(#AD) The Hancock Gallery – a beaut Newcastle commercial gallery – a MUST visit and a gem!

Culture Vulture visit to The Hancock Gallery

The Hancock Gallery – Mark Demsteader’s work – (Image Credit Coffee Design)

I recently, had the pleasure of being invited along to The Hancock Gallery in central Newcastle a few weeks ago, to take in their figurative exhibition ‘Between  Distance and Desire’ featuring headline artist Mark Demsteader, Billy Childish, Ron Hicks, Milt Kobayashi, John Smyth, Chris Gambrell and many more.

If you haven’t heard of or aren’t aware of The Hancock Gallery, well you need to add it to your *must* visit list – it is a beaut commercial gallery space in a converted terrace Georgian House on Jesmond Road West in central Newcastle. It is nestled right next door to Newcastle University’s Robinson Library. Their opening times are Thursday – Saturday 10am-5pm and they sometimes host events in connection to their exhibition programme; their exhibition programme tends to change approx. twice a year. They are a fully COVID-19 secure venue and adhering to all social distancing measures. Ahead of your visit, I would check out their website, just in case anything has changed (i.e. a local lockdown or change in opening times). All the art displayed in the gallery space is for sale and they also offer the Own Art scheme, enabling you to purchase work via a flexible payment plan.

The Hancock Gallery – (Image Credit Coffee Design)

I was first invited to visit a year or so ago when The Hancock Gallery first opened and it was quickly added to my fave galleries to visit in Newcastle list. The exhibition then, was headlined by Alexander Millar with his wonderful industrial working and football loving Gadgie portraits and other collections of his work. I’ve always been a big fan of Alex’s work so as you can imagine, that was a dream exhibition to view. During that visit, I experienced a warm, friendly welcome, very knowledgeable, relaxed gallery staff and a beaut open, light space which was just a delight to inhabit whilst taking in the exhibition.

The Hancock Gallery – Mark Demsteader’s work – (Image Credit Coffee Design)

Moving on to my most recent visit, well I was excited about this visit to The Hancock Gallery for four reasons – 1. This was my FIRST gallery visit since lockdown. So, I had pre-Eurovision excitement level butterflies (what can I say? I’m a big Eurovision fan!). I was so excited to get back into a gallery space and take in some art. 2. The exhibition featured artists that I knew but had never seen their work in real life, like Mark Demsteader AND 3. It featured artists that were new to me, like Ron Hicks.  It is fair to say, I was hyped and spent my pre-visit, reading up on the different artists and checking out their Instagram. 4. This exhibition was a figurative one (i.e. depicting figures)! Whilst, I’m much more abstract and conceptual in my art preference, through lock down, I’ve found myself drawn to hyper realistic art of people….. maybe I’m craving human connection in a socially distanced world or may be my taste has broadened, either way, I was looking forward to this exhibition.

The Hancock Gallery Manager Chris – (Image Credit Coffee Design)

For this visit, I had a socially distanced gallery tour (check me out!) with Chris, the Hancock Gallery Manager who took me around the two floors and allowed me to ask him all the questions under the sun – which was brilliant for someone like me who is ever curious. I started my visit with getting some hand sanitizer from one of their hand washing stations and getting comfortable. We launched into conversation about the provocation “Is paint dead?” – like with many things, art goes in trends and things come in and out of fashion. Painting and work using paint, has for the last decade been considered a bit old fashioned…….moreover a few years ago, if you told me, that I was going to see a figurative exhibition of paintings, the images that come to my mind are indeed conventional and a bit……. well dull and not to my taste. The exhibition ‘Between Distance and Desire’ is so much more than that- it was so vibrant, beautiful and for me, really proved that paint is back *in* and how artists use paint SO differently. I was really blown away, how different artists approach figurative work and hats off to Chris and his selection of artists for this group exhibition, because it really worked.

