Want to find out about the NE music scene? Well you need NE Volume in your life!

So you guys know me as The Culture Vulture – I’m your one stop shop for cultural information, happenings and the queen of championing creative projects and people. However, I’m only as good as my network and the people in it – I’m constantly out there seeking information and keeping my ear to the ground. I started two years ago, just a love of going out and cultural goings on with a passion to champion people, places and projects whilst doing my own stuff.

Now my network and cultural knowledge in the cultural sector is second to none. In fact, if I ever went on mastermind, I’d want it to be my specialist topic. I spend an insane amount of time on social media – it’s my job to know the happenings, to seek out opportunities, create connections and have a good overview of the movers and shakers, emerging and exciting happenings. It means that I discover lots of things and exciting people on social – some of whom are doing thriving and vibing things in the sector but I’ve actually never met. Weird right? Admiring their work from a far whilst their work and content becomes a core part of my knowledge bank. Any type of admiring from a far sounds creepy to me – but I’m the proud queen of creeping.

So as The Culture Vulture – you guys know I’m all about championing and seeking out the gems, the new venues, the gigs which you attend and you know you’ve just seen something magical and of course, local artists! On the flip side, I’m also going to see Taylor Swift in May and I’m literally buzz light years about it. But when I think of the North East and music for recommendations and gig suggestions – I think of NE Volume! It’s a great in print and digital publication, that covers lots of real reviews and editorial about the North-East music scene.

l1

Their reviews are written by real people, the venues are many familiar favourites and some new gems, the gigs covered make me so proud of our cultural scene and many a time, I’ve taken a chance on an unknown and LOVED IT.

I love Crack Mag but NE Volume are doing something a bit special and have totally cornered a niche. Their passionate ever-growing readership and thriving online community of music lovers is a testament to the fact they are doing something mega special.

So, I digitally caught up with NE Volume founder Lee Allcock (one of my 2018 new years’ resolutions is to meet in person), to find out more about NE Volume and where it all started!

26235343_10155081181491820_215735016_n

Lee Allcock

What is NE volume?

NE Volume is a FREE North East music and culture magazine that is stocked in 250+ outlets right across the region (nevolume.co.uk/outlets) and is also available to download at nevolume.co.uk/magazine.

Tell me about you and the beginnings of NE Volume?

I’ve always been passionate about music, especially local bands and artists, and my dream was to become a music journalist. I studied Journalism at Teesside University, volunteered for some other local music magazines while working as a content writer, and I was then given a small grant by Teesside University to start my own business. Of course, I quit my job immediately and the rest is history.

26234922_10155081180571820_1570471493_n

Quitting your job to pursue your dream is right up my street – so what was your motivation for the business, like me – you’re a bit of an workaholic – you must love what you do!

It hasn’t been easy, and there have been a lot of ups and downs, but I absolutely love what I do and I wouldn’t want to do anything else. I support local bands, cultural events, and North East businesses for a living and that keeps me motivated.

There’s the Crack, Narc and others – I love NE volume but do you want to tell my readers what makes you and the publication different?

We’re actually the ONLY music and culture magazine based in Teesside. And, although Teesside is a pretty large area, I felt that The Crack and NARC weren’t really showcasing this area so I wanted to help.

So tell me what was your highlight of 2017 in terms of NE Volume?

To be honest, the fact that we’re still here and running in an internet-based world has got to be the highlight for me. It’s been a tough road, but with the support of so many bands, independent businesses, music venues, our loyal readers, my designer, and my writers, we’ve been able to continue to support the local music and culture scenes – and that makes it all worthwhile.

Of course, I have to ask this question – what’s been your favourite gig?

Liam Gallagher at Metro Radio Arena. Okay, it’s not a small local gig (which I also absolutely adore) but Liam was in his element from start to finish and he had the crowd in the palm of his hands.

l4

Liam Gallagher

What’s your ‘one to watch’ for 2018?

Local band, The Pale White. They’re set to play at Riverside in Newcastle this month and it’s already sold out. They’ve also supported the likes of the Libertines and they’re destined for big things this year – I’m sure of it.

l7

The Pale White

Who is your fave soloist?

Samantha Durnan; her beautiful lyrics and stunning vocals really do pull on the heartstrings.

l5

Samantha Durnan

You also have a cultural corner within your publication, I’ve written for it before as the Culture Vulture (yey!) – but what are your plans for this?

My plan is to increase the number of cultural articles we cover over the course of 2018. We’ll also be looking to review theatre productions and comedy gigs as well as interview comedians and artists.

OK so say I’m in a band and I want to get an NE volume review – what should I do?

Don’t be afraid to get in touch with me at info@nevolume.co.uk including some background about your band and a link to your material and we’ll do all we can to arrange for your release to be reviewed.

l3

You recruit lots of new aspiring writers and journalists – what’s your recruitment process?

It’s very simple: just send an email to me at info@nevolume.co.uk including your CV and a paragraph about your favourite aspect of the North East music scene and I will get back to you within 2 days maximum.

 

What are you up to for 2018?

I’m actually going to start my own radio show (fingers crossed) so I’ll be looking for local promoters, bands, soloists, and independent venue owners to join me for a chat. Again, if you’re interested then please email me and I’ll be happy to liaise with you.

l2

Well that’s lush and Lee has already asked me to be on his radio show (I do love the sound of my own voice so obviously I jumped at it) so something to look forward to! Make sure you check out the current edition of NE Volume – it’s a treat!

Until next time Culture Vultures.

