The Late Shows 2018 : The Culture Vulture essentials!

After recovering from the excitement of Eurovision, I’m now thinking about this coming weekend and The Late Shows. It’s another mega favourite weekend of mine and one of the ultimate culture vulturing weekends across Newcastle and Gateshead on 18th May 7pm-11pm and 19th May 6pm – 11pm.

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It’s a free late-night culture crawl taking over this weekend – an array of museums, galleries, studio collectives and landmark historical buildings open their doors to offer visitors one-off events, parties, sneaky peaks at new exhibitions or work, demonstrations, workshops, behind-the-scenes tours, performances and lots of lush artists and creatives to speak to.

There is something totally lush about being about to visit venues and spaces in the night time – whilst they treat you to a unique after dark experience. Every year, I get really excited and what’s not to love about a city wide creative and cultural celebration. Each year – people and venues do different things, so whilst you may go every year – you’ll have a brand new experience.

So I’m not one for telling you guys, my fellow Culture Vultures, where you should go to – as the venues and spaces involved this year are all equally as brilliant and part of what I love about Late Shows, is that YOU plan your own cultural adventure or as I often do, simply go with the flow on the night and just enjoy it!

I thought instead, I’d feature this blog post on the unmissable reasons why you MUST not miss Late Shows 2018…..

  1. There are several FIRST TIME venues taking part or venues in their brand new digs opening their doors and I’m all about being one of the first to see and do something– so for you it’s an opportunity to check out somewhere you haven’t been before and their spaces whilst experiencing something lush and creative. So who are the first time Late Shows 2018 venues:
  • The Nest – Low Fell, Gateshead (Sat Only) – A lush family venues full of fun times and good food – you can print the Angel of the North and also eat the Angel.
  • The Kiln – Low Fell, Gateshead (Sat Only) – A vibrant and interactive paint your own pottery studio – you can paint your own Angel mug.
  • The Newbridge Project: Gateshead (Sat Only) – Visual arts studios and gallery in it’s first year; Explore the Deep Adaptation exhibition and leave your own responses to questions, take part in kimchi making and take home your own starter seed capsule.
  • Alphabetti Theatre – Newcastle (Sat Only) – A performing arts venue open since Sept 17; venture from room to room as you stumble across a variety of bands, poetry and pop-up theatre.
  • Star and Shadow Cinema – Newcastle (Fri Only) – An alternative social, cultural, arts and community hub run by a collective of volunteers open again in its new space – drop in to celebrate their re-opening.

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The Nest by Pop Up Studio Low Fell – Print the Angel. #Angel20

  1. There is a really special one off from Curious Arts on Baltic Square, Gateshead on Saturday on – the launch of Curious Arts’ 36point7 – a HIV/AIDs light art awareness project. 36point7 aims to support the visibility of this global issue and the legacy of those lost and silenced during the HIV/AIDS crisis of the 1980’s, Curious Arts is working with light artist Stuart Langley to reimagine the World AIDS day ribbon.

You will be able to chat to Curious Arts about the project and take in this lush large light installation which will be positioned inside Gateshead Millennium Bridge box.

In addition – Curious are offering free creative workshops so you have the opportunity to create your very own light art.

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Sneaky peeky of 36point7 from Curious Arts.

  1. Late Shows embodies a lot of what The Culture Vulture is all about…. It’s an opportunity to support, champion and visit Independent venues! I’m ALL about the independents and many of them across the weekend are hosting amazing events and parties – so get in the Late Shows vibe and enjoy! My top independent picks:
  • The Tyne Bar – Newcastle (Fri & Sat) – one of my favourite boozers anyway – but for the Late Shows they have a collaborative 90s throwback exhibition featuring work by second year Newcastle Fine Art students Charli Payne, Roberto de Abreu Preciosa, and Wesley Bray. I’m OBSESSED with the 90s – so I will be there on Friday for good time and 90s vibes.
  • Cobalt Studios – Newcastle (Fri) – A creative studio space and venue; I love what Kathryn and her team put on there and I’m itching to do a Culture Vulture event in the space. They got a mega Silent Disco party for you – three very diverse DJ’s & three parties in one with visual projections. My dancing shoes and twirling is at the ready.
  • The Staiths Café – Gateshead (Sat) – A lush independent café space… drop in for some communal singing with Beccy Owen’s Pop-Up Choirs who will later perform at the end of the workshop. Expect lush vibes.
  • Kommunity – Newcastle (Sat) – A bar/participatory social space that hosts dance, art house film screenings and much more…it’s run some of my favourite people in the world and it’s just a lush venue. And what a night they have planned for you from 9pm-middnight! Think STUDIO 54 and the last days of disco! The global growth of disco music and nightclub culture is going to be celebrated by your DJ for the evening Absolutely Fabulous Lady Annabella Marczewska! Dress to impress, exude energy and most importantly glamour!

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  1. Lots of Gateshead venues are celebrating The Angel of the North 20th Birthday this year within their Shows events! #Angel20
  • First up is the Nest in Low Fell Gateshead on Saturday – it’s a must for all you mini culture vultures (and grown-ups!). This year, they’ve brilliantly partnered up with another megababe local business – Pop Up Studio Low Fell. With Laura from pop up, you can bring an Angel of the North design on to fabric – make it as loud and proud as you want. She has also said for the grown-ups, you can totally go rogue and print whatever you want – including glittery swear words! With Lee and the Nest team, you’ll be able to make #Angel20 biscuits and literally eat the Angel. Mint!
  • Then there is the wonderful hidden gem on Low fell high street – The Kiln! On Saturday, you’ll have the opportunity to get proper creative and have a go at painting an Angel mug….they will provide expert guidance, lots of materials and of course, chat all about their wider offer!
  • Bensham Grove on Saturday in yep… Bensham Gateshead; is also doing lots of #Angel20 creative and crafty activities. You can create your very own Angel of the North sculpture for their garden and make your own angel in their make and take glass, pottery and textile workshops all whilst listening to live music.
  • The Shipley Art Gallery – On Saturday they are celebrating the Angel of the North’s 20th birthday and you’re invited! Join them to make your own Angel themed crafts, and get in the party spirit with live music, dance performances and a bar from Arch Sixteen’s Pam.

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The Kiln – Low Fell

  1. Be the first to see some of the AMAZING summer happenings and exhibitions – Late Shows 2018 acts as a bit of an exclusive preview – so enjoy!
  • The BALTIC (Sat) – This is a rare late-night opening view of their spring exhibitions. Visit Idea of North, a group show part of the city-wide Great Exhibition of the North. This exhibition celebrates northern imagination and identity through architecture, photography, music and design. It’s an exploration of northern imagination, unpicking and revealing different voices within the idea of a ‘northern’ identity.

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  • The Shipley Art Gallery (Sat) – Whilst they are hosting a fantastic #Angel20 party – Late Shows 2018 on Saturday also provides an opportunity to see the new Grayson Perry exhibition.

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Grayson Perry

  1. It’s not just about the venues and spaces – it’s about showcasing lots of amazing artists across the weekend; so if art is your bag – here are my recommendations!
  • The Biscuit Factory (Fri) – This is certainly my first stop on Friday and I can’t wait! They are launching the Open Contemporary Young Artist Award 2018; a mixed media exhibition featuring new artwork from over 20 emerging young artists. You will be the first to view the shortlist and cast your vote for our People’s Choice winner. Alongside the exhibition award-winning Streetwise Opera are performing live in the gallery AND you can enjoy The Factory Kitchen’s new urban roof top terrace with Ouseburn views, a pop-up bar and Mexican street food! (It looks amazing!).

