in a derelict restaurant about the media and pressure on body image for women (2007).


Piece of advice for someone thinking about a career in the arts?

Try and build in time for ‘brain feeding’. It may feel indulgent but if you don’t keep seeing stuff, reading things and learning new skills, sometimes the inspiration well can start to dwindle!


Why did you apply to be a part of Our Time?

I liked the structure of the ‘mini commission’ – creating something quickly for one night only appealed to me, as well as the positive feelings about the area and the past Team Juice were wanting to emphasise.

Tell me about your commission?

Research is often at the core of the work I make, this commission is no exception! I spent 3 days rummaging around news archives and microfilm to find good news stories from the 90’s – specifically in Newcastle and the North East.


Then, we had a workshop with Team Juice to whittle these down and find out what was most interesting. We did some creative thinking and finally, shot some video on smartphones to make into a film that will be projected on a loop throughout the evening.

We’ve chosen to show the film in this bonkers tunnel in the museum, which we’ll be filling with 90’s music to help transport people back to that time!

What was the inspiration?

DIY culture/the contrast between technology in the 90’s and now.

The idea could have happened for any decade really, but I chose the 90’s because not only is it having another moment in the sun but it’s also the first decade I’ve felt properly nostalgic about, as I was 15 when the millennium arrived!

I used to think people obsessing about the 70’s and 80’s were just living in the past, but now I totally get it! Nostalgia and remembering those super important formative years can be totally delicious! As long as you balance it with living in the present too…I also can’t pretend I wasn’t influenced by watching Sing Street.

What do you want attendees to take away from your installation?

Fun. And maybe realising how many amazing things happened in the 90’s for our region.

Top 5 90s songs?

Wow, there are so many. Here’s some of the top of my head (that may have found their way onto the soundtrack!)

Dreams – Gabrielle

What’s Up – 4 Non Blondes

Another Night – Real McCoy

Sunshine After the Rain – Berri

The Whole of The Moon – The Waterboys


Favourite 90s moment?

When everyone thought the world was going to end once we got past midnight on New Year’s Eve 1999.

Have you seen the rest of the Our Time line up? What bits are you most excited for?

I’ve worked with Zoe Murtagh on my last project so obviously I’m a fan of her, and am looking forward to seeing what she’s created with ‘It Was Once A Dream Interactive Trail’. I also create a lot of multi-sensory work so I’m looking forward to getting in the Von Tuur Salon.

Also generally, we’ll be in a museum, at night, with a bar…absolutely winning!

Well, I’m just such a fan of so many things Amy said….. I’m all about trying to make time for “brain feeding” and the 90s is absolutely my jam……


Thank you Amy….. I’m super excited to see and experience your piece.

I will be at Our Time at Great North Museum on 21st October – you’ll probably find me lurking and obsessing over Amy’s 90s piece and involuntarily breaking out into song and dance when ‘SunShine After The Rain’ comes on…..

Culture Vultures – this is the ultimate Culture Vulture event….. don’t miss it or Amy’s lush installation.



GemArts Masala Festival 2017; a South Asian cultural infusion of a festival……

Working in Culture within the North East is possibly the best sector in the entire world to work in; it’s just mint! The ideas, the events, the projects, the people and beyond. As a none people loving people person, I really finding my little space in the world, with such brilliant people.

The Cultural sector in our region is just so diverse – I’ve never experienced anything like it. The cross fertilisation of ideas, partnerships and collaborations and the ever emerging willingness to work together culminates to ensure an exciting bubbling richness of lush things and people.


GemArts and Sunderland Stages present Gods & Mortals at Sunderland Minster

The sector is also very close knit – you can attend any event really and see a smattering of friendly creative faces smiling, championing you and your projects and attending the things you do. It’s a like a secret club of lushness…… the people you work alongside or attend their things and champion, very easily move from project partner or such and such from that organisation….and become friends. Real friends and people who you celebrate every cultural moment with.

