Are you ready to get Curious?

So this Summer is all about celebrating the North, creativity, innovation and lushness in the region.  I’m really excited for a Summer full of culture vulturing.

Starting on the 1st July running until 8th July across Gateshead, Newcastle and Teeside is Curious Arts Festival run by one of my favourite humans (and rapidly becoming one of my best friends) Phil Douglas. It’s an explosion, exploration, celebration of LGBTQ through creative and cultural exhibitions, happenings, pop ups, events and performances. I am so excited for a week long of Curious queering the region! You can check out the full programme here – you can nab your tickets here. There are things for you, things for me, for young people, for families (well hello Rainbow rave with Chalk)….

My love for Curious (which is so much more than just a festival; they run ongoing projects through the year) is never ending – they are doing something so special and innovative in the region. It’s no surprise that Arts Council on a recent visit to the region, were blown away by Curious and their work.

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So as the Culture Vulture, I love Curious Festival because….. this is turning into a bit like a  fangirling blog post….

  1. The quality of cultural programming is just amazing – so many diverse cultural experiences and some celebratory party vibes. I’m really excited for the theatre performances this year.
  2. It provides a platform of creatives, artists, venues and performers in the region – that you wouldn’t necessarily see elsewhere. It really champions that firstly, creatives are just made to creative irrespective of anything else. Secondly, that LGBTQ culture is so much more than certain stereotypes.
  3. Part of the core philosophy of Curious Festival is the mantra “Life is for dressing up, not down”…. I take that as such an empowering phrase and ethos; encouraging self-expression and to be proud of your identity and differences. As someone whose wardrobe is full of self-expression – I love this core value.
  4. It’s supposed to challenge you – all that they ask is that you go in with an open mind. Through Curious (and I consider myself the most open minded person and educated in LGBTQ), I’ve learnt so much about the history, the culture, current issues in the wider community and society and the importance of self-identity. Curious doesn’t hide away from these topics – it celebrates them and explores them in creative ways.
  5. People can find a place….. in a world obsessed with labels around sexuality, gender and identity – within Curious and the Curious community labels are important to those who find them important to them personally and not important for those who don’t need them. I used to be so disengaged by labels and the celebration within society and pride festivals of particular labels and the fact, that if you didn’t feel that way – then you didn’t support the community. I’m really fluid in my sexuality – gender is irrelevant to me. Through Curious, I found a real self-acceptance of that.
  6. It’s a positive celebration – from the vibe, to the people, the events and the happenings…. It’s just a wonderful thing to be a part of.

So I’ve told you a bit about what Curious Festival means to me…. And I really hope you attend something across the festival – or if you’re a super fan like me, then you can attend something every day and evening. Now it’s time to hear from Phil Douglas from Curious to hear the real low down on 2018’s festival programme….

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Hi Phil, for my readers, tell me who you are?

Phil Douglas – Artistic Director and Producer of Curious Arts; it was also my idea so maybe founder? But they all sound a bit fancy.

We love a fancy title and you’ve earned it with your amazing work! So tell me about Curious?

Curious Arts is an arts organisation set up to explore and celebrate LGBTQ culture in the North East. Our flagship activity is an annual festival but we do projects and hold events and performances year round.

Let’s start at the beginning…. Where did Curious begin?

After a good 9 years working in arts and culture in local authorities, running LGBTQ bars and social events in Teesside…. I moved to Gateshead in 2015. I started looking for LGBTQ Arts activity in the North East from workshops, films, shows, exhibitions and I quickly found a real opportunity to help promote what was already happening – which actually wasn’t that much.  I then started to develop more opportunities for artists and audiences in the region.

Tell me about Curious Team?

We are a tiny, not for profit, based in Gateshead and are mad about celebrating and exploring LGBTQ Culture and The North East’s LGBTQ Culture. We bring in some nationally significant artists to the region for audiences to enjoy and experience but we are absolutely championing home grown talent too.

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Curious Festival is in the third year how has it grown year on year?

It has grown really quickly; we can barely keep up!  We have to thank Breeze Creatives and Baltic for giving our first festival a home and Dance City have been a constant champion too! From then to now we have some incredible long term partners such as ARC in Stockton and Northern Stage who recently appointed us as an associate company.. it’s really exciting stuff.

But on a serious note – one of the conditions of working with us is that you cannot be a tokenistic engagement. People are queer all year round, not just during pride season or Curious and we are pushing for representation of LGBTQ life in the Cultural offer of the region year round. So we have seen partner organisations get involved and stay involved.

I think that is such an important condition – so 2018….What are your aspirations for this year’s festival?

This year we just hope to survive ha! This is a huge festival and project for such a tiny team of volunteers and project funded team. Please hug one of them if you see them! Everyone is working above and beyond to realise the Curious 2018 programme.

We have so many different activities in so many different venues and no budget for Uber’s!  We have an exciting Autumn programme and already have ideas for next year too! It’s a lot but we are driven by passion and the support of those around us.

If I’m someone who hasn’t been to Curious Festival before – what can I expect?

A really vibrant, friendly feel, we have audiences who engage in the arts, the LGBTQ scene, the community sector, academics and students. Everyone is mixing in a shared space…. They are all curious folk.

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I’m ready to get curious….Ok make some recommendations…

  1. I want to do some mega dancing and throw some shapes – what do you suggest?

If you have little people then the Rainbow Rave with Chalk at Seven Stories on Saturday 7th July! If you don’t well steal a child! Joking! or if you can get a sitter then it’s the Vogue Ball on Saturday 7th July – you can Vogue the night away!

  1. I want to get involved in debate and hear some interesting discussion?

We have a young peoples’ talk on Sunday 1st July exploring gender, a talk about all things Drag in the region on Monday 2nd July and also the Slate is Curious Panel discussion on Tuesday 3rd July sounds pretty interesting!

  1. I want to dress up? Properly dress up, not down!

Head to Seven Stories for the dress up box all week – opportunity to play with their gender stereotype busting costume bag and celebrate your identity with some curious colourful crafts….. Or you can get married in the inflatable Church of Love in Baltic Square on Saturday 7th and Sunday 8th July. There will be a wedding dress or two and suits for you to wear if you want to get married…..

  1. Theatre is my thing….I want to see and experience some amazing theatre?

Alphabetti is the answer with two specially commissioned shows – Iconography by Zoe Murtagh and Dietrich: Natural Duty by Peter Groom on Wednesday 4th – Thursday 5th July. We’ve also got a scratch night on Friday 6th July with some of the regions up and coming talent (including Culture Vulture faves Beth O’Doherty and Jon Lue Mckie) and of course, the unmissable Becoming Scheherazade on Saturday 7th July!

If you are in the Tees Valley check out our shows at ARC and Middlesbrough Theatre.

  1. I’ve got mini Culture Vultures to entertain– any suggestions?

Drag Story Time is a must on Sunday 8th July at Seven Stories – Northern Drag Artists Ben and Gladys will be sharing their favourite stories…. if that sells out there is the studio take over too on Saturday 7th July – you can bring your minis to make a piece of wearable art!

  1. What if I want to push the boundaries?

MUM at Alphabetti Theatre is the one – it’s all about the things unsaid in families…..beautiful and poignant.

