The Late Shows 2018 : The Culture Vulture essentials!

After recovering from the excitement of Eurovision, I’m now thinking about this coming weekend and The Late Shows. It’s another mega favourite weekend of mine and one of the ultimate culture vulturing weekends across Newcastle and Gateshead on 18th May 7pm-11pm and 19th May 6pm – 11pm.

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It’s a free late-night culture crawl taking over this weekend – an array of museums, galleries, studio collectives and landmark historical buildings open their doors to offer visitors one-off events, parties, sneaky peaks at new exhibitions or work, demonstrations, workshops, behind-the-scenes tours, performances and lots of lush artists and creatives to speak to.

There is something totally lush about being about to visit venues and spaces in the night time – whilst they treat you to a unique after dark experience. Every year, I get really excited and what’s not to love about a city wide creative and cultural celebration. Each year – people and venues do different things, so whilst you may go every year – you’ll have a brand new experience.

So I’m not one for telling you guys, my fellow Culture Vultures, where you should go to – as the venues and spaces involved this year are all equally as brilliant and part of what I love about Late Shows, is that YOU plan your own cultural adventure or as I often do, simply go with the flow on the night and just enjoy it!

I thought instead, I’d feature this blog post on the unmissable reasons why you MUST not miss Late Shows 2018…..

  1. There are several FIRST TIME venues taking part or venues in their brand new digs opening their doors and I’m all about being one of the first to see and do something– so for you it’s an opportunity to check out somewhere you haven’t been before and their spaces whilst experiencing something lush and creative. So who are the first time Late Shows 2018 venues:
  • The Nest – Low Fell, Gateshead (Sat Only) – A lush family venues full of fun times and good food – you can print the Angel of the North and also eat the Angel.
  • The Kiln – Low Fell, Gateshead (Sat Only) – A vibrant and interactive paint your own pottery studio – you can paint your own Angel mug.
  • The Newbridge Project: Gateshead (Sat Only) – Visual arts studios and gallery in it’s first year; Explore the Deep Adaptation exhibition and leave your own responses to questions, take part in kimchi making and take home your own starter seed capsule.
  • Alphabetti Theatre – Newcastle (Sat Only) – A performing arts venue open since Sept 17; venture from room to room as you stumble across a variety of bands, poetry and pop-up theatre.
  • Star and Shadow Cinema – Newcastle (Fri Only) – An alternative social, cultural, arts and community hub run by a collective of volunteers open again in its new space – drop in to celebrate their re-opening.

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The Nest by Pop Up Studio Low Fell – Print the Angel. #Angel20

  1. There is a really special one off from Curious Arts on Baltic Square, Gateshead on Saturday on – the launch of Curious Arts’ 36point7 – a HIV/AIDs light art awareness project. 36point7 aims to support the visibility of this global issue and the legacy of those lost and silenced during the HIV/AIDS crisis of the 1980’s, Curious Arts is working with light artist Stuart Langley to reimagine the World AIDS day ribbon.

You will be able to chat to Curious Arts about the project and take in this lush large light installation which will be positioned inside Gateshead Millennium Bridge box.

In addition – Curious are offering free creative workshops so you have the opportunity to create your very own light art.

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Sneaky peeky of 36point7 from Curious Arts.

  1. Late Shows embodies a lot of what The Culture Vulture is all about…. It’s an opportunity to support, champion and visit Independent venues! I’m ALL about the independents and many of them across the weekend are hosting amazing events and parties – so get in the Late Shows vibe and enjoy! My top independent picks:
  • The Tyne Bar – Newcastle (Fri & Sat) – one of my favourite boozers anyway – but for the Late Shows they have a collaborative 90s throwback exhibition featuring work by second year Newcastle Fine Art students Charli Payne, Roberto de Abreu Preciosa, and Wesley Bray. I’m OBSESSED with the 90s – so I will be there on Friday for good time and 90s vibes.
  • Cobalt Studios – Newcastle (Fri) – A creative studio space and venue; I love what Kathryn and her team put on there and I’m itching to do a Culture Vulture event in the space. They got a mega Silent Disco party for you – three very diverse DJ’s & three parties in one with visual projections. My dancing shoes and twirling is at the ready.
  • The Staiths Café – Gateshead (Sat) – A lush independent café space… drop in for some communal singing with Beccy Owen’s Pop-Up Choirs who will later perform at the end of the workshop. Expect lush vibes.
  • Kommunity – Newcastle (Sat) – A bar/participatory social space that hosts dance, art house film screenings and much more…it’s run some of my favourite people in the world and it’s just a lush venue. And what a night they have planned for you from 9pm-middnight! Think STUDIO 54 and the last days of disco! The global growth of disco music and nightclub culture is going to be celebrated by your DJ for the evening Absolutely Fabulous Lady Annabella Marczewska! Dress to impress, exude energy and most importantly glamour!

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  1. Lots of Gateshead venues are celebrating The Angel of the North 20th Birthday this year within their Shows events! #Angel20
  • First up is the Nest in Low Fell Gateshead on Saturday – it’s a must for all you mini culture vultures (and grown-ups!). This year, they’ve brilliantly partnered up with another megababe local business – Pop Up Studio Low Fell. With Laura from pop up, you can bring an Angel of the North design on to fabric – make it as loud and proud as you want. She has also said for the grown-ups, you can totally go rogue and print whatever you want – including glittery swear words! With Lee and the Nest team, you’ll be able to make #Angel20 biscuits and literally eat the Angel. Mint!
  • Then there is the wonderful hidden gem on Low fell high street – The Kiln! On Saturday, you’ll have the opportunity to get proper creative and have a go at painting an Angel mug….they will provide expert guidance, lots of materials and of course, chat all about their wider offer!
  • Bensham Grove on Saturday in yep… Bensham Gateshead; is also doing lots of #Angel20 creative and crafty activities. You can create your very own Angel of the North sculpture for their garden and make your own angel in their make and take glass, pottery and textile workshops all whilst listening to live music.
  • The Shipley Art Gallery – On Saturday they are celebrating the Angel of the North’s 20th birthday and you’re invited! Join them to make your own Angel themed crafts, and get in the party spirit with live music, dance performances and a bar from Arch Sixteen’s Pam.

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The Kiln – Low Fell

  1. Be the first to see some of the AMAZING summer happenings and exhibitions – Late Shows 2018 acts as a bit of an exclusive preview – so enjoy!
  • The BALTIC (Sat) – This is a rare late-night opening view of their spring exhibitions. Visit Idea of North, a group show part of the city-wide Great Exhibition of the North. This exhibition celebrates northern imagination and identity through architecture, photography, music and design. It’s an exploration of northern imagination, unpicking and revealing different voices within the idea of a ‘northern’ identity.

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  • The Shipley Art Gallery (Sat) – Whilst they are hosting a fantastic #Angel20 party – Late Shows 2018 on Saturday also provides an opportunity to see the new Grayson Perry exhibition.

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Grayson Perry

  1. It’s not just about the venues and spaces – it’s about showcasing lots of amazing artists across the weekend; so if art is your bag – here are my recommendations!
  • The Biscuit Factory (Fri) – This is certainly my first stop on Friday and I can’t wait! They are launching the Open Contemporary Young Artist Award 2018; a mixed media exhibition featuring new artwork from over 20 emerging young artists. You will be the first to view the shortlist and cast your vote for our People’s Choice winner. Alongside the exhibition award-winning Streetwise Opera are performing live in the gallery AND you can enjoy The Factory Kitchen’s new urban roof top terrace with Ouseburn views, a pop-up bar and Mexican street food! (It looks amazing!).