Advertisements

Posy Jowett: my favourite creative onion

Creative people are just like onions…..layers and layers – lots of hidden talents, surprises and so much more than what you see on the surface. The biggest onion I’ve met this year has to be artist, creative and all round megababe Posy Jowett.

p10

I had the absolute pleasure of working with Posy during Juice Festival – on face value, Posy works at Northern Stage and is a dream working with children, facilitating creative activity.  And then (remember she’s an onion) as part of Juice – Posy had  been commissioned to create re-imaginings in a graphic exhibition showcasing partners, venues and people and it was bliddy fantastic. Jaw dropping amazing – I was blown away! Flash forward to our Juice Festival Culture Camp and Posy drawing an amazing lobster illustration….. it was a really beautiful piece. We all know how furiously jealous I am of people who can draw……

And THEN, it pops up on social media a few weeks ago, sneaky creative Posy was launching her new crafty and creative business; Pocketful of Posy. Posy now sells beautiful hand made product and animals – the attention to detail is immense and I really need more of my friends to have babies so that I can purchase these soft little creatures.

p5

That’s what I mean about creative people – onions. Posy – working in performing arts and theatre, strong skill set in creative facilitation with children, brilliant graphic designer, naturally talented illustrator and now, a crafty business person designing and sell products. She’s an onion.

So i caught up with Posy recently to find out more about Pocketful of Posy and what is next for this creative onion in 2018…..

Hi Posy, so tell me a bit about yourself?

Well, I have a background in Fine Art – I studied in Sheffield – and have always loved making things. Since moving back to the North East to study for my MA in Cultural Heritage Management, I have worked in a few different roles but missed making things with my hands. I do a little bit of everything; knitting, crochet, pottery, illustration, digital design, lino printing… and now sewing.

Tell me about your brand spanking new creative business – you sneakily launched it and I love the name Pocketful of Posy!

When my sister in law was pregnant with my nephew, Leo, I wanted to make her and her new family a handmade gift. I always over-gift (I love giving presents) and so in addition to the crochet baby blanket I spent hours making I decided to make the new baby a toy. I rummaged through the boxes of craft things that I hoard at home and found a pair of jeans that didn’t fit anyone and one of my boyfriend’s striped shirts that he didn’t wear any more – and they became the first whale.

A mutual friend, Bryony Villiers-Stuart asked that I make her a whale because she loved Leo’s so much, so I made another. This Autumn out of the blue, I had a phone call from Bryony to say she was putting together an ethical makers collective to exhibit and sell work in Hexham this winter, and asked if I would make some soft toys, like the whales, to sell. So I started drawing and trying out designs for my animals, and have ended up with a collection! It’s literally the last week or so that I’ve begun to think that maybe this is a business that I can keep going, so I’ve created Pocketful of Posy.

p7

I love your products – very lush and special.

I love them too! I am totally dedicated to reducing my carbon footprint and one of the ways I do that is to not buy new clothes. I watched an incredible documentary a couple of years ago, The True Cost, which really influenced the way I think about where I spend my money. I try really hard to shop in charity shops and to buy vintage, and to buy handmade and local where I can. All of my animals are made from repurposed fabrics – I shrink woolen jumpers and scarves in the washing machine to make wool felt for my bears and three of the killer whales are made from a pair of French Connection velvet trousers! This means that there is always a limited number of animals I can make of each fabric. The size of the animals are determined by the clothes I buy from charity shops, and I love that about the pieces. So far I have designed patterns for a snow bear, a grizzly bear, a blue whale, an orca and a fox.

What is the inspiration behind it all?

I think mostly I really adore making things for people. I love gifting beautiful objects to my friends and family, I love making people happy. Particularly at this time of year, I think we all get caught up in buying a lot of plastic rubbish that doesn’t last and is bad for the environment, and I think it’s great to offer an alternative to that for customers. The designs for this collection of animals is inspired by the north and the sea – creatures that survive and thrive in the wind and the snow.

p6

I’m super jealous about real makers and crafty folk – how did you hone your craft?

I can’t remember learning how to use a sewing machine but my mum always had one and would let me play with it. I became much better when my sister Minty taught me how to repair holes in jeans – I spent hours patching up my boyfriend’s jeans that were ripped to shreds! I realised that it was easy enough to make gentle alterations and mends to clothes, so I became more and more familiar with my sewing machine.

The main skill, though, once you’ve learned how to thread a machine, is patience. I am a very patient person and am able to sit for hours doing really boring jobs. Sewing well, I have found, is all about the preparation – pressing, marking and pinning. If you make a mistake, painstakingly picking out stitches without tearing the fabric is a challenge! When I’m tired or grumpy and rush my work it never turns out as well because I make silly mistakes. I think all crafters will say that the more hours you put into your craft, the better you get. Making your craft space a nice place to work means you will want to put in more hours.

I also saw your amazing design work – I was blown away by your style! How did you learn to do that?

Thank you! When I was studying in Sheffield I was part of an exhibition curation team, and we designed an exhibition called Fabricate held at Millennium Galleries in the city centre. We had reached a dead end with designing a flyer so I made some drawings and scanned them in. I opened them on Pages (Apple’s version of Word) and somehow figured out that I could draw a line and bend it, like you can on Photoshop.

p3

I have never had Photoshop on my laptop, but I found I could make these drawings on my computer using this free software. It’s basically tracing — I take an image that already exists and draw shapes on top of it to make a digital image. Again, patience is the skill — the drawings can take a long time to create and you have to just be able to work away at it and not get bored.

Who/what inspires you?

People that work from home! I’ve found it hard to get in a routine and not be distracted by house jobs. And it’s quite isolating – not like when you go into work and get to see and talk to all different kinds of people. So to the people who have figured that out: I have loads of respect for you! I think social media is hard work sometimes but I find loads of inspiration online – there is the world’s community of makers showing you that it can be done. Closer to home, I’m really lucky to know a few talented makers who don’t compromise their values and still manage to make some money. Hurray!

p4

What does 2018 hold for you Posy?

Scary question. Well I’ve got a busy few weeks making softies for Graft pop up in Hexham (open until 22nd December!)  I’ve hardly thought about next year! I do feel like there is potential here to continue making these little animals, which would be amazing — I feel like they are my thing that no-one else does. So I suppose there will be some research time — I think I need to figure out how to work from home, or else find a studio; as well as searching for opportunities to sell my work. I have another small business, Grow to Glow, which makes and sells natural skincare products — my business partner Pia has just gone on maternity leave so I will be looking after that project for a while too. I’ll be doing some design work for packaging and working on a range of healing balms — so I think 2018 is all about making and creating.

p1

Posy Jowett – creative onion and megababe. Posy – artist, creative, designer, maker, graphic designer, crafter, illustrator and also skin care brand creater….