  1. I really want to learn something new?

The Pop up Gallery / Festival hub is open for the whole festival from Monday 2nd July at 6pm (check website for times). Interesting artists with thought provoking work including Carla B Turner, gobscure, Ida4 and neon maker Stuart Langely with his HIV/Aids awareness light installation as part of the 36point7 tour.

  1. I want to explore gender norms?

We don’t love the word norm /normal.

Ok…badly phrased….I mean wider societal gender labels and everything in between….

The whole festival… get curious!

I’ve been to a few Curious events now and the vibe and community feel is extremely special – I feel a lush sense of belonging at your events, especially as someone who doesn’t identify with labels….. Curious is more than a festival – feels like a movement….. how would you describe the Curious vibe?

It’s a queer space and everyone is welcome, takes their space and has permission to be curious. Everyone is supportive and championing of each other and respects that people are sharing or dealing with sensitive and sometimes personal issues which arise in the themes of the work.

I’m head over heels with MuthaTucka…. How did you meet? Can I borrow their wardrobe? Can they give me lessons of how to walk in heels? Their appearance is a work of art…. I just love it. Lots of self-expression, visual and costume art all with a hint of tongue and cheek naughtiness…..

Mutha Tucka. They are a cracker! One of the growing number of creatives on the LGBTQ scene who have really embraced themselves as an artist. There are some incredibly talented costume, make up and performance artists on the “gay” scene but they are under championed or do not know their talent and some can be seen selling shots around the scene, which there is nothing wrong with, but they can be so much more too!

I met Mutha many years ago before they were Mutha, they ran their own alternative LGBTQ night and I went down to take photos and interview Mutha for a magazine I used to run – OutNorthEast.

Tell me about the Inflatable Church of Love – I got married to one of my besties at Bestival so really excited to do it again? I haven’t decided who/what I might marry….

Love is genderless and takes many forms… so get to Baltic Square and marry your mate, lover, dog, bike or a random stranger.

Curious is more than just the festival – so let’s think post festival – what’s next?

We have a really exciting programme in Autumn with three events we are hoping to announce in the coming weeks.  All the more reason to get on our mailing list and following our social.

Could a Curious and Culture Vulture creative mash up project be on the cards? (yes please!)

Sounds like a date! Let’s pop some time in to hatch a plan and blow the socks some folk. Thanks for being a Curious champion…

Well folks you heard it here first – there is a potential Culture Vulture and Curious Arts collab on the cards.

I’m so excited for this year’s Curious Festival – check out the programme and get looking and booking.

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The Late Shows 2018 : The Culture Vulture essentials!

After recovering from the excitement of Eurovision, I’m now thinking about this coming weekend and The Late Shows. It’s another mega favourite weekend of mine and one of the ultimate culture vulturing weekends across Newcastle and Gateshead on 18th May 7pm-11pm and 19th May 6pm – 11pm.

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It’s a free late-night culture crawl taking over this weekend – an array of museums, galleries, studio collectives and landmark historical buildings open their doors to offer visitors one-off events, parties, sneaky peaks at new exhibitions or work, demonstrations, workshops, behind-the-scenes tours, performances and lots of lush artists and creatives to speak to.

There is something totally lush about being about to visit venues and spaces in the night time – whilst they treat you to a unique after dark experience. Every year, I get really excited and what’s not to love about a city wide creative and cultural celebration. Each year – people and venues do different things, so whilst you may go every year – you’ll have a brand new experience.

So I’m not one for telling you guys, my fellow Culture Vultures, where you should go to – as the venues and spaces involved this year are all equally as brilliant and part of what I love about Late Shows, is that YOU plan your own cultural adventure or as I often do, simply go with the flow on the night and just enjoy it!

I thought instead, I’d feature this blog post on the unmissable reasons why you MUST not miss Late Shows 2018…..

  1. There are several FIRST TIME venues taking part or venues in their brand new digs opening their doors and I’m all about being one of the first to see and do something– so for you it’s an opportunity to check out somewhere you haven’t been before and their spaces whilst experiencing something lush and creative. So who are the first time Late Shows 2018 venues:
  • The Nest – Low Fell, Gateshead (Sat Only) – A lush family venues full of fun times and good food – you can print the Angel of the North and also eat the Angel.
  • The Kiln – Low Fell, Gateshead (Sat Only) – A vibrant and interactive paint your own pottery studio – you can paint your own Angel mug.
  • The Newbridge Project: Gateshead (Sat Only) – Visual arts studios and gallery in it’s first year; Explore the Deep Adaptation exhibition and leave your own responses to questions, take part in kimchi making and take home your own starter seed capsule.
  • Alphabetti Theatre – Newcastle (Sat Only) – A performing arts venue open since Sept 17; venture from room to room as you stumble across a variety of bands, poetry and pop-up theatre.
  • Star and Shadow Cinema – Newcastle (Fri Only) – An alternative social, cultural, arts and community hub run by a collective of volunteers open again in its new space – drop in to celebrate their re-opening.

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The Nest by Pop Up Studio Low Fell – Print the Angel. #Angel20

  1. There is a really special one off from Curious Arts on Baltic Square, Gateshead on Saturday on – the launch of Curious Arts’ 36point7 – a HIV/AIDs light art awareness project. 36point7 aims to support the visibility of this global issue and the legacy of those lost and silenced during the HIV/AIDS crisis of the 1980’s, Curious Arts is working with light artist Stuart Langley to reimagine the World AIDS day ribbon.

You will be able to chat to Curious Arts about the project and take in this lush large light installation which will be positioned inside Gateshead Millennium Bridge box.

In addition – Curious are offering free creative workshops so you have the opportunity to create your very own light art.

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Sneaky peeky of 36point7 from Curious Arts.

  1. Late Shows embodies a lot of what The Culture Vulture is all about…. It’s an opportunity to support, champion and visit Independent venues! I’m ALL about the independents and many of them across the weekend are hosting amazing events and parties – so get in the Late Shows vibe and enjoy! My top independent picks:
  • The Tyne Bar – Newcastle (Fri & Sat) – one of my favourite boozers anyway – but for the Late Shows they have a collaborative 90s throwback exhibition featuring work by second year Newcastle Fine Art students Charli Payne, Roberto de Abreu Preciosa, and Wesley Bray. I’m OBSESSED with the 90s – so I will be there on Friday for good time and 90s vibes.
  • Cobalt Studios – Newcastle (Fri) – A creative studio space and venue; I love what Kathryn and her team put on there and I’m itching to do a Culture Vulture event in the space. They got a mega Silent Disco party for you – three very diverse DJ’s & three parties in one with visual projections. My dancing shoes and twirling is at the ready.
  • The Staiths Café – Gateshead (Sat) – A lush independent café space… drop in for some communal singing with Beccy Owen’s Pop-Up Choirs who will later perform at the end of the workshop. Expect lush vibes.
  • Kommunity – Newcastle (Sat) – A bar/participatory social space that hosts dance, art house film screenings and much more…it’s run some of my favourite people in the world and it’s just a lush venue. And what a night they have planned for you from 9pm-middnight! Think STUDIO 54 and the last days of disco! The global growth of disco music and nightclub culture is going to be celebrated by your DJ for the evening Absolutely Fabulous Lady Annabella Marczewska! Dress to impress, exude energy and most importantly glamour!