The Hancock Gallery – (Image Credit Coffee Design)

As we moved into the main space, Chris told me more about his role, his ambition for The Hancock Gallery and we also debated the North East arts scene. Chris explained that he is responsible for the curation of the work and selecting artists to exhibition in the gallery space and managing those relationships whilst having the ambition for the gallery to present Internationally renowned artists in the North. As the Culture Vulture, I’m all about championing Northerness and Northern artists but actually, I can get too focused in on that bubble and completely forget about the International art scene, so I really relish having a gallery like The Hancock Gallery  in Newcastle to remind me of the bigger wide world out there; introducing me to new artists and reminding me to dip into the International scene!

The Hancock Gallery – Mark Demsteader’s work – (Image Credit Coffee Design)

Chris and I started my tour of the exhibition ‘Between Distance and Desire’ by naturally starting with the work of headline artist Mark Demsteader. Like with many artists, Mark’s creative journey to become one of the top figurative painters in the UK, was not conventional. Born into the 60s, whilst passionate about art and gaining two foundation courses to enable him to pursue a creative career, due to lack of opportunity he ended up working in the family whole sale butchery business, before eventually in the 1990s taking a school art technician, where he worked for just over a decade. During this period, he kept building his portfolio, but during a time when figurative work was not of interest to many galleries or the art market, he made little progress but kept chasing that dream; eventually he got his lucky break and was selected to exhibit at a Greenwich gallery alongside other artists and sold several pieces. From that moment, he’s never looked back and is a very successful commercial artist today!

The Hancock Gallery – Mark Demsteader’s work – (Image Credit Coffee Design)

I first became aware of Mark’s work, when he was drawing his Emma Watson (actress) collection – she initially approached him for a commission and he asked if he could paint and draw her. This eventually turned into a beautiful collection of work which I remember being in the press in 2011. Beyond that, I’ve been aware of Mark’s work as it’s popped up in other exhibitions or in the news. It was wonderful to take in a showing of his work right here in Newcastle.

The Hancock Gallery – Mark Demsteader’s work – (Image Credit Coffee Design)

Mark’s pieces often feature women with 90s fashion model proportions; the work was beautiful to see up close and to me, it depicts a conventional and idealised version of femininity. Chris talked through the work and I was interested to find out that Mark often paints with his hands, a knife, uses sand-paper alongside “painting by accident” using different layers to build elements of the work. Mark’s pieces seem so precise and neat, so I was surprised to hear this. It was also interesting to learn that Mark has a rotation of 6 models, he uses for his work AND that he thinks about what work might sell, before painting; his best sellers are his figurative works of women, so of course, it makes sense that this is what he paints most of. I found his work really special, atmospheric, beautiful with a hint of comforting sadness – I can’t really describe what I felt was sad about them; may be the facial expressions of each woman connected to the weird sadness I am feeling at the moment in my life, but I felt connected to them. My favourite pieces were the yellow ones – love bold yellow!

The Hancock Gallery – Mark Demsteader’s work – (Image Credit Coffee Design)

We then moved upstairs to take in the rest of Mark’s work AND the other artists exhibiting. First up was Billy Childish. Billy is a painter, author, poet, photographer, film maker, singer and guitarist. Since the late 1970s, Billy has been prolific in creating music, writing and visual art. I’ve always considered Billy to be an unapologetic rebel and free spirit, therefore my interest has often been in him as a person, as opposed to his work. He is just one of those glorious humans that creativity and uniqueness flows through their veins and pulsates into everything they touch and do.

The Hancock Gallery – Mark Demsteader’s work – (Image Credit Coffee Design)

In this exhibition, Billy’s work was a beautiful and brilliant contrast to Mark’s; it really highlighted how broad “figurative art” actually is. His work was colourful, playful, unapologetically Billy and nods to the fact, he’s known as being a “pop culture outlier”. I wasn’t surprised to hear from Hancock Gallery Manager Chris, that Billy has often rejects the mainstream art scene and yet, finds himself drawn back in time and time again due to his popularity and folx curiosity. Chris also told me, that Billy Childish used to be involved with Tracey Emin – that info I treated like art world gossip and I’m hoping it, may help me in a pub quiz in the future!