Posy my absolute favourite creative onion of 2017.

Check out her new business, show her some social media love and until next time Culture Vultures.

Stupid at Arts Centre Washington : a review

So here I am – I’m in Arts Centre Washington Theatre. I’m watching Stupid by Sian Armstrong, directed by Anna Ryder as part of Sunderland Stages Autumn programme.  I’m sat towards the back – near my mum. Mama Horts – we’ve just driven to the venue – she’s lectured me about my career choices on the way.  Still can’t drive.  Still don’t own my own house. Still single. Still unruly hair.

I drank two gin and tonics in the bar. My mum cross because I’m not the best at self-restraint. She’s also annoyed because I was late to meet her. I’m always late.

So we are sat and I’m ready to watch Stupid. This is a play I’ve been excited to see all Autumn. I loved hearing about it when it was in development. I love the story now – I just connect with it. I love that the all-female team behind it – are ladies that I admire and in the spirit of supporting my local girl gang – that’s why I’m posting this.

So my unruly hair and my Mama are sat waiting for the show to start. And the lights go down and I just know I’m going to love it. And then we are on a Ferris wheel. And we are with ‘Stupid’ – but she’s not stupid at all – she’s merely figuring things out’ like many of us still are.

Dumped, single, back home, working out the who, where, what and why of her life whilst pretending to be a functioning adult felt a little (actually VERY) close to home. And I felt every high and low with the character. I literally laughed, I cried and also felt like getting on stage, to tell ‘Stupid’ that she’s absolutely fine, not to worry and she will figure it out.

This one woman show is the best piece of theatre I’ve seen this season. It’s fresh, it’s real, it’s funny, it’s well written and it’s worth seeing. The live drawing excerpts work well as a reflective take to encourage the audience to consider what’s just happened whilst feeding into the undertone that this temporarily lost creative soul, just absolutely needs to be creative and draw.

The set is fantastically minimalistic, full of touches that further Stupid’s characterisation. Each scene from the Ferris wheel, to the pub, to the supermarket, to the classroom, to run, to the school cupboard is so rich with the storytelling that you become immersed in Stupid’s world – a world that at this moment is not quite what she expected, full of societal expectations and the moments when we all question who we are and what exactly we are supposed to be in life; questions that seem terrifying and daunting as nobody has that answer. And then, that absolutely terrifying realisation that we can all be anything we want to be…….

My favourite element of the show was watching it with my mum a.k.a. the infamous Mama Horts. Stupid’s Mum is full of questions and statements about how she should life her life – “why can’t you just get a proper job?”. I sat smiling the whole way through the show because Stupid’s mum is my mum and I’m sure she represents many other well-meaning mums out there. Any straying from conformity, deciding to make my own way in the world and not ticking the societal boxes is just crazy and questioned at every turn. Seeing this dynamic brought to life made me smile.

However, Mama Horts very much did not see herself in the mum character and actually, she perceived the Mum as talking a lot of sense really…… and actually, the whole show reminded her, that she’d always thought I’d be good a teacher and that it would be a stable job but if I ever was going to be a teacher, I’d need to sort my hair out and learn how to dress like a grown up…… uh huh.

Stupid ends on possibilities….. a feeling like many things are possible and I love that. A million and one things are possible irrespective of age and circumstance – I walked away from the show feeling empowered to continue pursuing my own creativity. I feel like I went on a wild emotional ride with Stupid, we hit rock bottom and the story took us both to the end point to champion that life is not about what and who you “should” be and is entirely about figuring out and embracing what you “could” be.

Well done Sian Armstrong and Anna Ryder – it’s a brilliant, well written show that mirrors the hilarity and painful realness of figuring life shit out. I thoroughly recommend and it’s coming to Alphabetti Theatre in Newcastle on 28th November….. it’s a must see and tickets are available.

screenshot_2017-03-03-13-47-46-e1488508780584

Stupid by Sian Armstong: “there is no right way – there’s only your way and you have to trust it.”

So hi, I’m the Culture Vulture – if you know me professionally, then you know me as on it, organised, ambitious and together. You might even wonder how I manage to do so much in so little time, how do I keep so many projects on the go, do I sleep!?

Well I’m going to let you into a little secret….. I do sleep. A lot. I prioritise work over my life. My personal life is a bit of a mess. I adult well professionally…. In my social life, my friends know me as scatty, all over the place, disorganised, hot mess etc etc.

I often read those Buzzfeed “if you’re late and/or messy then you’re clever” – makes me feel better but I know that’s I’m just struggling to be a proper adult. I’m super messy, my bedroom often looks like the room of someone having a breakdown and there are main adult mile stones that I thought I would have achieved – but I haven’t got round to it yet or life, well I just play it proudly by own rules, in my own time.

So I’m 31…. I’m trying to figure out my life and the difference between what I should and could. And at 31, professionally and socially – I’ve realised whilst I don’t have it figured out, I’m ok with being a whirlwind. And that’s what I am – a beautiful whirlwind.

So I was super excited when I found out about an upcoming show called Stupid as part of Sunderland Stages on Thursday 2nd November at Arts Centre Washington – it’s all about figuring things out, it’s about realising that no one knows how to adult, not really and life is one hell of an interesting journey.

Final front leaflet

I’ve been working as The Culture Vulture with writer Sian Armstrong and Director Anna Ryder recently whilst the show is in development. It’s been such an interesting process to be a part of – the show has absolutely transformed in terms of storyline and concept. A theatre show is so much more than just the end thing the audience gets to see and it’s been a privilege to gain some insight into how a show goes from conception, to scratch, to stage. And the fact, it pretty much seems to be modelled thematically on my life and the character ‘Stupid’ is my honorary soul sister – is just, well brilliant.