Sinead from Gem Arts is one of those people (and in fact really the whole Gem Arts team….but Sinead really likes cats and is quite ridiculous like me, so she’s my favourite). I’ve known of Gem Arts for some time and championed them for as long as I have worked in the cultural sector….. their Mini Mela was my induction into working with a large scale cultural children’s event.


GemArts is a dynamic arts development organisation presenting South Asian arts. They produce and programme new and exciting culturally diverse arts, by creating and developing high quality concerts, events, festivals, workshops and commissions with regional, national and international artists. Every event I’ve attended has been a cultural hot pot and celebration of South Asian diversity and learning about respective cultures.


Last year they launched Masala Festival and I had the pleasure of championing it as part of Gateshead Arts Team and of course, as Sinead’s mate Horts. So as we are literally about to jump into the second Malasa Festival (deep breaths Sinead and team – it’s going to be mint!), I thought I’d take the opportunity to catch up with her and find out what this year has in store for the region alongside digitally championing to my fellow Culture Vultures what a cracking week this is going to be…..

Well hello Sinead, so first up; what is Masala Festival?

Masala Festival is the North East’s very own, award winning, South Asian Arts Festival, bringing a mix and blend of the finest art and artists to the region for 7 days in July starting on 17th July.


How many years has it been running and what kicked it all off?

GemArts launched Masala Festival in July 2016, offering a truly eclectic programme, spanning traditional and contemporary arts. After 16+ years presenting diverse arts in the North East, we decided it was time to put our expertise to good use, and create a brand new Summer Festival, showcasing artists from the UK, South Asia and beyond.


This year the Masala Festival programme explores partition, migration, globalisation, identity, heritage, tradition and modernity, and marks the 70th anniversary of Independence for both India and Pakistan, something we were already starting to think about in 2016.

You won a Culture award for last year- tell me what that was like?

Recognition is the icing on the cake, alongside the incredible support we continue to receive from participants, audiences, trustees, volunteers, sponsors, partners and local communities, to whom we are hugely grateful and celebrates the creative talents of artists from the region, across the UK, South Asia and beyond.


It was a joy to collaborate, connect and celebrate with thousands of people from across the region at our first Masala Festival, and we can’t wait to do it all again.

Receiving an award for something your team is truly passionate about is a dream come true, and has given everyone an even stronger drive to continue championing creativity and diversity at every level, supporting young and emerging artists, and offering people from all backgrounds and ages, community groups and schools, engaging opportunities to take part in our culturally rich and diverse arts offer.

So… now 2017; what’s coming up for Masala?

This year’s Festival (17th-23rd July) will ramp things up, building on our award success we’ve been even more ambitious, and added exciting collaborations and takeovers to last years list.

GemArts has commissioned work from celebrated companies and artists  and the programme is packed; award winning poetry readings (Daljit Nagra: Heritage and Identity), specially curated short film programmes (Changes), celebrations of Sikh soldier’s music tradition and contributions to the First World War (Sacred Sounds), leading choirs from India (Gandharva Choir), two nights of powerful theatre (No Dogs, No Indians), Masala Festival takeovers and collaborations (Q Festival, Trinity Square and Dabbawal), Mini Mela family fun days, Indian storytelling shows (Henna),  talented musicians fusing jazz, electronic and Indian classical music (Sarathy Korwar), folk music and dance (Rajasthan Heritage Brass Band),  film screenings (The Jungle Book, Ghandi), exhibitions (AURORA by Jayamini de Silva), food events (Biryani Club), fantastic workshops (Bollywood dance, Meditation and Yoga), talks and demos (including GBBO contestant Chetna Makan) and lots more……


What should I not miss out on?

We think you should attend everything, but there probably aren’t enough hours in one person’s day. Three events we know the Culture Vulture will really enjoy would be;

SACRED SOUNDS – A national project called Sacred Sounds, which tells some of the largely forgotten stories of British India’s role in the First World War. Using archive footage, letters, photos, music and poetry, SACRED SOUNDS is a multi-art form performance which explores Sikh musical heritage and traditions, which soldiers took with them to the battlefield.

