Rosa Postlethwaite; getting Composed, GIFT 2018 and mega PUG parties.

This weekend is one of my favourite weekends of the year – it’s GIFT Festival. A weekend celebration of regional, National and International theatre right here in Gateshead. It’s a beautiful weekend – full of shows that will excite, make you re-think and question theatre, you’ll laugh so so much, fall in love with stories, feel captivated, you’ll feel awkward, and you’ll be on the best theatre high all weekend and the worst “cant every weekend be like GIFT” festival come down on the Monday.

Across the weekend you’ll experience workshops, discussion, theatre shows, performance, debate, networking and parties – it isn’t a GIFT festival without a lively GIFT end of festival party. GIFT is for the theatre loving and also the traditional theatre rejecting as it’s so much more than going to the theatre.

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GIFT 2018

My first experience of GIFT festival was in 2016 (yep late to the party on that one) – I used to be quite a traditional theatre goer – theatre to me was a “proper” play. But here I am, “pre-culture vulture” era and I’m in the Caedmon Hall watching GIFT two shows – one show was a re-interpretation of “Stand By Me” with the sound track set to Eurythmics’ “Sweet Dreams” (80s obsession fulfilled as always) and then the second was a theatre show by Eggs Collective based on a hen party – with shots for the audience, amazing music, CRISPS and a great script. Well – I bliddy loved it. My love affair with GIFT was born….

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Eggs Collective

Last year again, I attended– GIFT 2017 and I saw many wonderful shows but my absolute highlight was PUG party. An eclectic mix of theatre shorts and scratches in a party atmosphere. Well I was the cat who had the cream – and there was bingo at one point. Loved it!

And like with any GIFT festival – you walk away with new relationships and friendships with people because you become part of a community. A never break able festival community.  And in 2017 – I met megababe Beth O’Doherty (You might remember I wrote a recent post on her) and one of my the wonderful human that is Rosa Rogers Postlethwaite; one of PUG.

http://www.picturesbybish.com/ | https://www.facebook.com/picturesbybish/

PUG : www.picturesbybish.com

Rosa is not only so so talented, ambitious and megababe supportive of other people’s work in the cultural sector – she’s also a fiercely strong character, an advocate, a positive role model and she’s one of the people, who I see in the sector rejecting a whole host of societal conventions and just out there being Rosa, following her path and speaking out for what she believes in….

And that’s what I love about the concept of PUG party – it’s not only the most electric party vibe for the audience, it’s also facilitating creative individualism and a forum to cheer other’s works, voices and be a part of something special.

http://www.picturesbybish.com/ | https://www.facebook.com/picturesbybish/

Le Fil #PUG4 : www.picturesbybish.com

With GIFT 2018 upon us, I thought I’d take the opportunity to interview Rosa, catch up about her happenings, her upcoming show Composed on Saturday at GIFT in Gateshead (I’m so excited to see it – join me!) and her current theatre residency journey in Gateshead.

Rosa Postlethwaite, Composed. Photo Rhona Foster

Rosa Postlethwaite – by Rhona Fosterpic

Well hello; right so let’s start at the beginning – tell me about your journey into performing arts?

It started with a lot of all singing all dancing shows in my bedroom including a particularly dramatic dance-with-chair to Robbie Williams, “Angels”.

I actually sang in a choir for a few years when I was a teenager, but very un-confidentially, now I sing (and do other stuff) very confidently at PUG with Hannah and Jamie. Which feels amazing.

Most of my performing arts activities happened at school. I then studied Drama at University in London and I became interested in performance from a lot of different angles.

I am interested in making, producing, framing, thinking and talking about and through performance.

Rosa Postlethwaite, Composed. Photo_ Rhona Foster(2)

Rosa Postlethwaite – by Rhona Fosterpic

It’s been so lovely to bump into you almost weekly in Gateshead during your current residency at Caedmon Hall – tell me about it?

I’m in the middle of a residency at Caedmon Hall supported by the North East Artist Development Network. I was matched with Caedmon Hall which is a Gateshead Council space and a mentor, Kate Craddock.

This residency is about collaborating with a lighting designer, Michael Morgan, a sound designer Jamie Cook and artist Nicola Singh to develop Composed. I haven’t worked with designers before on a show so it’s been brilliant to have the have the time, kitted out space and financial support to work through ideas and to hear their perspective on the show.

Rosa Postlethwaite, Composed. Photo_ Rhona Foster(1)

Rosa Postlethwaite – by Rhona Fosterpic

So Composed – your show in development; tell me more?

Composed is a show about theatre rituals, fantasy and institutional violence.

It follows a master of ceremonies through an evening of performance. Only showing the bits of hosting that might happen between acts (and not the “proper” performance). Like a thank you to the sponsors. Or an in-house announcement. Or a list of house rules.

Looking at the role of the MC has been a way of thinking about the relationship between a spokesperson and an institution. It’s about falling into a routine and unpicking behaviour that is seemingly safe.

Rosa Postlethwaite, Composed. Photo_ Dawn Felicia Knox

Rosa Postlethwaite – by Dawn Dawn Felicia Knox

Nail it down to three words….?

Funny, angry, stark.

Why are residencies like that important/important to you?

I mostly work site-specifically, so with this project, I needed to spend time in theatres to respond to the placeness of it as well as the idea of it. This residency was particularly important because it came with access to tech and money so I was able to learn about what was possible to do with lights and sound and experiment, instead of arriving on the day and making quick decisions.

You’re sharing the show at GIFT on the Saturday night – are you excited?

Yer! I’m really excited. I actually really enjoy performing Composed. I’m excited because I’ve shown lots of it in little bits but some parts are completely new and it will be the first time all these threads will come together.

What do you want audience to take away from it?

I hope they find some of the jokes funny and some of them VERY unfunny.

I met you last year at GIFT – so for those that don’t know – what’s GIFT all about?

GIFT programmes contemporary theatre and performance and presents it in different venues across Gateshead. The kinds of performances range in form so they might not necessarily happen in an auditorium over the course of an hour or two but some like my show Composed will. GIFT is a festival that invites people to see a lot of different approaches to making live art. And different kinds of experiences with people.

Most importantly, to me, GIFT programmes international artists.

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GIFT 2017

Have you been involved/performed as part of it before?

Yes, last year I co-hosted PUG Party at GIFT Festival with Hannah Walker and Jamie Cook.

http://www.picturesbybish.com/ | https://www.facebook.com/picturesbybish/

Kira Street at Pug Party – St Mary’s Heritage Centre- Bish

Where did PUG party idea come from?

PUG parties are like any other PUG night… in that it’s a variety show, hosted by us three. And there’s a disco afterwards. But the party means it’s a partnership with another organisation.