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The Factory Kitchen rooftop garden

  • 36 Lime Street (Fri) – A top favourite artist space of mine! So many of my favourite people in there. Artists and makers from 36 Lime Street Studios open their doors after dark to give a glimpse of their working life and to have a natter. In the gallery Bethan Maddocks and Maria Sears present Paper Jungle, a growing, glowing paper-cut jungle that visitors can add to throughout Friday. Big fan of megababe Bethan – so excited to see what this looks like!
  • Jim Edwards (Fri) – Well he’s in my top 5 favourite artists of all time – and of course, I will do my usual trip to his studio and pay homage to Craig David Pub Cat. However, for Late Shows, I’ve heard he’s going to be working on and exhibiting some brand new pieces – I’ve already seen the Hadrian’s Wall one on social – so can’t wait to see it in person. But whispers tell me, there might be a Heaton focused one – and as Heaton is my second home, I’m excited!

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Jim Edwards

  • Commercial Union House (Sat) is just full of galleries, artist spaces, parties and workshops include Vane, B&D Studios, Breeze Creatives and others – so take your time and enjoy! But my recommendation for extra attention goes to of course, Ampersand Inventions! I love Ampersand and if I wasn’t working the full Gateshead Late Shows evening on Saturday – I’d be ALL over this…. They are presenting a ‘Homage to The Handyside Arcade: The New Breed’ – (Another great theme Jonpaul!) The Edwardian-built arcade on the city’s Percy Street was a spectacular glass-roofed construction housing a range of popular quirky shops and outlets, ‘Tyneside’s answer to Carnaby Street’. From the dust of legends, Ampersand Inventions are opening their front doors to showcase their amazing boutiques, shops and not forgetting their weird and wonky artists! Mixing heritage, culture, lifelong learning, innovation and enterprise! You have some Culture Vulture faves in there including Trendlistr, Melanie Kyles, Roberta Louise Green and others.

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Ampersand Inventions

Bliddy heck…what a Late Shows 2018 weekend! I’m excited to get Culture Vulturing and of course, if you see me – say hiyer! I will be live social media-ing, drinking gin (not when working obvs) and having a fantastic lush time.

 

 

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Rosa Postlethwaite; getting Composed, GIFT 2018 and mega PUG parties.

This weekend is one of my favourite weekends of the year – it’s GIFT Festival. A weekend celebration of regional, National and International theatre right here in Gateshead. It’s a beautiful weekend – full of shows that will excite, make you re-think and question theatre, you’ll laugh so so much, fall in love with stories, feel captivated, you’ll feel awkward, and you’ll be on the best theatre high all weekend and the worst “cant every weekend be like GIFT” festival come down on the Monday.

Across the weekend you’ll experience workshops, discussion, theatre shows, performance, debate, networking and parties – it isn’t a GIFT festival without a lively GIFT end of festival party. GIFT is for the theatre loving and also the traditional theatre rejecting as it’s so much more than going to the theatre.

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GIFT 2018

My first experience of GIFT festival was in 2016 (yep late to the party on that one) – I used to be quite a traditional theatre goer – theatre to me was a “proper” play. But here I am, “pre-culture vulture” era and I’m in the Caedmon Hall watching GIFT two shows – one show was a re-interpretation of “Stand By Me” with the sound track set to Eurythmics’ “Sweet Dreams” (80s obsession fulfilled as always) and then the second was a theatre show by Eggs Collective based on a hen party – with shots for the audience, amazing music, CRISPS and a great script. Well – I bliddy loved it. My love affair with GIFT was born….

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Eggs Collective

Last year again, I attended– GIFT 2017 and I saw many wonderful shows but my absolute highlight was PUG party. An eclectic mix of theatre shorts and scratches in a party atmosphere. Well I was the cat who had the cream – and there was bingo at one point. Loved it!

And like with any GIFT festival – you walk away with new relationships and friendships with people because you become part of a community. A never break able festival community.  And in 2017 – I met megababe Beth O’Doherty (You might remember I wrote a recent post on her) and one of my the wonderful human that is Rosa Rogers Postlethwaite; one of PUG.

http://www.picturesbybish.com/ | https://www.facebook.com/picturesbybish/

PUG : www.picturesbybish.com

Rosa is not only so so talented, ambitious and megababe supportive of other people’s work in the cultural sector – she’s also a fiercely strong character, an advocate, a positive role model and she’s one of the people, who I see in the sector rejecting a whole host of societal conventions and just out there being Rosa, following her path and speaking out for what she believes in….

And that’s what I love about the concept of PUG party – it’s not only the most electric party vibe for the audience, it’s also facilitating creative individualism and a forum to cheer other’s works, voices and be a part of something special.

http://www.picturesbybish.com/ | https://www.facebook.com/picturesbybish/

Le Fil #PUG4 : www.picturesbybish.com

With GIFT 2018 upon us, I thought I’d take the opportunity to interview Rosa, catch up about her happenings, her upcoming show Composed on Saturday at GIFT in Gateshead (I’m so excited to see it – join me!) and her current theatre residency journey in Gateshead.

Rosa Postlethwaite, Composed. Photo Rhona Foster

Rosa Postlethwaite – by Rhona Fosterpic

Well hello; right so let’s start at the beginning – tell me about your journey into performing arts?

It started with a lot of all singing all dancing shows in my bedroom including a particularly dramatic dance-with-chair to Robbie Williams, “Angels”.

I actually sang in a choir for a few years when I was a teenager, but very un-confidentially, now I sing (and do other stuff) very confidently at PUG with Hannah and Jamie. Which feels amazing.

Most of my performing arts activities happened at school. I then studied Drama at University in London and I became interested in performance from a lot of different angles.

I am interested in making, producing, framing, thinking and talking about and through performance.

Rosa Postlethwaite, Composed. Photo_ Rhona Foster(2)

Rosa Postlethwaite – by Rhona Fosterpic

It’s been so lovely to bump into you almost weekly in Gateshead during your current residency at Caedmon Hall – tell me about it?

I’m in the middle of a residency at Caedmon Hall supported by the North East Artist Development Network. I was matched with Caedmon Hall which is a Gateshead Council space and a mentor, Kate Craddock.

This residency is about collaborating with a lighting designer, Michael Morgan, a sound designer Jamie Cook and artist Nicola Singh to develop Composed. I haven’t worked with designers before on a show so it’s been brilliant to have the have the time, kitted out space and financial support to work through ideas and to hear their perspective on the show.

Rosa Postlethwaite, Composed. Photo_ Rhona Foster(1)

Rosa Postlethwaite – by Rhona Fosterpic

So Composed – your show in development; tell me more?

Composed is a show about theatre rituals, fantasy and institutional violence.

It follows a master of ceremonies through an evening of performance. Only showing the bits of hosting that might happen between acts (and not the “proper” performance). Like a thank you to the sponsors. Or an in-house announcement. Or a list of house rules.

Looking at the role of the MC has been a way of thinking about the relationship between a spokesperson and an institution. It’s about falling into a routine and unpicking behaviour that is seemingly safe.

Rosa Postlethwaite, Composed. Photo_ Dawn Felicia Knox

Rosa Postlethwaite – by Dawn Dawn Felicia Knox

Nail it down to three words….?

Funny, angry, stark.

Why are residencies like that important/important to you?

I mostly work site-specifically, so with this project, I needed to spend time in theatres to respond to the placeness of it as well as the idea of it. This residency was particularly important because it came with access to tech and money so I was able to learn about what was possible to do with lights and sound and experiment, instead of arriving on the day and making quick decisions.