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  1. Lots of Gateshead venues are celebrating The Angel of the North 20th Birthday this year within their Shows events! #Angel20
  • First up is the Nest in Low Fell Gateshead on Saturday – it’s a must for all you mini culture vultures (and grown-ups!). This year, they’ve brilliantly partnered up with another megababe local business – Pop Up Studio Low Fell. With Laura from pop up, you can bring an Angel of the North design on to fabric – make it as loud and proud as you want. She has also said for the grown-ups, you can totally go rogue and print whatever you want – including glittery swear words! With Lee and the Nest team, you’ll be able to make #Angel20 biscuits and literally eat the Angel. Mint!
  • Then there is the wonderful hidden gem on Low fell high street – The Kiln! On Saturday, you’ll have the opportunity to get proper creative and have a go at painting an Angel mug….they will provide expert guidance, lots of materials and of course, chat all about their wider offer!
  • Bensham Grove on Saturday in yep… Bensham Gateshead; is also doing lots of #Angel20 creative and crafty activities. You can create your very own Angel of the North sculpture for their garden and make your own angel in their make and take glass, pottery and textile workshops all whilst listening to live music.
  • The Shipley Art Gallery – On Saturday they are celebrating the Angel of the North’s 20th birthday and you’re invited! Join them to make your own Angel themed crafts, and get in the party spirit with live music, dance performances and a bar from Arch Sixteen’s Pam.

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The Kiln – Low Fell

  1. Be the first to see some of the AMAZING summer happenings and exhibitions – Late Shows 2018 acts as a bit of an exclusive preview – so enjoy!
  • The BALTIC (Sat) – This is a rare late-night opening view of their spring exhibitions. Visit Idea of North, a group show part of the city-wide Great Exhibition of the North. This exhibition celebrates northern imagination and identity through architecture, photography, music and design. It’s an exploration of northern imagination, unpicking and revealing different voices within the idea of a ‘northern’ identity.

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  • The Shipley Art Gallery (Sat) – Whilst they are hosting a fantastic #Angel20 party – Late Shows 2018 on Saturday also provides an opportunity to see the new Grayson Perry exhibition.

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Grayson Perry

  1. It’s not just about the venues and spaces – it’s about showcasing lots of amazing artists across the weekend; so if art is your bag – here are my recommendations!
  • The Biscuit Factory (Fri) – This is certainly my first stop on Friday and I can’t wait! They are launching the Open Contemporary Young Artist Award 2018; a mixed media exhibition featuring new artwork from over 20 emerging young artists. You will be the first to view the shortlist and cast your vote for our People’s Choice winner. Alongside the exhibition award-winning Streetwise Opera are performing live in the gallery AND you can enjoy The Factory Kitchen’s new urban roof top terrace with Ouseburn views, a pop-up bar and Mexican street food! (It looks amazing!).

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The Factory Kitchen rooftop garden

  • 36 Lime Street (Fri) – A top favourite artist space of mine! So many of my favourite people in there. Artists and makers from 36 Lime Street Studios open their doors after dark to give a glimpse of their working life and to have a natter. In the gallery Bethan Maddocks and Maria Sears present Paper Jungle, a growing, glowing paper-cut jungle that visitors can add to throughout Friday. Big fan of megababe Bethan – so excited to see what this looks like!
  • Jim Edwards (Fri) – Well he’s in my top 5 favourite artists of all time – and of course, I will do my usual trip to his studio and pay homage to Craig David Pub Cat. However, for Late Shows, I’ve heard he’s going to be working on and exhibiting some brand new pieces – I’ve already seen the Hadrian’s Wall one on social – so can’t wait to see it in person. But whispers tell me, there might be a Heaton focused one – and as Heaton is my second home, I’m excited!

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Jim Edwards

  • Commercial Union House (Sat) is just full of galleries, artist spaces, parties and workshops include Vane, B&D Studios, Breeze Creatives and others – so take your time and enjoy! But my recommendation for extra attention goes to of course, Ampersand Inventions! I love Ampersand and if I wasn’t working the full Gateshead Late Shows evening on Saturday – I’d be ALL over this…. They are presenting a ‘Homage to The Handyside Arcade: The New Breed’ – (Another great theme Jonpaul!) The Edwardian-built arcade on the city’s Percy Street was a spectacular glass-roofed construction housing a range of popular quirky shops and outlets, ‘Tyneside’s answer to Carnaby Street’. From the dust of legends, Ampersand Inventions are opening their front doors to showcase their amazing boutiques, shops and not forgetting their weird and wonky artists! Mixing heritage, culture, lifelong learning, innovation and enterprise! You have some Culture Vulture faves in there including Trendlistr, Melanie Kyles, Roberta Louise Green and others.

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Ampersand Inventions

Bliddy heck…what a Late Shows 2018 weekend! I’m excited to get Culture Vulturing and of course, if you see me – say hiyer! I will be live social media-ing, drinking gin (not when working obvs) and having a fantastic lush time.

 

 

Rosa Postlethwaite; getting Composed, GIFT 2018 and mega PUG parties.

This weekend is one of my favourite weekends of the year – it’s GIFT Festival. A weekend celebration of regional, National and International theatre right here in Gateshead. It’s a beautiful weekend – full of shows that will excite, make you re-think and question theatre, you’ll laugh so so much, fall in love with stories, feel captivated, you’ll feel awkward, and you’ll be on the best theatre high all weekend and the worst “cant every weekend be like GIFT” festival come down on the Monday.

Across the weekend you’ll experience workshops, discussion, theatre shows, performance, debate, networking and parties – it isn’t a GIFT festival without a lively GIFT end of festival party. GIFT is for the theatre loving and also the traditional theatre rejecting as it’s so much more than going to the theatre.

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GIFT 2018

My first experience of GIFT festival was in 2016 (yep late to the party on that one) – I used to be quite a traditional theatre goer – theatre to me was a “proper” play. But here I am, “pre-culture vulture” era and I’m in the Caedmon Hall watching GIFT two shows – one show was a re-interpretation of “Stand By Me” with the sound track set to Eurythmics’ “Sweet Dreams” (80s obsession fulfilled as always) and then the second was a theatre show by Eggs Collective based on a hen party – with shots for the audience, amazing music, CRISPS and a great script. Well – I bliddy loved it. My love affair with GIFT was born….

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Eggs Collective

Last year again, I attended– GIFT 2017 and I saw many wonderful shows but my absolute highlight was PUG party. An eclectic mix of theatre shorts and scratches in a party atmosphere. Well I was the cat who had the cream – and there was bingo at one point. Loved it!

And like with any GIFT festival – you walk away with new relationships and friendships with people because you become part of a community. A never break able festival community.  And in 2017 – I met megababe Beth O’Doherty (You might remember I wrote a recent post on her) and one of my the wonderful human that is Rosa Rogers Postlethwaite; one of PUG.

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PUG : www.picturesbybish.com

Rosa is not only so so talented, ambitious and megababe supportive of other people’s work in the cultural sector – she’s also a fiercely strong character, an advocate, a positive role model and she’s one of the people, who I see in the sector rejecting a whole host of societal conventions and just out there being Rosa, following her path and speaking out for what she believes in….

And that’s what I love about the concept of PUG party – it’s not only the most electric party vibe for the audience, it’s also facilitating creative individualism and a forum to cheer other’s works, voices and be a part of something special.