Final back leaflet

So I’m really looking forward to seeing Stupid this Thursday at Arts Centre Washington and in the interest of championing my local creative #girlgang –  I thought I’d catch up with Sian Armstrong and Anna Ryder ahead of the show’s debut, find out what it’s all about and why other Culture Vultures NEED to go and see this show!

What is Stupid about?

Sian: Stupid is about one woman’s journey to figure out who she is, where she’s going, questioning whether she really is what she feels she is; stupid. It’s about honesty, and sharing stories that often go left unsaid. It’s about owning up to not having a plan, even when we feel like we should have one. It’s about challenging what we deem intelligent to be in our society. It’s about no longer pretending to have the answer.

http://www.picturesbybish.com/ | https://www.facebook.com/picturesbybish/

Anna: Stupid is about feeling inadequate; that feeling you are one step behind the world and that those ahead of you are imbued with some kind of super-powered resilience and smarts. It explores how ‘stupid’ is such an isolating and individual-defining feeling, when in fact (as with most negative thoughts we harbour about ourselves) it’s existence is only possible when framed alongside other people and its longevity as a feeling is perpetuated by systems and attitudes that are, by design, riddled with classism and sexism. It is a product of our hyper-competitive and one-size-fits all education system.

What can audiences on Thursday expect?

Sian: Audiences should expect honesty, laughter, and a story that hopefully brings people together in the room, talking about the times we’d maybe rather forget – and seeing the power in those stories and the flaws and vulnerabilities we may associate with them.

Anna: Audiences can expect a funny, relatable and inspiring story. It looks at what seems like small experiences and re-frames them as a collective society experience. ‘Not just me then’ can sound twee, but it is amazing how cathartic the feeling can be!

DSC_0068

One line to sum up the show?

Sian and Anna: Brave, magic, relatable theatre that allows you to shake off the desire to always get it right.

Can you tell me about Stupid’s development process?

Sian: I’ve been developing Stupid for about three years now – in 2014 I was asked if I was to make a piece of theatre what would it be about and my immediate answer was ‘feeling stupid’.

I guess this show really began at my kitchen table, back in 2003, with my Dad by my shoulder trying for the umpteenth time, to teach me maths. The equations looked as jumbled as my head felt. I had always felt bottom of the pile when it came to academia and as I have grown, this feeling of ‘not quite sure’ has grown with me – which left me questioning am I seen as stupid? I feel it quite a lot. I think a lot of us do. But what does it really mean?

DSC_0089

The show has taken so many twists and turns since 2014. In the early stages of development, my idea was more focused on Dyslexia – after my best friend got diagnosed with Severe Learning Difficulty in her third year of university; I was fascinated by how late she was diagnosed with this. It was devastating to see how much this affected my best friend’s self-confidence, she felt lost, and couldn’t quite come to terms with it – leading her to quit her degree.

The show has also been influenced by my experience working as a Teaching Assistant and Supply Teacher for a short period of time, this gave me an insight into the pressures teachers and students are under to meet their own individual aims but more depressingly the struggles they sometimes face to tick the right boxes and fit the system they are all part of; especially those who are older, who have recently left or are about to leave higher education, and facing decisions on what’s next.

Throughout the development of Stupid I have done various audience engagement projects, running workshops with potential audiences, from youth and theatre groups, students in schools and online surveys – throughout this experience I have met people who have helped the shows development in various ways, in terms of content but also understanding our audiences and the stories that relate to them.

What was your inspiration for the show?

Sian: My inspiration was the feeling of stupidity itself, and how it exists in us all. We all feel it but what does it really mean?

All the people I have met throughout my development have inspired me in some way – if its answers they gave online or stories they told me about an embarrassing moment; they have all inspired the story I want to tell through Stupid.

I’m also constantly inspired by things I watch on telly or online, I’m obsessed with TED talks and people such as vulnerability expert; Brene Brown and Ken Robinson. I’m also inspired by sitcoms, and films, most recent examples are Fleabag, Girls and The Incredible Jessica James. I’ve found when you’re creating something you get inspired by all your experiences and the conversations you have.

What’s your writing process?

Sian: Pffft. I don’t think I have a process really.

I’m currently working with Caroline Horton who has been amazing to work with. That’s one thing I would recommend for anyone who’s starting to write – find a writer/theatre-maker/performer you admire and ask them to be your mentor. I don’t think I could have done this without the support and advice Caroline has given me so far. I told Caroline recently that I’ve been slightly pressured by trying to find a process that works for me and she said in one of our recent sessions together “The things you read about how to do it right, sometimes you just have to say screw them!…” I found this extremely reassuring and empowering! I’m constantly trying to do things ‘right’ and it’s so nice to have someone tell you – sometimes there is no right way – there’s only your way and you have to trust it.

I do know one thing about my process though – I need to talk to people about it – I do not do well on my own writing at a desk, I’m definitely an extrovert!..Writing can be so lonely – I’ve found talking to people about my writing has helped shut those negative ‘this is shit’ voices out of my head and has opened up exciting conversations that inspired me to go away and write stuff … But I’m definitely still finding my way through it, my process seems to change all the time, especially within a devising process. I like to imagine devising as this big, scary, creative beast and writing as it’s treat!

You got funding for the show’s development – can you tell me a bit about that?

Sian: I have received Arts Council England funding for my development process for Stupid and have been supported by local theatre venues and companies across the region such as Sunderland Stages, Arts Centre Washington, Mortal Fools, Northern Stage and Sunday for Sammy.

All I have to say about funding is there are people that can help you, you just have to ask for it. The ACE application isn’t an easy process, I asked a lot of my friends who had applied before to read my applications, and asked for any top tips they had.

But the best thing to do is meet ACE and get their advice and support. I was terrified when I first had a meeting with Arts Council England, because ‘NEED TO PROVE MYSELF’ was all I could think of – but I found talking to someone at such an early stage isn’t about proving yourself, it’s just about being sensible – and helps you understand the best way to approach your application. I didn’t feel judged in any way, if anything I felt more empowered to actually go for it! … Also when looking for funding try and find ways that YOU might help the people who have money – it works both ways.