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Rosa and Hannah Pug#1: http://www.picturesbybish.com

I’m Culture Vulturing around GIFT for the whole festival – what are your “must see” recommendations?

Robust by CHACMA Performance

And

Situation with Doppelgänger by Julian Warner and Oliver Zahn/HAUPTAKTION

Though I will be going to everything. I think the line-up is mega this year!

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Patrick Ziza GIFT 2017 – Pug Party St Mary’s Heritage Centre – http://www.picturesbybish.com

What are the plans for Rosa across this year and the next?

I’m performing at Anatomy Cabaret’s Finest Cuts night at Traverse Theatre, Edinburgh the week after GIFT and at Pulse Festival on 1st June.

I’ve been working as a dramaturg with Lizzie J Klotz on her project Fawn which is part of a triple bill that she’s doing at Dance City, 26th May. I’m very excited to see these three pieces together. It’s going to be a really incredible evening.

The next PUG (number 6!) will be 27th July and there’s an open call for anyone interested in performing (see www.pugnight.co.uk).

This year I’m producing a new show, Five Years written and performed by Neal Pike and directed by Matt Miller with Newcastle and Durham dates in Autumn 2018.

Well yahoo! I’m so excited for GIFT 2018 – tickets are still available for the whole festival. My Culture Vulture recommendation is of course, the WHOLE festival…. But if I had to narrow it down:

Friday

Quarantine presents Wallflower – Baltic

Wildflower After Party – Baltic

Saturday

Little GIFT Scratch – Caedmon Hall

Robust by CHACMA Performance – Baltic

Composed by Rosa Postlewaite – Caedmon Hall

The GREAT GIFT Scratch – Caedmon Hall

Sunday

And She by Bonnie and the Bonnettes

Someone Loves You Drive with Care – Baltic

Hurry up weekend – GIFT 2018, I’m coming at you!

Big love until next time Culture Vultures.

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Ouseburn Open Studios 17th & 18th March; the ultimate Culture Vulture weekend.

One of my absolutely favourite weekends of the year, a true weekend full of Culture Vulturing, is Ouseburn Open Studios. It’s a weekend full to the brim of everything the Culture Vulture is all about – supporting and championing artists and independents, seeking out the unfound and hidden talent in the region, spending time in one of the creative hearts of the region, experiencing different artistic mediums and going into artist studios and creative spaces.

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Ouseburn Open Studios is a bi-annual event that takes place in March and November every year, and celebrates art, craft and design in the Ouseburn Valley and offers other culture vultures a rare insight into the working world of artists and designer-makers. It all started modestly in 1995 with a few artists from 36 Lime Street opening their studio doors; over the years, Ouseburn Open Studios has grown and grown and now is one of the highlights of the cultural calendar; showcasing the work of more than 100 artists, designers and makers working across the Ouseburn Valley.

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One of the many creative delights in Ouseburn Valley

This year, Ouseburn Open Studios returns on Saturday 17 and Sunday 18 March – 10am-5pm offering a unique insight into the working world of artists and designer-makers whilst signalling the start of the new Spring creative season with venues and artists taking the opportunity to announce new projects, new product lines, workshop programmes and events.

This Ouseburn Open Studios, five venues from across the Ouseburn Valley – located a short 15-mnute walk from Newcastle city centre – are taking part in this spring’s event including: The Biscuit Factory, Kiln, Northern Print, Jim Edwards Studio and 36 Lime Street.  Ouseburn Open Studios is open to the public and is free to attend.

I was recently invited to meet project coordinator and general manager of The Biscuit Factory, Rachel Brown, to find out more about the 2018’s Spring Open Studios.

Rachel Brown said: “The spring event has a laidback vibe, and being smaller in scale means that visitors can take their time to explore the different venues. Whether that’s discovering the freshest of work being created from within the studios, enjoying a newly launched exhibition, dropping in to a demonstration or booking into a workshop. It means that visitors can personalise what they want out of the weekend.”

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Handy map of venues

So, for 2018, the spring programme includes:

  • The Biscuit Factory – Inspired by International Women’s Day, the gallery is spotlighting inspirational women in the creative sectors with a weekend that celebrates local female entrepreneurship with pop ups, workshops, demonstrations and open discussions. How absolutely up my street is that!?
  • Kiln – The workshop and kitchen welcomes back its monster making drop-ins; get to grips with clay and make whatever comes to your imagination.
  • Northern Print – The gallery will showcase the work of Japanese artist Katsutoshi Yuasa. Using Mokuhanga – the traditional Japanese woodcut process – his work reflects on photographic and digital images and the time spent in making these hand carved works. And as always, I’m sure there will be print making opportunities for people to have a go at!
  • Jim Edwards – Jim will showcase his new collection of large Nightscape biro drawings of the River Tyne, reminiscent of his sketchbook work. As always Jim will be lurking in his creative workspace and on hand to chat about his working practice.
  • 36 Lime Street – 22 artists and makers will open their spaces over all five levels of this listed building. The theme in the street level gallery is Change, inspired by the centenary of the first votes for women. Visitors can also buy raffle tickets to raise money for building works: covetable miniature prints designed by members and printed by Lee Turner of Hole Editions. I’m building up quite the collection of these raffle tickets! Hannah Scully ones are always beauts!

As always the line up above is amazing but if that’s not enough to persuade you to visit, well I thought I’d gather my top hints, tips and reasons why you HAVE to visit.

  1. You can go inside artist studios.

This is one of my favourite elements of Open Studios. Every single studio is so different and individualistic and they open their doors to the wider public. It’s an opportunity to see works in progress, watch demonstrations, view and take in their work, find out how they make things and about future projects alongside being able to buy lots of lush pieces, prints and cards.

I spend ages just lurking and pottering about – going from studio to studio. For me, it’s a great opportunity to meet new artists and catch up with Culture Vulture favourites. I love hearing about what artists are up to, what commissions they are working on and their creative journey and inspiration.

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  1. It’s a lush opportunity to visit a new venue or space.

Even if you’re an Ouseburn Open Studios regular, as artists are always evolving, moving on, moving in and spaces in the Ouseburn are converted and transformed, there is always something new to see, discover and experience. It provides a great opportunity to finally visit a venue or independent, that you’ve been meaning to but haven’t got round to yet.

I’m super looking forward to FINALLY going to The Kiln; yes can you believe that I’ve not properly been yet? Every time, I try to visit it’s either too full or closing (I swear it’s a conspiracy) so I am making it my firm priority to go and really looking forward to it.

