I’ve found myself really missing cultural experiences whilst on lock down. Even as The Culture Vulture, I didn’t realise how much “culture” mattered to me on a day to day personal level and how intrinsically linked going to the theatre, cinema, wandering around a gallery, is to my sense of self and well-being. I miss it and I miss feeling a part of a creative community in person. Attending things and supporting cultural venues gives me a real sense of positive purpose and now their doors are closed, I’ve spent a little while feeling lost. I am going to go on the BIGGEST cultural binge when this is all over – I want to attend, see, visit, experience e.v.e.r.y.t.h.i.n.g. all the time.
I’ve been trying to replace this sense of loss in my life with cultural streaming – watching theatre, live performance poetry, launching a Silent Book Club (and about to launch a Culture Vulture film club) alongside heading down a rabbit hole on Insta discovering new artists and creative lushness. It’s helping ease that loss….but it’s not the same!
A project that is helping me tackle some of the above and making me feel useful to the cultural sector – is Crystallised’s project Does Culture Matter? You might have seen me plugging it on my social…. Does Culture matter? explores that question thematically by collating the opinions and insights of the Nation, during COVID-19 and beyond. Through a series of weekly questions sent direct to your inbox on a Sunday, you get to explore and reflect on what culturally matters to you, what you’re missing and what you’d normally be out and about doing.
Crystallised are collecting all this data, to make it available to arts and cultural venues and sector when locked down measures are lifted. Your insights and data will directly help organisations recover, pivot, be more resilient, stronger through the power of knowledge and shape their activities by enabling them to identify what is actually important culturally to you!
So do I think my fellow Culture Vultures should get involved…..
- It’s something a little lush to do, to get you thinking and reflecting. The questions asked are interesting and in the moment – I mean there was a question about Tiger King last week!
- It’s something to look forward to each week; I really look forward to the questions dropping in my inbox, grabbing a cup of tea/Sunday gin and sitting answering them. Only takes a few minutes but it’s a little lush brain exercise.
- You are a part of a cultural community who are united in sharing their insights – it’s lush to feel useful and to be a part of something happening across the UK. #peoplepower
- It’s helping the creative and cultural sector at a time of need – the organisations that will have free access to this data need a helping hand to recover post-COVID – this is that helping hand. Knowledge is power. At a time when you can’t attend these venues, support their cancelled projects or donate to every single cultural organisation and venue – this is something you can do to help that they will all have access to.
- The data produced could form part of regional and National government lobbying – fingers crossed – it could form the foundation to justify increased spending in culture and creative projects by evidencing what is important to the Nation; what they want, need, love.
To get involved and to sign up – follow this link to take part – takes seconds and you can do it HERE
I had the pleasure of catching up with Laura Rothwell, Managing Director of Crystallised to find out more about why they launched this ‘Does Culture Matter’ project, why it is important and what they hope to achieve through it!
Hiyer you – right first things first, tell my fellow Culture Vultures about Crystallised?
Crystallised is a marketing, PR and events agency for ethically, socially or culturally motivated organisations.
That’s the spiel.
What that means is we work with a range of organisations. All of them with a cause or purpose at their heart. We help them promote themselves, or their initiatives, we help them reach new audiences, market their work or make some kind of change. Invariably that means we work with a lot of arts and culture organisations, but we also work with charities, NGOs, ethically minded brands and foundations.
We’ve been doing this for seven years; we’ve helped organisations reach audiences of over 30 million people from all over the world.
Impressive stuff – has has your organisation been personally impacted by COVID-19?
Yes, big time. A lot of our work is about getting people to a place. Arts, culture or destination marketing. So, jobs have been cancelled, or indefinitely postponed. We’re seeing many of our clients putting their plans on hold until at least October.
In January, I started looking at pitching for work which was less event-focussed, because of COVID-19. I have anxiety, and actually that has come in handy here, because I was worrying about this very early on.
Snap and snap! It’s been full of devastation and an opportunity to re-imagine in equal measure. What was is about the cultural and creative sector that drew you in?
It took a while to be honest. As a kid, things like ‘culture’ (museums, galleries) weren’t ‘for us’. Sometimes we went to castles which I loved, other times we went to National Trust properties which I hated, my main motivator for tolerating those was the Kendal Mint Cake at the gift shops.
It’s marketing that got me here, it’s where I started at 17, as a Marketing Administrator. And it’s what I’ve done for the past 19 years. The first eight years or so was retail and destination marketing, very commercial environments which are incredible places to learn and to train as a marketer.
I eventually took a role which connected me to ‘art’ for the first time, albeit in a commercial art organisation. There I ended up working on projects in the museum sector, at Great North Museum; Hancock, Birmingham Museum and Art Gallery and Magna Science Centre (Sheffield).
That’s what drew me in. I saw – for the first time really – what art meant, what culture could do for people when/if it wasn’t about commercial gain, how essential it was. I very quickly felt as though I had to use my marketing experience to allow more people (everyone, ideally) to a) know what was out there b) feel like it was ‘for them’ and c) contribute to it, own it, be part of it and d) benefit from it.
I started Crystallised, and seven years on I still feel those things acutely.
We are crazily similar #kendalmintcake Let’s move on to Does Culture Matter? What was the inspiration behind Does Culture Matter? – why did you start the project?
The idea came from an Instagram group convo with a collection of excellent women I know who work in the creative sectors. We were talking about what this all (COVID-19) meant for us, for our jobs, for the sector.
I was in the middle of what I suspect was coronavirus, I felt truly awful in the mind and the body. We’d had a recent, sudden family bereavement, and my brain was just not up for anything at all.