DSC_0122

Anna: It sometimes feels hard to vocalise that ‘yes, I am a professional artist’ without feeling silly or wanting to qualify the statement with a self-deprecating remark. Fear of being proved otherwise or fear of the gauche way that this declaration can sound, is fuelled by a lack of tangible ways in which to distinguish the difference in output from a creative ‘hobby’ to that of professional work. Despite all my best intentions and my politics, funding definitely helped towards feeling that my work was legitimate. It was like receiving a felt stamped elephant on your worksheet with the words ‘GOOD JOB’ heralded above. However not long after this initial validation, I began to realise what a ridiculous concept this vindication was built on. The show and intention remained exactly as it had been before a big green arts council tick. The only difference was that it could be realised in a shorter space of time with fewer concerns about paying my rent. While this freedom is not to be played down- the work I wanted to make and my creative ability to do so remained as was before the theatre gods took pity on me and granted me a small sum of money.

Funding is vital, scarce and a life source for those of us trying to get by on zero-hour contracts and the rewards of self-employed artistic projects. However, it is of great importance that we learn to see our creative work as valid, whether we are recipients of a grant or not. We must continue to fight for the legitimacy of what we do and that small voice of doubt in the back of my head was the first barrier I needed to demolish

One thing you want audiences to take away on Thursday after watching Stupid at Arts Centre Washington?

Sian: To be empowered by their own uncertainties, vulnerabilities and potential discoveries.

But what’s next?

Sian: We plan on touring Stupid Nationally in Autumn 2018. So watch this space!

DSC_0084

Well thanks Sian and Anna!

So come join me on Thursday to see Stupid and see the finale moment of this development process. I will be front row – cheering Sian and Anna on – like a proud parent. Excited to feel empowered! Oh and it’s my birthday this week – I’ll be 32 – and will be accepting gin and tonics as gifts (just in case you were wondering) so I’m excited to celebrate my unconventional and chaotic life whilst watching Stupid.

If Stupid was real, we’d defs be mates and she’d be in my girl gang.

Ticket for Stupid are available from here!

 

Amy Lord; live art, brain-feeding & 90s at Our Time.

Amazingly talented people walk among us often hidden and unheard….I’ve really learnt that a lot recently. Not all creatively talented people call themselves artists – they are ordinary people, in everyday jobs and yet, they have talents so unbelievably amazing at their fingertips.

And often no matter, how engaged you are in the cultural sector and how “aware” you think you are – I’m always surprised when there is someone, doing something so amazing and fantastic and I didn’t know about it!? Sounds ridiculous – but I prize myself in being in the know and the now – so when I stumble across someone new and exciting, I’m both blown away but a little bit cross at myself – how did I miss this!?

am6

I first heard of Amy Lord, when a friend of a friend told me about this “project” in Newcastle taking over a townhouse and how they were exploring happiness and we had a mega long conversation about what exactly happiness is and how society has this version of happiness and zen……and I’m just over here, being ridiculous, not getting up at 5am and doing yoga and even when I’m happy, my world is chaotic.

So, this townhouse take over culmination was over Late Shows weekend – which is my busiest weekend – I never get to experience the Late Shows as an attendee – I work it and usually on the Gateshead side. So obviously, I missed Amy’s ‘Experiments in Happiness’ take over.

am12

Fast forward a few months and I’m sat listening all about the progression of this year’s Juice Festival and Our Time – Helen who is programme director said the ultimate which immediately secured my project buy in…..

“Rachel – so there is Amy Lord, she’s this mint visual live artist….she’s doing this Art House piece and you’re going to love it, it’s all about the 90s”.

Boom!

tape8

So being the creep, I am – ultimate stalker mode started and what I discovered was an artist that is creating and doing very interesting work in collaboration with some of my favourite people at the moment in the North East Cultural Sector.

I really like visual live art – it combines some of the elements I love most about sculpture but encourages an evolving engagement. Amy describes it as a “multi-textured and layered encounters and experiences” and I think it sums it perfectly. So many elements and things brought together – with a strong focus on visual……

As someone with a passion for events – I really like Amy’s work from an space curation and the facilitation and provocation of audience experience…… that really excites me and I’d love to work with her in the future.

So now over to Amy…….

am10

Who are you?

Hello! My name’s Amy, I’m 31 and I’m from Northumberland! (In the style of Blind Date).

I’m an artist but I also run an events company on the side called Lemonade and Laughing Gas. I’m currently living in between London and Newcastle. I spend a lot of time on the Virgin Trains East Coast train route at the moment…

am5

Tell me about your arts practice?

I make live art. For me, this means creating anything from an interactive installation, a game, a video, a crafting activity and a performance. I always want my work to be personal, political and to not shy away from difficult or challenging subjects. Sometimes my work can be more about the process than the end result. I love working with different groups of different ages to capture the full spectrum of human experience.

am3

Tell me about a recent project?

My latest big project in the North East before my Our Time commission was Experiments in Happiness. I took over an empty townhouse on Grey street and filled it with installations and experiences exploring ideas around happiness and mood. 600 people turned up over 2 days – the interest in the project totally blew me away and has just made me want to do more stuff here.

am4

Everyone has a super interesting story about becoming an artist – tell me about your journey into Arts?

I’ve always got a buzz out of making things from a young age, but I think my first step into the arts was Uni. I was lucky to get into LIPA (Liverpool Institute for Performing Arts) and studied Theatre and Performance Design. Although I loved the course, I knew I didn’t want to be a theatre designer at the end of it. A tutor there introduced me to live art and more experimental theatre in my final year, and I was hooked. My first solo project was a work in a derelict restaurant about the media and pressure on body image for women (2007).

am7

Piece of advice for someone thinking about a career in the arts?

Try and build in time for ‘brain feeding’. It may feel indulgent but if you don’t keep seeing stuff, reading things and learning new skills, sometimes the inspiration well can start to dwindle!

am1

Why did you apply to be a part of Our Time?