HENNA INDIAN STORYTELLING SHOW – As part of our Q Festival takeover we’ve invited international storytellers Peter and Gorg Chand to tell a very special story. On the eve of a wedding a young bride-to-be is having henna applied to her hands. As the patterns emerge, the stories begin to unfold… love, loss, betrayal and Bollywood! Plus GemArts Henna artists will be on hand to create beautiful designs for any of our audience who want them.


NO DOGS NO INDIANS – A powerful new play from Siddhartha Bose. Three intertwining stories, spanning decades, explore the effects and legacy of the British in India in a powerful new play to mark the 70th anniversary of independence.

I’m always up for trying something new and out my comfort zone- do you have any recommendations?

CHANGES: stories on the edge will certainly make audiences ask some serious questions, and think long and hard about the world they live in and the resilience of people. Following last year’s successful ALIVE film programme, we’ve teamed up with creative producer Bobby Tiwana again, who has curated a stunning line up of short films for CHANGES; a programme of lives on the edge – personal and political conflicts test human resolve.

My little mini Culture Vulture Beck (one of my best pals little boys) – he’s really into trains, stamping his feet, stairs and exploring- anything for him and his lush fam?

There is plenty for mini Culture Vultures and their adults to get involved in during Masala Festival. We’re starting our Q Festival takeover with Bollywood dance classes for ages 2+ from 9am, and then from 11am we’ve Stories from the Punjab and Beyond for ages 5+ , a fun, interactive, and lively session of Indian tales.


Part of our Movies at Masala programme with the Jam Jar Cinema, shows The Jungle Book at 11am on Saturday morning.

Sunday sees the return of our popular Masala Festival Mini Mela, which last year welcomed more than 500 people throughout the day. Like all GemArts Mini Melas the day includes a range of drop in arts workshops, from Rangoli, Kite making and Silk painting to Bollywood Dance and Dhol drumming, plus we’ve invited an amazing group of musicians to really bring the space to life, as the Rajasthan Heritage Brass Band will perform throughout the day.


Heard about the curry night at Arch 16 which obvs I’m all over that…..I like my curry to be an experience…..

BIRIYANI CLUB AT ARCH 16 – We love working with our friends and neighbours, and when we read about Arch 16’s curry clubs with Ashiyana Café we knew we had to chat Masala Festival with them. A tasty curry for less than £10, and GemArts DJs spinning the best bhangra hits, what’s not to like?!

CHETNA MAKAN CHAI, CHAAT AND CHUTNEY – As big fans of food shows, food cooking and food in general, we were over the moon when former Great British Bake Off contestant Chetna Makan was available to deliver a cooking demonstration during Masala Festival. Chetna will share stories from her travels around India for new cookbook, Chai Chaat and Chutney, and attendees will get to taste a selection of delicious street food recipes created before their very eyes!


Well that’s all a little bit amazing isn’t it – so make sure you check out GemArts Masala Festival next week…..you’ll see instantly why  it won a Culture Award and how fantastic it is – every night a brand new experience of diverse lushness – so much to see, do and of course Culture Vultures, EAT!

So bye for now Culture Vultures and Sinead, well I’ll see you on the other side of Masala Festival…..


The Culture Vulture xx

The Q Festival Low down – top 10

Right, so going out and seeing and doing things is my jam…… I’m at that age where gone is my capacity to go out endlessly, I work extremely hard and don’t really take time off so if I go to an event or thing, so when I’m going somewhere I want to know it’s going to blow my socks off or be something a bit special and different. So instead I’m all about cherry picking the very best stuff in the region and we are extremely lucky to have some much going on in region at the moment, overwhelmingly so.


So in this blog post, I’m chatting about Q Festival and giving you the low down – so you know what are the hidden gems and the unmissables…..