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The Factory Kitchen rooftop garden

  • 36 Lime Street (Fri) – A top favourite artist space of mine! So many of my favourite people in there. Artists and makers from 36 Lime Street Studios open their doors after dark to give a glimpse of their working life and to have a natter. In the gallery Bethan Maddocks and Maria Sears present Paper Jungle, a growing, glowing paper-cut jungle that visitors can add to throughout Friday. Big fan of megababe Bethan – so excited to see what this looks like!
  • Jim Edwards (Fri) – Well he’s in my top 5 favourite artists of all time – and of course, I will do my usual trip to his studio and pay homage to Craig David Pub Cat. However, for Late Shows, I’ve heard he’s going to be working on and exhibiting some brand new pieces – I’ve already seen the Hadrian’s Wall one on social – so can’t wait to see it in person. But whispers tell me, there might be a Heaton focused one – and as Heaton is my second home, I’m excited!

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Jim Edwards

  • Commercial Union House (Sat) is just full of galleries, artist spaces, parties and workshops include Vane, B&D Studios, Breeze Creatives and others – so take your time and enjoy! But my recommendation for extra attention goes to of course, Ampersand Inventions! I love Ampersand and if I wasn’t working the full Gateshead Late Shows evening on Saturday – I’d be ALL over this…. They are presenting a ‘Homage to The Handyside Arcade: The New Breed’ – (Another great theme Jonpaul!) The Edwardian-built arcade on the city’s Percy Street was a spectacular glass-roofed construction housing a range of popular quirky shops and outlets, ‘Tyneside’s answer to Carnaby Street’. From the dust of legends, Ampersand Inventions are opening their front doors to showcase their amazing boutiques, shops and not forgetting their weird and wonky artists! Mixing heritage, culture, lifelong learning, innovation and enterprise! You have some Culture Vulture faves in there including Trendlistr, Melanie Kyles, Roberta Louise Green and others.

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Ampersand Inventions

Bliddy heck…what a Late Shows 2018 weekend! I’m excited to get Culture Vulturing and of course, if you see me – say hiyer! I will be live social media-ing, drinking gin (not when working obvs) and having a fantastic lush time.

 

 

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Rosa Postlethwaite; getting Composed, GIFT 2018 and mega PUG parties.

This weekend is one of my favourite weekends of the year – it’s GIFT Festival. A weekend celebration of regional, National and International theatre right here in Gateshead. It’s a beautiful weekend – full of shows that will excite, make you re-think and question theatre, you’ll laugh so so much, fall in love with stories, feel captivated, you’ll feel awkward, and you’ll be on the best theatre high all weekend and the worst “cant every weekend be like GIFT” festival come down on the Monday.

Across the weekend you’ll experience workshops, discussion, theatre shows, performance, debate, networking and parties – it isn’t a GIFT festival without a lively GIFT end of festival party. GIFT is for the theatre loving and also the traditional theatre rejecting as it’s so much more than going to the theatre.

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GIFT 2018

My first experience of GIFT festival was in 2016 (yep late to the party on that one) – I used to be quite a traditional theatre goer – theatre to me was a “proper” play. But here I am, “pre-culture vulture” era and I’m in the Caedmon Hall watching GIFT two shows – one show was a re-interpretation of “Stand By Me” with the sound track set to Eurythmics’ “Sweet Dreams” (80s obsession fulfilled as always) and then the second was a theatre show by Eggs Collective based on a hen party – with shots for the audience, amazing music, CRISPS and a great script. Well – I bliddy loved it. My love affair with GIFT was born….

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Eggs Collective

Last year again, I attended– GIFT 2017 and I saw many wonderful shows but my absolute highlight was PUG party. An eclectic mix of theatre shorts and scratches in a party atmosphere. Well I was the cat who had the cream – and there was bingo at one point. Loved it!

And like with any GIFT festival – you walk away with new relationships and friendships with people because you become part of a community. A never break able festival community.  And in 2017 – I met megababe Beth O’Doherty (You might remember I wrote a recent post on her) and one of my the wonderful human that is Rosa Rogers Postlethwaite; one of PUG.

http://www.picturesbybish.com/ | https://www.facebook.com/picturesbybish/

PUG : www.picturesbybish.com

Rosa is not only so so talented, ambitious and megababe supportive of other people’s work in the cultural sector – she’s also a fiercely strong character, an advocate, a positive role model and she’s one of the people, who I see in the sector rejecting a whole host of societal conventions and just out there being Rosa, following her path and speaking out for what she believes in….

And that’s what I love about the concept of PUG party – it’s not only the most electric party vibe for the audience, it’s also facilitating creative individualism and a forum to cheer other’s works, voices and be a part of something special.

http://www.picturesbybish.com/ | https://www.facebook.com/picturesbybish/

Le Fil #PUG4 : www.picturesbybish.com

With GIFT 2018 upon us, I thought I’d take the opportunity to interview Rosa, catch up about her happenings, her upcoming show Composed on Saturday at GIFT in Gateshead (I’m so excited to see it – join me!) and her current theatre residency journey in Gateshead.

Rosa Postlethwaite, Composed. Photo Rhona Foster

Rosa Postlethwaite – by Rhona Fosterpic

Well hello; right so let’s start at the beginning – tell me about your journey into performing arts?

It started with a lot of all singing all dancing shows in my bedroom including a particularly dramatic dance-with-chair to Robbie Williams, “Angels”.

I actually sang in a choir for a few years when I was a teenager, but very un-confidentially, now I sing (and do other stuff) very confidently at PUG with Hannah and Jamie. Which feels amazing.

Most of my performing arts activities happened at school. I then studied Drama at University in London and I became interested in performance from a lot of different angles.

I am interested in making, producing, framing, thinking and talking about and through performance.

Rosa Postlethwaite, Composed. Photo_ Rhona Foster(2)

Rosa Postlethwaite – by Rhona Fosterpic

It’s been so lovely to bump into you almost weekly in Gateshead during your current residency at Caedmon Hall – tell me about it?

I’m in the middle of a residency at Caedmon Hall supported by the North East Artist Development Network. I was matched with Caedmon Hall which is a Gateshead Council space and a mentor, Kate Craddock.

This residency is about collaborating with a lighting designer, Michael Morgan, a sound designer Jamie Cook and artist Nicola Singh to develop Composed. I haven’t worked with designers before on a show so it’s been brilliant to have the have the time, kitted out space and financial support to work through ideas and to hear their perspective on the show.

Rosa Postlethwaite, Composed. Photo_ Rhona Foster(1)

Rosa Postlethwaite – by Rhona Fosterpic

So Composed – your show in development; tell me more?

Composed is a show about theatre rituals, fantasy and institutional violence.

It follows a master of ceremonies through an evening of performance. Only showing the bits of hosting that might happen between acts (and not the “proper” performance). Like a thank you to the sponsors. Or an in-house announcement. Or a list of house rules.

Looking at the role of the MC has been a way of thinking about the relationship between a spokesperson and an institution. It’s about falling into a routine and unpicking behaviour that is seemingly safe.

Rosa Postlethwaite, Composed. Photo_ Dawn Felicia Knox

Rosa Postlethwaite – by Dawn Dawn Felicia Knox

Nail it down to three words….?

Funny, angry, stark.

Why are residencies like that important/important to you?

I mostly work site-specifically, so with this project, I needed to spend time in theatres to respond to the placeness of it as well as the idea of it. This residency was particularly important because it came with access to tech and money so I was able to learn about what was possible to do with lights and sound and experiment, instead of arriving on the day and making quick decisions.

You’re sharing the show at GIFT on the Saturday night – are you excited?

Yer! I’m really excited. I actually really enjoy performing Composed. I’m excited because I’ve shown lots of it in little bits but some parts are completely new and it will be the first time all these threads will come together.