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Le Fil #PUG4 : www.picturesbybish.com

With GIFT 2018 upon us, I thought I’d take the opportunity to interview Rosa, catch up about her happenings, her upcoming show Composed on Saturday at GIFT in Gateshead (I’m so excited to see it – join me!) and her current theatre residency journey in Gateshead.

Rosa Postlethwaite, Composed. Photo Rhona Foster

Rosa Postlethwaite – by Rhona Fosterpic

Well hello; right so let’s start at the beginning – tell me about your journey into performing arts?

It started with a lot of all singing all dancing shows in my bedroom including a particularly dramatic dance-with-chair to Robbie Williams, “Angels”.

I actually sang in a choir for a few years when I was a teenager, but very un-confidentially, now I sing (and do other stuff) very confidently at PUG with Hannah and Jamie. Which feels amazing.

Most of my performing arts activities happened at school. I then studied Drama at University in London and I became interested in performance from a lot of different angles.

I am interested in making, producing, framing, thinking and talking about and through performance.

Rosa Postlethwaite, Composed. Photo_ Rhona Foster(2)

Rosa Postlethwaite – by Rhona Fosterpic

It’s been so lovely to bump into you almost weekly in Gateshead during your current residency at Caedmon Hall – tell me about it?

I’m in the middle of a residency at Caedmon Hall supported by the North East Artist Development Network. I was matched with Caedmon Hall which is a Gateshead Council space and a mentor, Kate Craddock.

This residency is about collaborating with a lighting designer, Michael Morgan, a sound designer Jamie Cook and artist Nicola Singh to develop Composed. I haven’t worked with designers before on a show so it’s been brilliant to have the have the time, kitted out space and financial support to work through ideas and to hear their perspective on the show.

Rosa Postlethwaite, Composed. Photo_ Rhona Foster(1)

Rosa Postlethwaite – by Rhona Fosterpic

So Composed – your show in development; tell me more?

Composed is a show about theatre rituals, fantasy and institutional violence.

It follows a master of ceremonies through an evening of performance. Only showing the bits of hosting that might happen between acts (and not the “proper” performance). Like a thank you to the sponsors. Or an in-house announcement. Or a list of house rules.

Looking at the role of the MC has been a way of thinking about the relationship between a spokesperson and an institution. It’s about falling into a routine and unpicking behaviour that is seemingly safe.

Rosa Postlethwaite, Composed. Photo_ Dawn Felicia Knox

Rosa Postlethwaite – by Dawn Dawn Felicia Knox

Nail it down to three words….?

Funny, angry, stark.

Why are residencies like that important/important to you?

I mostly work site-specifically, so with this project, I needed to spend time in theatres to respond to the placeness of it as well as the idea of it. This residency was particularly important because it came with access to tech and money so I was able to learn about what was possible to do with lights and sound and experiment, instead of arriving on the day and making quick decisions.

You’re sharing the show at GIFT on the Saturday night – are you excited?

Yer! I’m really excited. I actually really enjoy performing Composed. I’m excited because I’ve shown lots of it in little bits but some parts are completely new and it will be the first time all these threads will come together.

What do you want audience to take away from it?

I hope they find some of the jokes funny and some of them VERY unfunny.

I met you last year at GIFT – so for those that don’t know – what’s GIFT all about?

GIFT programmes contemporary theatre and performance and presents it in different venues across Gateshead. The kinds of performances range in form so they might not necessarily happen in an auditorium over the course of an hour or two but some like my show Composed will. GIFT is a festival that invites people to see a lot of different approaches to making live art. And different kinds of experiences with people.

Most importantly, to me, GIFT programmes international artists.

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GIFT 2017

Have you been involved/performed as part of it before?

Yes, last year I co-hosted PUG Party at GIFT Festival with Hannah Walker and Jamie Cook.

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Kira Street at Pug Party – St Mary’s Heritage Centre- Bish

Where did PUG party idea come from?

PUG parties are like any other PUG night… in that it’s a variety show, hosted by us three. And there’s a disco afterwards. But the party means it’s a partnership with another organisation.

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Rosa and Hannah Pug#1: http://www.picturesbybish.com

I’m Culture Vulturing around GIFT for the whole festival – what are your “must see” recommendations?

Robust by CHACMA Performance

And

Situation with Doppelgänger by Julian Warner and Oliver Zahn/HAUPTAKTION

Though I will be going to everything. I think the line-up is mega this year!

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Patrick Ziza GIFT 2017 – Pug Party St Mary’s Heritage Centre – http://www.picturesbybish.com

What are the plans for Rosa across this year and the next?

I’m performing at Anatomy Cabaret’s Finest Cuts night at Traverse Theatre, Edinburgh the week after GIFT and at Pulse Festival on 1st June.

I’ve been working as a dramaturg with Lizzie J Klotz on her project Fawn which is part of a triple bill that she’s doing at Dance City, 26th May. I’m very excited to see these three pieces together. It’s going to be a really incredible evening.

The next PUG (number 6!) will be 27th July and there’s an open call for anyone interested in performing (see www.pugnight.co.uk).

This year I’m producing a new show, Five Years written and performed by Neal Pike and directed by Matt Miller with Newcastle and Durham dates in Autumn 2018.

Well yahoo! I’m so excited for GIFT 2018 – tickets are still available for the whole festival. My Culture Vulture recommendation is of course, the WHOLE festival…. But if I had to narrow it down:

Friday

Quarantine presents Wallflower – Baltic

Wildflower After Party – Baltic

Saturday

Little GIFT Scratch – Caedmon Hall

Robust by CHACMA Performance – Baltic

Composed by Rosa Postlewaite – Caedmon Hall

The GREAT GIFT Scratch – Caedmon Hall

Sunday

And She by Bonnie and the Bonnettes

Someone Loves You Drive with Care – Baltic

Hurry up weekend – GIFT 2018, I’m coming at you!

Big love until next time Culture Vultures.

All rise for Lady Kitt; subversive, perfectly ridiculous & immensely talented.

The whole point of International Women’s Day is to celebrate women, feminism, Northern lasses and champion women who rock your world. So for this year’s, International Women’s Day, I wanted to profile an artist and creative that I personally have loved from a far since I first became aware of her – her work, passion, innovative and interesting projects and commitment to creativity and  equality.

Well hello Lady Kitt…..total megababe. Kitt’s projects, work, events and her exciting ambitions are not only inspirational to the regional, National and Internation sector – but to me, she is someone  brave, bold, empowered and doing creative things that are truly exciting and making her mark in a thriving and vibing independent arts and cultural sector. She’s my kinda gal and I’m thrilled she accepted my invitation to be feature in this blog post.

BOOM – Happy International Women’s Day Lady Kitt – reet so let’s start at the beginning; tell me about you and your extremely diverse practice?

Hi, I’m Kitt- I’m a…. “Maker”. I guess that best sums it up. Art, jokes, food, quite a lots of mess, and, with my lovely husband Andy, a couple of super little humans. It’s all making really isn’t it?!

It’s funny – the diverse practice thing, I’ve been thinking about it quite a lot recently. I reckon the tools I use are quite diverse- there’s research, paper cutting, mass bubble blowing, fruit carving, performance, lectures, projects, … but really, the core of my work has always pretty much been the same- it’s all about delving into, developing, celebrating the social aspects of creativity.

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Everyone has a different journey into the Arts; what was your journey into the arts?