Anyway, as is the way, during this chit-chat back and forth, inspiration struck. I just thought, now is the perfect time to listen to audiences, to learn, without an agenda. No-one is paying us to do this, we aren’t trying to meet a brief, we are simply listening.
You almost never get an opportunity like this.
Can you describe what it is and how people can get involved?
Does Culture Matter? is a mass participation research project. We want to understand how our relationship with culture is changing because of COVID-19, what it was like before, perhaps if our own definitions of what culture means are changing and what we might want it to look like after COVID-19.
We want EVERYONE to give their opinions, even if – no, especially if, like me back in the day, you don’t think ‘culture’ is for you.
All you need to do is follow and input your email address.
You’ll receive an intro questionnaire via email and then one every Sunday for the rest of the year.
Why is it important that people share their insights with you?
It’s important because culture belongs to us all. There should not be someone ‘in charge’ of culture, there should not be someone gatekeeping, or deciding what is or isn’t culture. It belongs to us all. We own it.
I believe every single human being should be able to be involved with and relate to the cultural offer of their cities or communities.
The sector talks about ‘hard to reach’ audiences, that is infuriating bullshit. Audiences aren’t hard to reach, it’s the organisation that is hard to reach, because for whatever reason, intentional or not, they have made themselves inaccessible.
So, it’s important for you all to join up and share, because when your voice gets heard, change can be made.
We have an opportunity to come out of this and shape the next chapter. I felt as though the best way Crystallised could contribute to that change, was to use our skills and expertise.
Listen to people, advise organisations. It’s what we do every day.
Have there been any interesting insights you wish to share?
Our North East participants told us their favourite places to visit in the city, at the moment, the list looks like this – the data changes the more people who join, so that’s another reason why everyone should get involved.
But, if you look at our North East respondents under the age of 25, the list changes:
Three music venues, two cinemas. I find this fascinating, there’s much that can be explored from this data alone.
What do you hope to get out of it after the research period?
I’d like the data to have organisations start asking their own questions. I’d like this to be the starting point for organisations to look at how they can better serve their communities.
I’d love to work with the braver organisations who want to do something bold and radical as a result of seeing the data, perhaps homing in on something specific, collaborating with audiences, flipping the narrative and to some extent taking a back seat, so that others can shine.
In your opinion, do you think Culture Matters more during this period?
This is a horrible, terrifying time, we’re all going to lose someone or something. There are many many people, organisations, institutions that desperately need support. I’m not suggesting that an “art gallery is more important than the NHS” – which I’ve been accused of on social media of late.
No argument is that black and white.
I think culture has the power to uplift, to teach, to heal, to connect, nourish and to be fun. I think it’s essential for us to support and protect the sector if we don’t want to see a desolate, cultural wasteland post COVID-19. Our lives and societies will be much poorer if we don’t act.
Has the lock down changed your cultural consumption personally? Have you been watching any streams/online happenings?
Yes, I’ve been watching National Theatre, stand-up comedy, a film discussion and some DJ sets all online.
A theatre performance feels special even when it’s on the small screen, you can still sense the atmosphere between the audience and the cast.
How do you feel about the movement to digital culture and events through streaming platforms and social media?
I think it’s amazing and fantastic that so much has suddenly become available, the speed at which organisations have been able to adapt to the changing circumstances I think is impressive.
However, I can’t help but find it problematic that it’s taken a global pandemic for organisations to make their content accessible. It has long been the case that parts of the arts sector are inaccessible to disabled people. To now see all this readily available content filling our timelines because their able-bodied audience members are no longer allowed to attend a venue, is shameful.
The future must be radically different. We cannot live through this, witness all the change that has been enacted and then revert. That would be a tragedy.
What’s the first thing you’re going to do post lockdown?
Oh Christ! I’d like to go to Riley’s Fish Shack, sit on the beach and listen to my pals chatter, feel the sunshine on my face and be able to lie down on the sand, let my dog make friends with a Bichon Frisse, and just take my sweet sweet time outside.
What would be success for you as Crystallised for 2020?
Crystallised still existing would be success. I’m fearful of how much harder the year is going to get for business. This is going to be a slog. If we still have our full team and are on the way to some semblance of stability at the end of this year, I’ll be thrilled and relieved.
Anything other projects or happenings you think my fellow Culture Vultures should know about?
Right now, we’re working with one of our long-term clients Family Arts Campaign, who exist to make the arts accessible for families. Our focus is supporting their ambition to be the go-to national database of all arts and culture events happening online for families to join. We’ll be working on PR and influencer campaigns to get as many families as possible trying something new. Find that here: fantasticforfamilies.com
We’re also deep into New Creatives, a two-year project with BBC Arts and Arts Council England which looks to find undiscovered talent to make work for the BBC – could be a film, or something for radio. No prior experience is necessary, we’re trying to find northern creative folk under-30 who have something to say. Find that here: newcreatives.com
Other than that, we’ll be staying at home.
Thank you Laura….so does culture matter? Well it does to me, it does to Crystallised and I think it matters to my fellow culture vultures, followers and readers. I’d love you to support Crystallised on their mission by signing up to participate in ‘Does Culture Matter?”
Remember – signing up is LUSH and is contributing to a project that could support your favourite arts and culture organisations to learn, pivot, recover, restart and fingers crossed – GROW.
Signing up takes seconds and participating in the project takes approx. 5mins a week.
You can sign up by HERE and feel free to share the project with your friends and networks – spread the word! #ganon