Amy Lord; live art, brain-feeding & 90s at Our Time.

Amazingly talented people walk among us often hidden and unheard….I’ve really learnt that a lot recently. Not all creatively talented people call themselves artists – they are ordinary people, in everyday jobs and yet, they have talents so unbelievably amazing at their fingertips.

And often no matter, how engaged you are in the cultural sector and how “aware” you think you are – I’m always surprised when there is someone, doing something so amazing and fantastic and I didn’t know about it!? Sounds ridiculous – but I prize myself in being in the know and the now – so when I stumble across someone new and exciting, I’m both blown away but a little bit cross at myself – how did I miss this!?

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I first heard of Amy Lord, when a friend of a friend told me about this “project” in Newcastle taking over a townhouse and how they were exploring happiness and we had a mega long conversation about what exactly happiness is and how society has this version of happiness and zen……and I’m just over here, being ridiculous, not getting up at 5am and doing yoga and even when I’m happy, my world is chaotic.

So, this townhouse take over culmination was over Late Shows weekend – which is my busiest weekend – I never get to experience the Late Shows as an attendee – I work it and usually on the Gateshead side. So obviously, I missed Amy’s ‘Experiments in Happiness’ take over.

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Fast forward a few months and I’m sat listening all about the progression of this year’s Juice Festival and Our Time – Helen who is programme director said the ultimate which immediately secured my project buy in…..

“Rachel – so there is Amy Lord, she’s this mint visual live artist….she’s doing this Art House piece and you’re going to love it, it’s all about the 90s”.

Boom!

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So being the creep, I am – ultimate stalker mode started and what I discovered was an artist that is creating and doing very interesting work in collaboration with some of my favourite people at the moment in the North East Cultural Sector.

I really like visual live art – it combines some of the elements I love most about sculpture but encourages an evolving engagement. Amy describes it as a “multi-textured and layered encounters and experiences” and I think it sums it perfectly. So many elements and things brought together – with a strong focus on visual……

As someone with a passion for events – I really like Amy’s work from an space curation and the facilitation and provocation of audience experience…… that really excites me and I’d love to work with her in the future.

So now over to Amy…….

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Who are you?

Hello! My name’s Amy, I’m 31 and I’m from Northumberland! (In the style of Blind Date).

I’m an artist but I also run an events company on the side called Lemonade and Laughing Gas. I’m currently living in between London and Newcastle. I spend a lot of time on the Virgin Trains East Coast train route at the moment…

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Tell me about your arts practice?

I make live art. For me, this means creating anything from an interactive installation, a game, a video, a crafting activity and a performance. I always want my work to be personal, political and to not shy away from difficult or challenging subjects. Sometimes my work can be more about the process than the end result. I love working with different groups of different ages to capture the full spectrum of human experience.

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Tell me about a recent project?

My latest big project in the North East before my Our Time commission was Experiments in Happiness. I took over an empty townhouse on Grey street and filled it with installations and experiences exploring ideas around happiness and mood. 600 people turned up over 2 days – the interest in the project totally blew me away and has just made me want to do more stuff here.

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Everyone has a super interesting story about becoming an artist – tell me about your journey into Arts?

I’ve always got a buzz out of making things from a young age, but I think my first step into the arts was Uni. I was lucky to get into LIPA (Liverpool Institute for Performing Arts) and studied Theatre and Performance Design. Although I loved the course, I knew I didn’t want to be a theatre designer at the end of it. A tutor there introduced me to live art and more experimental theatre in my final year, and I was hooked. My first solo project was a work in a derelict restaurant about the media and pressure on body image for women (2007).

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Piece of advice for someone thinking about a career in the arts?

Try and build in time for ‘brain feeding’. It may feel indulgent but if you don’t keep seeing stuff, reading things and learning new skills, sometimes the inspiration well can start to dwindle!

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Why did you apply to be a part of Our Time?

I liked the structure of the ‘mini commission’ – creating something quickly for one night only appealed to me, as well as the positive feelings about the area and the past Team Juice were wanting to emphasise.

Tell me about your commission?

Research is often at the core of the work I make, this commission is no exception! I spent 3 days rummaging around news archives and microfilm to find good news stories from the 90’s – specifically in Newcastle and the North East.

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Then, we had a workshop with Team Juice to whittle these down and find out what was most interesting. We did some creative thinking and finally, shot some video on smartphones to make into a film that will be projected on a loop throughout the evening.

We’ve chosen to show the film in this bonkers tunnel in the museum, which we’ll be filling with 90’s music to help transport people back to that time!

What was the inspiration?

DIY culture/the contrast between technology in the 90’s and now.

The idea could have happened for any decade really, but I chose the 90’s because not only is it having another moment in the sun but it’s also the first decade I’ve felt properly nostalgic about, as I was 15 when the millennium arrived!