You’re sharing the show at GIFT on the Saturday night – are you excited?

Yer! I’m really excited. I actually really enjoy performing Composed. I’m excited because I’ve shown lots of it in little bits but some parts are completely new and it will be the first time all these threads will come together.

What do you want audience to take away from it?

I hope they find some of the jokes funny and some of them VERY unfunny.

I met you last year at GIFT – so for those that don’t know – what’s GIFT all about?

GIFT programmes contemporary theatre and performance and presents it in different venues across Gateshead. The kinds of performances range in form so they might not necessarily happen in an auditorium over the course of an hour or two but some like my show Composed will. GIFT is a festival that invites people to see a lot of different approaches to making live art. And different kinds of experiences with people.

Most importantly, to me, GIFT programmes international artists.

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GIFT 2017

Have you been involved/performed as part of it before?

Yes, last year I co-hosted PUG Party at GIFT Festival with Hannah Walker and Jamie Cook.

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Kira Street at Pug Party – St Mary’s Heritage Centre- Bish

Where did PUG party idea come from?

PUG parties are like any other PUG night… in that it’s a variety show, hosted by us three. And there’s a disco afterwards. But the party means it’s a partnership with another organisation.

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Rosa and Hannah Pug#1: http://www.picturesbybish.com

I’m Culture Vulturing around GIFT for the whole festival – what are your “must see” recommendations?

Robust by CHACMA Performance

And

Situation with Doppelgänger by Julian Warner and Oliver Zahn/HAUPTAKTION

Though I will be going to everything. I think the line-up is mega this year!

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Patrick Ziza GIFT 2017 – Pug Party St Mary’s Heritage Centre – http://www.picturesbybish.com

What are the plans for Rosa across this year and the next?

I’m performing at Anatomy Cabaret’s Finest Cuts night at Traverse Theatre, Edinburgh the week after GIFT and at Pulse Festival on 1st June.

I’ve been working as a dramaturg with Lizzie J Klotz on her project Fawn which is part of a triple bill that she’s doing at Dance City, 26th May. I’m very excited to see these three pieces together. It’s going to be a really incredible evening.

The next PUG (number 6!) will be 27th July and there’s an open call for anyone interested in performing (see www.pugnight.co.uk).

This year I’m producing a new show, Five Years written and performed by Neal Pike and directed by Matt Miller with Newcastle and Durham dates in Autumn 2018.

Well yahoo! I’m so excited for GIFT 2018 – tickets are still available for the whole festival. My Culture Vulture recommendation is of course, the WHOLE festival…. But if I had to narrow it down:

Friday

Quarantine presents Wallflower – Baltic

Wildflower After Party – Baltic

Saturday

Little GIFT Scratch – Caedmon Hall

Robust by CHACMA Performance – Baltic

Composed by Rosa Postlewaite – Caedmon Hall

The GREAT GIFT Scratch – Caedmon Hall

Sunday

And She by Bonnie and the Bonnettes

Someone Loves You Drive with Care – Baltic

Hurry up weekend – GIFT 2018, I’m coming at you!

Big love until next time Culture Vultures.

Ouseburn Open Studios 17th & 18th March; the ultimate Culture Vulture weekend.

One of my absolutely favourite weekends of the year, a true weekend full of Culture Vulturing, is Ouseburn Open Studios. It’s a weekend full to the brim of everything the Culture Vulture is all about – supporting and championing artists and independents, seeking out the unfound and hidden talent in the region, spending time in one of the creative hearts of the region, experiencing different artistic mediums and going into artist studios and creative spaces.

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Ouseburn Open Studios is a bi-annual event that takes place in March and November every year, and celebrates art, craft and design in the Ouseburn Valley and offers other culture vultures a rare insight into the working world of artists and designer-makers. It all started modestly in 1995 with a few artists from 36 Lime Street opening their studio doors; over the years, Ouseburn Open Studios has grown and grown and now is one of the highlights of the cultural calendar; showcasing the work of more than 100 artists, designers and makers working across the Ouseburn Valley.

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One of the many creative delights in Ouseburn Valley

This year, Ouseburn Open Studios returns on Saturday 17 and Sunday 18 March – 10am-5pm offering a unique insight into the working world of artists and designer-makers whilst signalling the start of the new Spring creative season with venues and artists taking the opportunity to announce new projects, new product lines, workshop programmes and events.

This Ouseburn Open Studios, five venues from across the Ouseburn Valley – located a short 15-mnute walk from Newcastle city centre – are taking part in this spring’s event including: The Biscuit Factory, Kiln, Northern Print, Jim Edwards Studio and 36 Lime Street.  Ouseburn Open Studios is open to the public and is free to attend.

I was recently invited to meet project coordinator and general manager of The Biscuit Factory, Rachel Brown, to find out more about the 2018’s Spring Open Studios.

Rachel Brown said: “The spring event has a laidback vibe, and being smaller in scale means that visitors can take their time to explore the different venues. Whether that’s discovering the freshest of work being created from within the studios, enjoying a newly launched exhibition, dropping in to a demonstration or booking into a workshop. It means that visitors can personalise what they want out of the weekend.”

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Handy map of venues

So, for 2018, the spring programme includes:

  • The Biscuit Factory – Inspired by International Women’s Day, the gallery is spotlighting inspirational women in the creative sectors with a weekend that celebrates local female entrepreneurship with pop ups, workshops, demonstrations and open discussions. How absolutely up my street is that!?
  • Kiln – The workshop and kitchen welcomes back its monster making drop-ins; get to grips with clay and make whatever comes to your imagination.
  • Northern Print – The gallery will showcase the work of Japanese artist Katsutoshi Yuasa. Using Mokuhanga – the traditional Japanese woodcut process – his work reflects on photographic and digital images and the time spent in making these hand carved works. And as always, I’m sure there will be print making opportunities for people to have a go at!
  • Jim Edwards – Jim will showcase his new collection of large Nightscape biro drawings of the River Tyne, reminiscent of his sketchbook work. As always Jim will be lurking in his creative workspace and on hand to chat about his working practice.
  • 36 Lime Street – 22 artists and makers will open their spaces over all five levels of this listed building. The theme in the street level gallery is Change, inspired by the centenary of the first votes for women. Visitors can also buy raffle tickets to raise money for building works: covetable miniature prints designed by members and printed by Lee Turner of Hole Editions. I’m building up quite the collection of these raffle tickets! Hannah Scully ones are always beauts!

As always the line up above is amazing but if that’s not enough to persuade you to visit, well I thought I’d gather my top hints, tips and reasons why you HAVE to visit.

  1. You can go inside artist studios.

This is one of my favourite elements of Open Studios. Every single studio is so different and individualistic and they open their doors to the wider public. It’s an opportunity to see works in progress, watch demonstrations, view and take in their work, find out how they make things and about future projects alongside being able to buy lots of lush pieces, prints and cards.

I spend ages just lurking and pottering about – going from studio to studio. For me, it’s a great opportunity to meet new artists and catch up with Culture Vulture favourites. I love hearing about what artists are up to, what commissions they are working on and their creative journey and inspiration.

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  1. It’s a lush opportunity to visit a new venue or space.

Even if you’re an Ouseburn Open Studios regular, as artists are always evolving, moving on, moving in and spaces in the Ouseburn are converted and transformed, there is always something new to see, discover and experience. It provides a great opportunity to finally visit a venue or independent, that you’ve been meaning to but haven’t got round to yet.