I’m not massively into the idea that people are “born” to certain things; but looking at my early life it’s easy to link it to my practice now. I was brought up in a creative family. I grew up with my wonderful younger brother Louise who was severely disabled and terminally ill. He was an amazing artist and seeing the pleasure and power he experienced through being creative has had a huge influence on how I see art and why I think it’s important. I was taught at home until I was 14 – so had a good amount of time to focus on being creative and lots of time to spend with one of the most important people in my life- my sister, Bridie. Our relationship and creative adventures together are big, big part of almost everything I do.

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I’ve always made physical stuff- embroidery, nests, paper cuts- but for a long time I didn’t think I was an artist. I started off wanting to be a dancer. I trained in the Indian dance/drama discipline Bharata Natyam for six years and was taught contemporary dance by the completely awesome Trish Winters. It was through Trish that I started to experience some really playful ways of using and presenting performance. During my art foundation degree, I started making work that combined performance, working with community groups and making stuff all at once. But it wasn’t until I was at university that I really discovered live art and artists with a ‘social practice’ and then I was like- yes- that’s me- I have a gang!

Lady Kitt is an amazing artist name  – I love it!

Name wise-when I was coming up to my 21st birthday- my parents were talking about what to give me as a birthday present. I’ve always been a Republican (in the anti-monarchy sense), really disliking the idea of being subjugated, inherited titles and all that gubbins, so they offered to change my first name by Deed Poll to “Lady”, as a daft, subversive, two fingers up the whole system. I loved it – it’s such a cheeky gift- so we did all the paper work and everything- sent it off, but it was rejected – on the grounds that I was trying to “assume a title”- which is sort of pleasingly ironic. I thought “fuck it- I’ll just call myself Lady Kitt and I’ll keep doing it until everyone else does too” and that’s what I’ve done.

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You have a very strong visual identity within your work and expression of yourself as an artist – how did you develop this?

It’s really interesting that you say I have a strong visual identity; looking at it objectively I can see what you mean, but that’s definitely not how I experience it myself. For me, I have a strong methodological process, and some very definite ideas about making art in inclusive, ethical ways.

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I’ve developed my process by pretty much by throwing myself in at the deep end and seeing what happens. I don’t ever really think “this is too ridiculous” (although it nearly always is). I think “how can I do this so it genuinely, clearly says something I’m interested in” or “how can I get lots of people involved and change something we all want to change” or “how can this be the most fun possible?”.

Like with the first Nasty Women exhibition last year- I just thought “this is really important, I want people in the North East to have an opportunity to be part of this. I want an opportunity to be part of this”. I didn’t think “Bugger we can’t do this- we’ve got no money, no infrastructure, no gallery, no clue”- which was all true! So yup, that’s how I develop the process…

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But visually, with the sort of “end product” – I don’t consider myself to have a very coherent style or visual language- I just make the next thing that I feel compelled to make, without ever thinking does it look like something I’ve done before- will it “fit in” with my existing body of work? Maybe it’s because the physical objects I make aren’t really the “end product” to me- to me they are a tool for getting to the goal- which could be raising awareness, building a community, changing a policy, having a good time.

I love your ethos of experimentation, challenging creative roles and processes – where does your creative playfulness come from?

Thank you! I like to see people reacting to things in curious, inquisitive, ways and I like to create situations that let people do that. So some of it comes from that- basically it just makes me happy!

It‘s fun for me to invite people to apply to be my muse (like it’s a formal job), or to encourage people to use my head as an art gallery or to make a performance where the content is authored by viewers sending me text messages telling me what to do. So that’s part of it- And some of it is more philosophical. People are creative- making things in a (generally!) thoughtful way is one of the things that makes us Human.

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Often people don’t get (or give themselves) opportunities to enjoy that- I want to create situations that encourage people to make physical stuff, make decisions and think about / celebrate the importance of being creative. I also hate all the hierarchical “hi/ low brow art” crap. I think it’s detrimental to individuals and to society. People thinking that they are not creative or not creative in the “right way” stops them from developing vital skills.

Making stuff gives people agency- it’s a chance to physically encounter change. Making in groups is like apes grooming- it’s social glue. When people start being creative together they almost instantly create a little community that has its own culture and rules- just like that, out of nothing, it’s like magic. Once people do that and know that they can do that then, they often start to explore other wider things that they can create and change. A community full of people who feel empowered in that way can be supportive, kind, resilient. Elitist ideas of what is art and who is an artist just stop all that dead. Sorry, I could go on about this for EVER.

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It’s great to be able to showcase you, on International Women’s Day….. what does being a female artist in 2018 mean? What does it mean to you?

Wow- well, I’m extraordinarily lucky. For me being a female artist in 2018 (in the UK), means freedom. I’m free to say what I want to say in the way I want to say it. A few people might think I’m idiotic, a lot of people will question me (and so they should) – but no one can stop me. Being a female artist in other places in 2018 doesn’t mean freedom, it can mean absolutely the opposite. And being a female, or a being queer, or being an activist can still mean torture and death. For me, knowing this and campaigning to change it, is a very important part of being a female artist and of being a Nasty Woman.

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How do you plan to mark it this week and #pressforprogress?

Again I’m so lucky. This year I have work in 4 exhibitions all over the UK all opening on Thurs 8th. I’ll be in London performing at the Creative Debuts and Nasty Women “Empowerment” exhibition along with a group of bloody amazing Nasty Women from all over the world.

We are also launching the Nasty Women International Art Prize this week. The aim of the prize is to: Recognise and reward Nastiness in art and activism. Prizes include an Artist residency, money and opportunities to show work in UK, USA & Holland.

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Last year hundreds of artists from all over the world gave their time and work to Nasty Women events- the generosity was overwhelming. It’s estimated that the movement has raised half a million dollars for Planned Parenthood and other women’s & LGBTQ+ charities so far. This year Nasty Women organisers wanted to create an opportunity to celebrate those artists and an art prize seemed like a good choice! The judging panel consists of 12 Artists, curators, gallerists & activists from around the world including:

Carolina Wheat & Liz Nielsen from Elijah Wheat Showroom, New York (USA), artist and co-founder of NW Amsterdam Airco Caravan (NL), Curator & NW North East Co-founder Michaela Wetherell and me!, to name just a few. There’s so much to say I don’t really know where to start, but we’d love it if lots of North East based artist entered! Anyone who is interested can check out here.

Do you have a female artist that you’re inspired by?

So many, but not just women, not just artists… all sorts of everyone. Me and my sister just went to see Bryony Kimmings “a pacifist’s guide to the war on cancer”; it was so funny and thoughtful and generous and utterly devastating, but in a really cathartic way.

I’ve just read Scottee’s play “Bravado”- it’s had a big impact on me, I’m making a lot of work about toxic masculinity at the moment and he’s perspective as a “sheep in wolves clothing in the world of men” is very shocking and inspiring.

Betsy Greer- the mother of Craftivism!

Nasty Women North East co-founders Michaela W and Aly Smith.

Venus di Milo- a Newcastle based performer who describes herself as “just a drag queen with no arms”.

Leeanne and Gareth at Thought Foundation in Gateshead– running a stunning, creative business whilst bring up two small children….

The world is full of bloomin’ fantastic, inspiring and very Nasty (in the nicest possible way) people.

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Tell me about Nasty Women?