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The Kiln – Ouseburn

  1. It’s ace for boozy Culture Vulturing and supporting independents.

We all know I’m a big fan of the #SundayClub and Ouseburn Open Studios is perfect for this. I love going with a friend, planning a lush lunch somewhere (often Ernest) plotting our route, visiting the galleries and venues, and stopping off on the way at many of the independent bars for a drink. As you can imagine, the more stop offs, the bigger the purchases get…..one minute I’m buying some nice print cards, the next a small print, then a chopping board and suddenly I’m putting a deposit on a coffee table commission. It can be a beautiful blur.

And that’s also the beauty of Ouseburn Open Studios – there is a misconception that purchasing art is mega expensive and it’s really not. A lot of work and pieces are really affordable alongside pieces that I like to label “aspirational” – one day! Open Studios is like my version of walking around IKEA; I pretty much know exactly all the art pieces, the commissions and token creative bits that I want for my own house. My house will be full of bespoke pieces by independents, full of colour and total mis-match – representative of my personality.

The Biscuit Factory and in many of the individual studios, there are often a wider selection of bespoke gifts, prints, cards created by artists and creatives etc – by purchasing those, you’re equally supporting independents and creatives and they are super affordable . Last Christmas, every card I sent was from the last Ouseburn Open Studios – each very different, lush and unique. I like the idea of giving someone their own mini artwork.

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The Biscuit Factory

  1. Ouseburn Open Studios is super accessible.

If you’re a Culture Vulture, have a family of mini culture vultures, creatively curious or looking for an ace afternoon out with your friends, family or on your own (I often go it alone and love it!), then it’s absolutely for you. The vibe and atmosphere is amazing, everyone is always having a lush time so I always get chatting to people. As so many different types of artists are involved, you may go into one studio and think it’s not quite for you or to your taste, then walk into the next one and love it and so on. For me, I’m less about the florals and more about the abstract, or the graphic design, the colourful, the big and the bold, the obscure and the artistically intricate.

And for families, there is always lots to do too. Many of the venues or artists have child friendly activities for your mini culture vultures to have a go at. But the families that I watch going around, because each studio and space and space is so lush and different, for kids it’s like a new discovery behind every turn and they often can’t wait to show their grown-ups what they’ve just seen in another studio.

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  1. It feels like home.

My creative soul feels like it belongs in the creative quarter of Ouseburn. I love the industrial surroundings (not so much the student accommodation!), the graffiti, the lush independents, the vibe and the creativity that is going on all over the place. For me, it’s as much about the outside as it is the inside, taking in the river, popping along to the Tyne Bank Brewery, going to check on the little boat behind Seven Stories and seeing all the small pieces of public art hidden around.

However, true nostalgia and it wouldn’t be an Open Studios without it, is visiting Jim Edwards Gallery Space. You may remember I wrote a recent blog post on him – I’ve been a super fan for a while. I love his work, his depiction of Northern cultural scenes and his representations of views that we all know and love. I was also a super fan of Craig David Pubcat (if you know, you know!) and visiting Jim’s gallery is like a little homage and nod to his memory. I bliddy loved that cat and I love that Jim has captured Craig David in several scenes showing how much he was a part of the fabric of the cultural scene for many.

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Jim Edwards featuring CraigDavid Pubcat

  1. It’s not just about looking at things.

Lots of the artists and creatives put on demonstrations or continue their creative practice so you can watch whilst they are engaged in a new project or commission. There is a lot of opportunity to chat and ask questions. But many run drop in workshops across the day – which is a brilliant addition.

This year The Biscuit Factory is doing something a little bit special and very up my street to complement their brand new Spring exhibition (can’t wait to see it – I’ve avoided going so it’s all a lush surprise); they have several artists from the exhibition on hand to chat about their work – a meet the makers type of thing. They have also assembled a creative programme inspired by International Women’s Day with some of my fave female creatives and artists – including The Crafthood, All Round Creative Junkie, A Woven Plane, Trendlistr and Megan Randall (who I haven’t met in person yet – so yey!). If you want to find out more about the line-up well head on over to the facebook event page – as some activities and workshops have specific timings and charges.

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So I hope that’s enough to get you excited – I will be out culture vulturing across both days – so if you see me, make sure you say hello! I will also be popping my creative adventures on social via facebook, insta and twitter so if you want to follow that you can.

Facebook: @TheCultureVultureNE

Insta: @horts27

Twitter: @reettinker

For more information on Ouseburn Open Studios visit their website: http://www.ouseburnopenstudios.org

Until next time Culture Vultures!

Kayleigh Marshall of Marshall Art Life? #completeditmate

So my Culture Vultures, this week is a Culture Vulture blast from the absolute past. Someone who I knew years ago whilst we studied law together. Little did we know, within that law degree theatre – that we actually had a lot more in common than the suffocating career path of a legal professional potentially ahead of us.

We were both secret creatives.

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I felt so shit walking away from a legal career – especially as I thrived in it academically but it just felt so wrong. Years later on Instagram I’d stumble on megababe and kindred creative Kayleigh Marshall – otherwise known as Marshall Art Life. I was astounded by the colourful creativity that Kayleigh possessed and I felt so proud, that another creative had embraced the calling and broken free.

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Kayleigh with gin (see what a kindred!)

Even though I only usually champion Northern artists – as Kayleigh lived in Newcastle for several years – I’ve decided she’s an honoury Toon megababe and she is the subject of this blog piece. Also, she produces the most amazing art pieces, street art and has one corker of a creative story to tell.

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So well hello Kayleigh, so lush to catch up; I’m always surprised when I met creatives and artists that were accountants, lawyers, corporate suits……we met on our Newcastle University law degree – do you find that a lot of creatives and artists end up in the corporate world until that moment, when they just can’t pretend anymore?

Oh for sure. I call this the ‘fuck it’ moment. That point in space and time where you realise you were put on this earth to do something outside of the prescriptive 9-5. In the words of Amy Winehouse “If you don’t throw yourself into something, you’ll never know what you could have had.” I just couldn’t pretend anymore and I needed to experiment with other options. From my experience with other creatives if we don’t have an outlet for our creativity we turn a sickly shade of grey and spontaneously combust; it KILLS us to not express our creativity and working in the corporate setting was doing nothing for my sanity. I managed 1 year in the real world before I went solo.

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Wow one whole year of “beige buffet” working – congrats. I’m a heart and soul kind of worker so I relate. What was the “fuck it” moment for you? It’s a big move to say, right I’m not going to be lawyer; I’m actually going to be an artist!

So my ‘fuck it’ moment didn’t just happen overnight, it took weeks of research and self-reflection. I’m an incessant list maker and so towards the end of 2016 when it came to working out what was making me unhappy I spent weeks writing down lists of EVERYTHING that make me tick and everything that didn’t. It wasn’t until I realised that the career path I was meant to be on couldn’t be found on LinkedIn or Glassdoor that it became crystal that I was destined to forge my own.