What do you want audience to take away from it?

I hope they find some of the jokes funny and some of them VERY unfunny.

I met you last year at GIFT – so for those that don’t know – what’s GIFT all about?

GIFT programmes contemporary theatre and performance and presents it in different venues across Gateshead. The kinds of performances range in form so they might not necessarily happen in an auditorium over the course of an hour or two but some like my show Composed will. GIFT is a festival that invites people to see a lot of different approaches to making live art. And different kinds of experiences with people.

Most importantly, to me, GIFT programmes international artists.

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GIFT 2017

Have you been involved/performed as part of it before?

Yes, last year I co-hosted PUG Party at GIFT Festival with Hannah Walker and Jamie Cook.

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Kira Street at Pug Party – St Mary’s Heritage Centre- Bish

Where did PUG party idea come from?

PUG parties are like any other PUG night… in that it’s a variety show, hosted by us three. And there’s a disco afterwards. But the party means it’s a partnership with another organisation.

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Rosa and Hannah Pug#1: http://www.picturesbybish.com

I’m Culture Vulturing around GIFT for the whole festival – what are your “must see” recommendations?

Robust by CHACMA Performance

And

Situation with Doppelgänger by Julian Warner and Oliver Zahn/HAUPTAKTION

Though I will be going to everything. I think the line-up is mega this year!

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Patrick Ziza GIFT 2017 – Pug Party St Mary’s Heritage Centre – http://www.picturesbybish.com

What are the plans for Rosa across this year and the next?

I’m performing at Anatomy Cabaret’s Finest Cuts night at Traverse Theatre, Edinburgh the week after GIFT and at Pulse Festival on 1st June.

I’ve been working as a dramaturg with Lizzie J Klotz on her project Fawn which is part of a triple bill that she’s doing at Dance City, 26th May. I’m very excited to see these three pieces together. It’s going to be a really incredible evening.

The next PUG (number 6!) will be 27th July and there’s an open call for anyone interested in performing (see www.pugnight.co.uk).

This year I’m producing a new show, Five Years written and performed by Neal Pike and directed by Matt Miller with Newcastle and Durham dates in Autumn 2018.

Well yahoo! I’m so excited for GIFT 2018 – tickets are still available for the whole festival. My Culture Vulture recommendation is of course, the WHOLE festival…. But if I had to narrow it down:

Friday

Quarantine presents Wallflower – Baltic

Wildflower After Party – Baltic

Saturday

Little GIFT Scratch – Caedmon Hall

Robust by CHACMA Performance – Baltic

Composed by Rosa Postlewaite – Caedmon Hall

The GREAT GIFT Scratch – Caedmon Hall

Sunday

And She by Bonnie and the Bonnettes

Someone Loves You Drive with Care – Baltic

Hurry up weekend – GIFT 2018, I’m coming at you!

Big love until next time Culture Vultures.

Ouseburn Open Studios 17th & 18th March; the ultimate Culture Vulture weekend.

One of my absolutely favourite weekends of the year, a true weekend full of Culture Vulturing, is Ouseburn Open Studios. It’s a weekend full to the brim of everything the Culture Vulture is all about – supporting and championing artists and independents, seeking out the unfound and hidden talent in the region, spending time in one of the creative hearts of the region, experiencing different artistic mediums and going into artist studios and creative spaces.

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Ouseburn Open Studios is a bi-annual event that takes place in March and November every year, and celebrates art, craft and design in the Ouseburn Valley and offers other culture vultures a rare insight into the working world of artists and designer-makers. It all started modestly in 1995 with a few artists from 36 Lime Street opening their studio doors; over the years, Ouseburn Open Studios has grown and grown and now is one of the highlights of the cultural calendar; showcasing the work of more than 100 artists, designers and makers working across the Ouseburn Valley.

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One of the many creative delights in Ouseburn Valley

This year, Ouseburn Open Studios returns on Saturday 17 and Sunday 18 March – 10am-5pm offering a unique insight into the working world of artists and designer-makers whilst signalling the start of the new Spring creative season with venues and artists taking the opportunity to announce new projects, new product lines, workshop programmes and events.

This Ouseburn Open Studios, five venues from across the Ouseburn Valley – located a short 15-mnute walk from Newcastle city centre – are taking part in this spring’s event including: The Biscuit Factory, Kiln, Northern Print, Jim Edwards Studio and 36 Lime Street.  Ouseburn Open Studios is open to the public and is free to attend.

I was recently invited to meet project coordinator and general manager of The Biscuit Factory, Rachel Brown, to find out more about the 2018’s Spring Open Studios.

Rachel Brown said: “The spring event has a laidback vibe, and being smaller in scale means that visitors can take their time to explore the different venues. Whether that’s discovering the freshest of work being created from within the studios, enjoying a newly launched exhibition, dropping in to a demonstration or booking into a workshop. It means that visitors can personalise what they want out of the weekend.”

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Handy map of venues

So, for 2018, the spring programme includes:

  • The Biscuit Factory – Inspired by International Women’s Day, the gallery is spotlighting inspirational women in the creative sectors with a weekend that celebrates local female entrepreneurship with pop ups, workshops, demonstrations and open discussions. How absolutely up my street is that!?
  • Kiln – The workshop and kitchen welcomes back its monster making drop-ins; get to grips with clay and make whatever comes to your imagination.
  • Northern Print – The gallery will showcase the work of Japanese artist Katsutoshi Yuasa. Using Mokuhanga – the traditional Japanese woodcut process – his work reflects on photographic and digital images and the time spent in making these hand carved works. And as always, I’m sure there will be print making opportunities for people to have a go at!
  • Jim Edwards – Jim will showcase his new collection of large Nightscape biro drawings of the River Tyne, reminiscent of his sketchbook work. As always Jim will be lurking in his creative workspace and on hand to chat about his working practice.
  • 36 Lime Street – 22 artists and makers will open their spaces over all five levels of this listed building. The theme in the street level gallery is Change, inspired by the centenary of the first votes for women. Visitors can also buy raffle tickets to raise money for building works: covetable miniature prints designed by members and printed by Lee Turner of Hole Editions. I’m building up quite the collection of these raffle tickets! Hannah Scully ones are always beauts!

As always the line up above is amazing but if that’s not enough to persuade you to visit, well I thought I’d gather my top hints, tips and reasons why you HAVE to visit.

  1. You can go inside artist studios.

This is one of my favourite elements of Open Studios. Every single studio is so different and individualistic and they open their doors to the wider public. It’s an opportunity to see works in progress, watch demonstrations, view and take in their work, find out how they make things and about future projects alongside being able to buy lots of lush pieces, prints and cards.

I spend ages just lurking and pottering about – going from studio to studio. For me, it’s a great opportunity to meet new artists and catch up with Culture Vulture favourites. I love hearing about what artists are up to, what commissions they are working on and their creative journey and inspiration.

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  1. It’s a lush opportunity to visit a new venue or space.

Even if you’re an Ouseburn Open Studios regular, as artists are always evolving, moving on, moving in and spaces in the Ouseburn are converted and transformed, there is always something new to see, discover and experience. It provides a great opportunity to finally visit a venue or independent, that you’ve been meaning to but haven’t got round to yet.

I’m super looking forward to FINALLY going to The Kiln; yes can you believe that I’ve not properly been yet? Every time, I try to visit it’s either too full or closing (I swear it’s a conspiracy) so I am making it my firm priority to go and really looking forward to it.