I used to think people obsessing about the 70’s and 80’s were just living in the past, but now I totally get it! Nostalgia and remembering those super important formative years can be totally delicious! As long as you balance it with living in the present too…I also can’t pretend I wasn’t influenced by watching Sing Street.

What do you want attendees to take away from your installation?

Fun. And maybe realising how many amazing things happened in the 90’s for our region.

Top 5 90s songs?

Wow, there are so many. Here’s some of the top of my head (that may have found their way onto the soundtrack!)

Dreams – Gabrielle

What’s Up – 4 Non Blondes

Another Night – Real McCoy

Sunshine After the Rain – Berri

The Whole of The Moon – The Waterboys

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Favourite 90s moment?

When everyone thought the world was going to end once we got past midnight on New Year’s Eve 1999.

Have you seen the rest of the Our Time line up? What bits are you most excited for?

I’ve worked with Zoe Murtagh on my last project so obviously I’m a fan of her, and am looking forward to seeing what she’s created with ‘It Was Once A Dream Interactive Trail’. I also create a lot of multi-sensory work so I’m looking forward to getting in the Von Tuur Salon.

Also generally, we’ll be in a museum, at night, with a bar…absolutely winning!

Well, I’m just such a fan of so many things Amy said….. I’m all about trying to make time for “brain feeding” and the 90s is absolutely my jam……

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Thank you Amy….. I’m super excited to see and experience your piece.

I will be at Our Time at Great North Museum on 21st October – you’ll probably find me lurking and obsessing over Amy’s 90s piece and involuntarily breaking out into song and dance when ‘SunShine After The Rain’ comes on…..

Culture Vultures – this is the ultimate Culture Vulture event….. don’t miss it or Amy’s lush installation.

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Moth Studios: a studio putting taxidermy and entomology at the heart of the creative community in the North East!

It’s been a while since I blogged….I’ve missed it. I’ve missed seeking out new things, people and places to tell you about. It’s not that I didn’t seek them out – of course I did, it’s what I do and my notebook is as always, full of scribbles, names, ideas and things I’m looking forward to exploring in the coming months. It was more, I just didn’t have the time or the energy to do anything……

Those who really know me, know I’ve worked my socks off for the past 6months – I’m a prolific workaholic and an addicted culture vulture……but this year has just been something else – life in the fast lane, times a million. I don’t even know how it’s September or how I got through that workload, but it is and I did and I’ve worked on some fantastic projects so far and many more to come…..

I’m desperately trying to stand still and look back and reflect – but my head is just buzzing with all the ideas I’ve put on the backburner, collaborative opportunities I’m just itching to explore and new beautiful projects, that are at this point all mine to run free with…..

So even though I’ve had my head down to the ground, I’ve been watching, taking things in and for some, as creepy as it sounds (and I’m pretty good at being creepy), I’ve been admiring from a far. And if during this period of living amongst tornados of colliding priorities and projects, you have made me sit up and take notice of what you’re doing…….well you’re obviously doing something right.

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Have you ever had love at first sight moment? You get butterflies, you’re consumed, confused, overwhelmed and the world really does stop and skip a beat….. I had a moment like that when I stumbled upon Moth Studios in Ampersand Inventions earlier this year. Their studio wasn’t even open but I was peaking through the glass (told you I was good at creeping!) and it looked like the most interesting, weird, bizarre and absolutely captivating studio to work in. From the work space, it screamed that something really exciting and different was going on – a very different creative offering………

It was a bright space, full of animal and insect touches – think Tim Burton-esque meets very talented taxidermy. Of course, I’ve always been fascinated by taxidermy and entomology– the practice, the art of it and how it has gradually moved from quite a niche thing to infusing other types of art forms – especially stop-motion animation but I’ve not really had that much exposure to it. However, their studio managed, whilst being full of dead things, to feel absolutely full of life and energy…..

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My Ampersand tour guide at the time was all round megababe Melanie Kyles, who told me, that Moth Studios offer workshops and taxidermy sessions…… This peaked my interest absolutely and the more I thought about, the more it made absolute sense that this studio enabling people to experience taxidermy and entomology should sit right at the heart of this creative community.

As you know, the Culture Vulture is allllll about new things, different things and even bizarre things and Moth Studios is providing an offering that is so different and an experience like no other – so this is right up my street. And it’s not just me who thinks so – through-out this busy period my social media has been full of people from the North East championing their work and attending their workshops – from tiny skull sessions, to butterfly pining, to taxidermy…. I’m certainly not the only one fascinated and intrigued by this artist studio and exactly what goes on inside its doors……..

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But for this Culture Vulture – it’s the processes behind the finished items that really interests me and the symbolic nature of the pieces, their silhouettes and the slightly gothic nature of the materials being worked with…….and so my love at first sight with Moth Studios started – at first of course, from a distance and now, well I’m head over heels and I just had to find out more so I caught up with Founder, Sherene Scott who started this adventure in 2014…..