I’m super looking forward to FINALLY going to The Kiln; yes can you believe that I’ve not properly been yet? Every time, I try to visit it’s either too full or closing (I swear it’s a conspiracy) so I am making it my firm priority to go and really looking forward to it.

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The Kiln – Ouseburn

  1. It’s ace for boozy Culture Vulturing and supporting independents.

We all know I’m a big fan of the #SundayClub and Ouseburn Open Studios is perfect for this. I love going with a friend, planning a lush lunch somewhere (often Ernest) plotting our route, visiting the galleries and venues, and stopping off on the way at many of the independent bars for a drink. As you can imagine, the more stop offs, the bigger the purchases get…..one minute I’m buying some nice print cards, the next a small print, then a chopping board and suddenly I’m putting a deposit on a coffee table commission. It can be a beautiful blur.

And that’s also the beauty of Ouseburn Open Studios – there is a misconception that purchasing art is mega expensive and it’s really not. A lot of work and pieces are really affordable alongside pieces that I like to label “aspirational” – one day! Open Studios is like my version of walking around IKEA; I pretty much know exactly all the art pieces, the commissions and token creative bits that I want for my own house. My house will be full of bespoke pieces by independents, full of colour and total mis-match – representative of my personality.

The Biscuit Factory and in many of the individual studios, there are often a wider selection of bespoke gifts, prints, cards created by artists and creatives etc – by purchasing those, you’re equally supporting independents and creatives and they are super affordable . Last Christmas, every card I sent was from the last Ouseburn Open Studios – each very different, lush and unique. I like the idea of giving someone their own mini artwork.

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The Biscuit Factory

  1. Ouseburn Open Studios is super accessible.

If you’re a Culture Vulture, have a family of mini culture vultures, creatively curious or looking for an ace afternoon out with your friends, family or on your own (I often go it alone and love it!), then it’s absolutely for you. The vibe and atmosphere is amazing, everyone is always having a lush time so I always get chatting to people. As so many different types of artists are involved, you may go into one studio and think it’s not quite for you or to your taste, then walk into the next one and love it and so on. For me, I’m less about the florals and more about the abstract, or the graphic design, the colourful, the big and the bold, the obscure and the artistically intricate.

And for families, there is always lots to do too. Many of the venues or artists have child friendly activities for your mini culture vultures to have a go at. But the families that I watch going around, because each studio and space and space is so lush and different, for kids it’s like a new discovery behind every turn and they often can’t wait to show their grown-ups what they’ve just seen in another studio.

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  1. It feels like home.

My creative soul feels like it belongs in the creative quarter of Ouseburn. I love the industrial surroundings (not so much the student accommodation!), the graffiti, the lush independents, the vibe and the creativity that is going on all over the place. For me, it’s as much about the outside as it is the inside, taking in the river, popping along to the Tyne Bank Brewery, going to check on the little boat behind Seven Stories and seeing all the small pieces of public art hidden around.

However, true nostalgia and it wouldn’t be an Open Studios without it, is visiting Jim Edwards Gallery Space. You may remember I wrote a recent blog post on him – I’ve been a super fan for a while. I love his work, his depiction of Northern cultural scenes and his representations of views that we all know and love. I was also a super fan of Craig David Pubcat (if you know, you know!) and visiting Jim’s gallery is like a little homage and nod to his memory. I bliddy loved that cat and I love that Jim has captured Craig David in several scenes showing how much he was a part of the fabric of the cultural scene for many.

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Jim Edwards featuring CraigDavid Pubcat

  1. It’s not just about looking at things.

Lots of the artists and creatives put on demonstrations or continue their creative practice so you can watch whilst they are engaged in a new project or commission. There is a lot of opportunity to chat and ask questions. But many run drop in workshops across the day – which is a brilliant addition.

This year The Biscuit Factory is doing something a little bit special and very up my street to complement their brand new Spring exhibition (can’t wait to see it – I’ve avoided going so it’s all a lush surprise); they have several artists from the exhibition on hand to chat about their work – a meet the makers type of thing. They have also assembled a creative programme inspired by International Women’s Day with some of my fave female creatives and artists – including The Crafthood, All Round Creative Junkie, A Woven Plane, Trendlistr and Megan Randall (who I haven’t met in person yet – so yey!). If you want to find out more about the line-up well head on over to the facebook event page – as some activities and workshops have specific timings and charges.

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So I hope that’s enough to get you excited – I will be out culture vulturing across both days – so if you see me, make sure you say hello! I will also be popping my creative adventures on social via facebook, insta and twitter so if you want to follow that you can.

Facebook: @TheCultureVultureNE

Insta: @horts27

Twitter: @reettinker

For more information on Ouseburn Open Studios visit their website: http://www.ouseburnopenstudios.org

Until next time Culture Vultures!

All rise for Lady Kitt; subversive, perfectly ridiculous & immensely talented.

The whole point of International Women’s Day is to celebrate women, feminism, Northern lasses and champion women who rock your world. So for this year’s, International Women’s Day, I wanted to profile an artist and creative that I personally have loved from a far since I first became aware of her – her work, passion, innovative and interesting projects and commitment to creativity and  equality.

Well hello Lady Kitt…..total megababe. Kitt’s projects, work, events and her exciting ambitions are not only inspirational to the regional, National and Internation sector – but to me, she is someone  brave, bold, empowered and doing creative things that are truly exciting and making her mark in a thriving and vibing independent arts and cultural sector. She’s my kinda gal and I’m thrilled she accepted my invitation to be feature in this blog post.

BOOM – Happy International Women’s Day Lady Kitt – reet so let’s start at the beginning; tell me about you and your extremely diverse practice?

Hi, I’m Kitt- I’m a…. “Maker”. I guess that best sums it up. Art, jokes, food, quite a lots of mess, and, with my lovely husband Andy, a couple of super little humans. It’s all making really isn’t it?!

It’s funny – the diverse practice thing, I’ve been thinking about it quite a lot recently. I reckon the tools I use are quite diverse- there’s research, paper cutting, mass bubble blowing, fruit carving, performance, lectures, projects, … but really, the core of my work has always pretty much been the same- it’s all about delving into, developing, celebrating the social aspects of creativity.

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Everyone has a different journey into the Arts; what was your journey into the arts?

I’m not massively into the idea that people are “born” to certain things; but looking at my early life it’s easy to link it to my practice now. I was brought up in a creative family. I grew up with my wonderful younger brother Louise who was severely disabled and terminally ill. He was an amazing artist and seeing the pleasure and power he experienced through being creative has had a huge influence on how I see art and why I think it’s important. I was taught at home until I was 14 – so had a good amount of time to focus on being creative and lots of time to spend with one of the most important people in my life- my sister, Bridie. Our relationship and creative adventures together are big, big part of almost everything I do.

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I’ve always made physical stuff- embroidery, nests, paper cuts- but for a long time I didn’t think I was an artist. I started off wanting to be a dancer. I trained in the Indian dance/drama discipline Bharata Natyam for six years and was taught contemporary dance by the completely awesome Trish Winters. It was through Trish that I started to experience some really playful ways of using and presenting performance. During my art foundation degree, I started making work that combined performance, working with community groups and making stuff all at once. But it wasn’t until I was at university that I really discovered live art and artists with a ‘social practice’ and then I was like- yes- that’s me- I have a gang!

Lady Kitt is an amazing artist name  – I love it!