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The Kiln – Ouseburn

  1. It’s ace for boozy Culture Vulturing and supporting independents.

We all know I’m a big fan of the #SundayClub and Ouseburn Open Studios is perfect for this. I love going with a friend, planning a lush lunch somewhere (often Ernest) plotting our route, visiting the galleries and venues, and stopping off on the way at many of the independent bars for a drink. As you can imagine, the more stop offs, the bigger the purchases get…..one minute I’m buying some nice print cards, the next a small print, then a chopping board and suddenly I’m putting a deposit on a coffee table commission. It can be a beautiful blur.

And that’s also the beauty of Ouseburn Open Studios – there is a misconception that purchasing art is mega expensive and it’s really not. A lot of work and pieces are really affordable alongside pieces that I like to label “aspirational” – one day! Open Studios is like my version of walking around IKEA; I pretty much know exactly all the art pieces, the commissions and token creative bits that I want for my own house. My house will be full of bespoke pieces by independents, full of colour and total mis-match – representative of my personality.

The Biscuit Factory and in many of the individual studios, there are often a wider selection of bespoke gifts, prints, cards created by artists and creatives etc – by purchasing those, you’re equally supporting independents and creatives and they are super affordable . Last Christmas, every card I sent was from the last Ouseburn Open Studios – each very different, lush and unique. I like the idea of giving someone their own mini artwork.

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The Biscuit Factory

  1. Ouseburn Open Studios is super accessible.

If you’re a Culture Vulture, have a family of mini culture vultures, creatively curious or looking for an ace afternoon out with your friends, family or on your own (I often go it alone and love it!), then it’s absolutely for you. The vibe and atmosphere is amazing, everyone is always having a lush time so I always get chatting to people. As so many different types of artists are involved, you may go into one studio and think it’s not quite for you or to your taste, then walk into the next one and love it and so on. For me, I’m less about the florals and more about the abstract, or the graphic design, the colourful, the big and the bold, the obscure and the artistically intricate.

And for families, there is always lots to do too. Many of the venues or artists have child friendly activities for your mini culture vultures to have a go at. But the families that I watch going around, because each studio and space and space is so lush and different, for kids it’s like a new discovery behind every turn and they often can’t wait to show their grown-ups what they’ve just seen in another studio.

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  1. It feels like home.

My creative soul feels like it belongs in the creative quarter of Ouseburn. I love the industrial surroundings (not so much the student accommodation!), the graffiti, the lush independents, the vibe and the creativity that is going on all over the place. For me, it’s as much about the outside as it is the inside, taking in the river, popping along to the Tyne Bank Brewery, going to check on the little boat behind Seven Stories and seeing all the small pieces of public art hidden around.

However, true nostalgia and it wouldn’t be an Open Studios without it, is visiting Jim Edwards Gallery Space. You may remember I wrote a recent blog post on him – I’ve been a super fan for a while. I love his work, his depiction of Northern cultural scenes and his representations of views that we all know and love. I was also a super fan of Craig David Pubcat (if you know, you know!) and visiting Jim’s gallery is like a little homage and nod to his memory. I bliddy loved that cat and I love that Jim has captured Craig David in several scenes showing how much he was a part of the fabric of the cultural scene for many.

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Jim Edwards featuring CraigDavid Pubcat

  1. It’s not just about looking at things.

Lots of the artists and creatives put on demonstrations or continue their creative practice so you can watch whilst they are engaged in a new project or commission. There is a lot of opportunity to chat and ask questions. But many run drop in workshops across the day – which is a brilliant addition.

This year The Biscuit Factory is doing something a little bit special and very up my street to complement their brand new Spring exhibition (can’t wait to see it – I’ve avoided going so it’s all a lush surprise); they have several artists from the exhibition on hand to chat about their work – a meet the makers type of thing. They have also assembled a creative programme inspired by International Women’s Day with some of my fave female creatives and artists – including The Crafthood, All Round Creative Junkie, A Woven Plane, Trendlistr and Megan Randall (who I haven’t met in person yet – so yey!). If you want to find out more about the line-up well head on over to the facebook event page – as some activities and workshops have specific timings and charges.

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So I hope that’s enough to get you excited – I will be out culture vulturing across both days – so if you see me, make sure you say hello! I will also be popping my creative adventures on social via facebook, insta and twitter so if you want to follow that you can.

Facebook: @TheCultureVultureNE

Insta: @horts27

Twitter: @reettinker

For more information on Ouseburn Open Studios visit their website: http://www.ouseburnopenstudios.org

Until next time Culture Vultures!

All rise for Lady Kitt; subversive, perfectly ridiculous & immensely talented.

The whole point of International Women’s Day is to celebrate women, feminism, Northern lasses and champion women who rock your world. So for this year’s, International Women’s Day, I wanted to profile an artist and creative that I personally have loved from a far since I first became aware of her – her work, passion, innovative and interesting projects and commitment to creativity and  equality.

Well hello Lady Kitt…..total megababe. Kitt’s projects, work, events and her exciting ambitions are not only inspirational to the regional, National and Internation sector – but to me, she is someone  brave, bold, empowered and doing creative things that are truly exciting and making her mark in a thriving and vibing independent arts and cultural sector. She’s my kinda gal and I’m thrilled she accepted my invitation to be feature in this blog post.

BOOM – Happy International Women’s Day Lady Kitt – reet so let’s start at the beginning; tell me about you and your extremely diverse practice?

Hi, I’m Kitt- I’m a…. “Maker”. I guess that best sums it up. Art, jokes, food, quite a lots of mess, and, with my lovely husband Andy, a couple of super little humans. It’s all making really isn’t it?!

It’s funny – the diverse practice thing, I’ve been thinking about it quite a lot recently. I reckon the tools I use are quite diverse- there’s research, paper cutting, mass bubble blowing, fruit carving, performance, lectures, projects, … but really, the core of my work has always pretty much been the same- it’s all about delving into, developing, celebrating the social aspects of creativity.

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Everyone has a different journey into the Arts; what was your journey into the arts?

I’m not massively into the idea that people are “born” to certain things; but looking at my early life it’s easy to link it to my practice now. I was brought up in a creative family. I grew up with my wonderful younger brother Louise who was severely disabled and terminally ill. He was an amazing artist and seeing the pleasure and power he experienced through being creative has had a huge influence on how I see art and why I think it’s important. I was taught at home until I was 14 – so had a good amount of time to focus on being creative and lots of time to spend with one of the most important people in my life- my sister, Bridie. Our relationship and creative adventures together are big, big part of almost everything I do.

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I’ve always made physical stuff- embroidery, nests, paper cuts- but for a long time I didn’t think I was an artist. I started off wanting to be a dancer. I trained in the Indian dance/drama discipline Bharata Natyam for six years and was taught contemporary dance by the completely awesome Trish Winters. It was through Trish that I started to experience some really playful ways of using and presenting performance. During my art foundation degree, I started making work that combined performance, working with community groups and making stuff all at once. But it wasn’t until I was at university that I really discovered live art and artists with a ‘social practice’ and then I was like- yes- that’s me- I have a gang!

Lady Kitt is an amazing artist name  – I love it!

Name wise-when I was coming up to my 21st birthday- my parents were talking about what to give me as a birthday present. I’ve always been a Republican (in the anti-monarchy sense), really disliking the idea of being subjugated, inherited titles and all that gubbins, so they offered to change my first name by Deed Poll to “Lady”, as a daft, subversive, two fingers up the whole system. I loved it – it’s such a cheeky gift- so we did all the paper work and everything- sent it off, but it was rejected – on the grounds that I was trying to “assume a title”- which is sort of pleasingly ironic. I thought “fuck it- I’ll just call myself Lady Kitt and I’ll keep doing it until everyone else does too” and that’s what I’ve done.

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You have a very strong visual identity within your work and expression of yourself as an artist – how did you develop this?