Nasty Women is a global art and activism movement started by New York based artist Roxanne Jackson in Nov 2016 just after the election of Donald Trump. It is pro equality and anti-Trump. There have been Nasty Women events all over the world, raising money for and awareness of women’s and LGBTQ+ rights charities and organisations.

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What is a “Nasty Woman”?

The Nasty Women North East’s definition is:

Anyone!!! It is not necessary to identify a women or an artist

  1. Believing in equality and wanting to protect human rights (in particular women’s rights)
  2. Believing that art (in the broadest sense of the word- poetry, dance, drag, music, knitting etc) can be used to help increase equality and protect human rights
  3. Being happy to welcome and support others who also want to do these things…..

If this sounds like you, then as far as we are concerned you are Nasty- Hurrah!!!

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Will there be another Nasty Women conference in 2018?

I’m not sure- we won’t be organising one because we’re busy with the art prize and creating a feminist art magazine for children under 10! Also, if there was another I don’t think the same group should organise it -as a big part of the movement is about understand other people’s perspectives and doing things in a way that suits your own setting, so if there is another one I hope it’s somewhere completely different. I hope another group do organise one because I’d LOVE to go to it!

That sounds like a something, the Culture Vulture would be interested in…..how can I, and other potential Nasty Women, get involved?

People can get involved in a huge variety of ways- it’s a totally grass roots, DIY movement, you don’t need permission or any kind of initiation! So you can have an exhibition in your garage and invite your mam and 5 friends and raise money for a local women’s charity.

You can send your art work to one of the many NW shows going on around the world- these are listed in the USA website , you can submit work to the Nasty Women International Art Prize & you can volunteer to help a local Nasty women group

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You can also call out inequality and gendered idiocy when you see and experience it, you can tell children you know that they are thoughtful and strong and funny and creative and fierce and fabulous regardless of their gender. You can listen, really listen to the next person who says something sexiest because being Nasty is about being open minded, it’s about understanding perspectives that are not your own and looking for long term solutions.

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But ok – we are kindreds…..but let’s get back to you – Lady Kitt; what projects do you have planned?

I’m focussing on my projects “Worth”, “King Kitt” and the “Making Manifesto”.

Throughout 2018, to coincide with the centenary of (some) women’s right to vote in the UK, I am making a series of works called the “worth” portraits- inspired, in part, by Caroline Criado-Perez’s campaign to have Jane Austin’s image on the Bank of Engalnd 10 pound note. When that campaign was going on I was horrified by the abuse (including death threats) Criado-Perez received for wanting to celebrate the achievements of women in the same way the achievements of many men have been celebrated for years. The works are portraits of amazing women made by cutting love heart shapes from real £50 notes, each one depicts a woman who I feel needs celebrating. I am always on the lookout for new subjects, so if you know a wonderful women who needs celebrating please get in touch!

I’m also hoping to sleep quite a lot after next week as that’s something that’s been a bit neglected of late….

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What does being a feminist/megababe mean to you?

For me being a feminist is not just about women’s rights- it is about equal rights for everyone. The “King Kitt” series of works are about toxic masculinity- which I feel creates a series of circumstances that can make men comically manly, dangerously macho and devastatingly vulnerable. According to the Office for National Statistics- of the 5,965 suicides registered in the UK in 2016, a total of 4,508 were male and 1,457 were female. More equality will, hopefully, create a society where shocking statistics like that can become historical records, not lived realities.

The Making Manifesto is a research project based at Byker Community Centre about the benefits of community making. It involves a lot of the stuff I’ve ranted about earlier- hi art elitism and Making physical things and giving people agency!

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Wow – ok so for me as The Culture Vulture- I feel so inspired – this entire interview has given me a kick to be more Nasty, to be more experimental and to seriously consider doing something North East Nasty Women Conference related.

Big love and happy International Women’s Day Culture Vultures.

Beth O’Doherty; fave human, actor, singer, dancer, writer, panto lover & challenger of asexual stereotypes.

The region is thriving and vibing culturally at the moment. I honestly, think this is the dawn of the independents, the makers, the doers, the passion project pushers, the creative thought leaders – the creative folk championing each other, their projects, their journey and I’m very much a part of that. Part of being the Culture Vulture means I’m a cultural cheerleader- willing everyone on, championing them, mentoring, trying to lead by example that the creative sector is truly ALIVE and has space for the brand new, the disruptors, experimenters and independents.

At the moment the performing arts sector in the North East is exactly that – there are so many independents, projects, individuals coming forward with new ideas and shows –  it makes me smile with pride and I’m so excited to see how 2018 pans out.

In 2017, I had the pleasure of falling back in love with performing arts – through my role at Sunderland Stages, was invited to work on 4 audience development projects, I saw 61 theatre shows, met 18 theatre companies, saw 3 festivals and BAM true love reunited.

I met a fantastic amount of exciting talented people and again, as the Culture Vulture – I love the possibilities and I have no idea what talent I might discover around any turn. Beth O’Doherty was around one of those corners and she’s thriving and vibing into 2018……

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Hi Beth, so tell me a bit about you and what you’re up to at the moment?

Why hello you! At the minute, I’m enjoying the seasonal festivities and a bit of rest and relaxation time so I’m re cooperated for 2018.

You seem to have your fingers in so many creative projects and pies – it’s great and I love that about, honing your talents and vibe whilst experiencing so many things. What was your highlight of 2017?

That’s a tough one! I’ve been a part of so many lovely shows but seeing Alphabetti Theatre get a new venue and reopen with a triumphant hurrah was an absolute joy and the programme has been full of delights

I first met you at part of GIFT Festival 2017, which for those who don’t know, is a fantastic festival of theatre in Gateshead. Tell me about why you got involved in GIFT and your favourite GIFT 2017 moment?

I was taught by Kate Craddock (Festival Director) and the lecturers are always keen to give you experience through their projects. I couldn’t resist getting involved as I just love festivals. They wet your appetite with lots of different teases.

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Bonnie and The Bonnettes

I got to build up my skills in Front of House and tech and generally see how you put such a mammoth event together. It was an amazing chance to see international work from different countries and to see international ways of working right on your door step. We are definitively better together and when we share and stay connected so I hope that this practice can continue.

Saying that, my favourite moment was when Bonnie and the Bonnettes along with their guests performed The Bloodhound Gang’s Bad Touch. What an absolute riot!

You remind me of ‘Little Voice’ – actress Jane Horrocks plays a shy, quiet young lady – who when she has a mic and on a stage, unleashes this mind blowing, unexpected big voice….. I love your voice; I love it so much, I invited you to sing at Newcastle Start Up Week’s Creative…… tell party me about your singing journey and how you developed your voice?

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I am absolutely blushing! You are FAR too kind. I have a lot of people to thank that have gone into my singing. I watched so many Disney movies growing up (and still do) that bursting out into song was natural and all I wanted to do so I joined local theatre groups as a way to have fun and make friends.

There, I started developing my technique. You learn from every musical director you work with. I love old Hollywood musicals and the vaudeville style variety shows and am inspired by Judy Garland and Ella Fitzgerald so listened to them on repeat and started to build up a jazz repertoire. I’d love to learn to scat.

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You recently, hosted a Jazz Showback at Prohibition Bar  in Gateshead – what was the inspiration behind that and most importantly, when’s the next one?