Name wise-when I was coming up to my 21st birthday- my parents were talking about what to give me as a birthday present. I’ve always been a Republican (in the anti-monarchy sense), really disliking the idea of being subjugated, inherited titles and all that gubbins, so they offered to change my first name by Deed Poll to “Lady”, as a daft, subversive, two fingers up the whole system. I loved it – it’s such a cheeky gift- so we did all the paper work and everything- sent it off, but it was rejected – on the grounds that I was trying to “assume a title”- which is sort of pleasingly ironic. I thought “fuck it- I’ll just call myself Lady Kitt and I’ll keep doing it until everyone else does too” and that’s what I’ve done.

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You have a very strong visual identity within your work and expression of yourself as an artist – how did you develop this?

It’s really interesting that you say I have a strong visual identity; looking at it objectively I can see what you mean, but that’s definitely not how I experience it myself. For me, I have a strong methodological process, and some very definite ideas about making art in inclusive, ethical ways.

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I’ve developed my process by pretty much by throwing myself in at the deep end and seeing what happens. I don’t ever really think “this is too ridiculous” (although it nearly always is). I think “how can I do this so it genuinely, clearly says something I’m interested in” or “how can I get lots of people involved and change something we all want to change” or “how can this be the most fun possible?”.

Like with the first Nasty Women exhibition last year- I just thought “this is really important, I want people in the North East to have an opportunity to be part of this. I want an opportunity to be part of this”. I didn’t think “Bugger we can’t do this- we’ve got no money, no infrastructure, no gallery, no clue”- which was all true! So yup, that’s how I develop the process…

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But visually, with the sort of “end product” – I don’t consider myself to have a very coherent style or visual language- I just make the next thing that I feel compelled to make, without ever thinking does it look like something I’ve done before- will it “fit in” with my existing body of work? Maybe it’s because the physical objects I make aren’t really the “end product” to me- to me they are a tool for getting to the goal- which could be raising awareness, building a community, changing a policy, having a good time.

I love your ethos of experimentation, challenging creative roles and processes – where does your creative playfulness come from?

Thank you! I like to see people reacting to things in curious, inquisitive, ways and I like to create situations that let people do that. So some of it comes from that- basically it just makes me happy!

It‘s fun for me to invite people to apply to be my muse (like it’s a formal job), or to encourage people to use my head as an art gallery or to make a performance where the content is authored by viewers sending me text messages telling me what to do. So that’s part of it- And some of it is more philosophical. People are creative- making things in a (generally!) thoughtful way is one of the things that makes us Human.

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Often people don’t get (or give themselves) opportunities to enjoy that- I want to create situations that encourage people to make physical stuff, make decisions and think about / celebrate the importance of being creative. I also hate all the hierarchical “hi/ low brow art” crap. I think it’s detrimental to individuals and to society. People thinking that they are not creative or not creative in the “right way” stops them from developing vital skills.

Making stuff gives people agency- it’s a chance to physically encounter change. Making in groups is like apes grooming- it’s social glue. When people start being creative together they almost instantly create a little community that has its own culture and rules- just like that, out of nothing, it’s like magic. Once people do that and know that they can do that then, they often start to explore other wider things that they can create and change. A community full of people who feel empowered in that way can be supportive, kind, resilient. Elitist ideas of what is art and who is an artist just stop all that dead. Sorry, I could go on about this for EVER.

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It’s great to be able to showcase you, on International Women’s Day….. what does being a female artist in 2018 mean? What does it mean to you?

Wow- well, I’m extraordinarily lucky. For me being a female artist in 2018 (in the UK), means freedom. I’m free to say what I want to say in the way I want to say it. A few people might think I’m idiotic, a lot of people will question me (and so they should) – but no one can stop me. Being a female artist in other places in 2018 doesn’t mean freedom, it can mean absolutely the opposite. And being a female, or a being queer, or being an activist can still mean torture and death. For me, knowing this and campaigning to change it, is a very important part of being a female artist and of being a Nasty Woman.

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How do you plan to mark it this week and #pressforprogress?

Again I’m so lucky. This year I have work in 4 exhibitions all over the UK all opening on Thurs 8th. I’ll be in London performing at the Creative Debuts and Nasty Women “Empowerment” exhibition along with a group of bloody amazing Nasty Women from all over the world.

We are also launching the Nasty Women International Art Prize this week. The aim of the prize is to: Recognise and reward Nastiness in art and activism. Prizes include an Artist residency, money and opportunities to show work in UK, USA & Holland.

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Last year hundreds of artists from all over the world gave their time and work to Nasty Women events- the generosity was overwhelming. It’s estimated that the movement has raised half a million dollars for Planned Parenthood and other women’s & LGBTQ+ charities so far. This year Nasty Women organisers wanted to create an opportunity to celebrate those artists and an art prize seemed like a good choice! The judging panel consists of 12 Artists, curators, gallerists & activists from around the world including:

Carolina Wheat & Liz Nielsen from Elijah Wheat Showroom, New York (USA), artist and co-founder of NW Amsterdam Airco Caravan (NL), Curator & NW North East Co-founder Michaela Wetherell and me!, to name just a few. There’s so much to say I don’t really know where to start, but we’d love it if lots of North East based artist entered! Anyone who is interested can check out here.

Do you have a female artist that you’re inspired by?

So many, but not just women, not just artists… all sorts of everyone. Me and my sister just went to see Bryony Kimmings “a pacifist’s guide to the war on cancer”; it was so funny and thoughtful and generous and utterly devastating, but in a really cathartic way.

I’ve just read Scottee’s play “Bravado”- it’s had a big impact on me, I’m making a lot of work about toxic masculinity at the moment and he’s perspective as a “sheep in wolves clothing in the world of men” is very shocking and inspiring.

Betsy Greer- the mother of Craftivism!

Nasty Women North East co-founders Michaela W and Aly Smith.

Venus di Milo- a Newcastle based performer who describes herself as “just a drag queen with no arms”.

Leeanne and Gareth at Thought Foundation in Gateshead– running a stunning, creative business whilst bring up two small children….

The world is full of bloomin’ fantastic, inspiring and very Nasty (in the nicest possible way) people.

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Tell me about Nasty Women?

Nasty Women is a global art and activism movement started by New York based artist Roxanne Jackson in Nov 2016 just after the election of Donald Trump. It is pro equality and anti-Trump. There have been Nasty Women events all over the world, raising money for and awareness of women’s and LGBTQ+ rights charities and organisations.

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What is a “Nasty Woman”?

The Nasty Women North East’s definition is:

Anyone!!! It is not necessary to identify a women or an artist

  1. Believing in equality and wanting to protect human rights (in particular women’s rights)
  2. Believing that art (in the broadest sense of the word- poetry, dance, drag, music, knitting etc) can be used to help increase equality and protect human rights
  3. Being happy to welcome and support others who also want to do these things…..

If this sounds like you, then as far as we are concerned you are Nasty- Hurrah!!!

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Will there be another Nasty Women conference in 2018?

I’m not sure- we won’t be organising one because we’re busy with the art prize and creating a feminist art magazine for children under 10! Also, if there was another I don’t think the same group should organise it -as a big part of the movement is about understand other people’s perspectives and doing things in a way that suits your own setting, so if there is another one I hope it’s somewhere completely different. I hope another group do organise one because I’d LOVE to go to it!

That sounds like a something, the Culture Vulture would be interested in…..how can I, and other potential Nasty Women, get involved?

People can get involved in a huge variety of ways- it’s a totally grass roots, DIY movement, you don’t need permission or any kind of initiation! So you can have an exhibition in your garage and invite your mam and 5 friends and raise money for a local women’s charity.