I didn’t have a clue where to start but that was my moment of clarity, my fuck it I’m going to be an artist. Hahaha sounds ridiculous writing it down, I guess it was a pretty bold move!

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Believe it or not, I went through a very similar list making process – I still make endless lists. Things aren’t real until they are on paper and I have too much going on in my head. So, tell me about your creative journey and how you came to be this fantastic artist?

Let’s break this down chronologically. Growing up I was that kid always drawing on stuff. Always arranging my crayons into the rainbow and making other kids cry at pre-school because I’d steal their pens when mine had run out. High school is where I had my only formal art training. In 6th form I studied Art and Design at A-level and honestly I was obsessed. Literally used to come into school at 7am to work on my art projects before registration. High school is also where I was told I was ‘too smart to study art’. Yes, those are real words that really came out of a teacher’s mouth to me and my parents at meeting about my career options.

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Fast forward a few years and I’m graduating from Newcastle University with a 2:1 Law degree having done barely anything remotely creative. In 2015 I moved down to London to start a job in Marketing, 6 months into that job I was loving life, I started creating again, people even started paying me for commissions. Then in October 2016, when I was sick of the corporate life came the ‘fuck it’ moment and since then I have launched Marshall Art Life, created over 20 mural and street art pieces, over 250 illustrations and worked with some wicked clients on their branding!

Now I’m here and I look back on all that, it was obvious I was always going to turn to art at some point, even if there was a slight detour via Law and Marketing…

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You have a signature style – how did that develop?

Looking back on last year (2017) it was the year Marshall Art Life figured out her style. From experimental abstracts, to daily art challenges, I focused on working out who I was, what I wanted my brand to say and what style of work I wanted to spend my days producing.

It’s not something that happens overnight, believe me I wish it was, and so you have to just let yourself get lost in different styles and keep experimenting. Having said that you don’t just arrive at a signature style; it’s something that I believe should always evolve to avoid creative stagnation.

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I know you sell your work, I know many artists who love it and others who find it kind of gut wrenching – how does that feel handing a piece over to someone else?

For me there is a HUGE difference between selling my prints, and handing over a commission.

  • Selling a print is a fairly easy transaction for me as an artist because my client has found my work, seen a piece they love and made the decision to purchase. Easy.
  • Handing over a commission however is a whole different ball game. My clients are placing a huge level of trust in me and my ability when they commission a piece of work because the artwork they want doesn’t exist at this point. It’s my job to translate their vision into a reality. Hours of thought, skill, design and creativity goes into a commission all of which is based on what I believe my client to want. So when it comes to handing over that piece I actually lose sleep until my clients and I agree it’s exactly spot on! I often wonder if this process will get any easier but I doubt it hahaha.

When you commission a Marshall Art Life piece of work you actually get a few hours of my lost sleep thrown in on the house, you’re welcome haha.

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A commission with some real life blood, sweat and tears – I hope you’re charging for those type of extras. So how much of what you do is commission and project based alongside just you having an idea or series concept and going with it?

It’s a cyclical process. When I produce new work or develop a series of pieces that triggers an influx of commissions in that style. Hitting the sweet spot is when I come up with new concepts WHILST producing commissions. It’s SO important as an artist to constantly develop creatively and with every new piece I produce, I am improving and exploring new concepts.

If I were to try and put this balance into a %, I’d say right now in my creative career it’s a straight 50/50 split, with plans in the future to spend a greater % of time on the conceptual side of things.

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Your Marshall brand is amazing, distinctive and just so perfect for you and what you’re doing – why did you decide to develop a brand for yourself as an artist?

When I set out on this creative journey I made a promise to myself; a promised that I would be honest and in order to be honest I have to be a real person. My brand really is nothing more than an extension of me, my style, my thoughts and my work. Marshall Art Life isn’t a facade, it really is just me, Kayleigh!

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Your social media game is strong – you do lots of live videos, stop-motion, live drawing etc – I think it works really well; (in the least creepy way possible) I enjoy watching you! Is it hard to really share that in the moment creating process?

It isn’t easy to capture on camera those magic moments of creativity because I never know when they are going to happen BUT I believe in sharing as much as I can about my process. Whether it’s my live tutorials or sharing snippets of me illustrating I think my followers enjoy the invitation I extend to them to better understand my creative world and subsequently how artists make a living.

Recently I interviewed Emma Cale, the founder of Gallery Piccolo who I have just partnered with to sell my work. We went Instagram live, chatted about the mysterious artist / gallery relationship and shared the whole conversation with our followers – I don’t know anyone else who is doing that!

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Tell me about your Cosmo experience – what an opportunity!

Well first and foremost I’d like to hold my hands up and say that this project with Cosmopolitan Magazine was a lucky break for me. A very lucky break indeed!

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After quitting my job I knew that I would have to leave London and move back home with my parents to give myself the best chance of getting Marshall Art Life up and running financially. The first thing I did on day one of funemployment was apply for this #CosmoHomeMade scheme. To raise awareness about the crippling rental market in London Cosmopolitan wanted to house some of its readers as property guardians in a London ‘Cosmo House’.

Long story short I got the call to say I was a successful applicant and that was that! After just 5 months back at home I moved back to London and into the Cosmopolitan House with 6 other entrepreneurial girls! We were all featured in the magazine and still live with each other now!

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You were a Northerner for a while and now, you’ve gone back down south. (wahhh!) How do you think the cultural and creative scene is different in the North in comparison to the South?

Every city has its own creative identity, and I think the difference between each one manifests itself through the people who live there. London is a melting pot of culture with a very dense population meaning the variety of subject matter of artwork down here is probably greater than up North. Let me just reiterate I don’t mean that it’s better, just more varied.

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You seem to love street art like I do – Shoreditch, Manchester & Liverpool has amazing street art scene! Do you have a favourite street artist?

Falko! 100%. This street artist tours the world painting elephants into obscure urban spaces. He is a magician with spray paints and his colour combinations are electric! You can imagine how stoked I was to find a piece of his down the road from where I live in Brixton! Properly geeked out.

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Falko

Tell me about your favourite project last year?

In July 2017 I got my first legal street art permission. I was painting alongside 20 other street artists from across the world in Croydon as a part of Rise Galleries ‘Street Art Jam’.

This was a phenomenal experience not only creatively because in those few hours I learnt so much about handling spray, but also because of the people I met. Let me tell you Street Artists are some of THE nicest people you’ll ever meet. The network I built up during that one painting session in Croydon has been responsible for a huge amount of work I have subsequently had.