It’s really interesting that you say I have a strong visual identity; looking at it objectively I can see what you mean, but that’s definitely not how I experience it myself. For me, I have a strong methodological process, and some very definite ideas about making art in inclusive, ethical ways.

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I’ve developed my process by pretty much by throwing myself in at the deep end and seeing what happens. I don’t ever really think “this is too ridiculous” (although it nearly always is). I think “how can I do this so it genuinely, clearly says something I’m interested in” or “how can I get lots of people involved and change something we all want to change” or “how can this be the most fun possible?”.

Like with the first Nasty Women exhibition last year- I just thought “this is really important, I want people in the North East to have an opportunity to be part of this. I want an opportunity to be part of this”. I didn’t think “Bugger we can’t do this- we’ve got no money, no infrastructure, no gallery, no clue”- which was all true! So yup, that’s how I develop the process…

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But visually, with the sort of “end product” – I don’t consider myself to have a very coherent style or visual language- I just make the next thing that I feel compelled to make, without ever thinking does it look like something I’ve done before- will it “fit in” with my existing body of work? Maybe it’s because the physical objects I make aren’t really the “end product” to me- to me they are a tool for getting to the goal- which could be raising awareness, building a community, changing a policy, having a good time.

I love your ethos of experimentation, challenging creative roles and processes – where does your creative playfulness come from?

Thank you! I like to see people reacting to things in curious, inquisitive, ways and I like to create situations that let people do that. So some of it comes from that- basically it just makes me happy!

It‘s fun for me to invite people to apply to be my muse (like it’s a formal job), or to encourage people to use my head as an art gallery or to make a performance where the content is authored by viewers sending me text messages telling me what to do. So that’s part of it- And some of it is more philosophical. People are creative- making things in a (generally!) thoughtful way is one of the things that makes us Human.

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Often people don’t get (or give themselves) opportunities to enjoy that- I want to create situations that encourage people to make physical stuff, make decisions and think about / celebrate the importance of being creative. I also hate all the hierarchical “hi/ low brow art” crap. I think it’s detrimental to individuals and to society. People thinking that they are not creative or not creative in the “right way” stops them from developing vital skills.

Making stuff gives people agency- it’s a chance to physically encounter change. Making in groups is like apes grooming- it’s social glue. When people start being creative together they almost instantly create a little community that has its own culture and rules- just like that, out of nothing, it’s like magic. Once people do that and know that they can do that then, they often start to explore other wider things that they can create and change. A community full of people who feel empowered in that way can be supportive, kind, resilient. Elitist ideas of what is art and who is an artist just stop all that dead. Sorry, I could go on about this for EVER.

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It’s great to be able to showcase you, on International Women’s Day….. what does being a female artist in 2018 mean? What does it mean to you?

Wow- well, I’m extraordinarily lucky. For me being a female artist in 2018 (in the UK), means freedom. I’m free to say what I want to say in the way I want to say it. A few people might think I’m idiotic, a lot of people will question me (and so they should) – but no one can stop me. Being a female artist in other places in 2018 doesn’t mean freedom, it can mean absolutely the opposite. And being a female, or a being queer, or being an activist can still mean torture and death. For me, knowing this and campaigning to change it, is a very important part of being a female artist and of being a Nasty Woman.

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How do you plan to mark it this week and #pressforprogress?

Again I’m so lucky. This year I have work in 4 exhibitions all over the UK all opening on Thurs 8th. I’ll be in London performing at the Creative Debuts and Nasty Women “Empowerment” exhibition along with a group of bloody amazing Nasty Women from all over the world.

We are also launching the Nasty Women International Art Prize this week. The aim of the prize is to: Recognise and reward Nastiness in art and activism. Prizes include an Artist residency, money and opportunities to show work in UK, USA & Holland.

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Last year hundreds of artists from all over the world gave their time and work to Nasty Women events- the generosity was overwhelming. It’s estimated that the movement has raised half a million dollars for Planned Parenthood and other women’s & LGBTQ+ charities so far. This year Nasty Women organisers wanted to create an opportunity to celebrate those artists and an art prize seemed like a good choice! The judging panel consists of 12 Artists, curators, gallerists & activists from around the world including:

Carolina Wheat & Liz Nielsen from Elijah Wheat Showroom, New York (USA), artist and co-founder of NW Amsterdam Airco Caravan (NL), Curator & NW North East Co-founder Michaela Wetherell and me!, to name just a few. There’s so much to say I don’t really know where to start, but we’d love it if lots of North East based artist entered! Anyone who is interested can check out here.

Do you have a female artist that you’re inspired by?

So many, but not just women, not just artists… all sorts of everyone. Me and my sister just went to see Bryony Kimmings “a pacifist’s guide to the war on cancer”; it was so funny and thoughtful and generous and utterly devastating, but in a really cathartic way.

I’ve just read Scottee’s play “Bravado”- it’s had a big impact on me, I’m making a lot of work about toxic masculinity at the moment and he’s perspective as a “sheep in wolves clothing in the world of men” is very shocking and inspiring.

Betsy Greer- the mother of Craftivism!

Nasty Women North East co-founders Michaela W and Aly Smith.

Venus di Milo- a Newcastle based performer who describes herself as “just a drag queen with no arms”.

Leeanne and Gareth at Thought Foundation in Gateshead– running a stunning, creative business whilst bring up two small children….

The world is full of bloomin’ fantastic, inspiring and very Nasty (in the nicest possible way) people.

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Tell me about Nasty Women?

Nasty Women is a global art and activism movement started by New York based artist Roxanne Jackson in Nov 2016 just after the election of Donald Trump. It is pro equality and anti-Trump. There have been Nasty Women events all over the world, raising money for and awareness of women’s and LGBTQ+ rights charities and organisations.

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What is a “Nasty Woman”?

The Nasty Women North East’s definition is:

Anyone!!! It is not necessary to identify a women or an artist

  1. Believing in equality and wanting to protect human rights (in particular women’s rights)
  2. Believing that art (in the broadest sense of the word- poetry, dance, drag, music, knitting etc) can be used to help increase equality and protect human rights
  3. Being happy to welcome and support others who also want to do these things…..

If this sounds like you, then as far as we are concerned you are Nasty- Hurrah!!!

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Will there be another Nasty Women conference in 2018?

I’m not sure- we won’t be organising one because we’re busy with the art prize and creating a feminist art magazine for children under 10! Also, if there was another I don’t think the same group should organise it -as a big part of the movement is about understand other people’s perspectives and doing things in a way that suits your own setting, so if there is another one I hope it’s somewhere completely different. I hope another group do organise one because I’d LOVE to go to it!

That sounds like a something, the Culture Vulture would be interested in…..how can I, and other potential Nasty Women, get involved?

People can get involved in a huge variety of ways- it’s a totally grass roots, DIY movement, you don’t need permission or any kind of initiation! So you can have an exhibition in your garage and invite your mam and 5 friends and raise money for a local women’s charity.

You can send your art work to one of the many NW shows going on around the world- these are listed in the USA website , you can submit work to the Nasty Women International Art Prize & you can volunteer to help a local Nasty women group

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You can also call out inequality and gendered idiocy when you see and experience it, you can tell children you know that they are thoughtful and strong and funny and creative and fierce and fabulous regardless of their gender. You can listen, really listen to the next person who says something sexiest because being Nasty is about being open minded, it’s about understanding perspectives that are not your own and looking for long term solutions.

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But ok – we are kindreds…..but let’s get back to you – Lady Kitt; what projects do you have planned?

I’m focussing on my projects “Worth”, “King Kitt” and the “Making Manifesto”.