I liked the structure of the ‘mini commission’ – creating something quickly for one night only appealed to me, as well as the positive feelings about the area and the past Team Juice were wanting to emphasise.

Tell me about your commission?

Research is often at the core of the work I make, this commission is no exception! I spent 3 days rummaging around news archives and microfilm to find good news stories from the 90’s – specifically in Newcastle and the North East.

am14

Then, we had a workshop with Team Juice to whittle these down and find out what was most interesting. We did some creative thinking and finally, shot some video on smartphones to make into a film that will be projected on a loop throughout the evening.

We’ve chosen to show the film in this bonkers tunnel in the museum, which we’ll be filling with 90’s music to help transport people back to that time!

What was the inspiration?

DIY culture/the contrast between technology in the 90’s and now.

The idea could have happened for any decade really, but I chose the 90’s because not only is it having another moment in the sun but it’s also the first decade I’ve felt properly nostalgic about, as I was 15 when the millennium arrived!

I used to think people obsessing about the 70’s and 80’s were just living in the past, but now I totally get it! Nostalgia and remembering those super important formative years can be totally delicious! As long as you balance it with living in the present too…I also can’t pretend I wasn’t influenced by watching Sing Street.

What do you want attendees to take away from your installation?

Fun. And maybe realising how many amazing things happened in the 90’s for our region.

Top 5 90s songs?

Wow, there are so many. Here’s some of the top of my head (that may have found their way onto the soundtrack!)

Dreams – Gabrielle

What’s Up – 4 Non Blondes

Another Night – Real McCoy

Sunshine After the Rain – Berri

The Whole of The Moon – The Waterboys

am13

Favourite 90s moment?

When everyone thought the world was going to end once we got past midnight on New Year’s Eve 1999.

Have you seen the rest of the Our Time line up? What bits are you most excited for?

I’ve worked with Zoe Murtagh on my last project so obviously I’m a fan of her, and am looking forward to seeing what she’s created with ‘It Was Once A Dream Interactive Trail’. I also create a lot of multi-sensory work so I’m looking forward to getting in the Von Tuur Salon.

Also generally, we’ll be in a museum, at night, with a bar…absolutely winning!

Well, I’m just such a fan of so many things Amy said….. I’m all about trying to make time for “brain feeding” and the 90s is absolutely my jam……

am8

Thank you Amy….. I’m super excited to see and experience your piece.

I will be at Our Time at Great North Museum on 21st October – you’ll probably find me lurking and obsessing over Amy’s 90s piece and involuntarily breaking out into song and dance when ‘SunShine After The Rain’ comes on…..

Culture Vultures – this is the ultimate Culture Vulture event….. don’t miss it or Amy’s lush installation.

am11

 

Moth Studios: a studio putting taxidermy and entomology at the heart of the creative community in the North East!

It’s been a while since I blogged….I’ve missed it. I’ve missed seeking out new things, people and places to tell you about. It’s not that I didn’t seek them out – of course I did, it’s what I do and my notebook is as always, full of scribbles, names, ideas and things I’m looking forward to exploring in the coming months. It was more, I just didn’t have the time or the energy to do anything……

Those who really know me, know I’ve worked my socks off for the past 6months – I’m a prolific workaholic and an addicted culture vulture……but this year has just been something else – life in the fast lane, times a million. I don’t even know how it’s September or how I got through that workload, but it is and I did and I’ve worked on some fantastic projects so far and many more to come…..

I’m desperately trying to stand still and look back and reflect – but my head is just buzzing with all the ideas I’ve put on the backburner, collaborative opportunities I’m just itching to explore and new beautiful projects, that are at this point all mine to run free with…..

So even though I’ve had my head down to the ground, I’ve been watching, taking things in and for some, as creepy as it sounds (and I’m pretty good at being creepy), I’ve been admiring from a far. And if during this period of living amongst tornados of colliding priorities and projects, you have made me sit up and take notice of what you’re doing…….well you’re obviously doing something right.

MOTH_IDENTITY_SOCIAL_MEDIA

Have you ever had love at first sight moment? You get butterflies, you’re consumed, confused, overwhelmed and the world really does stop and skip a beat….. I had a moment like that when I stumbled upon Moth Studios in Ampersand Inventions earlier this year. Their studio wasn’t even open but I was peaking through the glass (told you I was good at creeping!) and it looked like the most interesting, weird, bizarre and absolutely captivating studio to work in. From the work space, it screamed that something really exciting and different was going on – a very different creative offering………

It was a bright space, full of animal and insect touches – think Tim Burton-esque meets very talented taxidermy. Of course, I’ve always been fascinated by taxidermy and entomology– the practice, the art of it and how it has gradually moved from quite a niche thing to infusing other types of art forms – especially stop-motion animation but I’ve not really had that much exposure to it. However, their studio managed, whilst being full of dead things, to feel absolutely full of life and energy…..

IMG_7794

My Ampersand tour guide at the time was all round megababe Melanie Kyles, who told me, that Moth Studios offer workshops and taxidermy sessions…… This peaked my interest absolutely and the more I thought about, the more it made absolute sense that this studio enabling people to experience taxidermy and entomology should sit right at the heart of this creative community.

As you know, the Culture Vulture is allllll about new things, different things and even bizarre things and Moth Studios is providing an offering that is so different and an experience like no other – so this is right up my street. And it’s not just me who thinks so – through-out this busy period my social media has been full of people from the North East championing their work and attending their workshops – from tiny skull sessions, to butterfly pining, to taxidermy…. I’m certainly not the only one fascinated and intrigued by this artist studio and exactly what goes on inside its doors……..

IMG_6853

But for this Culture Vulture – it’s the processes behind the finished items that really interests me and the symbolic nature of the pieces, their silhouettes and the slightly gothic nature of the materials being worked with…….and so my love at first sight with Moth Studios started – at first of course, from a distance and now, well I’m head over heels and I just had to find out more so I caught up with Founder, Sherene Scott who started this adventure in 2014…..

IMG_7827

So hello Sherene! Tell me about Moth Studios? Who are you? What is it all about?