The Hancock Gallery’s Chris – Billy Childish’s work – (Image Credit Coffee Design)

Next up was Bristol based artist Chris Gambrell and his work – his pieces were stunning, colourful and crayon seemed to be the material used. His work caught my eye as soon as I walked into this room – I loved the colour, the angles, the layers, their unfinished nature and just a hint of *diva* in them. Hancock Gallery Manager Chris shared with me, that Chris had a background in fashion illustration and you can really tell – his work is SO fashion and that is what makes it special!

The Hancock Gallery – Chris Gambrell’s work – (Image Credit Coffee Design)

Then we moved on to a new artist discovery for me and a personal favourite from the whole exhibition, American artist Ron Hicks. Ron is a brilliant black artist and his recent work often depicts people of colour in his work – “Static series” (not on view at The Hancock Gallery) represents his feelings about being racially profiled and black representation. Ron is a fascinating artist to read about and to look back at his back catalogue of work – as you will see he used to paint rather traditional and romantic depictions of people, before really flipping his style into something more impressionist and much more to my personal taste. I could certainly see a Hicks hanging up in my house and his work, reminds me a little bit of my fave muralist Dan Cimmermann which is probably why I love it so much!

The Hancock Gallery – Ron Hicks’ work – (Image Credit Coffee Design)

I next took in John Smyth and Milt Kobayashi pieces! Scottish artist John was another new artist for me! His beautiful figurative paintings at The Hancock Gallery, use decorative patterns to make them feel a bit more abstract. They felt so Instagrammable and perfect for a particular styling of interiors. American artist Milt, was also a new artist discovery (honestly, what a morning, full of new artists!) and I LOVED their work; it’s sophisticated, ethereal, sometimes playful and brought a big smile to my face.

The Hancock Gallery – John Smyth’s work – (Image Credit Coffee Design)

My tour with Hancock Gallery Manager Chris came to a close with me finding out about what the next exhibition is and potential future exhibiting artists – I was sworn to secrecy not to tell, so my lips are sealed but I’m MEGA excited for it and thrilled it’s happening in Newcastle. I’m sure I will be posting all about it on Vulture, so keep your eyes peeled!

The Hancock Gallery’s Chris – (Image Credit Coffee Design)

Post tour, I went back round the whole gallery space taking my time, taking it all in on my own and doing Instagram Lives (you may have seen them if you follow me on Insta – @theculturevulturene). I made a wish list of pieces I’d love to buy – I’ve collected so many pieces of art and I can’t wait to fill my forever home with it all. I also spent some time in The Hancock Gallery Art market which is a beautiful space full of cards and art books to purchase – my two favourite things. Art books are such a weakness of mine and they had an amazing book for sale all about womxn artists – which of course was my vibe. They have the most amazing comfy seating in this area, so I chilled whilst checking out a book or two.

The Hancock Gallery (Image Credit Coffee Design)

On the way out, I stumbled onto Elizabeth Power’s work (not officially part of the exhibition but on sale) and it was textbook Culture Vulture – so much so, she’s hopefully the subject of a future Culture Vulture interview.

I left The Hancock Gallery with a huge smile on my face- I had a wonderful time. Social distancing was very well managed whilst feeling really welcoming and it was a lush experience. You can find out more about the gallery, the artists exhibiting there and have a deeks at their online exhibition via the website. Their opening times are Thursday – Saturday 10am-5pm; so, go on and plan a visit to The Hancock Gallery soon and keep an eye out on their socials for future exhibitions and future events.

And thank you The Hancock Gallery and Chris for such a lovely time!

Until next time Culture Vultures.