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What have you got planned for 2018?

2017 was the year of developing my style. 2018 is the year I take that and absolutely run with it!

I feel like now I have my product there is literally no stopping me. On the agenda for Marshall Art Life this year is taking my brand to festivals in the UK, more gallery partnerships across London, moving into a bigger studio, creating portraits for the music industry and running my first solo exhibition. Gonna be a busy one, come and join me for the ride!

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Well I absolutely hope to get an invite to your first solo exhibition! Do you have a favourite piece?

Nope. I haven’t created it yet.

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Good answer! Where is Marshall Art going to be in the next 5years – what’s the megababe ambition?

WORLD DOMINATION. Or just a richer version of my happy self?

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You and me both creative soul sister! I’m so excited to see how you progress and grow – it’s a privilege to watch your creative journey unfold. And when I buy my house (need to get round to that) I hope to have a Marshall Art commission pride of place.

Oh and please come back to the toon for a visit.

Make sure you check out Marshall Art and oh, she has a cracker of an Insta.

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Want to find out about the NE music scene? Well you need NE Volume in your life!

So you guys know me as The Culture Vulture – I’m your one stop shop for cultural information, happenings and the queen of championing creative projects and people. However, I’m only as good as my network and the people in it – I’m constantly out there seeking information and keeping my ear to the ground. I started two years ago, just a love of going out and cultural goings on with a passion to champion people, places and projects whilst doing my own stuff.

Now my network and cultural knowledge in the cultural sector is second to none. In fact, if I ever went on mastermind, I’d want it to be my specialist topic. I spend an insane amount of time on social media – it’s my job to know the happenings, to seek out opportunities, create connections and have a good overview of the movers and shakers, emerging and exciting happenings. It means that I discover lots of things and exciting people on social – some of whom are doing thriving and vibing things in the sector but I’ve actually never met. Weird right? Admiring their work from a far whilst their work and content becomes a core part of my knowledge bank. Any type of admiring from a far sounds creepy to me – but I’m the proud queen of creeping.

So as The Culture Vulture – you guys know I’m all about championing and seeking out the gems, the new venues, the gigs which you attend and you know you’ve just seen something magical and of course, local artists! On the flip side, I’m also going to see Taylor Swift in May and I’m literally buzz light years about it. But when I think of the North East and music for recommendations and gig suggestions – I think of NE Volume! It’s a great in print and digital publication, that covers lots of real reviews and editorial about the North-East music scene.

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Their reviews are written by real people, the venues are many familiar favourites and some new gems, the gigs covered make me so proud of our cultural scene and many a time, I’ve taken a chance on an unknown and LOVED IT.

I love Crack Mag but NE Volume are doing something a bit special and have totally cornered a niche. Their passionate ever-growing readership and thriving online community of music lovers is a testament to the fact they are doing something mega special.

So, I digitally caught up with NE Volume founder Lee Allcock (one of my 2018 new years’ resolutions is to meet in person), to find out more about NE Volume and where it all started!

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Lee Allcock

What is NE volume?

NE Volume is a FREE North East music and culture magazine that is stocked in 250+ outlets right across the region (nevolume.co.uk/outlets) and is also available to download at nevolume.co.uk/magazine.

Tell me about you and the beginnings of NE Volume?

I’ve always been passionate about music, especially local bands and artists, and my dream was to become a music journalist. I studied Journalism at Teesside University, volunteered for some other local music magazines while working as a content writer, and I was then given a small grant by Teesside University to start my own business. Of course, I quit my job immediately and the rest is history.

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Quitting your job to pursue your dream is right up my street – so what was your motivation for the business, like me – you’re a bit of an workaholic – you must love what you do!

It hasn’t been easy, and there have been a lot of ups and downs, but I absolutely love what I do and I wouldn’t want to do anything else. I support local bands, cultural events, and North East businesses for a living and that keeps me motivated.

There’s the Crack, Narc and others – I love NE volume but do you want to tell my readers what makes you and the publication different?

We’re actually the ONLY music and culture magazine based in Teesside. And, although Teesside is a pretty large area, I felt that The Crack and NARC weren’t really showcasing this area so I wanted to help.

So tell me what was your highlight of 2017 in terms of NE Volume?

To be honest, the fact that we’re still here and running in an internet-based world has got to be the highlight for me. It’s been a tough road, but with the support of so many bands, independent businesses, music venues, our loyal readers, my designer, and my writers, we’ve been able to continue to support the local music and culture scenes – and that makes it all worthwhile.

Of course, I have to ask this question – what’s been your favourite gig?

Liam Gallagher at Metro Radio Arena. Okay, it’s not a small local gig (which I also absolutely adore) but Liam was in his element from start to finish and he had the crowd in the palm of his hands.

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Liam Gallagher

What’s your ‘one to watch’ for 2018?

Local band, The Pale White. They’re set to play at Riverside in Newcastle this month and it’s already sold out. They’ve also supported the likes of the Libertines and they’re destined for big things this year – I’m sure of it.

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The Pale White

Who is your fave soloist?

Samantha Durnan; her beautiful lyrics and stunning vocals really do pull on the heartstrings.

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Samantha Durnan

You also have a cultural corner within your publication, I’ve written for it before as the Culture Vulture (yey!) – but what are your plans for this?

My plan is to increase the number of cultural articles we cover over the course of 2018. We’ll also be looking to review theatre productions and comedy gigs as well as interview comedians and artists.

OK so say I’m in a band and I want to get an NE volume review – what should I do?

Don’t be afraid to get in touch with me at info@nevolume.co.uk including some background about your band and a link to your material and we’ll do all we can to arrange for your release to be reviewed.

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You recruit lots of new aspiring writers and journalists – what’s your recruitment process?

It’s very simple: just send an email to me at info@nevolume.co.uk including your CV and a paragraph about your favourite aspect of the North East music scene and I will get back to you within 2 days maximum.

 

What are you up to for 2018?

I’m actually going to start my own radio show (fingers crossed) so I’ll be looking for local promoters, bands, soloists, and independent venue owners to join me for a chat. Again, if you’re interested then please email me and I’ll be happy to liaise with you.

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Well that’s lush and Lee has already asked me to be on his radio show (I do love the sound of my own voice so obviously I jumped at it) so something to look forward to! Make sure you check out the current edition of NE Volume – it’s a treat!

Until next time Culture Vultures.

Posy Jowett: my favourite creative onion

Creative people are just like onions…..layers and layers – lots of hidden talents, surprises and so much more than what you see on the surface. The biggest onion I’ve met this year has to be artist, creative and all round megababe Posy Jowett.