We have so many amazing performing arts groups across the North East and when you’re working on a show you sometimes end up in a bubble so I thought it would be nice to have an excuse to come together, meet new people and celebrate the level of talent we have here. Mitch, the owner of Prohibition bar was so open to ideas and so helpful in the planning. It’s a stunning venue and I’d recommend it to everybody, whatever the occasion. Big thanks to everyone that came to the first one and definitely watch this space for the next.

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I was buzzing when you popped up on my Facebook news feed in full Panto character make-up! What show were you in, how did you get the part and what is being in panto really like?

I went to an open audition in London after seeing an advert and crazily got it. I had the amazing chance to play Widow Twanky in Aladdin for Chaplins Pantos. We were touring schools and community centres around the Midlands and it was such a howl. I think everybody that does Panto falls head over heels for it. You can’t get better audiences. There’s all the nostalgia and tradition behind it, no matter what story you are telling.  You have total licence to play and turn little mistakes into the biggest laughs. For example, I lost my wig in perfect timing with the last beat of the music for the bows riling the kids back up just when it was meant to be over.

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Big props have to go to panto stage managers and crew on book for trying to follow the madness.  Yes, you end up telling the same joke a ridiculous amount of times but it’s just so easy as the audiences give you all the energy you’ll ever need to keep it fresh. I must send my love to the Chaplins team, my cast and Sam, my director for such an amazing time.

I was catching up with Phil Douglas – Creative Director last week (p.s. absolutely can’t wait for Curious Festival 2018) and he told me that you were successfully awarded a Curious bursary! Well done you – very proud; what was the application process like and what was your motivation to apply?

I wanted to apply for Curious as I’ve loved previous years and the conversations that have been started through it. I was developing the idea for the piece and talking with other LGBT+ artists through workshops with Mother’s Ruin and Curious has given me the chance to take the piece to the next level. The application process was very accessible and the team we’re so lovely to talk to.

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Mother’s Ruin

Your developing show is really ground breaking and interesting – what’s the show about?

It’s about my asexuality and not wanting sex when society is giving you so many messages about it. . It’s not wanting to hear another love song on the radio. It’s the confusion when everyone else your age seems to be hooking up. It’s not getting innuendos but not being brave enough to urban dictionary it, all with a bit of song, dance and dress up

As someone that has always struggled with sexuality labels in a world that is so focused in labeling, I think work like this is so important as it shows the spectrum and how individualistic it can be and the journey to a certain point. Do you mind explaining what asexuality is?

Basically, I don’t feel any sexual attraction or arousal. As with any sexuality, everyone has a different connection with it and I’d never claim to speak for anyone else.  I’m attracted by personality and having mutual interests. I’m part of a great online network full of people that use asexual to define themselves. We support each other, share experiences and campaign for visibility

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I know it’s still in development – but what do you want audiences to take away from it?

To recognise that people have different feelings around sex and that enjoying it isn’t a given and to learn a bit about asexuality. I use the show to laugh at people’s negative misconceptions and reclaim jeers so I hope people might relate that to their own situations but most of all to laugh and have a good night out

When can I see it in scratch and do you know where it features in Curious yet? (sneaky way of also trying to find about the Curious programme).

I’m performing on the 6th July at Alphabetti Theatre alongside the other commissioned work which I am very excited to see. I’m not sure how much I can say but by the sound of current plans a wide range of venues are getting involved. It’s gonna absolutely cover the North East. The team are turning the heat up for sure. The range of art forms is gonna be amazing well. There’s gonna be so many different forms of expression.

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BALTIC LIVE is Curious (Photo: Michael Mcguire) 

So what else is for Beth in 2018 – any other projects on the horizon?

I’m assisting the lovely Take Part team at the Customs House with their family arts sessions during the school holidays and am gonna be performing at Mama Rhi and Lydia Brickland’s night for International Women’s Day in March brining out all the girl power songs.

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Mrs Fanny Bleach and other wonderful artists on the 8th March at The Bridge Hotel @ 7.30pm

This time next year, in a year’s time – what do you want to have achieved? One thing?

This is probably a massive ask but I’d love to be a part of a new, original Geordie musical for and about Geordies. Our Billy is still going strong, writer Tom Kelly knows every way to play with my heart (Dolly Mixtures was a highlight for my family last year), The Last Ship is coming back home and there’s some amazing triple threat companies creating vital work. As a region we have so many stories up our sleeve so I can only hope I can get amongst it.

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Not at all a massive ask – an absolute reality in the making and it’s a pleasure to watch you creatively bloom. And of course, remember to invite me to all the scratches and launches of everything or I’ll be getting in a huff.

Big love for Beth – a lass making big waves in writing, singing, directing and just getting amongst it.

Until next time Culture Vultures!

Stupid at Arts Centre Washington : a review

So here I am – I’m in Arts Centre Washington Theatre. I’m watching Stupid by Sian Armstrong, directed by Anna Ryder as part of Sunderland Stages Autumn programme.  I’m sat towards the back – near my mum. Mama Horts – we’ve just driven to the venue – she’s lectured me about my career choices on the way.  Still can’t drive.  Still don’t own my own house. Still single. Still unruly hair.

I drank two gin and tonics in the bar. My mum cross because I’m not the best at self-restraint. She’s also annoyed because I was late to meet her. I’m always late.

So we are sat and I’m ready to watch Stupid. This is a play I’ve been excited to see all Autumn. I loved hearing about it when it was in development. I love the story now – I just connect with it. I love that the all-female team behind it – are ladies that I admire and in the spirit of supporting my local girl gang – that’s why I’m posting this.

So my unruly hair and my Mama are sat waiting for the show to start. And the lights go down and I just know I’m going to love it. And then we are on a Ferris wheel. And we are with ‘Stupid’ – but she’s not stupid at all – she’s merely figuring things out’ like many of us still are.

Dumped, single, back home, working out the who, where, what and why of her life whilst pretending to be a functioning adult felt a little (actually VERY) close to home. And I felt every high and low with the character. I literally laughed, I cried and also felt like getting on stage, to tell ‘Stupid’ that she’s absolutely fine, not to worry and she will figure it out.

This one woman show is the best piece of theatre I’ve seen this season. It’s fresh, it’s real, it’s funny, it’s well written and it’s worth seeing. The live drawing excerpts work well as a reflective take to encourage the audience to consider what’s just happened whilst feeding into the undertone that this temporarily lost creative soul, just absolutely needs to be creative and draw.

The set is fantastically minimalistic, full of touches that further Stupid’s characterisation. Each scene from the Ferris wheel, to the pub, to the supermarket, to the classroom, to run, to the school cupboard is so rich with the storytelling that you become immersed in Stupid’s world – a world that at this moment is not quite what she expected, full of societal expectations and the moments when we all question who we are and what exactly we are supposed to be in life; questions that seem terrifying and daunting as nobody has that answer. And then, that absolutely terrifying realisation that we can all be anything we want to be…….

My favourite element of the show was watching it with my mum a.k.a. the infamous Mama Horts. Stupid’s Mum is full of questions and statements about how she should life her life – “why can’t you just get a proper job?”. I sat smiling the whole way through the show because Stupid’s mum is my mum and I’m sure she represents many other well-meaning mums out there. Any straying from conformity, deciding to make my own way in the world and not ticking the societal boxes is just crazy and questioned at every turn. Seeing this dynamic brought to life made me smile.