Q Festival in a nutshell, is an urban festival lasting 24days in the heart of NewcastleGateshead – smack bang on Gateshead Quays (Yep….this Gateshead lass, told you guys first 18months ago how much Gateshead has really got it going on at the moment). For 24days and nights, Baltic Square will come alive by day and by night with a huge Spiegeltent. Anyone who has been inside a Spiegeltent will know how beautiful they are as venues and anyone who hasn’t been inside well you haven’t lived yet!……


The full programme is available at www.QFestival.co.uk with tickets on sale now; but the festival site itself is open every day from 14th July for all to come on down and have a drink….boom!

Here’s some of the inside craic for anyone wanting to drop by the festival site or attending events:

Q Festival has had some of the region’s in the know mixologists and bartenders assembling the bar stock and designing drinks for specific events…… as a gin gal and new red wine lover, having a decent drink in my hand at all times at an event is of the upmost priority! I don’t want a drink that’s a science experiment and I don’t want a £2 pint of wine circa Leeds festival 2002…..

The festival site is worth visiting on its own….from 14th July, you will be able to come on down to Baltic Square, grab a drink or tea/coffee (or something much stronger) in the outdoor beer garden, eat some yummy street food and of course whilst flicking through the brochure chose your events and book in person at the box office open 12.30pm-9.30pm daily.

Q Festival programme and site supports and champions our region’s independents, creative businesses, artists, performers and so much more……. The people working on this festival from the marketing, to the site build, to the bar, to the programme contributors, to the food are all from the region, living, making, creating, playing, surviving and thriving right here…..and a festival that sounds pretty special to me.


So I’ve pulled together my top ten on what you need to attend……..

Jesterval Comedy Festival Opening Weekender….14th July

If like me you have a deep desire, to see everything and do everything first – let’s start with the beginning; Q Festival’s opening weekender – it all kicks off with Jesterval Comedy Festival back with a bang for 2017…. You need to make sure you check out Hal Cruttenden who is one of my all-time favourites (he’s bliddy funny) and of course, the big Jesterval Comedy Gala, which is your opportunity to see four comedy acts including Sara Pascoe. Sara’s individual show has now sold out so, this is your opportunity to see her if you didn’t manage to get the tickets.


Why is the Comedy Gala unmissable? Well you, have the chance to see 4 acts – us lot, well we love a bargain and here you get 4 for price of 1 technically……..all for £15 mint! And of course, it’s an amazing show…… I will be there on the night (so will Mama Horts actually) so it’s also an opportunity for you to hear my infamous giggle/cackle and Mama Horts laughter snorting away.

 Jesterval ad

The Steampunk Gin Festival….21st and 22nd July

Gin Festivals and gin anything is really on trend and in vogue at the moment and I’d just like to point out, when I used to drink ginny years and years ago telling everyone how lush it was, everyone thought I was crackers….it was still Mother’s Ruin back then and responsible for tears at the end of the night. Well I’ve never been like that with gin – it’s always been lovely and yes I’m one of those annoying people that ponders lovingly over which gin to drink, what mixer, what additional lushness will be make this even lusher……..basically, I drank gin before it was cool…….


I am thrilled that Gateshead gin company – Steampunk Gin are hosting a massive gin weekender with Q Fest – so they will have lots of lovely gins to taste, music, entertainment and a whole lot more all within a Spiegeltent….sounds mint innit!? Gin, Gin, Gin for the win!

Glitz and Glamour: getting ready for a party!….25th July

Meridith Towne is one of my favourite people of all time and I’ve seen her shows and talks (each one is amazing and I find them so empowering and bliddy entertaining!)……. Part performance, part costume show, part fashion history lesson – Merry knows where it’s at when it comes to having a passion for historical fashion and sharing that with an audience.

Glitz & Glamour copy

As a fantastic storyteller, this evening invites you into her wardrobe as she takes you on her journey getting ready for a glitzy party and choosing those glad rags from 1920s towards more modern times. This evening will be full of vintage real pieces, fashion adverts and snippets from various time periods and recreations made by her own talented hands.