Throughout 2018, to coincide with the centenary of (some) women’s right to vote in the UK, I am making a series of works called the “worth” portraits- inspired, in part, by Caroline Criado-Perez’s campaign to have Jane Austin’s image on the Bank of Engalnd 10 pound note. When that campaign was going on I was horrified by the abuse (including death threats) Criado-Perez received for wanting to celebrate the achievements of women in the same way the achievements of many men have been celebrated for years. The works are portraits of amazing women made by cutting love heart shapes from real £50 notes, each one depicts a woman who I feel needs celebrating. I am always on the lookout for new subjects, so if you know a wonderful women who needs celebrating please get in touch!

I’m also hoping to sleep quite a lot after next week as that’s something that’s been a bit neglected of late….

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What does being a feminist/megababe mean to you?

For me being a feminist is not just about women’s rights- it is about equal rights for everyone. The “King Kitt” series of works are about toxic masculinity- which I feel creates a series of circumstances that can make men comically manly, dangerously macho and devastatingly vulnerable. According to the Office for National Statistics- of the 5,965 suicides registered in the UK in 2016, a total of 4,508 were male and 1,457 were female. More equality will, hopefully, create a society where shocking statistics like that can become historical records, not lived realities.

The Making Manifesto is a research project based at Byker Community Centre about the benefits of community making. It involves a lot of the stuff I’ve ranted about earlier- hi art elitism and Making physical things and giving people agency!

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Wow – ok so for me as The Culture Vulture- I feel so inspired – this entire interview has given me a kick to be more Nasty, to be more experimental and to seriously consider doing something North East Nasty Women Conference related.

Big love and happy International Women’s Day Culture Vultures.

Amy Lord; live art, brain-feeding & 90s at Our Time.

Amazingly talented people walk among us often hidden and unheard….I’ve really learnt that a lot recently. Not all creatively talented people call themselves artists – they are ordinary people, in everyday jobs and yet, they have talents so unbelievably amazing at their fingertips.

And often no matter, how engaged you are in the cultural sector and how “aware” you think you are – I’m always surprised when there is someone, doing something so amazing and fantastic and I didn’t know about it!? Sounds ridiculous – but I prize myself in being in the know and the now – so when I stumble across someone new and exciting, I’m both blown away but a little bit cross at myself – how did I miss this!?

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I first heard of Amy Lord, when a friend of a friend told me about this “project” in Newcastle taking over a townhouse and how they were exploring happiness and we had a mega long conversation about what exactly happiness is and how society has this version of happiness and zen……and I’m just over here, being ridiculous, not getting up at 5am and doing yoga and even when I’m happy, my world is chaotic.

So, this townhouse take over culmination was over Late Shows weekend – which is my busiest weekend – I never get to experience the Late Shows as an attendee – I work it and usually on the Gateshead side. So obviously, I missed Amy’s ‘Experiments in Happiness’ take over.

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Fast forward a few months and I’m sat listening all about the progression of this year’s Juice Festival and Our Time – Helen who is programme director said the ultimate which immediately secured my project buy in…..

“Rachel – so there is Amy Lord, she’s this mint visual live artist….she’s doing this Art House piece and you’re going to love it, it’s all about the 90s”.

Boom!

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So being the creep, I am – ultimate stalker mode started and what I discovered was an artist that is creating and doing very interesting work in collaboration with some of my favourite people at the moment in the North East Cultural Sector.

I really like visual live art – it combines some of the elements I love most about sculpture but encourages an evolving engagement. Amy describes it as a “multi-textured and layered encounters and experiences” and I think it sums it perfectly. So many elements and things brought together – with a strong focus on visual……

As someone with a passion for events – I really like Amy’s work from an space curation and the facilitation and provocation of audience experience…… that really excites me and I’d love to work with her in the future.

So now over to Amy…….

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Who are you?

Hello! My name’s Amy, I’m 31 and I’m from Northumberland! (In the style of Blind Date).

I’m an artist but I also run an events company on the side called Lemonade and Laughing Gas. I’m currently living in between London and Newcastle. I spend a lot of time on the Virgin Trains East Coast train route at the moment…

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Tell me about your arts practice?

I make live art. For me, this means creating anything from an interactive installation, a game, a video, a crafting activity and a performance. I always want my work to be personal, political and to not shy away from difficult or challenging subjects. Sometimes my work can be more about the process than the end result. I love working with different groups of different ages to capture the full spectrum of human experience.

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Tell me about a recent project?

My latest big project in the North East before my Our Time commission was Experiments in Happiness. I took over an empty townhouse on Grey street and filled it with installations and experiences exploring ideas around happiness and mood. 600 people turned up over 2 days – the interest in the project totally blew me away and has just made me want to do more stuff here.

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Everyone has a super interesting story about becoming an artist – tell me about your journey into Arts?

I’ve always got a buzz out of making things from a young age, but I think my first step into the arts was Uni. I was lucky to get into LIPA (Liverpool Institute for Performing Arts) and studied Theatre and Performance Design. Although I loved the course, I knew I didn’t want to be a theatre designer at the end of it. A tutor there introduced me to live art and more experimental theatre in my final year, and I was hooked. My first solo project was a work in a derelict restaurant about the media and pressure on body image for women (2007).

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Piece of advice for someone thinking about a career in the arts?

Try and build in time for ‘brain feeding’. It may feel indulgent but if you don’t keep seeing stuff, reading things and learning new skills, sometimes the inspiration well can start to dwindle!

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Why did you apply to be a part of Our Time?

I liked the structure of the ‘mini commission’ – creating something quickly for one night only appealed to me, as well as the positive feelings about the area and the past Team Juice were wanting to emphasise.

Tell me about your commission?

Research is often at the core of the work I make, this commission is no exception! I spent 3 days rummaging around news archives and microfilm to find good news stories from the 90’s – specifically in Newcastle and the North East.

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Then, we had a workshop with Team Juice to whittle these down and find out what was most interesting. We did some creative thinking and finally, shot some video on smartphones to make into a film that will be projected on a loop throughout the evening.

We’ve chosen to show the film in this bonkers tunnel in the museum, which we’ll be filling with 90’s music to help transport people back to that time!

What was the inspiration?

DIY culture/the contrast between technology in the 90’s and now.

The idea could have happened for any decade really, but I chose the 90’s because not only is it having another moment in the sun but it’s also the first decade I’ve felt properly nostalgic about, as I was 15 when the millennium arrived!

I used to think people obsessing about the 70’s and 80’s were just living in the past, but now I totally get it! Nostalgia and remembering those super important formative years can be totally delicious! As long as you balance it with living in the present too…I also can’t pretend I wasn’t influenced by watching Sing Street.

What do you want attendees to take away from your installation?

Fun. And maybe realising how many amazing things happened in the 90’s for our region.

Top 5 90s songs?

Wow, there are so many. Here’s some of the top of my head (that may have found their way onto the soundtrack!)

Dreams – Gabrielle

What’s Up – 4 Non Blondes

Another Night – Real McCoy

Sunshine After the Rain – Berri

The Whole of The Moon – The Waterboys

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Favourite 90s moment?

When everyone thought the world was going to end once we got past midnight on New Year’s Eve 1999.

Have you seen the rest of the Our Time line up? What bits are you most excited for?

I’ve worked with Zoe Murtagh on my last project so obviously I’m a fan of her, and am looking forward to seeing what she’s created with ‘It Was Once A Dream Interactive Trail’. I also create a lot of multi-sensory work so I’m looking forward to getting in the Von Tuur Salon.

Also generally, we’ll be in a museum, at night, with a bar…absolutely winning!

Well, I’m just such a fan of so many things Amy said….. I’m all about trying to make time for “brain feeding” and the 90s is absolutely my jam……

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Thank you Amy….. I’m super excited to see and experience your piece.