You can send your art work to one of the many NW shows going on around the world- these are listed in the USA website , you can submit work to the Nasty Women International Art Prize & you can volunteer to help a local Nasty women group

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You can also call out inequality and gendered idiocy when you see and experience it, you can tell children you know that they are thoughtful and strong and funny and creative and fierce and fabulous regardless of their gender. You can listen, really listen to the next person who says something sexiest because being Nasty is about being open minded, it’s about understanding perspectives that are not your own and looking for long term solutions.

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But ok – we are kindreds…..but let’s get back to you – Lady Kitt; what projects do you have planned?

I’m focussing on my projects “Worth”, “King Kitt” and the “Making Manifesto”.

Throughout 2018, to coincide with the centenary of (some) women’s right to vote in the UK, I am making a series of works called the “worth” portraits- inspired, in part, by Caroline Criado-Perez’s campaign to have Jane Austin’s image on the Bank of Engalnd 10 pound note. When that campaign was going on I was horrified by the abuse (including death threats) Criado-Perez received for wanting to celebrate the achievements of women in the same way the achievements of many men have been celebrated for years. The works are portraits of amazing women made by cutting love heart shapes from real £50 notes, each one depicts a woman who I feel needs celebrating. I am always on the lookout for new subjects, so if you know a wonderful women who needs celebrating please get in touch!

I’m also hoping to sleep quite a lot after next week as that’s something that’s been a bit neglected of late….

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What does being a feminist/megababe mean to you?

For me being a feminist is not just about women’s rights- it is about equal rights for everyone. The “King Kitt” series of works are about toxic masculinity- which I feel creates a series of circumstances that can make men comically manly, dangerously macho and devastatingly vulnerable. According to the Office for National Statistics- of the 5,965 suicides registered in the UK in 2016, a total of 4,508 were male and 1,457 were female. More equality will, hopefully, create a society where shocking statistics like that can become historical records, not lived realities.

The Making Manifesto is a research project based at Byker Community Centre about the benefits of community making. It involves a lot of the stuff I’ve ranted about earlier- hi art elitism and Making physical things and giving people agency!

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Wow – ok so for me as The Culture Vulture- I feel so inspired – this entire interview has given me a kick to be more Nasty, to be more experimental and to seriously consider doing something North East Nasty Women Conference related.

Big love and happy International Women’s Day Culture Vultures.

Want to find out about the NE music scene? Well you need NE Volume in your life!

So you guys know me as The Culture Vulture – I’m your one stop shop for cultural information, happenings and the queen of championing creative projects and people. However, I’m only as good as my network and the people in it – I’m constantly out there seeking information and keeping my ear to the ground. I started two years ago, just a love of going out and cultural goings on with a passion to champion people, places and projects whilst doing my own stuff.

Now my network and cultural knowledge in the cultural sector is second to none. In fact, if I ever went on mastermind, I’d want it to be my specialist topic. I spend an insane amount of time on social media – it’s my job to know the happenings, to seek out opportunities, create connections and have a good overview of the movers and shakers, emerging and exciting happenings. It means that I discover lots of things and exciting people on social – some of whom are doing thriving and vibing things in the sector but I’ve actually never met. Weird right? Admiring their work from a far whilst their work and content becomes a core part of my knowledge bank. Any type of admiring from a far sounds creepy to me – but I’m the proud queen of creeping.

So as The Culture Vulture – you guys know I’m all about championing and seeking out the gems, the new venues, the gigs which you attend and you know you’ve just seen something magical and of course, local artists! On the flip side, I’m also going to see Taylor Swift in May and I’m literally buzz light years about it. But when I think of the North East and music for recommendations and gig suggestions – I think of NE Volume! It’s a great in print and digital publication, that covers lots of real reviews and editorial about the North-East music scene.

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Their reviews are written by real people, the venues are many familiar favourites and some new gems, the gigs covered make me so proud of our cultural scene and many a time, I’ve taken a chance on an unknown and LOVED IT.

I love Crack Mag but NE Volume are doing something a bit special and have totally cornered a niche. Their passionate ever-growing readership and thriving online community of music lovers is a testament to the fact they are doing something mega special.

So, I digitally caught up with NE Volume founder Lee Allcock (one of my 2018 new years’ resolutions is to meet in person), to find out more about NE Volume and where it all started!

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Lee Allcock

What is NE volume?

NE Volume is a FREE North East music and culture magazine that is stocked in 250+ outlets right across the region (nevolume.co.uk/outlets) and is also available to download at nevolume.co.uk/magazine.

Tell me about you and the beginnings of NE Volume?

I’ve always been passionate about music, especially local bands and artists, and my dream was to become a music journalist. I studied Journalism at Teesside University, volunteered for some other local music magazines while working as a content writer, and I was then given a small grant by Teesside University to start my own business. Of course, I quit my job immediately and the rest is history.

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Quitting your job to pursue your dream is right up my street – so what was your motivation for the business, like me – you’re a bit of an workaholic – you must love what you do!

It hasn’t been easy, and there have been a lot of ups and downs, but I absolutely love what I do and I wouldn’t want to do anything else. I support local bands, cultural events, and North East businesses for a living and that keeps me motivated.

There’s the Crack, Narc and others – I love NE volume but do you want to tell my readers what makes you and the publication different?

We’re actually the ONLY music and culture magazine based in Teesside. And, although Teesside is a pretty large area, I felt that The Crack and NARC weren’t really showcasing this area so I wanted to help.

So tell me what was your highlight of 2017 in terms of NE Volume?

To be honest, the fact that we’re still here and running in an internet-based world has got to be the highlight for me. It’s been a tough road, but with the support of so many bands, independent businesses, music venues, our loyal readers, my designer, and my writers, we’ve been able to continue to support the local music and culture scenes – and that makes it all worthwhile.

Of course, I have to ask this question – what’s been your favourite gig?

Liam Gallagher at Metro Radio Arena. Okay, it’s not a small local gig (which I also absolutely adore) but Liam was in his element from start to finish and he had the crowd in the palm of his hands.

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Liam Gallagher

What’s your ‘one to watch’ for 2018?

Local band, The Pale White. They’re set to play at Riverside in Newcastle this month and it’s already sold out. They’ve also supported the likes of the Libertines and they’re destined for big things this year – I’m sure of it.

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The Pale White

Who is your fave soloist?

Samantha Durnan; her beautiful lyrics and stunning vocals really do pull on the heartstrings.

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Samantha Durnan

You also have a cultural corner within your publication, I’ve written for it before as the Culture Vulture (yey!) – but what are your plans for this?

My plan is to increase the number of cultural articles we cover over the course of 2018. We’ll also be looking to review theatre productions and comedy gigs as well as interview comedians and artists.

OK so say I’m in a band and I want to get an NE volume review – what should I do?

Don’t be afraid to get in touch with me at info@nevolume.co.uk including some background about your band and a link to your material and we’ll do all we can to arrange for your release to be reviewed.

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You recruit lots of new aspiring writers and journalists – what’s your recruitment process?

It’s very simple: just send an email to me at info@nevolume.co.uk including your CV and a paragraph about your favourite aspect of the North East music scene and I will get back to you within 2 days maximum.

 

What are you up to for 2018?

I’m actually going to start my own radio show (fingers crossed) so I’ll be looking for local promoters, bands, soloists, and independent venue owners to join me for a chat. Again, if you’re interested then please email me and I’ll be happy to liaise with you.

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Well that’s lush and Lee has already asked me to be on his radio show (I do love the sound of my own voice so obviously I jumped at it) so something to look forward to! Make sure you check out the current edition of NE Volume – it’s a treat!