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So hello Sherene! Tell me about Moth Studios? Who are you? What is it all about?

I’m Sherene Scott, director and owner of Moth Studios. We are a contemporary ethical taxidermy studio located inside Newcastle city centre.

What was the inspiration behind starting it all?

I am an artist and taxidermist; I’ve had formal training, from Newcastle University and around the UK. The inspiration for Moth began in 2010 whilst I was still a student; I began training in taxidermy and I had an amazing interest for death and preservation; as strange as that may seem. My passion came to light when I realised it was a dying art form, the skill involved and particularly that it is a male dominated field of work.

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How did you end up residing in Ampersand Inventions? I’ve peaked through the doors of your studio when I visited and holy moly, it’s a beautiful space!

I joined the Ampersand ‘team’ before the space was even erected, as I had friends that were resident artists and directors of the spaces. So you could say I was there from birth and build!

“Birth and build” – I really like that! Here in Ampersand you’re surrounded by other creatives and artists and the building as a whole, all with different backgrounds and practices etc; how does that influence you?

It’s a warm yet very professional feeling working so closely with other artists, designers and small businesses. We all have each other’s backs and we’re never short of giving and receiving ideas, advice and networking whilst we are “living together”.

Do you think taxidermy is making a real come back – it seems quite fashionable at the moment and gathering interest?

I think in the last few years, there has been a complete revival and resurgence in taxidermy. It’s an amazing feeling to see people interacting, enjoying and educating themselves with the idea of AND physically getting involved with life, death and anatomy.

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There also feels like there has been a big shift from people seeing it as a technical process but something not often openly talked about or featured in a “cabinet of curiosities” to now being much more mainstream, with greater interest in both the process but also in it as an art form? Do you feel that too?

There has indeed been a shift in the way people see taxidermy… I.e. no longer only in museum displays, curiosity cabinets and dusty old traditional taxidermy with complicated dioramas.

Now because we have so many taxidermy laws and there are no longer illegal ‘trophy rooms’ for silly status value; I would like to think we no longer see taxidermy as a bad practice, but seen as beautiful, artistic and ethical pieces of natural beauty, with the dioramas now being your own home, space or a unique 21st century touch.

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Tell me about some of your upcoming workshops – they are really unique and interesting? And how can people book onto them?

Moth Studios hosts many workshops and classes alongside their own work and online shop. We have beginner’s taxidermy and entomology (insect pinning) classes throughout the whole year!

Autumn/winter season is very popular for Moth… We have classes ranging from bugs to mice to squirrel, skull decorating, birds and even our specialised workshops themed around Halloween and Christmas, where we will be having bauble and wreath gift making evenings!

All of our up and coming classes are posted on our Facebook events page and I can be contacted directly via email contact@mothstudios.co.uk to get booked onto a session.

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Where do you source your materials from?

All of Moth Studios specimens and skulls come from responsibly sourced donations and finds from various different people, rangers, aviaries, farms and so on.

Do you take commissions?

Moth Studios does take commissions and projects; mainly specimens that have been found or that Moth already has. However, I do not commission pets…….

Do you have any new projects on the horizon and what’s next for Moth?

We have many exciting projects on the horizon and 2018 will see a whole new class list, new works and entire new collection in our shop. We will also be touring Moth Studios classes to exciting external locations in the North East and down south!

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Well that sounds massively exciting, thank you Sherene and if like me, you want to check out one of their classes – well why not come along with me and be my date…..I really fancy something Halloweeny or a Christmas wreath….get in touch and let’s do it.

Keep in touch with Moth via; Instagram: moth_studios , Facebook: Moth-Studios , Email: contact@mothstudios.co.uk , Website: mothstudios.co.uk or No: 07958658009.

Until next time Culture Vultures…..

 

 

GemArts Masala Festival 2017; a South Asian cultural infusion of a festival……

Working in Culture within the North East is possibly the best sector in the entire world to work in; it’s just mint! The ideas, the events, the projects, the people and beyond. As a none people loving people person, I really finding my little space in the world, with such brilliant people.

The Cultural sector in our region is just so diverse – I’ve never experienced anything like it. The cross fertilisation of ideas, partnerships and collaborations and the ever emerging willingness to work together culminates to ensure an exciting bubbling richness of lush things and people.

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GemArts and Sunderland Stages present Gods & Mortals at Sunderland Minster

The sector is also very close knit – you can attend any event really and see a smattering of friendly creative faces smiling, championing you and your projects and attending the things you do. It’s a like a secret club of lushness…… the people you work alongside or attend their things and champion, very easily move from project partner or such and such from that organisation….and become friends. Real friends and people who you celebrate every cultural moment with.