I will be at Our Time at Great North Museum on 21st October – you’ll probably find me lurking and obsessing over Amy’s 90s piece and involuntarily breaking out into song and dance when ‘SunShine After The Rain’ comes on…..

Culture Vultures – this is the ultimate Culture Vulture event….. don’t miss it or Amy’s lush installation.

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Moth Studios: a studio putting taxidermy and entomology at the heart of the creative community in the North East!

It’s been a while since I blogged….I’ve missed it. I’ve missed seeking out new things, people and places to tell you about. It’s not that I didn’t seek them out – of course I did, it’s what I do and my notebook is as always, full of scribbles, names, ideas and things I’m looking forward to exploring in the coming months. It was more, I just didn’t have the time or the energy to do anything……

Those who really know me, know I’ve worked my socks off for the past 6months – I’m a prolific workaholic and an addicted culture vulture……but this year has just been something else – life in the fast lane, times a million. I don’t even know how it’s September or how I got through that workload, but it is and I did and I’ve worked on some fantastic projects so far and many more to come…..

I’m desperately trying to stand still and look back and reflect – but my head is just buzzing with all the ideas I’ve put on the backburner, collaborative opportunities I’m just itching to explore and new beautiful projects, that are at this point all mine to run free with…..

So even though I’ve had my head down to the ground, I’ve been watching, taking things in and for some, as creepy as it sounds (and I’m pretty good at being creepy), I’ve been admiring from a far. And if during this period of living amongst tornados of colliding priorities and projects, you have made me sit up and take notice of what you’re doing…….well you’re obviously doing something right.

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Have you ever had love at first sight moment? You get butterflies, you’re consumed, confused, overwhelmed and the world really does stop and skip a beat….. I had a moment like that when I stumbled upon Moth Studios in Ampersand Inventions earlier this year. Their studio wasn’t even open but I was peaking through the glass (told you I was good at creeping!) and it looked like the most interesting, weird, bizarre and absolutely captivating studio to work in. From the work space, it screamed that something really exciting and different was going on – a very different creative offering………

It was a bright space, full of animal and insect touches – think Tim Burton-esque meets very talented taxidermy. Of course, I’ve always been fascinated by taxidermy and entomology– the practice, the art of it and how it has gradually moved from quite a niche thing to infusing other types of art forms – especially stop-motion animation but I’ve not really had that much exposure to it. However, their studio managed, whilst being full of dead things, to feel absolutely full of life and energy…..

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My Ampersand tour guide at the time was all round megababe Melanie Kyles, who told me, that Moth Studios offer workshops and taxidermy sessions…… This peaked my interest absolutely and the more I thought about, the more it made absolute sense that this studio enabling people to experience taxidermy and entomology should sit right at the heart of this creative community.

As you know, the Culture Vulture is allllll about new things, different things and even bizarre things and Moth Studios is providing an offering that is so different and an experience like no other – so this is right up my street. And it’s not just me who thinks so – through-out this busy period my social media has been full of people from the North East championing their work and attending their workshops – from tiny skull sessions, to butterfly pining, to taxidermy…. I’m certainly not the only one fascinated and intrigued by this artist studio and exactly what goes on inside its doors……..

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But for this Culture Vulture – it’s the processes behind the finished items that really interests me and the symbolic nature of the pieces, their silhouettes and the slightly gothic nature of the materials being worked with…….and so my love at first sight with Moth Studios started – at first of course, from a distance and now, well I’m head over heels and I just had to find out more so I caught up with Founder, Sherene Scott who started this adventure in 2014…..

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So hello Sherene! Tell me about Moth Studios? Who are you? What is it all about?

I’m Sherene Scott, director and owner of Moth Studios. We are a contemporary ethical taxidermy studio located inside Newcastle city centre.

What was the inspiration behind starting it all?

I am an artist and taxidermist; I’ve had formal training, from Newcastle University and around the UK. The inspiration for Moth began in 2010 whilst I was still a student; I began training in taxidermy and I had an amazing interest for death and preservation; as strange as that may seem. My passion came to light when I realised it was a dying art form, the skill involved and particularly that it is a male dominated field of work.

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How did you end up residing in Ampersand Inventions? I’ve peaked through the doors of your studio when I visited and holy moly, it’s a beautiful space!

I joined the Ampersand ‘team’ before the space was even erected, as I had friends that were resident artists and directors of the spaces. So you could say I was there from birth and build!

“Birth and build” – I really like that! Here in Ampersand you’re surrounded by other creatives and artists and the building as a whole, all with different backgrounds and practices etc; how does that influence you?

It’s a warm yet very professional feeling working so closely with other artists, designers and small businesses. We all have each other’s backs and we’re never short of giving and receiving ideas, advice and networking whilst we are “living together”.

Do you think taxidermy is making a real come back – it seems quite fashionable at the moment and gathering interest?

I think in the last few years, there has been a complete revival and resurgence in taxidermy. It’s an amazing feeling to see people interacting, enjoying and educating themselves with the idea of AND physically getting involved with life, death and anatomy.

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There also feels like there has been a big shift from people seeing it as a technical process but something not often openly talked about or featured in a “cabinet of curiosities” to now being much more mainstream, with greater interest in both the process but also in it as an art form? Do you feel that too?

There has indeed been a shift in the way people see taxidermy… I.e. no longer only in museum displays, curiosity cabinets and dusty old traditional taxidermy with complicated dioramas.

Now because we have so many taxidermy laws and there are no longer illegal ‘trophy rooms’ for silly status value; I would like to think we no longer see taxidermy as a bad practice, but seen as beautiful, artistic and ethical pieces of natural beauty, with the dioramas now being your own home, space or a unique 21st century touch.

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Tell me about some of your upcoming workshops – they are really unique and interesting? And how can people book onto them?

Moth Studios hosts many workshops and classes alongside their own work and online shop. We have beginner’s taxidermy and entomology (insect pinning) classes throughout the whole year!

Autumn/winter season is very popular for Moth… We have classes ranging from bugs to mice to squirrel, skull decorating, birds and even our specialised workshops themed around Halloween and Christmas, where we will be having bauble and wreath gift making evenings!

All of our up and coming classes are posted on our Facebook events page and I can be contacted directly via email contact@mothstudios.co.uk to get booked onto a session.

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Where do you source your materials from?

All of Moth Studios specimens and skulls come from responsibly sourced donations and finds from various different people, rangers, aviaries, farms and so on.

Do you take commissions?

Moth Studios does take commissions and projects; mainly specimens that have been found or that Moth already has. However, I do not commission pets…….

Do you have any new projects on the horizon and what’s next for Moth?

We have many exciting projects on the horizon and 2018 will see a whole new class list, new works and entire new collection in our shop. We will also be touring Moth Studios classes to exciting external locations in the North East and down south!

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Well that sounds massively exciting, thank you Sherene and if like me, you want to check out one of their classes – well why not come along with me and be my date…..I really fancy something Halloweeny or a Christmas wreath….get in touch and let’s do it.

Keep in touch with Moth via; Instagram: moth_studios , Facebook: Moth-Studios , Email: contact@mothstudios.co.uk , Website: mothstudios.co.uk or No: 07958658009.

Until next time Culture Vultures…..

 

 

GemArts Masala Festival 2017; a South Asian cultural infusion of a festival……

Working in Culture within the North East is possibly the best sector in the entire world to work in; it’s just mint! The ideas, the events, the projects, the people and beyond. As a none people loving people person, I really finding my little space in the world, with such brilliant people.

The Cultural sector in our region is just so diverse – I’ve never experienced anything like it. The cross fertilisation of ideas, partnerships and collaborations and the ever emerging willingness to work together culminates to ensure an exciting bubbling richness of lush things and people.