Until next time Culture Vultures.

Beth O’Doherty; fave human, actor, singer, dancer, writer, panto lover & challenger of asexual stereotypes.

The region is thriving and vibing culturally at the moment. I honestly, think this is the dawn of the independents, the makers, the doers, the passion project pushers, the creative thought leaders – the creative folk championing each other, their projects, their journey and I’m very much a part of that. Part of being the Culture Vulture means I’m a cultural cheerleader- willing everyone on, championing them, mentoring, trying to lead by example that the creative sector is truly ALIVE and has space for the brand new, the disruptors, experimenters and independents.

At the moment the performing arts sector in the North East is exactly that – there are so many independents, projects, individuals coming forward with new ideas and shows –  it makes me smile with pride and I’m so excited to see how 2018 pans out.

In 2017, I had the pleasure of falling back in love with performing arts – through my role at Sunderland Stages, was invited to work on 4 audience development projects, I saw 61 theatre shows, met 18 theatre companies, saw 3 festivals and BAM true love reunited.

I met a fantastic amount of exciting talented people and again, as the Culture Vulture – I love the possibilities and I have no idea what talent I might discover around any turn. Beth O’Doherty was around one of those corners and she’s thriving and vibing into 2018……

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Hi Beth, so tell me a bit about you and what you’re up to at the moment?

Why hello you! At the minute, I’m enjoying the seasonal festivities and a bit of rest and relaxation time so I’m re cooperated for 2018.

You seem to have your fingers in so many creative projects and pies – it’s great and I love that about, honing your talents and vibe whilst experiencing so many things. What was your highlight of 2017?

That’s a tough one! I’ve been a part of so many lovely shows but seeing Alphabetti Theatre get a new venue and reopen with a triumphant hurrah was an absolute joy and the programme has been full of delights

I first met you at part of GIFT Festival 2017, which for those who don’t know, is a fantastic festival of theatre in Gateshead. Tell me about why you got involved in GIFT and your favourite GIFT 2017 moment?

I was taught by Kate Craddock (Festival Director) and the lecturers are always keen to give you experience through their projects. I couldn’t resist getting involved as I just love festivals. They wet your appetite with lots of different teases.

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Bonnie and The Bonnettes

I got to build up my skills in Front of House and tech and generally see how you put such a mammoth event together. It was an amazing chance to see international work from different countries and to see international ways of working right on your door step. We are definitively better together and when we share and stay connected so I hope that this practice can continue.

Saying that, my favourite moment was when Bonnie and the Bonnettes along with their guests performed The Bloodhound Gang’s Bad Touch. What an absolute riot!

You remind me of ‘Little Voice’ – actress Jane Horrocks plays a shy, quiet young lady – who when she has a mic and on a stage, unleashes this mind blowing, unexpected big voice….. I love your voice; I love it so much, I invited you to sing at Newcastle Start Up Week’s Creative…… tell party me about your singing journey and how you developed your voice?

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I am absolutely blushing! You are FAR too kind. I have a lot of people to thank that have gone into my singing. I watched so many Disney movies growing up (and still do) that bursting out into song was natural and all I wanted to do so I joined local theatre groups as a way to have fun and make friends.

There, I started developing my technique. You learn from every musical director you work with. I love old Hollywood musicals and the vaudeville style variety shows and am inspired by Judy Garland and Ella Fitzgerald so listened to them on repeat and started to build up a jazz repertoire. I’d love to learn to scat.

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You recently, hosted a Jazz Showback at Prohibition Bar  in Gateshead – what was the inspiration behind that and most importantly, when’s the next one?

We have so many amazing performing arts groups across the North East and when you’re working on a show you sometimes end up in a bubble so I thought it would be nice to have an excuse to come together, meet new people and celebrate the level of talent we have here. Mitch, the owner of Prohibition bar was so open to ideas and so helpful in the planning. It’s a stunning venue and I’d recommend it to everybody, whatever the occasion. Big thanks to everyone that came to the first one and definitely watch this space for the next.

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I was buzzing when you popped up on my Facebook news feed in full Panto character make-up! What show were you in, how did you get the part and what is being in panto really like?

I went to an open audition in London after seeing an advert and crazily got it. I had the amazing chance to play Widow Twanky in Aladdin for Chaplins Pantos. We were touring schools and community centres around the Midlands and it was such a howl. I think everybody that does Panto falls head over heels for it. You can’t get better audiences. There’s all the nostalgia and tradition behind it, no matter what story you are telling.  You have total licence to play and turn little mistakes into the biggest laughs. For example, I lost my wig in perfect timing with the last beat of the music for the bows riling the kids back up just when it was meant to be over.

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Big props have to go to panto stage managers and crew on book for trying to follow the madness.  Yes, you end up telling the same joke a ridiculous amount of times but it’s just so easy as the audiences give you all the energy you’ll ever need to keep it fresh. I must send my love to the Chaplins team, my cast and Sam, my director for such an amazing time.

I was catching up with Phil Douglas – Creative Director last week (p.s. absolutely can’t wait for Curious Festival 2018) and he told me that you were successfully awarded a Curious bursary! Well done you – very proud; what was the application process like and what was your motivation to apply?

I wanted to apply for Curious as I’ve loved previous years and the conversations that have been started through it. I was developing the idea for the piece and talking with other LGBT+ artists through workshops with Mother’s Ruin and Curious has given me the chance to take the piece to the next level. The application process was very accessible and the team we’re so lovely to talk to.

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Mother’s Ruin

Your developing show is really ground breaking and interesting – what’s the show about?

It’s about my asexuality and not wanting sex when society is giving you so many messages about it. . It’s not wanting to hear another love song on the radio. It’s the confusion when everyone else your age seems to be hooking up. It’s not getting innuendos but not being brave enough to urban dictionary it, all with a bit of song, dance and dress up

As someone that has always struggled with sexuality labels in a world that is so focused in labeling, I think work like this is so important as it shows the spectrum and how individualistic it can be and the journey to a certain point. Do you mind explaining what asexuality is?

Basically, I don’t feel any sexual attraction or arousal. As with any sexuality, everyone has a different connection with it and I’d never claim to speak for anyone else.  I’m attracted by personality and having mutual interests. I’m part of a great online network full of people that use asexual to define themselves. We support each other, share experiences and campaign for visibility

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I know it’s still in development – but what do you want audiences to take away from it?

To recognise that people have different feelings around sex and that enjoying it isn’t a given and to learn a bit about asexuality. I use the show to laugh at people’s negative misconceptions and reclaim jeers so I hope people might relate that to their own situations but most of all to laugh and have a good night out

When can I see it in scratch and do you know where it features in Curious yet? (sneaky way of also trying to find about the Curious programme).

I’m performing on the 6th July at Alphabetti Theatre alongside the other commissioned work which I am very excited to see. I’m not sure how much I can say but by the sound of current plans a wide range of venues are getting involved. It’s gonna absolutely cover the North East. The team are turning the heat up for sure. The range of art forms is gonna be amazing well. There’s gonna be so many different forms of expression.

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BALTIC LIVE is Curious (Photo: Michael Mcguire) 

So what else is for Beth in 2018 – any other projects on the horizon?

I’m assisting the lovely Take Part team at the Customs House with their family arts sessions during the school holidays and am gonna be performing at Mama Rhi and Lydia Brickland’s night for International Women’s Day in March brining out all the girl power songs.

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Mrs Fanny Bleach and other wonderful artists on the 8th March at The Bridge Hotel @ 7.30pm

This time next year, in a year’s time – what do you want to have achieved? One thing?