Sinead from Gem Arts is one of those people (and in fact really the whole Gem Arts team….but Sinead really likes cats and is quite ridiculous like me, so she’s my favourite). I’ve known of Gem Arts for some time and championed them for as long as I have worked in the cultural sector….. their Mini Mela was my induction into working with a large scale cultural children’s event.

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GemArts is a dynamic arts development organisation presenting South Asian arts. They produce and programme new and exciting culturally diverse arts, by creating and developing high quality concerts, events, festivals, workshops and commissions with regional, national and international artists. Every event I’ve attended has been a cultural hot pot and celebration of South Asian diversity and learning about respective cultures.

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Last year they launched Masala Festival and I had the pleasure of championing it as part of Gateshead Arts Team and of course, as Sinead’s mate Horts. So as we are literally about to jump into the second Malasa Festival (deep breaths Sinead and team – it’s going to be mint!), I thought I’d take the opportunity to catch up with her and find out what this year has in store for the region alongside digitally championing to my fellow Culture Vultures what a cracking week this is going to be…..

Well hello Sinead, so first up; what is Masala Festival?

Masala Festival is the North East’s very own, award winning, South Asian Arts Festival, bringing a mix and blend of the finest art and artists to the region for 7 days in July starting on 17th July.

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How many years has it been running and what kicked it all off?

GemArts launched Masala Festival in July 2016, offering a truly eclectic programme, spanning traditional and contemporary arts. After 16+ years presenting diverse arts in the North East, we decided it was time to put our expertise to good use, and create a brand new Summer Festival, showcasing artists from the UK, South Asia and beyond.

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This year the Masala Festival programme explores partition, migration, globalisation, identity, heritage, tradition and modernity, and marks the 70th anniversary of Independence for both India and Pakistan, something we were already starting to think about in 2016.

You won a Culture award for last year- tell me what that was like?

Recognition is the icing on the cake, alongside the incredible support we continue to receive from participants, audiences, trustees, volunteers, sponsors, partners and local communities, to whom we are hugely grateful and celebrates the creative talents of artists from the region, across the UK, South Asia and beyond.

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It was a joy to collaborate, connect and celebrate with thousands of people from across the region at our first Masala Festival, and we can’t wait to do it all again.

Receiving an award for something your team is truly passionate about is a dream come true, and has given everyone an even stronger drive to continue championing creativity and diversity at every level, supporting young and emerging artists, and offering people from all backgrounds and ages, community groups and schools, engaging opportunities to take part in our culturally rich and diverse arts offer.

So… now 2017; what’s coming up for Masala?

This year’s Festival (17th-23rd July) will ramp things up, building on our award success we’ve been even more ambitious, and added exciting collaborations and takeovers to last years list.

GemArts has commissioned work from celebrated companies and artists  and the programme is packed; award winning poetry readings (Daljit Nagra: Heritage and Identity), specially curated short film programmes (Changes), celebrations of Sikh soldier’s music tradition and contributions to the First World War (Sacred Sounds), leading choirs from India (Gandharva Choir), two nights of powerful theatre (No Dogs, No Indians), Masala Festival takeovers and collaborations (Q Festival, Trinity Square and Dabbawal), Mini Mela family fun days, Indian storytelling shows (Henna),  talented musicians fusing jazz, electronic and Indian classical music (Sarathy Korwar), folk music and dance (Rajasthan Heritage Brass Band),  film screenings (The Jungle Book, Ghandi), exhibitions (AURORA by Jayamini de Silva), food events (Biryani Club), fantastic workshops (Bollywood dance, Meditation and Yoga), talks and demos (including GBBO contestant Chetna Makan) and lots more……

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What should I not miss out on?

We think you should attend everything, but there probably aren’t enough hours in one person’s day. Three events we know the Culture Vulture will really enjoy would be;

SACRED SOUNDS – A national project called Sacred Sounds, which tells some of the largely forgotten stories of British India’s role in the First World War. Using archive footage, letters, photos, music and poetry, SACRED SOUNDS is a multi-art form performance which explores Sikh musical heritage and traditions, which soldiers took with them to the battlefield.

HENNA INDIAN STORYTELLING SHOW – As part of our Q Festival takeover we’ve invited international storytellers Peter and Gorg Chand to tell a very special story. On the eve of a wedding a young bride-to-be is having henna applied to her hands. As the patterns emerge, the stories begin to unfold… love, loss, betrayal and Bollywood! Plus GemArts Henna artists will be on hand to create beautiful designs for any of our audience who want them.

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NO DOGS NO INDIANS – A powerful new play from Siddhartha Bose. Three intertwining stories, spanning decades, explore the effects and legacy of the British in India in a powerful new play to mark the 70th anniversary of independence.

I’m always up for trying something new and out my comfort zone- do you have any recommendations?