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I had the absolute pleasure of working with Posy during Juice Festival – on face value, Posy works at Northern Stage and is a dream working with children, facilitating creative activity.  And then (remember she’s an onion) as part of Juice – Posy had  been commissioned to create re-imaginings in a graphic exhibition showcasing partners, venues and people and it was bliddy fantastic. Jaw dropping amazing – I was blown away! Flash forward to our Juice Festival Culture Camp and Posy drawing an amazing lobster illustration….. it was a really beautiful piece. We all know how furiously jealous I am of people who can draw……

And THEN, it pops up on social media a few weeks ago, sneaky creative Posy was launching her new crafty and creative business; Pocketful of Posy. Posy now sells beautiful hand made product and animals – the attention to detail is immense and I really need more of my friends to have babies so that I can purchase these soft little creatures.

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That’s what I mean about creative people – onions. Posy – working in performing arts and theatre, strong skill set in creative facilitation with children, brilliant graphic designer, naturally talented illustrator and now, a crafty business person designing and sell products. She’s an onion.

So i caught up with Posy recently to find out more about Pocketful of Posy and what is next for this creative onion in 2018…..

Hi Posy, so tell me a bit about yourself?

Well, I have a background in Fine Art – I studied in Sheffield – and have always loved making things. Since moving back to the North East to study for my MA in Cultural Heritage Management, I have worked in a few different roles but missed making things with my hands. I do a little bit of everything; knitting, crochet, pottery, illustration, digital design, lino printing… and now sewing.

Tell me about your brand spanking new creative business – you sneakily launched it and I love the name Pocketful of Posy!

When my sister in law was pregnant with my nephew, Leo, I wanted to make her and her new family a handmade gift. I always over-gift (I love giving presents) and so in addition to the crochet baby blanket I spent hours making I decided to make the new baby a toy. I rummaged through the boxes of craft things that I hoard at home and found a pair of jeans that didn’t fit anyone and one of my boyfriend’s striped shirts that he didn’t wear any more – and they became the first whale.

A mutual friend, Bryony Villiers-Stuart asked that I make her a whale because she loved Leo’s so much, so I made another. This Autumn out of the blue, I had a phone call from Bryony to say she was putting together an ethical makers collective to exhibit and sell work in Hexham this winter, and asked if I would make some soft toys, like the whales, to sell. So I started drawing and trying out designs for my animals, and have ended up with a collection! It’s literally the last week or so that I’ve begun to think that maybe this is a business that I can keep going, so I’ve created Pocketful of Posy.

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I love your products – very lush and special.

I love them too! I am totally dedicated to reducing my carbon footprint and one of the ways I do that is to not buy new clothes. I watched an incredible documentary a couple of years ago, The True Cost, which really influenced the way I think about where I spend my money. I try really hard to shop in charity shops and to buy vintage, and to buy handmade and local where I can. All of my animals are made from repurposed fabrics – I shrink woolen jumpers and scarves in the washing machine to make wool felt for my bears and three of the killer whales are made from a pair of French Connection velvet trousers! This means that there is always a limited number of animals I can make of each fabric. The size of the animals are determined by the clothes I buy from charity shops, and I love that about the pieces. So far I have designed patterns for a snow bear, a grizzly bear, a blue whale, an orca and a fox.

What is the inspiration behind it all?

I think mostly I really adore making things for people. I love gifting beautiful objects to my friends and family, I love making people happy. Particularly at this time of year, I think we all get caught up in buying a lot of plastic rubbish that doesn’t last and is bad for the environment, and I think it’s great to offer an alternative to that for customers. The designs for this collection of animals is inspired by the north and the sea – creatures that survive and thrive in the wind and the snow.

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I’m super jealous about real makers and crafty folk – how did you hone your craft?

I can’t remember learning how to use a sewing machine but my mum always had one and would let me play with it. I became much better when my sister Minty taught me how to repair holes in jeans – I spent hours patching up my boyfriend’s jeans that were ripped to shreds! I realised that it was easy enough to make gentle alterations and mends to clothes, so I became more and more familiar with my sewing machine.

The main skill, though, once you’ve learned how to thread a machine, is patience. I am a very patient person and am able to sit for hours doing really boring jobs. Sewing well, I have found, is all about the preparation – pressing, marking and pinning. If you make a mistake, painstakingly picking out stitches without tearing the fabric is a challenge! When I’m tired or grumpy and rush my work it never turns out as well because I make silly mistakes. I think all crafters will say that the more hours you put into your craft, the better you get. Making your craft space a nice place to work means you will want to put in more hours.

I also saw your amazing design work – I was blown away by your style! How did you learn to do that?

Thank you! When I was studying in Sheffield I was part of an exhibition curation team, and we designed an exhibition called Fabricate held at Millennium Galleries in the city centre. We had reached a dead end with designing a flyer so I made some drawings and scanned them in. I opened them on Pages (Apple’s version of Word) and somehow figured out that I could draw a line and bend it, like you can on Photoshop.

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I have never had Photoshop on my laptop, but I found I could make these drawings on my computer using this free software. It’s basically tracing — I take an image that already exists and draw shapes on top of it to make a digital image. Again, patience is the skill — the drawings can take a long time to create and you have to just be able to work away at it and not get bored.

Who/what inspires you?

People that work from home! I’ve found it hard to get in a routine and not be distracted by house jobs. And it’s quite isolating – not like when you go into work and get to see and talk to all different kinds of people. So to the people who have figured that out: I have loads of respect for you! I think social media is hard work sometimes but I find loads of inspiration online – there is the world’s community of makers showing you that it can be done. Closer to home, I’m really lucky to know a few talented makers who don’t compromise their values and still manage to make some money. Hurray!

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What does 2018 hold for you Posy?

Scary question. Well I’ve got a busy few weeks making softies for Graft pop up in Hexham (open until 22nd December!)  I’ve hardly thought about next year! I do feel like there is potential here to continue making these little animals, which would be amazing — I feel like they are my thing that no-one else does. So I suppose there will be some research time — I think I need to figure out how to work from home, or else find a studio; as well as searching for opportunities to sell my work. I have another small business, Grow to Glow, which makes and sells natural skincare products — my business partner Pia has just gone on maternity leave so I will be looking after that project for a while too. I’ll be doing some design work for packaging and working on a range of healing balms — so I think 2018 is all about making and creating.

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Posy Jowett – creative onion and megababe. Posy – artist, creative, designer, maker, graphic designer, crafter, illustrator and also skin care brand creater….

Posy my absolute favourite creative onion of 2017.

Check out her new business, show her some social media love and until next time Culture Vultures.