This is probably a massive ask but I’d love to be a part of a new, original Geordie musical for and about Geordies. Our Billy is still going strong, writer Tom Kelly knows every way to play with my heart (Dolly Mixtures was a highlight for my family last year), The Last Ship is coming back home and there’s some amazing triple threat companies creating vital work. As a region we have so many stories up our sleeve so I can only hope I can get amongst it.

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Not at all a massive ask – an absolute reality in the making and it’s a pleasure to watch you creatively bloom. And of course, remember to invite me to all the scratches and launches of everything or I’ll be getting in a huff.

Big love for Beth – a lass making big waves in writing, singing, directing and just getting amongst it.

Until next time Culture Vultures!

Posy Jowett: my favourite creative onion

Creative people are just like onions…..layers and layers – lots of hidden talents, surprises and so much more than what you see on the surface. The biggest onion I’ve met this year has to be artist, creative and all round megababe Posy Jowett.

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I had the absolute pleasure of working with Posy during Juice Festival – on face value, Posy works at Northern Stage and is a dream working with children, facilitating creative activity.  And then (remember she’s an onion) as part of Juice – Posy had  been commissioned to create re-imaginings in a graphic exhibition showcasing partners, venues and people and it was bliddy fantastic. Jaw dropping amazing – I was blown away! Flash forward to our Juice Festival Culture Camp and Posy drawing an amazing lobster illustration….. it was a really beautiful piece. We all know how furiously jealous I am of people who can draw……

And THEN, it pops up on social media a few weeks ago, sneaky creative Posy was launching her new crafty and creative business; Pocketful of Posy. Posy now sells beautiful hand made product and animals – the attention to detail is immense and I really need more of my friends to have babies so that I can purchase these soft little creatures.

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That’s what I mean about creative people – onions. Posy – working in performing arts and theatre, strong skill set in creative facilitation with children, brilliant graphic designer, naturally talented illustrator and now, a crafty business person designing and sell products. She’s an onion.

So i caught up with Posy recently to find out more about Pocketful of Posy and what is next for this creative onion in 2018…..

Hi Posy, so tell me a bit about yourself?

Well, I have a background in Fine Art – I studied in Sheffield – and have always loved making things. Since moving back to the North East to study for my MA in Cultural Heritage Management, I have worked in a few different roles but missed making things with my hands. I do a little bit of everything; knitting, crochet, pottery, illustration, digital design, lino printing… and now sewing.

Tell me about your brand spanking new creative business – you sneakily launched it and I love the name Pocketful of Posy!

When my sister in law was pregnant with my nephew, Leo, I wanted to make her and her new family a handmade gift. I always over-gift (I love giving presents) and so in addition to the crochet baby blanket I spent hours making I decided to make the new baby a toy. I rummaged through the boxes of craft things that I hoard at home and found a pair of jeans that didn’t fit anyone and one of my boyfriend’s striped shirts that he didn’t wear any more – and they became the first whale.

A mutual friend, Bryony Villiers-Stuart asked that I make her a whale because she loved Leo’s so much, so I made another. This Autumn out of the blue, I had a phone call from Bryony to say she was putting together an ethical makers collective to exhibit and sell work in Hexham this winter, and asked if I would make some soft toys, like the whales, to sell. So I started drawing and trying out designs for my animals, and have ended up with a collection! It’s literally the last week or so that I’ve begun to think that maybe this is a business that I can keep going, so I’ve created Pocketful of Posy.

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I love your products – very lush and special.

I love them too! I am totally dedicated to reducing my carbon footprint and one of the ways I do that is to not buy new clothes. I watched an incredible documentary a couple of years ago, The True Cost, which really influenced the way I think about where I spend my money. I try really hard to shop in charity shops and to buy vintage, and to buy handmade and local where I can. All of my animals are made from repurposed fabrics – I shrink woolen jumpers and scarves in the washing machine to make wool felt for my bears and three of the killer whales are made from a pair of French Connection velvet trousers! This means that there is always a limited number of animals I can make of each fabric. The size of the animals are determined by the clothes I buy from charity shops, and I love that about the pieces. So far I have designed patterns for a snow bear, a grizzly bear, a blue whale, an orca and a fox.

What is the inspiration behind it all?

I think mostly I really adore making things for people. I love gifting beautiful objects to my friends and family, I love making people happy. Particularly at this time of year, I think we all get caught up in buying a lot of plastic rubbish that doesn’t last and is bad for the environment, and I think it’s great to offer an alternative to that for customers. The designs for this collection of animals is inspired by the north and the sea – creatures that survive and thrive in the wind and the snow.

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I’m super jealous about real makers and crafty folk – how did you hone your craft?

I can’t remember learning how to use a sewing machine but my mum always had one and would let me play with it. I became much better when my sister Minty taught me how to repair holes in jeans – I spent hours patching up my boyfriend’s jeans that were ripped to shreds! I realised that it was easy enough to make gentle alterations and mends to clothes, so I became more and more familiar with my sewing machine.

The main skill, though, once you’ve learned how to thread a machine, is patience. I am a very patient person and am able to sit for hours doing really boring jobs. Sewing well, I have found, is all about the preparation – pressing, marking and pinning. If you make a mistake, painstakingly picking out stitches without tearing the fabric is a challenge! When I’m tired or grumpy and rush my work it never turns out as well because I make silly mistakes. I think all crafters will say that the more hours you put into your craft, the better you get. Making your craft space a nice place to work means you will want to put in more hours.

I also saw your amazing design work – I was blown away by your style! How did you learn to do that?

Thank you! When I was studying in Sheffield I was part of an exhibition curation team, and we designed an exhibition called Fabricate held at Millennium Galleries in the city centre. We had reached a dead end with designing a flyer so I made some drawings and scanned them in. I opened them on Pages (Apple’s version of Word) and somehow figured out that I could draw a line and bend it, like you can on Photoshop.

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I have never had Photoshop on my laptop, but I found I could make these drawings on my computer using this free software. It’s basically tracing — I take an image that already exists and draw shapes on top of it to make a digital image. Again, patience is the skill — the drawings can take a long time to create and you have to just be able to work away at it and not get bored.

Who/what inspires you?

People that work from home! I’ve found it hard to get in a routine and not be distracted by house jobs. And it’s quite isolating – not like when you go into work and get to see and talk to all different kinds of people. So to the people who have figured that out: I have loads of respect for you! I think social media is hard work sometimes but I find loads of inspiration online – there is the world’s community of makers showing you that it can be done. Closer to home, I’m really lucky to know a few talented makers who don’t compromise their values and still manage to make some money. Hurray!

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What does 2018 hold for you Posy?

Scary question. Well I’ve got a busy few weeks making softies for Graft pop up in Hexham (open until 22nd December!)  I’ve hardly thought about next year! I do feel like there is potential here to continue making these little animals, which would be amazing — I feel like they are my thing that no-one else does. So I suppose there will be some research time — I think I need to figure out how to work from home, or else find a studio; as well as searching for opportunities to sell my work. I have another small business, Grow to Glow, which makes and sells natural skincare products — my business partner Pia has just gone on maternity leave so I will be looking after that project for a while too. I’ll be doing some design work for packaging and working on a range of healing balms — so I think 2018 is all about making and creating.

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Posy Jowett – creative onion and megababe. Posy – artist, creative, designer, maker, graphic designer, crafter, illustrator and also skin care brand creater….

Posy my absolute favourite creative onion of 2017.

Check out her new business, show her some social media love and until next time Culture Vultures.