The Hancock Gallery – (Image Credit Coffee Design)

(#AD) Does Culture Matter? – a mass participation research project from Crystallised.

I’ve found myself really missing cultural experiences whilst on lock down. Even as The Culture Vulture, I didn’t realise how much “culture” mattered to me on a day to day personal level and how intrinsically linked going to the theatre, cinema, wandering around a gallery, is to my sense of self and well-being. I miss it and I miss feeling a part of a creative community in person. Attending things and supporting cultural venues gives me a real sense of positive purpose and now their doors are closed, I’ve spent a little while feeling lost. I am going to go on the BIGGEST cultural binge when this is all over – I want to attend, see, visit, experience e.v.e.r.y.t.h.i.n.g. all the time.

I’ve been trying to replace this sense of loss in my life with cultural streaming – watching theatre, live performance poetry, launching a Silent Book Club (and about to launch a Culture Vulture film club) alongside heading down a rabbit hole on Insta discovering new artists and creative lushness. It’s helping ease that loss….but it’s not the same!

A project that is helping me tackle some of the above and making me feel useful to the cultural sector – is Crystallised’s project Does Culture Matter?  You might have seen me plugging it on my social…. Does Culture matter? explores that question thematically by collating the opinions and insights of the Nation, during COVID-19 and beyond. Through a series of weekly questions sent direct to your inbox on a Sunday, you get to explore and reflect on what culturally matters to you, what you’re missing and what you’d normally be out and about doing.

Lead DCM

Crystallised are collecting all this data, to make it available to arts and cultural venues and sector when locked down measures are lifted. Your insights and data will directly help organisations recover, pivot, be more resilient, stronger through the power of knowledge and shape their activities by enabling them to identify what is actually important culturally to you!

So do I think my fellow Culture Vultures should get involved…..

  • It’s something a little lush to do, to get you thinking and reflecting. The questions asked are interesting and in the moment – I mean there was a question about Tiger King last week!
  • It’s something to look forward to each week; I really look forward to the questions dropping in my inbox, grabbing a cup of tea/Sunday gin and sitting answering them. Only takes a few minutes but it’s a little lush brain exercise.
  • You are a part of a cultural community who are united in sharing their insights – it’s lush to feel useful and to be a part of something happening across the UK. #peoplepower
  • It’s helping the creative and cultural sector at a time of need – the organisations that will have free access to this data need a helping hand to recover post-COVID – this is that helping hand. Knowledge is power. At a time when you can’t attend these venues, support their cancelled projects or donate to every single cultural organisation and venue – this is something you can do to help that they will all have access to.
  • The data produced could form part of regional and National government lobbying – fingers crossed – it could form the foundation to justify increased spending in culture and creative projects by evidencing what is important to the Nation; what they want, need, love.

To get involved and to sign up – follow this link to take part – takes seconds and you can do it HERE

I had the pleasure of catching up with Laura Rothwell, Managing Director of Crystallised to find out more about why they launched this ‘Does Culture Matter’ project, why it is important and what they hope to achieve through it!

Hiyer you – right first things first, tell my fellow Culture Vultures about Crystallised?  

Crystallised is a marketing, PR and events agency for ethically, socially or culturally motivated organisations.

That’s the spiel.

What that means is we work with a range of organisations. All of them with a cause or purpose at their heart. We help them promote themselves, or their initiatives, we help them reach new audiences, market their work or make some kind of change. Invariably that means we work with a lot of arts and culture organisations, but we also work with charities, NGOs, ethically minded brands and foundations.

We’ve been doing this for seven years; we’ve helped organisations reach audiences of over 30 million people from all over the world.

thumbnail_Team Laura, Jennifer, Lauren, Lucy, Nov 2019 (1)

Team Crystallised

Impressive stuff – has has your organisation been personally impacted by COVID-19?

Yes, big time. A lot of our work is about getting people to a place. Arts, culture or destination marketing. So, jobs have been cancelled, or indefinitely postponed. We’re seeing many of our clients putting their plans on hold until at least October.