CHANGES: stories on the edge will certainly make audiences ask some serious questions, and think long and hard about the world they live in and the resilience of people. Following last year’s successful ALIVE film programme, we’ve teamed up with creative producer Bobby Tiwana again, who has curated a stunning line up of short films for CHANGES; a programme of lives on the edge – personal and political conflicts test human resolve.

My little mini Culture Vulture Beck (one of my best pals little boys) – he’s really into trains, stamping his feet, stairs and exploring- anything for him and his lush fam?

There is plenty for mini Culture Vultures and their adults to get involved in during Masala Festival. We’re starting our Q Festival takeover with Bollywood dance classes for ages 2+ from 9am, and then from 11am we’ve Stories from the Punjab and Beyond for ages 5+ , a fun, interactive, and lively session of Indian tales.

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Part of our Movies at Masala programme with the Jam Jar Cinema, shows The Jungle Book at 11am on Saturday morning.

Sunday sees the return of our popular Masala Festival Mini Mela, which last year welcomed more than 500 people throughout the day. Like all GemArts Mini Melas the day includes a range of drop in arts workshops, from Rangoli, Kite making and Silk painting to Bollywood Dance and Dhol drumming, plus we’ve invited an amazing group of musicians to really bring the space to life, as the Rajasthan Heritage Brass Band will perform throughout the day.

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Heard about the curry night at Arch 16 which obvs I’m all over that…..I like my curry to be an experience…..

BIRIYANI CLUB AT ARCH 16 – We love working with our friends and neighbours, and when we read about Arch 16’s curry clubs with Ashiyana Café we knew we had to chat Masala Festival with them. A tasty curry for less than £10, and GemArts DJs spinning the best bhangra hits, what’s not to like?!

CHETNA MAKAN CHAI, CHAAT AND CHUTNEY – As big fans of food shows, food cooking and food in general, we were over the moon when former Great British Bake Off contestant Chetna Makan was available to deliver a cooking demonstration during Masala Festival. Chetna will share stories from her travels around India for new cookbook, Chai Chaat and Chutney, and attendees will get to taste a selection of delicious street food recipes created before their very eyes!

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Well that’s all a little bit amazing isn’t it – so make sure you check out GemArts Masala Festival next week…..you’ll see instantly why  it won a Culture Award and how fantastic it is – every night a brand new experience of diverse lushness – so much to see, do and of course Culture Vultures, EAT!

So bye for now Culture Vultures and Sinead, well I’ll see you on the other side of Masala Festival…..

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The Culture Vulture xx

Are you in the Crafthood?

We all know I love small businesses….that’s a given right? Well what I love even more than that, is a small business that are absolutely owning and disrupting an established sector……And of course, what else could top trumps this? – well of course; an all-female run creative business….

Well hello there; The Crafthood….

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The Crafthood are a business that I heard about through other people (always a good sign) so I can’t claim they are my discovery, but I certainly am one of their biggest champions…. First of all what’s in a name? Well The Crafthood have a really good one, just by going to something I feel a part of their ‘hood! I love their name and branding…..Secondly, they are making crafting amazing, exciting, essential for the modern day lass and socially responsible….

Right up my street!

If you don’t know who the Crafthood are…. Well you’re going to over the next 12 months! They are one of the most exciting creative businesses; growing and thriving in the North East currently. Their offering is three fold; they run their own workshops within North East’s up and coming independents – as fantastically talented craftswomen, you’ll get a lush crafting experience like no other. Secondly, they sell a fantastic bespoke range of products; from cards, to notebooks to clothing, to bespoke lettering and signage – all with their lush Crafthood edge! Thirdly, they organise their own events or add value to a pre-established event (keep an eye out for their pop-ups).

The Crafthood invited me along to one of their Brush Lettering workshops as a punter in May 2017 and I absolutely loved it……so where to begin…..

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First and foremost, I’d like to say that The Crafthood workshops are for both artsy and crafty folk and others (like me!) – so for those that love crafting and trying new things in a new environment and taking time out just for you, to create; well their workshops are for you. However, if you’re like me and are massively creative but not at all “crafty”, well I can promise these workshops are for you too and you’ll love them.

 

I rocked up to their Brush Lettering workshop, I sat down with the other fellow participants and The Crafthood talked through our beautiful Brush Lettering pack, equipment, exercises and information. The first thing that hit me was the care to detail; everything I had was take away, beautifully presented and made me feel super excited to get started.

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We had 20mins of expert tuition and information (and lush cake and refreshments from Flat Cap Joes) and then we were ready to get started. What was stand out through-out the session was how inclusive the session felt, whilst being able to experiment, chill and get creative. In all honesty, I felt like I was taking time out for me, creating and absolutely loving it! I also was able to chat to other participants through-out the session – was lovely to hear more about them and their creative interests.