I’m Sherene Scott, director and owner of Moth Studios. We are a contemporary ethical taxidermy studio located inside Newcastle city centre.

What was the inspiration behind starting it all?

I am an artist and taxidermist; I’ve had formal training, from Newcastle University and around the UK. The inspiration for Moth began in 2010 whilst I was still a student; I began training in taxidermy and I had an amazing interest for death and preservation; as strange as that may seem. My passion came to light when I realised it was a dying art form, the skill involved and particularly that it is a male dominated field of work.

IMG_7822

How did you end up residing in Ampersand Inventions? I’ve peaked through the doors of your studio when I visited and holy moly, it’s a beautiful space!

I joined the Ampersand ‘team’ before the space was even erected, as I had friends that were resident artists and directors of the spaces. So you could say I was there from birth and build!

“Birth and build” – I really like that! Here in Ampersand you’re surrounded by other creatives and artists and the building as a whole, all with different backgrounds and practices etc; how does that influence you?

It’s a warm yet very professional feeling working so closely with other artists, designers and small businesses. We all have each other’s backs and we’re never short of giving and receiving ideas, advice and networking whilst we are “living together”.

Do you think taxidermy is making a real come back – it seems quite fashionable at the moment and gathering interest?

I think in the last few years, there has been a complete revival and resurgence in taxidermy. It’s an amazing feeling to see people interacting, enjoying and educating themselves with the idea of AND physically getting involved with life, death and anatomy.

IMG_7530

There also feels like there has been a big shift from people seeing it as a technical process but something not often openly talked about or featured in a “cabinet of curiosities” to now being much more mainstream, with greater interest in both the process but also in it as an art form? Do you feel that too?

There has indeed been a shift in the way people see taxidermy… I.e. no longer only in museum displays, curiosity cabinets and dusty old traditional taxidermy with complicated dioramas.

Now because we have so many taxidermy laws and there are no longer illegal ‘trophy rooms’ for silly status value; I would like to think we no longer see taxidermy as a bad practice, but seen as beautiful, artistic and ethical pieces of natural beauty, with the dioramas now being your own home, space or a unique 21st century touch.

IMG_7414

Tell me about some of your upcoming workshops – they are really unique and interesting? And how can people book onto them?

Moth Studios hosts many workshops and classes alongside their own work and online shop. We have beginner’s taxidermy and entomology (insect pinning) classes throughout the whole year!

Autumn/winter season is very popular for Moth… We have classes ranging from bugs to mice to squirrel, skull decorating, birds and even our specialised workshops themed around Halloween and Christmas, where we will be having bauble and wreath gift making evenings!

All of our up and coming classes are posted on our Facebook events page and I can be contacted directly via email contact@mothstudios.co.uk to get booked onto a session.

IMG_6812

Where do you source your materials from?

All of Moth Studios specimens and skulls come from responsibly sourced donations and finds from various different people, rangers, aviaries, farms and so on.

Do you take commissions?

Moth Studios does take commissions and projects; mainly specimens that have been found or that Moth already has. However, I do not commission pets…….

Do you have any new projects on the horizon and what’s next for Moth?

We have many exciting projects on the horizon and 2018 will see a whole new class list, new works and entire new collection in our shop. We will also be touring Moth Studios classes to exciting external locations in the North East and down south!

IMG_6822

Well that sounds massively exciting, thank you Sherene and if like me, you want to check out one of their classes – well why not come along with me and be my date…..I really fancy something Halloweeny or a Christmas wreath….get in touch and let’s do it.

Keep in touch with Moth via; Instagram: moth_studios , Facebook: Moth-Studios , Email: contact@mothstudios.co.uk , Website: mothstudios.co.uk or No: 07958658009.

Until next time Culture Vultures…..

 

 

GemArts Masala Festival 2017; a South Asian cultural infusion of a festival……

Working in Culture within the North East is possibly the best sector in the entire world to work in; it’s just mint! The ideas, the events, the projects, the people and beyond. As a none people loving people person, I really finding my little space in the world, with such brilliant people.

The Cultural sector in our region is just so diverse – I’ve never experienced anything like it. The cross fertilisation of ideas, partnerships and collaborations and the ever emerging willingness to work together culminates to ensure an exciting bubbling richness of lush things and people.

gem8

GemArts and Sunderland Stages present Gods & Mortals at Sunderland Minster

The sector is also very close knit – you can attend any event really and see a smattering of friendly creative faces smiling, championing you and your projects and attending the things you do. It’s a like a secret club of lushness…… the people you work alongside or attend their things and champion, very easily move from project partner or such and such from that organisation….and become friends. Real friends and people who you celebrate every cultural moment with.

Sinead from Gem Arts is one of those people (and in fact really the whole Gem Arts team….but Sinead really likes cats and is quite ridiculous like me, so she’s my favourite). I’ve known of Gem Arts for some time and championed them for as long as I have worked in the cultural sector….. their Mini Mela was my induction into working with a large scale cultural children’s event.

m5

GemArts is a dynamic arts development organisation presenting South Asian arts. They produce and programme new and exciting culturally diverse arts, by creating and developing high quality concerts, events, festivals, workshops and commissions with regional, national and international artists. Every event I’ve attended has been a cultural hot pot and celebration of South Asian diversity and learning about respective cultures.

gem9

Last year they launched Masala Festival and I had the pleasure of championing it as part of Gateshead Arts Team and of course, as Sinead’s mate Horts. So as we are literally about to jump into the second Malasa Festival (deep breaths Sinead and team – it’s going to be mint!), I thought I’d take the opportunity to catch up with her and find out what this year has in store for the region alongside digitally championing to my fellow Culture Vultures what a cracking week this is going to be…..

Well hello Sinead, so first up; what is Masala Festival?

Masala Festival is the North East’s very own, award winning, South Asian Arts Festival, bringing a mix and blend of the finest art and artists to the region for 7 days in July starting on 17th July.

 gem7

How many years has it been running and what kicked it all off?