In January, I started looking at pitching for work which was less event-focussed, because of COVID-19. I have anxiety, and actually that has come in handy here, because I was worrying about this very early on.

Snap and snap! It’s been full of devastation and an opportunity to re-imagine in equal measure. What was is about the cultural and creative sector that drew you in?

It took a while to be honest. As a kid, things like ‘culture’ (museums, galleries) weren’t ‘for us’. Sometimes we went to castles which I loved, other times we went to National Trust properties which I hated, my main motivator for tolerating those was the Kendal Mint Cake at the gift shops.

It’s marketing that got me here, it’s where I started at 17, as a Marketing Administrator. And it’s what I’ve done for the past 19 years. The first eight years or so was retail and destination marketing, very commercial environments which are incredible places to learn and to train as a marketer.

I eventually took a role which connected me to ‘art’ for the first time, albeit in a commercial art organisation. There I ended up working on projects in the museum sector, at Great North Museum; Hancock, Birmingham Museum and Art Gallery and Magna Science Centre (Sheffield).

That’s what drew me in. I saw – for the first time really – what art meant, what culture could do for people when/if it wasn’t about commercial gain, how essential it was. I very quickly felt as though I had to use my marketing experience to allow more people (everyone, ideally) to a) know what was out there b) feel like it was ‘for them’ and c) contribute to it, own it, be part of it and d) benefit from it.

I started Crystallised, and seven years on I still feel those things acutely.

We are crazily similar #kendalmintcake Let’s move on to Does Culture Matter? What was the inspiration behind Does Culture Matter? – why did you start the project?

The idea came from an Instagram group convo with a collection of excellent women I know who work in the creative sectors. We were talking about what this all (COVID-19) meant for us, for our jobs, for the sector.

I was in the middle of what I suspect was coronavirus, I felt truly awful in the mind and the body. We’d had a recent, sudden family bereavement, and my brain was just not up for anything at all.

Anyway, as is the way, during this chit-chat back and forth, inspiration struck. I just thought, now is the perfect time to listen to audiences, to learn, without an agenda. No-one is paying us to do this, we aren’t trying to meet a brief, we are simply listening.

You almost never get an opportunity like this.

Can you describe what it is and how people can get involved?

Does Culture Matter? is a mass participation research project. We want to understand how our relationship with culture is changing because of COVID-19, what it was like before, perhaps if our own definitions of what culture means are changing and what we might want it to look like after COVID-19.

We want EVERYONE to give their opinions, even if – no, especially if, like me back in the day, you don’t think ‘culture’ is for you.

All you need to do is follow and input your email address.

You’ll receive an intro questionnaire via email and then one every Sunday for the rest of the year.

Why is it important that people share their insights with you?

It’s important because culture belongs to us all. There should not be someone ‘in charge’ of culture, there should not be someone gatekeeping, or deciding what is or isn’t culture. It belongs to us all. We own it.

I believe every single human being should be able to be involved with and relate to the cultural offer of their cities or communities.

The sector talks about ‘hard to reach’ audiences, that is infuriating bullshit. Audiences aren’t hard to reach, it’s the organisation that is hard to reach, because for whatever reason, intentional or not, they have made themselves inaccessible.

So, it’s important for you all to join up and share, because when your voice gets heard, change can be made.

We have an opportunity to come out of this and shape the next chapter. I felt as though the best way Crystallised could contribute to that change, was to use our skills and expertise.

Listen to people, advise organisations. It’s what we do every day.

Have there been any interesting insights you wish to share?

Our North East participants told us their favourite places to visit in the city, at the moment, the list looks like this – the data changes the more people who join, so that’s another reason why everyone should get involved.