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Sharon and Kay (The master creatives behind Crafthood) chatted about their workshop portfolio, which currently consists of Brush Lettering, Soy Wax Candle-making and Modern Calligraphy. They also run their Crafty socials and attend events with add on mini taster workshops. For every workshop or organisation workshop booked, they book another workshop for a community group or charity– buy one gift one. It was lush to hear the “Wearside Women in Need” were benefitting from our brush lettering workshop…..

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When we got hands on with the brush lettering, we worked through lots of different exercises and Kay and Sharon (The Crafthood) were always on hand to guide and offer feedback.

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A lot of exercises were repetitive practicing of shapes and letters; the process of experimenting with technique and shape was really cathartic. As someone who struggles with detail and perfection, I actually found the process really freeing – being able to let go, make marks and just have a go without worrying about what things looked like…..However, I could not and still can’t master a “d”…… I will one day *shakes fist at the sky*…….

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We were working towards a sentence or word – of course, because I’m the Culture Vulture, I wanted to write my name and also CV in brush lettering; luckily no “d”s involved. I was massively surprised how easy it was to become engrossed with the letter shape and completely forget how to spell things…..so there were a few moments when I would look proudly at my work and see letters missing….. boo!

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As I got to the end of the workshop, I thought several things – firstly, I’d really enjoyed myself; I felt like I’d taken time out of the busy to do something lush just for me; this is something I so rarely do. Secondly, I’d learnt something new; I’m all about personal development and challenging myself – I felt walking away from this session that I’d actually developed a brand new skill and that was mint.

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Thirdly, that I’d defs continue this; the lushness of brush lettering is that you can do it anywhere and The Crafthood workshop sets you up nicely with everything you need so you can practice and do it often. I am now a brush lettering aholic (minus the letter “d”)!

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The Crafthood have a whole host of lush workshops, events and activities coming up – they are adding a new workshop to their workshop portfolio every season, so watch out for a developing programming……as always I will be championing them and attending – so check them out Culture Vultures and make sure you become a part of the C ‘Hood.

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Creative Start-up Shepherd Illustration…

The heart and soul of Culture Vulture is my passion for culture and arts in the North East……I’m on a cultural adventure to seek out and discover as many things and creative people as possible. I’ve built a business based around seeking the unfound and going out and about in the region…..literally my dream.

My starting point with artists and creatives is them as individuals; teasing out their story and perspective. I don’t just want to see an arts piece or performance; I want to experience it, understand it, question it and learn from in. I am fantastically lucky that in my day job and as The Culture Vulture, I get to meet an array of creatives and artists. I really get to know them and they become a part of the Culture Vulture network and family. I look out for them and champion everything they do……..what is so brilliant about meeting so many people and hearing their stories, is the different journey people have often taken to become an artist, a creative, a creative business, practitioner, a performer, designer….however, an individual sees themselves. And this is why I do blog interviews….to learn more , explore but also for you lovely lot………

So pleased to meet you Lauren Shepherd, lush creative business and recent start up – you will be able to meet her at the after-party at Newcastle Start-up Week……….

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Hi L, Tell me about Shepherd Illustration?

Shepherd illustration was born out of my accidental habit of drawing. Each art course, I have ever taken, be it fine art, spatial design or animation, I have always found myself focusing on drawing. Many art forms need so much equipment, where as to draw you just need a scrap of paper and a pen.

I like being quiet (this will come as a surprise to anyone who knows me as I talk…. Too much) but when I am on my own, I just love to be quiet; drawing offers me that sanctuary. I ended up with a bunch of drawings and wanted to do something with them; at first I found it really hard to focus on creating a product and still now, I realise I have gaps in my product range and I don’t focus on creating a card for every occasion. I like to give the customer chance to think for themselves and to become a part of the creative process. I’m still learning and I enjoy meeting people on this journey of turning my passion into a business.

Tell me about your journey setting up a creative business?

At first it was very exciting and still is; but it’s hard receiving knockbacks especially when I still work full time and come home after a long week to receive emails saying “no”.

It’s long hours and hard; sometimes you can’t see friends or fit in going to the gym. It’s really hard when you feel like no one sees your work and you spend more on products than you make. But then all of a sudden someone says “yes” and I get to do something extraordinary. For example I love to ski and approached Chalet Rosiere as I had heard they offer places to artists; they emailed back and were actually interested in commissioning me to do some work for them! I was totally overwhelmed but I grabbed the chance and spent the next 2 weeks creating 8 new pieces of work for the chalet which I honestly think are my best to date. 1 month later I was skiing in the Alps hosted by the wonderful owners of Chalet Rosiere.

Also if you’re creative you just can’t help it, you have to make!

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I really love your branding – what was the inspiration behind that?