Stupid at Arts Centre Washington : a review

So here I am – I’m in Arts Centre Washington Theatre. I’m watching Stupid by Sian Armstrong, directed by Anna Ryder as part of Sunderland Stages Autumn programme.  I’m sat towards the back – near my mum. Mama Horts – we’ve just driven to the venue – she’s lectured me about my career choices on the way.  Still can’t drive.  Still don’t own my own house. Still single. Still unruly hair.

I drank two gin and tonics in the bar. My mum cross because I’m not the best at self-restraint. She’s also annoyed because I was late to meet her. I’m always late.

So we are sat and I’m ready to watch Stupid. This is a play I’ve been excited to see all Autumn. I loved hearing about it when it was in development. I love the story now – I just connect with it. I love that the all-female team behind it – are ladies that I admire and in the spirit of supporting my local girl gang – that’s why I’m posting this.

So my unruly hair and my Mama are sat waiting for the show to start. And the lights go down and I just know I’m going to love it. And then we are on a Ferris wheel. And we are with ‘Stupid’ – but she’s not stupid at all – she’s merely figuring things out’ like many of us still are.

Dumped, single, back home, working out the who, where, what and why of her life whilst pretending to be a functioning adult felt a little (actually VERY) close to home. And I felt every high and low with the character. I literally laughed, I cried and also felt like getting on stage, to tell ‘Stupid’ that she’s absolutely fine, not to worry and she will figure it out.

This one woman show is the best piece of theatre I’ve seen this season. It’s fresh, it’s real, it’s funny, it’s well written and it’s worth seeing. The live drawing excerpts work well as a reflective take to encourage the audience to consider what’s just happened whilst feeding into the undertone that this temporarily lost creative soul, just absolutely needs to be creative and draw.

The set is fantastically minimalistic, full of touches that further Stupid’s characterisation. Each scene from the Ferris wheel, to the pub, to the supermarket, to the classroom, to run, to the school cupboard is so rich with the storytelling that you become immersed in Stupid’s world – a world that at this moment is not quite what she expected, full of societal expectations and the moments when we all question who we are and what exactly we are supposed to be in life; questions that seem terrifying and daunting as nobody has that answer. And then, that absolutely terrifying realisation that we can all be anything we want to be…….

My favourite element of the show was watching it with my mum a.k.a. the infamous Mama Horts. Stupid’s Mum is full of questions and statements about how she should life her life – “why can’t you just get a proper job?”. I sat smiling the whole way through the show because Stupid’s mum is my mum and I’m sure she represents many other well-meaning mums out there. Any straying from conformity, deciding to make my own way in the world and not ticking the societal boxes is just crazy and questioned at every turn. Seeing this dynamic brought to life made me smile.

However, Mama Horts very much did not see herself in the mum character and actually, she perceived the Mum as talking a lot of sense really…… and actually, the whole show reminded her, that she’d always thought I’d be good a teacher and that it would be a stable job but if I ever was going to be a teacher, I’d need to sort my hair out and learn how to dress like a grown up…… uh huh.

Stupid ends on possibilities….. a feeling like many things are possible and I love that. A million and one things are possible irrespective of age and circumstance – I walked away from the show feeling empowered to continue pursuing my own creativity. I feel like I went on a wild emotional ride with Stupid, we hit rock bottom and the story took us both to the end point to champion that life is not about what and who you “should” be and is entirely about figuring out and embracing what you “could” be.

Well done Sian Armstrong and Anna Ryder – it’s a brilliant, well written show that mirrors the hilarity and painful realness of figuring life shit out. I thoroughly recommend and it’s coming to Alphabetti Theatre in Newcastle on 28th November….. it’s a must see and tickets are available.

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Stupid by Sian Armstong: “there is no right way – there’s only your way and you have to trust it.”

So hi, I’m the Culture Vulture – if you know me professionally, then you know me as on it, organised, ambitious and together. You might even wonder how I manage to do so much in so little time, how do I keep so many projects on the go, do I sleep!?

Well I’m going to let you into a little secret….. I do sleep. A lot. I prioritise work over my life. My personal life is a bit of a mess. I adult well professionally…. In my social life, my friends know me as scatty, all over the place, disorganised, hot mess etc etc.

I often read those Buzzfeed “if you’re late and/or messy then you’re clever” – makes me feel better but I know that’s I’m just struggling to be a proper adult. I’m super messy, my bedroom often looks like the room of someone having a breakdown and there are main adult mile stones that I thought I would have achieved – but I haven’t got round to it yet or life, well I just play it proudly by own rules, in my own time.

So I’m 31…. I’m trying to figure out my life and the difference between what I should and could. And at 31, professionally and socially – I’ve realised whilst I don’t have it figured out, I’m ok with being a whirlwind. And that’s what I am – a beautiful whirlwind.

So I was super excited when I found out about an upcoming show called Stupid as part of Sunderland Stages on Thursday 2nd November at Arts Centre Washington – it’s all about figuring things out, it’s about realising that no one knows how to adult, not really and life is one hell of an interesting journey.

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I’ve been working as The Culture Vulture with writer Sian Armstrong and Director Anna Ryder recently whilst the show is in development. It’s been such an interesting process to be a part of – the show has absolutely transformed in terms of storyline and concept. A theatre show is so much more than just the end thing the audience gets to see and it’s been a privilege to gain some insight into how a show goes from conception, to scratch, to stage. And the fact, it pretty much seems to be modelled thematically on my life and the character ‘Stupid’ is my honorary soul sister – is just, well brilliant.

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So I’m really looking forward to seeing Stupid this Thursday at Arts Centre Washington and in the interest of championing my local creative #girlgang –  I thought I’d catch up with Sian Armstrong and Anna Ryder ahead of the show’s debut, find out what it’s all about and why other Culture Vultures NEED to go and see this show!

What is Stupid about?

Sian: Stupid is about one woman’s journey to figure out who she is, where she’s going, questioning whether she really is what she feels she is; stupid. It’s about honesty, and sharing stories that often go left unsaid. It’s about owning up to not having a plan, even when we feel like we should have one. It’s about challenging what we deem intelligent to be in our society. It’s about no longer pretending to have the answer.

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Anna: Stupid is about feeling inadequate; that feeling you are one step behind the world and that those ahead of you are imbued with some kind of super-powered resilience and smarts. It explores how ‘stupid’ is such an isolating and individual-defining feeling, when in fact (as with most negative thoughts we harbour about ourselves) it’s existence is only possible when framed alongside other people and its longevity as a feeling is perpetuated by systems and attitudes that are, by design, riddled with classism and sexism. It is a product of our hyper-competitive and one-size-fits all education system.

What can audiences on Thursday expect?

Sian: Audiences should expect honesty, laughter, and a story that hopefully brings people together in the room, talking about the times we’d maybe rather forget – and seeing the power in those stories and the flaws and vulnerabilities we may associate with them.