Tyneside Cinema

BALTIC Centre for Contemporary Art

Sage Gateshead

Northern Stage

Laing Art Gallery

But, if you look at our North East respondents under the age of 25, the list changes:

Cineworld, Newcastle

Tyneside Cinema

Riverside Newcastle

O2 Newcastle

Utilita Arena

Three music venues, two cinemas. I find this fascinating, there’s much that can be explored from this data alone.

2 April Stat North East

What do you hope to get out of it after the research period?

I’d like the data to have organisations start asking their own questions. I’d like this to be the starting point for organisations to look at how they can better serve their communities.

I’d love to work with the braver organisations who want to do something bold and radical as a result of seeing the data, perhaps homing in on something specific, collaborating with audiences, flipping the narrative and to some extent taking a back seat, so that others can shine.

In your opinion, do you think Culture Matters more during this period?

Yes.

This is a horrible, terrifying time, we’re all going to lose someone or something. There are many many people, organisations, institutions that desperately need support. I’m not suggesting that an “art gallery is more important than the NHS” – which I’ve been accused of on social media of late.

No argument is that black and white.

I think culture has the power to uplift, to teach, to heal, to connect, nourish and to be fun. I think it’s essential for us to support and protect the sector if we don’t want to see a desolate, cultural wasteland post COVID-19. Our lives and societies will be much poorer if we don’t act.

Has the lock down changed your cultural consumption personally? Have you been watching any streams/online happenings?

Yes, I’ve been watching National Theatre, stand-up comedy, a film discussion and some DJ sets all online.

A theatre performance feels special even when it’s on the small screen, you can still sense the atmosphere between the audience and the cast.

How do you feel about the movement to digital culture and events through streaming platforms and social media?

I think it’s amazing and fantastic that so much has suddenly become available, the speed at which organisations have been able to adapt to the changing circumstances I think is impressive.

However, I can’t help but find it problematic that it’s taken a global pandemic for organisations to make their content accessible. It has long been the case that parts of the arts sector are inaccessible to disabled people. To now see all this readily available content filling our timelines because their able-bodied audience members are no longer allowed to attend a venue, is shameful.

The future must be radically different. We cannot live through this, witness all the change that has been enacted and then revert. That would be a tragedy.

What’s the first thing you’re going to do post lockdown?

Oh Christ! I’d like to go to Riley’s Fish Shack, sit on the beach and listen to my pals chatter, feel the sunshine on my face and be able to lie down on the sand, let my dog make friends with a Bichon Frisse, and just take my sweet sweet time outside.

What would be success for you as Crystallised for 2020?

Crystallised still existing would be success. I’m fearful of how much harder the year is going to get for business. This is going to be a slog. If we still have our full team and are on the way to some semblance of stability at the end of this year, I’ll be thrilled and relieved.

Anything other projects or happenings you think my fellow Culture Vultures should know about?

Right now, we’re working with one of our long-term clients Family Arts Campaign, who exist to make the arts accessible for families. Our focus is supporting their ambition to be the go-to national database of all arts and culture events happening online for families to join. We’ll be working on PR and influencer campaigns to get as many families as possible trying something new. Find that here: fantasticforfamilies.com

We’re also deep into New Creatives, a two-year project with BBC Arts and Arts Council England which looks to find undiscovered talent to make work for the BBC – could be a film, or something for radio. No prior experience is necessary, we’re trying to find northern creative folk under-30 who have something to say. Find that here: newcreatives.com

Other than that, we’ll be staying at home.

DCM. Share your thoughts.

Thank you Laura….so does culture matter? Well it does to me, it does to Crystallised and I think it matters to my fellow culture vultures, followers and readers. I’d love you to support Crystallised on their mission by signing up to participate in ‘Does Culture Matter?”

Remember – signing up is LUSH and is contributing to a project that could support your favourite arts and culture organisations to learn, pivot, recover, restart and fingers crossed – GROW.

Signing up takes seconds and participating in the project takes approx. 5mins a week.

You can sign up by HERE and feel free to share the project with your friends and networks – spread the word! #ganon