As always Merry puts on a lively show; tickets are flying for this and this new talk has partly been written just for Q Festival….. so you really are in for a treat. Attendees will also receive a craft bag on the night from creative crafty business The Crafthood and there will be a pop up from fashion start-ups Trendlistr and Ebb & Sew with an opportunity for you have a deeks at their fashion pieces and purchase.


MA Takeover featuring Drag Me to Love…..26th July

Following on from my love of the new and undiscovered, I’ve had the absolutely pleasure of working with and seeing some snippets (at GIFT Festival) of some different theatre shows and scratches. So this night is all about the new and emerging……

For one night only Northumbria’s M.A. Theatre and Performance students take over the Spiegeltent at Q Festival for an evening full of performances showcasing up and coming talent from the region. The evening consists of multiple scratches of work that they have been working on during the course of their degree. The night will also include a performance of Drag Me to Love by Bonnie and The Bonnettes.


Scratch: Rooted by Becky Glendenning-Laycock and Fleur Rozan

In a battle between who we wanted to be when we were little girls Vs who we’ve turned out to be, we will come to realise that life doesn’t always hand you the story you wanted to tell when you were 9 years old. And that’s ok we guess. Isn’t it?

Scratch: Don’t Shoot the Messenger by Ashley Fraser and Becky Morris

This is about me, you, us, and everything that is going on around us. These are things that you may be aware of, or these may be things have you’ve ignored.

Scratch: Untitled by Jake Jarratt and Andrea Scrimshaw

From using two viewpoints, one male, one female, we challenge why sports are different for either gender. We take hold of our space and explore clichéd situations; replaying them in ways which challenge how society expects genders to behave within and around sport.

Drag Me to Love by Bonnie and Bonnettes

So imagine this. You are 14 years old and you are a drag queen. Its golden stilettos, ripped fishnets, shoulder pads, and neon bobs. It’s expression. It’s glamour. It’s power. It’s Doncaster, 2009.

It’s about being young, having that fire in your belly and seeing no limitations or rules. It’s the uncertainty of your own identity and the creation of a new one. It’s about finding a safe place between the two. It’s a reflection. An exorcism. A scrapbook.

We will laugh. We will cry. We will sing and we will dance.

You are bound to fall, as we drag you into love.

Jumpin’ Hot Club Presents: Q Festival – 1st August

Award winning Jumpin’ Hot Club are hosting an evening of unmissable toe tapping blues, folk, country and live roots music……..I’ve championed and worked alongside the Jumpin’ Hot Club gang for years so I know you’re in for a real festival treat with these guys.  And what’s a festival without the musicccccccc!

The line-up includes the amazing and hilarious Martin Stephenson & The Toe Rags….. I’ve heard a sneaky rumour that the king of Jumpin’ Hot Club himself Graham may be getting up on stage with Martin so obviously, I’ll be cheering like a crowd cracker.

With plenty of space to dance and lush local booze on offer, you can enjoy this one of a kind night with Jumpin’ Hot Club and also get to see admired Austin Texas singer songerwriters Brennen Leigh & Noel MacKay, a country blues and desert rock band born on Route 66, Hymn for Her and local folk legends George Welch & Christine Jeans……..




martinS2The Big 90s Pop Culture Quiz – 2nd August

Right, I’m stuck in a time warp. I love the 90s; maybe it’s partly not wanting to grow up and maybe it’s just being in love with this era. Everything about the 90s makes me smile…..


Ross and Rachel, Umbongo, Marky Mark, CK, hair mascara, Kickers as school shoes, Pogs, TLC chasing Waterfalls, Wayne’s World, Ravey davey dance….come down to Q Festival for a 90s Pop Culture Quiz with quiz mistress Cheish Merryweather (the only person I’ve ever met who is more ridiculous than I) testing your knowledge and love for the 90s.