Anna: Audiences can expect a funny, relatable and inspiring story. It looks at what seems like small experiences and re-frames them as a collective society experience. ‘Not just me then’ can sound twee, but it is amazing how cathartic the feeling can be!

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One line to sum up the show?

Sian and Anna: Brave, magic, relatable theatre that allows you to shake off the desire to always get it right.

Can you tell me about Stupid’s development process?

Sian: I’ve been developing Stupid for about three years now – in 2014 I was asked if I was to make a piece of theatre what would it be about and my immediate answer was ‘feeling stupid’.

I guess this show really began at my kitchen table, back in 2003, with my Dad by my shoulder trying for the umpteenth time, to teach me maths. The equations looked as jumbled as my head felt. I had always felt bottom of the pile when it came to academia and as I have grown, this feeling of ‘not quite sure’ has grown with me – which left me questioning am I seen as stupid? I feel it quite a lot. I think a lot of us do. But what does it really mean?

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The show has taken so many twists and turns since 2014. In the early stages of development, my idea was more focused on Dyslexia – after my best friend got diagnosed with Severe Learning Difficulty in her third year of university; I was fascinated by how late she was diagnosed with this. It was devastating to see how much this affected my best friend’s self-confidence, she felt lost, and couldn’t quite come to terms with it – leading her to quit her degree.

The show has also been influenced by my experience working as a Teaching Assistant and Supply Teacher for a short period of time, this gave me an insight into the pressures teachers and students are under to meet their own individual aims but more depressingly the struggles they sometimes face to tick the right boxes and fit the system they are all part of; especially those who are older, who have recently left or are about to leave higher education, and facing decisions on what’s next.

Throughout the development of Stupid I have done various audience engagement projects, running workshops with potential audiences, from youth and theatre groups, students in schools and online surveys – throughout this experience I have met people who have helped the shows development in various ways, in terms of content but also understanding our audiences and the stories that relate to them.

What was your inspiration for the show?

Sian: My inspiration was the feeling of stupidity itself, and how it exists in us all. We all feel it but what does it really mean?

All the people I have met throughout my development have inspired me in some way – if its answers they gave online or stories they told me about an embarrassing moment; they have all inspired the story I want to tell through Stupid.

I’m also constantly inspired by things I watch on telly or online, I’m obsessed with TED talks and people such as vulnerability expert; Brene Brown and Ken Robinson. I’m also inspired by sitcoms, and films, most recent examples are Fleabag, Girls and The Incredible Jessica James. I’ve found when you’re creating something you get inspired by all your experiences and the conversations you have.

What’s your writing process?

Sian: Pffft. I don’t think I have a process really.

I’m currently working with Caroline Horton who has been amazing to work with. That’s one thing I would recommend for anyone who’s starting to write – find a writer/theatre-maker/performer you admire and ask them to be your mentor. I don’t think I could have done this without the support and advice Caroline has given me so far. I told Caroline recently that I’ve been slightly pressured by trying to find a process that works for me and she said in one of our recent sessions together “The things you read about how to do it right, sometimes you just have to say screw them!…” I found this extremely reassuring and empowering! I’m constantly trying to do things ‘right’ and it’s so nice to have someone tell you – sometimes there is no right way – there’s only your way and you have to trust it.

I do know one thing about my process though – I need to talk to people about it – I do not do well on my own writing at a desk, I’m definitely an extrovert!..Writing can be so lonely – I’ve found talking to people about my writing has helped shut those negative ‘this is shit’ voices out of my head and has opened up exciting conversations that inspired me to go away and write stuff … But I’m definitely still finding my way through it, my process seems to change all the time, especially within a devising process. I like to imagine devising as this big, scary, creative beast and writing as it’s treat!

You got funding for the show’s development – can you tell me a bit about that?

Sian: I have received Arts Council England funding for my development process for Stupid and have been supported by local theatre venues and companies across the region such as Sunderland Stages, Arts Centre Washington, Mortal Fools, Northern Stage and Sunday for Sammy.

All I have to say about funding is there are people that can help you, you just have to ask for it. The ACE application isn’t an easy process, I asked a lot of my friends who had applied before to read my applications, and asked for any top tips they had.

But the best thing to do is meet ACE and get their advice and support. I was terrified when I first had a meeting with Arts Council England, because ‘NEED TO PROVE MYSELF’ was all I could think of – but I found talking to someone at such an early stage isn’t about proving yourself, it’s just about being sensible – and helps you understand the best way to approach your application. I didn’t feel judged in any way, if anything I felt more empowered to actually go for it! … Also when looking for funding try and find ways that YOU might help the people who have money – it works both ways.

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Anna: It sometimes feels hard to vocalise that ‘yes, I am a professional artist’ without feeling silly or wanting to qualify the statement with a self-deprecating remark. Fear of being proved otherwise or fear of the gauche way that this declaration can sound, is fuelled by a lack of tangible ways in which to distinguish the difference in output from a creative ‘hobby’ to that of professional work. Despite all my best intentions and my politics, funding definitely helped towards feeling that my work was legitimate. It was like receiving a felt stamped elephant on your worksheet with the words ‘GOOD JOB’ heralded above. However not long after this initial validation, I began to realise what a ridiculous concept this vindication was built on. The show and intention remained exactly as it had been before a big green arts council tick. The only difference was that it could be realised in a shorter space of time with fewer concerns about paying my rent. While this freedom is not to be played down- the work I wanted to make and my creative ability to do so remained as was before the theatre gods took pity on me and granted me a small sum of money.

Funding is vital, scarce and a life source for those of us trying to get by on zero-hour contracts and the rewards of self-employed artistic projects. However, it is of great importance that we learn to see our creative work as valid, whether we are recipients of a grant or not. We must continue to fight for the legitimacy of what we do and that small voice of doubt in the back of my head was the first barrier I needed to demolish

One thing you want audiences to take away on Thursday after watching Stupid at Arts Centre Washington?

Sian: To be empowered by their own uncertainties, vulnerabilities and potential discoveries.

But what’s next?

Sian: We plan on touring Stupid Nationally in Autumn 2018. So watch this space!

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Well thanks Sian and Anna!

So come join me on Thursday to see Stupid and see the finale moment of this development process. I will be front row – cheering Sian and Anna on – like a proud parent. Excited to feel empowered! Oh and it’s my birthday this week – I’ll be 32 – and will be accepting gin and tonics as gifts (just in case you were wondering) so I’m excited to celebrate my unconventional and chaotic life whilst watching Stupid.

If Stupid was real, we’d defs be mates and she’d be in my girl gang.

Ticket for Stupid are available from here!