However, Mama Horts very much did not see herself in the mum character and actually, she perceived the Mum as talking a lot of sense really…… and actually, the whole show reminded her, that she’d always thought I’d be good a teacher and that it would be a stable job but if I ever was going to be a teacher, I’d need to sort my hair out and learn how to dress like a grown up…… uh huh.

Stupid ends on possibilities….. a feeling like many things are possible and I love that. A million and one things are possible irrespective of age and circumstance – I walked away from the show feeling empowered to continue pursuing my own creativity. I feel like I went on a wild emotional ride with Stupid, we hit rock bottom and the story took us both to the end point to champion that life is not about what and who you “should” be and is entirely about figuring out and embracing what you “could” be.

Well done Sian Armstrong and Anna Ryder – it’s a brilliant, well written show that mirrors the hilarity and painful realness of figuring life shit out. I thoroughly recommend and it’s coming to Alphabetti Theatre in Newcastle on 28th November….. it’s a must see and tickets are available.

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Amy Lord; live art, brain-feeding & 90s at Our Time.

Amazingly talented people walk among us often hidden and unheard….I’ve really learnt that a lot recently. Not all creatively talented people call themselves artists – they are ordinary people, in everyday jobs and yet, they have talents so unbelievably amazing at their fingertips.

And often no matter, how engaged you are in the cultural sector and how “aware” you think you are – I’m always surprised when there is someone, doing something so amazing and fantastic and I didn’t know about it!? Sounds ridiculous – but I prize myself in being in the know and the now – so when I stumble across someone new and exciting, I’m both blown away but a little bit cross at myself – how did I miss this!?

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I first heard of Amy Lord, when a friend of a friend told me about this “project” in Newcastle taking over a townhouse and how they were exploring happiness and we had a mega long conversation about what exactly happiness is and how society has this version of happiness and zen……and I’m just over here, being ridiculous, not getting up at 5am and doing yoga and even when I’m happy, my world is chaotic.

So, this townhouse take over culmination was over Late Shows weekend – which is my busiest weekend – I never get to experience the Late Shows as an attendee – I work it and usually on the Gateshead side. So obviously, I missed Amy’s ‘Experiments in Happiness’ take over.

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Fast forward a few months and I’m sat listening all about the progression of this year’s Juice Festival and Our Time – Helen who is programme director said the ultimate which immediately secured my project buy in…..

“Rachel – so there is Amy Lord, she’s this mint visual live artist….she’s doing this Art House piece and you’re going to love it, it’s all about the 90s”.

Boom!

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So being the creep, I am – ultimate stalker mode started and what I discovered was an artist that is creating and doing very interesting work in collaboration with some of my favourite people at the moment in the North East Cultural Sector.

I really like visual live art – it combines some of the elements I love most about sculpture but encourages an evolving engagement. Amy describes it as a “multi-textured and layered encounters and experiences” and I think it sums it perfectly. So many elements and things brought together – with a strong focus on visual……

As someone with a passion for events – I really like Amy’s work from an space curation and the facilitation and provocation of audience experience…… that really excites me and I’d love to work with her in the future.

So now over to Amy…….

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Who are you?

Hello! My name’s Amy, I’m 31 and I’m from Northumberland! (In the style of Blind Date).

I’m an artist but I also run an events company on the side called Lemonade and Laughing Gas. I’m currently living in between London and Newcastle. I spend a lot of time on the Virgin Trains East Coast train route at the moment…

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Tell me about your arts practice?

I make live art. For me, this means creating anything from an interactive installation, a game, a video, a crafting activity and a performance. I always want my work to be personal, political and to not shy away from difficult or challenging subjects. Sometimes my work can be more about the process than the end result. I love working with different groups of different ages to capture the full spectrum of human experience.

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Tell me about a recent project?

My latest big project in the North East before my Our Time commission was Experiments in Happiness. I took over an empty townhouse on Grey street and filled it with installations and experiences exploring ideas around happiness and mood. 600 people turned up over 2 days – the interest in the project totally blew me away and has just made me want to do more stuff here.

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Everyone has a super interesting story about becoming an artist – tell me about your journey into Arts?

I’ve always got a buzz out of making things from a young age, but I think my first step into the arts was Uni. I was lucky to get into LIPA (Liverpool Institute for Performing Arts) and studied Theatre and Performance Design. Although I loved the course, I knew I didn’t want to be a theatre designer at the end of it. A tutor there introduced me to live art and more experimental theatre in my final year, and I was hooked. My first solo project was a work in a derelict restaurant about the media and pressure on body image for women (2007).

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Piece of advice for someone thinking about a career in the arts?

Try and build in time for ‘brain feeding’. It may feel indulgent but if you don’t keep seeing stuff, reading things and learning new skills, sometimes the inspiration well can start to dwindle!

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Why did you apply to be a part of Our Time?

I liked the structure of the ‘mini commission’ – creating something quickly for one night only appealed to me, as well as the positive feelings about the area and the past Team Juice were wanting to emphasise.

Tell me about your commission?

Research is often at the core of the work I make, this commission is no exception! I spent 3 days rummaging around news archives and microfilm to find good news stories from the 90’s – specifically in Newcastle and the North East.

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Then, we had a workshop with Team Juice to whittle these down and find out what was most interesting. We did some creative thinking and finally, shot some video on smartphones to make into a film that will be projected on a loop throughout the evening.

We’ve chosen to show the film in this bonkers tunnel in the museum, which we’ll be filling with 90’s music to help transport people back to that time!

What was the inspiration?

DIY culture/the contrast between technology in the 90’s and now.

The idea could have happened for any decade really, but I chose the 90’s because not only is it having another moment in the sun but it’s also the first decade I’ve felt properly nostalgic about, as I was 15 when the millennium arrived!

I used to think people obsessing about the 70’s and 80’s were just living in the past, but now I totally get it! Nostalgia and remembering those super important formative years can be totally delicious! As long as you balance it with living in the present too…I also can’t pretend I wasn’t influenced by watching Sing Street.

What do you want attendees to take away from your installation?

Fun. And maybe realising how many amazing things happened in the 90’s for our region.

Top 5 90s songs?

Wow, there are so many. Here’s some of the top of my head (that may have found their way onto the soundtrack!)

Dreams – Gabrielle

What’s Up – 4 Non Blondes

Another Night – Real McCoy

Sunshine After the Rain – Berri

The Whole of The Moon – The Waterboys

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Favourite 90s moment?

When everyone thought the world was going to end once we got past midnight on New Year’s Eve 1999.

Have you seen the rest of the Our Time line up? What bits are you most excited for?

I’ve worked with Zoe Murtagh on my last project so obviously I’m a fan of her, and am looking forward to seeing what she’s created with ‘It Was Once A Dream Interactive Trail’. I also create a lot of multi-sensory work so I’m looking forward to getting in the Von Tuur Salon.

Also generally, we’ll be in a museum, at night, with a bar…absolutely winning!

Well, I’m just such a fan of so many things Amy said….. I’m all about trying to make time for “brain feeding” and the 90s is absolutely my jam……

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Thank you Amy….. I’m super excited to see and experience your piece.

I will be at Our Time at Great North Museum on 21st October – you’ll probably find me lurking and obsessing over Amy’s 90s piece and involuntarily breaking out into song and dance when ‘SunShine After The Rain’ comes on…..

Culture Vultures – this is the ultimate Culture Vulture event….. don’t miss it or Amy’s lush installation.

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