Tables are really flying for this – teams can be any size from 2-8 and are £10 a table….so come mmmbop with me down memory lane even if you’re totes clueless…..

Disposable Treasures; Paper Crafting – 3rd August

So you guys know I’m allllllllll about championing local artists and stepping out of my comfort zone and doing something creatively challenging. And that’s what this evening is all about whilst enjoying a few glasses of vino and enjoying four different activities with professional artists.

So first up we’ve got Fiona Jamieson; you can have a go at paper cutting- designing, cutting and opening up a paper treasure……you’ll be surprised at how beautiful and intricate the designs can be with this Snowflake technique.


We’ve also got Culture Vulture fave and all round brilliant egg Sheryl Jenkins – you’ll have the opportunity to experience and create some paper crafty animations using stop-motion….. I’ve had a go at this many times now….you guys will not be shocked to hear that mine was cat related….


Late Shows fave and 36 Lime Street legend Effie Burns will be facilitating a session to create a paper crafted miniature magical world; we could all do with a little escapism so get lost in a match box world!

Finally, Yvette Hawkins, will be showing you have to create sculptural wearables – fit for a cat walk – think big, think bold colours and just go with it…..

So come as you as, come as a group, this evening is most certainly for those crafty crafters!



80s Social Club – 4th August

Going back to the time warp thing…I’m obsessed with 80s music. Not the cheesy kind (although after a couple of gin & tons singing them loud and proud, most certainly has their place) – the electro kind. I also have crazy large hair and “interesting” fashion choices – I look like someone who digs the 80s and stomp about to Stevie Nicks, Edge of 17 far more than I’d care to admit….

80s Prom

Following on from the mega success of my 90s Social Club party a few years ago at World Head Quarters – those that follow me on social know I’ve been ITCHING to do an 80s version…..so when a prime slot at Q Festival came up – it was fate. I assembled the Social Club team – we’ve got Tim McVicar (Dat Bar, Bierrex, MSA and ex Smoove & Turrell bassist) playing 80s electro funk and boogie and we’ve got Patterns Collective to play some 80s dance floor pleasers.

1980 social club tickets on sale

As per any Culture Vulture party, I’m pulling out some corkers – we’ve got glitter bar and neon facepainting, 80s decorative lushness and all sorts of things…..fancy dress is not enforced – but I will glittered up and back combed so why not so feel free!

“The question isn’t “what are we going to do,” the question is “what aren’t we going to do?” – Ferris Bueller’s Day off

The Candy Vortex Q Festival Closing Party – 5th August

Basically just don’t go to sleep between Friday and Saturday because this is the ultimate party weekend………when it comes to closing a big urban lush festival, is there ANYONE ELSE? If you haven’t heard of the Candy Vortex yet – well you’re going to, they run some fresh immersive parties, filled with revelry and you know an all lasses collective is going to get my vote.

Candy Vortex

So what to expect – well I don’t know…….expect the unexpected and see you on the dance floor….

Carruthers & Kent Summer Wine Fair – 6th August

Something happens when you turn 30 – things you wouldn’t have dreamed of doing or liking suddenly seem lush and acceptable. I’m like that with red wine…….my friends have tried for years to get me to like wine and to taste different things and really appreciate it. A year a go something magical happened – people had told me it would happen but I just didn’t believe them….. I took a sip of red vino, the skies parted, the birds sang, my taste buds cheered and the world suddenly made sense………

So how excited am I that Carruthers & Kent are running this….. me with my new found wine loving status is alllllll over this. The opportunity to taste and find out about different wines….heaven. I know you’re supposed to spit and only “taste” – but my sips are unfortunately gulp like so I’m sure I’ll be dancing my merry way out of the Spiegeltent at Q Festival – which let’s be honest, is a fitting way to end the fest……


So that’s my tip top ten of Q Festival picks; so I really hope to see you along and get booking: http://www.QFestival.co.uk

That’s all for now Culture Vultures!