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GemArts and Sunderland Stages present Gods & Mortals at Sunderland Minster

The sector is also very close knit – you can attend any event really and see a smattering of friendly creative faces smiling, championing you and your projects and attending the things you do. It’s a like a secret club of lushness…… the people you work alongside or attend their things and champion, very easily move from project partner or such and such from that organisation….and become friends. Real friends and people who you celebrate every cultural moment with.

Sinead from Gem Arts is one of those people (and in fact really the whole Gem Arts team….but Sinead really likes cats and is quite ridiculous like me, so she’s my favourite). I’ve known of Gem Arts for some time and championed them for as long as I have worked in the cultural sector….. their Mini Mela was my induction into working with a large scale cultural children’s event.

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GemArts is a dynamic arts development organisation presenting South Asian arts. They produce and programme new and exciting culturally diverse arts, by creating and developing high quality concerts, events, festivals, workshops and commissions with regional, national and international artists. Every event I’ve attended has been a cultural hot pot and celebration of South Asian diversity and learning about respective cultures.

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Last year they launched Masala Festival and I had the pleasure of championing it as part of Gateshead Arts Team and of course, as Sinead’s mate Horts. So as we are literally about to jump into the second Malasa Festival (deep breaths Sinead and team – it’s going to be mint!), I thought I’d take the opportunity to catch up with her and find out what this year has in store for the region alongside digitally championing to my fellow Culture Vultures what a cracking week this is going to be…..

Well hello Sinead, so first up; what is Masala Festival?

Masala Festival is the North East’s very own, award winning, South Asian Arts Festival, bringing a mix and blend of the finest art and artists to the region for 7 days in July starting on 17th July.

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How many years has it been running and what kicked it all off?

GemArts launched Masala Festival in July 2016, offering a truly eclectic programme, spanning traditional and contemporary arts. After 16+ years presenting diverse arts in the North East, we decided it was time to put our expertise to good use, and create a brand new Summer Festival, showcasing artists from the UK, South Asia and beyond.

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This year the Masala Festival programme explores partition, migration, globalisation, identity, heritage, tradition and modernity, and marks the 70th anniversary of Independence for both India and Pakistan, something we were already starting to think about in 2016.

You won a Culture award for last year- tell me what that was like?

Recognition is the icing on the cake, alongside the incredible support we continue to receive from participants, audiences, trustees, volunteers, sponsors, partners and local communities, to whom we are hugely grateful and celebrates the creative talents of artists from the region, across the UK, South Asia and beyond.

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It was a joy to collaborate, connect and celebrate with thousands of people from across the region at our first Masala Festival, and we can’t wait to do it all again.

Receiving an award for something your team is truly passionate about is a dream come true, and has given everyone an even stronger drive to continue championing creativity and diversity at every level, supporting young and emerging artists, and offering people from all backgrounds and ages, community groups and schools, engaging opportunities to take part in our culturally rich and diverse arts offer.

So… now 2017; what’s coming up for Masala?

This year’s Festival (17th-23rd July) will ramp things up, building on our award success we’ve been even more ambitious, and added exciting collaborations and takeovers to last years list.

GemArts has commissioned work from celebrated companies and artists  and the programme is packed; award winning poetry readings (Daljit Nagra: Heritage and Identity), specially curated short film programmes (Changes), celebrations of Sikh soldier’s music tradition and contributions to the First World War (Sacred Sounds), leading choirs from India (Gandharva Choir), two nights of powerful theatre (No Dogs, No Indians), Masala Festival takeovers and collaborations (Q Festival, Trinity Square and Dabbawal), Mini Mela family fun days, Indian storytelling shows (Henna),  talented musicians fusing jazz, electronic and Indian classical music (Sarathy Korwar), folk music and dance (Rajasthan Heritage Brass Band),  film screenings (The Jungle Book, Ghandi), exhibitions (AURORA by Jayamini de Silva), food events (Biryani Club), fantastic workshops (Bollywood dance, Meditation and Yoga), talks and demos (including GBBO contestant Chetna Makan) and lots more……

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What should I not miss out on?

We think you should attend everything, but there probably aren’t enough hours in one person’s day. Three events we know the Culture Vulture will really enjoy would be;

SACRED SOUNDS – A national project called Sacred Sounds, which tells some of the largely forgotten stories of British India’s role in the First World War. Using archive footage, letters, photos, music and poetry, SACRED SOUNDS is a multi-art form performance which explores Sikh musical heritage and traditions, which soldiers took with them to the battlefield.

HENNA INDIAN STORYTELLING SHOW – As part of our Q Festival takeover we’ve invited international storytellers Peter and Gorg Chand to tell a very special story. On the eve of a wedding a young bride-to-be is having henna applied to her hands. As the patterns emerge, the stories begin to unfold… love, loss, betrayal and Bollywood! Plus GemArts Henna artists will be on hand to create beautiful designs for any of our audience who want them.

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NO DOGS NO INDIANS – A powerful new play from Siddhartha Bose. Three intertwining stories, spanning decades, explore the effects and legacy of the British in India in a powerful new play to mark the 70th anniversary of independence.

I’m always up for trying something new and out my comfort zone- do you have any recommendations?

CHANGES: stories on the edge will certainly make audiences ask some serious questions, and think long and hard about the world they live in and the resilience of people. Following last year’s successful ALIVE film programme, we’ve teamed up with creative producer Bobby Tiwana again, who has curated a stunning line up of short films for CHANGES; a programme of lives on the edge – personal and political conflicts test human resolve.

My little mini Culture Vulture Beck (one of my best pals little boys) – he’s really into trains, stamping his feet, stairs and exploring- anything for him and his lush fam?

There is plenty for mini Culture Vultures and their adults to get involved in during Masala Festival. We’re starting our Q Festival takeover with Bollywood dance classes for ages 2+ from 9am, and then from 11am we’ve Stories from the Punjab and Beyond for ages 5+ , a fun, interactive, and lively session of Indian tales.

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Part of our Movies at Masala programme with the Jam Jar Cinema, shows The Jungle Book at 11am on Saturday morning.

Sunday sees the return of our popular Masala Festival Mini Mela, which last year welcomed more than 500 people throughout the day. Like all GemArts Mini Melas the day includes a range of drop in arts workshops, from Rangoli, Kite making and Silk painting to Bollywood Dance and Dhol drumming, plus we’ve invited an amazing group of musicians to really bring the space to life, as the Rajasthan Heritage Brass Band will perform throughout the day.

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Heard about the curry night at Arch 16 which obvs I’m all over that…..I like my curry to be an experience…..

BIRIYANI CLUB AT ARCH 16 – We love working with our friends and neighbours, and when we read about Arch 16’s curry clubs with Ashiyana Café we knew we had to chat Masala Festival with them. A tasty curry for less than £10, and GemArts DJs spinning the best bhangra hits, what’s not to like?!

CHETNA MAKAN CHAI, CHAAT AND CHUTNEY – As big fans of food shows, food cooking and food in general, we were over the moon when former Great British Bake Off contestant Chetna Makan was available to deliver a cooking demonstration during Masala Festival. Chetna will share stories from her travels around India for new cookbook, Chai Chaat and Chutney, and attendees will get to taste a selection of delicious street food recipes created before their very eyes!

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Well that’s all a little bit amazing isn’t it – so make sure you check out GemArts Masala Festival next week…..you’ll see instantly why  it won a Culture Award and how fantastic it is – every night a brand new experience of diverse lushness – so much to see, do and of course Culture Vultures, EAT!

So bye for now Culture Vultures and Sinead, well I’ll see you on the other side of Masala Festival…..

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The Culture Vulture xx