My branding comes directly from my illustration. I wanted to create a brand rather than just a collection of drawings; I try and keep everything as stylized as I can. When I first started drawing everything was very macabre. But at that point, I was a young singleton drinking too much gin; I don’t think it’s any coincidence that the happier and more secure I have become in my life, the more romantic and positive my illustrations have become.

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Do you have an inspiration behind your style of work?

I am hugely inspired by botanical illustrations and Thomas Bewicks’ engraving. I feel my drawings are a modern interpretation of his engravings and share the same love of the countryside. This could be why I unintentionally draw solely in black ink. But I also feel again that it is the simplicity of only needing one sheet of paper and a pen to be able to start work. I often look at painters and feel a pang of jealousy when they are sat amidst huge boxes of paints and turps, paintbrushes, easels and canvases but then I remember that’s not where I currently am artistically.

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What about your love of dogs?

I love dogs! I am a dog person. My miniature dachshund isn’t my baby; but O truly think she’s a part of me. I got her when she was 10 weeks old and I was only 19. She has travelled the length of the country with me and looked after me much more than I have her. This year we have been together for 10 years and I can’t thank her enough for getting me through some very hard times. I’m very lucky to have a great team at YourFilm and my boss’s even let me sneak her into work so she can snooze beneath my desk.

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What was your journey into animation? You work for Your Film?

I came to study animation at Northumbria University and completed my degree in Motion graphics & animation BA. I was not necessarily the best person on my course and often felt I wouldn’t be able to find a job in the field, especially in Newcastle; a city I fell in love with and didn’t want to leave.  Through hard work I found some really great projects to work on even before graduating; this gave me enough experience and confidence to apply for my job at Yourfilm.

A few people applied from my course and I honestly didn’t know how the interview had gone, but only a few hours later Matthew rang me to ask me when I could start. I couldn’t believe it and screamed down the phone…. In hindsight I wish I had played this cooler. Fast forward nearly 4 years and I am still with the company. It is a fantastic place to work and being part of a small team means I have full control over the projects I work on and am constantly learning.

What’s next for you? Next project?

I currently only sell through a few independent retailers but would love to move into more shops and get my products noticed by a larger audience. Fingers crossed I will have some exciting news on the horizon soon. I have also been asked to be part of a new exhibition in York and am working hard on a new product range for the Thought Foundation.

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Creative, artist, animator, all round absolutely lush megababe gin lover Lauren Shepherd………..you can see more of her at Newcastle Start-Up Week………

Invest into and start learning from NE culture & arts, oh and start paying them too!

No one actually makes a living as an artist, right? The cultural sector pays pennies? Go get a “proper” job? Actually the reverse is true, the creative sector and industries in the region are BOOMING…… people want bespoke, creative, individual…..there is the biggest movement to shop and support local and to reject the everyday for something more unknown, exciting, opportunistic and emergingly edgy.

I champion the entrepreneurial agenda, it’s in my blood (literally) and I love it but I really struggle with two issues…………. Firstly that creatives are often not viewed as legitimate business people and yet to see so many creatives launching themselves as a business and behaving more and more like a start-up is fantastic to see. Some of these businesses, it’s been that blend between day job and passion project testing, until opportunity……..without realising and a business is launched and they are trading; they’ve been through years and years of testing without realising. For artists, they have often been drawing or making for YEARS, putting their stuff on Instagram or selling at craft fairs, developing their product and skill set, until they launch…..often accidentally. Someone commissions something, asks to buy or like me, offers you a lump sum of money for a freelance project that gives you traction and a real starting point to launch and oh hello, I think there might be some kind of business here……….

Secondly, this intrinsic opportunity ethos for creatives to work for free; don’t pay them – just let them perform, suggest future opportunities that might lead onto paid work, as if engaging with them is a favour. From a business perspective; outlay of materials, time and then freebies offering, is crippling and removes the legitimacy. Should they be grateful for the opportunity…..as if you offering them a space or time is enough!?As a business think about the implications on the cash flow…….moreover, many creative start-ups are already under-pricing themselves, not factoring in their time, don’t value their service or practice in a similar way to a “product” or factor in materials so before you even think about “may be possibly” paying them what they are owed……they are already doing it for you for a brilliant deal.

This is so short sighted as I find the creative and cultural sector in the North East, as exciting as the Digital Sector at the moment, something to invest into and be a part of……however, there are key differences. There isn’t the investment available, there isn’t the capital and people don’t necessarily take creatives as seriously, as a business they can really understand. So what you have instead is individuals, independents and artists launching on a shoe string; they are resilient, constantly willing to learn, eager for feedback, out there networking, seeking opportunities, developing business models that are lean, mean and sustainable – they are the blueprint learning wise for a start-up business and entrepreneurs……instead of operating with big sales forecasts and massively unrealistic ambitions, they instead operate seeking collaboration, they show patience, evidence a longer term strategy to grow, can afford to keep going without sales or bookings, experiment and take mitigated risks……it’s not all or nothing, or go hard or go home; instead it’s about building something they love, care about and growing at their own pace incrementally on their own terms, making their own rules.