GemArts launched Masala Festival in July 2016, offering a truly eclectic programme, spanning traditional and contemporary arts. After 16+ years presenting diverse arts in the North East, we decided it was time to put our expertise to good use, and create a brand new Summer Festival, showcasing artists from the UK, South Asia and beyond.

gem5

This year the Masala Festival programme explores partition, migration, globalisation, identity, heritage, tradition and modernity, and marks the 70th anniversary of Independence for both India and Pakistan, something we were already starting to think about in 2016.

You won a Culture award for last year- tell me what that was like?

Recognition is the icing on the cake, alongside the incredible support we continue to receive from participants, audiences, trustees, volunteers, sponsors, partners and local communities, to whom we are hugely grateful and celebrates the creative talents of artists from the region, across the UK, South Asia and beyond.

gem4

It was a joy to collaborate, connect and celebrate with thousands of people from across the region at our first Masala Festival, and we can’t wait to do it all again.

Receiving an award for something your team is truly passionate about is a dream come true, and has given everyone an even stronger drive to continue championing creativity and diversity at every level, supporting young and emerging artists, and offering people from all backgrounds and ages, community groups and schools, engaging opportunities to take part in our culturally rich and diverse arts offer.

So… now 2017; what’s coming up for Masala?

This year’s Festival (17th-23rd July) will ramp things up, building on our award success we’ve been even more ambitious, and added exciting collaborations and takeovers to last years list.

GemArts has commissioned work from celebrated companies and artists  and the programme is packed; award winning poetry readings (Daljit Nagra: Heritage and Identity), specially curated short film programmes (Changes), celebrations of Sikh soldier’s music tradition and contributions to the First World War (Sacred Sounds), leading choirs from India (Gandharva Choir), two nights of powerful theatre (No Dogs, No Indians), Masala Festival takeovers and collaborations (Q Festival, Trinity Square and Dabbawal), Mini Mela family fun days, Indian storytelling shows (Henna),  talented musicians fusing jazz, electronic and Indian classical music (Sarathy Korwar), folk music and dance (Rajasthan Heritage Brass Band),  film screenings (The Jungle Book, Ghandi), exhibitions (AURORA by Jayamini de Silva), food events (Biryani Club), fantastic workshops (Bollywood dance, Meditation and Yoga), talks and demos (including GBBO contestant Chetna Makan) and lots more……

m6

What should I not miss out on?

We think you should attend everything, but there probably aren’t enough hours in one person’s day. Three events we know the Culture Vulture will really enjoy would be;

SACRED SOUNDS – A national project called Sacred Sounds, which tells some of the largely forgotten stories of British India’s role in the First World War. Using archive footage, letters, photos, music and poetry, SACRED SOUNDS is a multi-art form performance which explores Sikh musical heritage and traditions, which soldiers took with them to the battlefield.

HENNA INDIAN STORYTELLING SHOW – As part of our Q Festival takeover we’ve invited international storytellers Peter and Gorg Chand to tell a very special story. On the eve of a wedding a young bride-to-be is having henna applied to her hands. As the patterns emerge, the stories begin to unfold… love, loss, betrayal and Bollywood! Plus GemArts Henna artists will be on hand to create beautiful designs for any of our audience who want them.

m1

NO DOGS NO INDIANS – A powerful new play from Siddhartha Bose. Three intertwining stories, spanning decades, explore the effects and legacy of the British in India in a powerful new play to mark the 70th anniversary of independence.

I’m always up for trying something new and out my comfort zone- do you have any recommendations?

CHANGES: stories on the edge will certainly make audiences ask some serious questions, and think long and hard about the world they live in and the resilience of people. Following last year’s successful ALIVE film programme, we’ve teamed up with creative producer Bobby Tiwana again, who has curated a stunning line up of short films for CHANGES; a programme of lives on the edge – personal and political conflicts test human resolve.

My little mini Culture Vulture Beck (one of my best pals little boys) – he’s really into trains, stamping his feet, stairs and exploring- anything for him and his lush fam?

There is plenty for mini Culture Vultures and their adults to get involved in during Masala Festival. We’re starting our Q Festival takeover with Bollywood dance classes for ages 2+ from 9am, and then from 11am we’ve Stories from the Punjab and Beyond for ages 5+ , a fun, interactive, and lively session of Indian tales.

gem3

Part of our Movies at Masala programme with the Jam Jar Cinema, shows The Jungle Book at 11am on Saturday morning.

Sunday sees the return of our popular Masala Festival Mini Mela, which last year welcomed more than 500 people throughout the day. Like all GemArts Mini Melas the day includes a range of drop in arts workshops, from Rangoli, Kite making and Silk painting to Bollywood Dance and Dhol drumming, plus we’ve invited an amazing group of musicians to really bring the space to life, as the Rajasthan Heritage Brass Band will perform throughout the day.

gem

Heard about the curry night at Arch 16 which obvs I’m all over that…..I like my curry to be an experience…..

BIRIYANI CLUB AT ARCH 16 – We love working with our friends and neighbours, and when we read about Arch 16’s curry clubs with Ashiyana Café we knew we had to chat Masala Festival with them. A tasty curry for less than £10, and GemArts DJs spinning the best bhangra hits, what’s not to like?!

CHETNA MAKAN CHAI, CHAAT AND CHUTNEY – As big fans of food shows, food cooking and food in general, we were over the moon when former Great British Bake Off contestant Chetna Makan was available to deliver a cooking demonstration during Masala Festival. Chetna will share stories from her travels around India for new cookbook, Chai Chaat and Chutney, and attendees will get to taste a selection of delicious street food recipes created before their very eyes!

gem2

Well that’s all a little bit amazing isn’t it – so make sure you check out GemArts Masala Festival next week…..you’ll see instantly why  it won a Culture Award and how fantastic it is – every night a brand new experience of diverse lushness – so much to see, do and of course Culture Vultures, EAT!

So bye for now Culture Vultures and Sinead, well I’ll see you on the other side of Masala Festival…..

gem6

The Culture Vulture xx