And you may say, well these creative businesses are not going to be the next “big” thing, they aren’t going to feature in Forbes and world isn’t going to change………I’d argue the other way….instead there is no entrepreneurial ego, they are real; a massive big business that had mega investment that people view as “proper” may never get off the ground and no one might ever hear of it, whereas a creative business located in the North East hundreds and often thousands know their name, the people behind it, buy from them, champion and support them….there is less “talking” about doing business and more of the making, creating and trying to get out there from day one……..  they have priced their product, sold it, met their customers, marketed it, submitted accounts and got their hands entrepreneurially dirty……… however, we could help them grow….just by paying them fairly for what they do and the service they offer.

To reflect that into my business; is the Culture Vulture going to make me millions?….probably not. Do I want it to? NO – there I’ve said it. I don’t want a massive business, I don’t want investment – I want my own entrepreneurial and creative sphere……….and I want to do what I love. That is my driver in entrepreneurship and I want to enable others to do the same.

So please don’t apologise or shy away from having a creative business, be massively proud – it isn’t any less “proper”…..Creative businesses usually have real values and passion at the heart………people, talented and excited brilliant people behind it. You have more real life business experience than most, so own that!

Creative businesses and people are the next big thing; there is a movement on going in the North East; I’m so excited to be a part of it………..will Creative businesses, artists and creatives change the world? YES they will…….because they re-imagine it, they challenge it, redesign it, express it, embracing all those aspirational entrepreneurial attributes – ability to handle uncertainty, resilience (anyone who has sold all day at a craft fair and sold nothing), ability to absorb learning and feedback and to build something that is not income dependent……. Their projects and activity happens irrespective of funding because they make it happen………….for most creatives, lack of funding is not a barrier to launch a business…….they assume there is no funding and they launch anyway, because their passion makes it almost like a compulsion………..

Moreover, their creative products bring smiles to people’s faces and they mean something to both the person who purchased it and (if appropriate) the intended recipient. That’s an emotional buyer connection that many businesses can only dream about.

More traditional entrepreneurs and start-ups have a lot to learn from creatives and artists………..so creative businesses and artists, respect them, learn from them, seek them and of course, pay them……

Easter Easter Easter holidayzzzzzz

It’s nearly Easter 2017 – can you actually believe it? I surely can’t…..

Well as always, I’ve rounded up some of the lushest activity for your minis for holiday season – so here it is Easter holidays in a nutshell………jam packed with activity in Gateshead for kids, families and young people; Gateshead has it covered with a diverse and interesting programme of fun cultural activity……

So get yer skates on and get planning for some fun things to do over the holidays for your mini Culture Vultures before these seasons are booked up….

Digital Makings: Family Music Workshop

Leam Lane Library, Saturday 8 April, 10am – 12pm

Start off your Easter holiday making some noise with us and spend a morning as a music producer; you’ll be using your favourite songs to help inspire you to create your own compositions using apps on iPads. Work with We engAGE on a variety of instruments and learn the art of designing a piece of music from scratch.

Suitable for ages 8+

Free – Book in advance

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Design Your Own Easter Egg

The Gallery, Gateshead Central Library, Monday 10 April, 10am – 12.30pm

Drop in across the morning and join The Culture Vulture to design your own Easter Eggs and enter the competition. Go 3D and use a hard-boiled egg and create a sculpture, a character, or something eggcellently Easter related.

Or go 2D and design your egg from scratch like a pro. We’ll have LOTS of different materials for you to get your hands on.

Your finished designs can be entered into a competition which will be judged by three professional artists!

Suitable for all ages.

Free – just drop in.

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Digital Makings: Wearable Tech

Gateshead Central Library, Tuesday 11 April, 2pm-3pm

Art and Science come together with our electronics maker activities – make your own piece of wearable tech. Become a digital fashionista!

Suitable for ages 8+

£5

To Book

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Culture Camp: Soundscapes

Caedmon Hall, Gateshead Central Library

Wednesday 12 April, 9.30am – 4.30pm

A full day workshop with artist Ben Freeth exploring and creating soundscapes using digital techniques and coding. Unsure of what a soundscape is….well artists used them this year at Enchanted Parks and they are a regular thing on immersive theme park rides…..

Sounds pretty cool right? You’ll be learning how to use open source software to explore the Sound Library and Archives in Gateshead Library and take existing digital media and manipulate it to create your own unique locational compositions.

Suitable for ages 10-18yrs.

£20

To book

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Accidentally Minecrafted

Blaydon Library, Wednesday 12 April, 10am

Addicted to Minecraft? Well Blaydon Library have it covered with a whole host of Minecraft activities so drop in and get Minecrafted…..

Suitable for ages 8+

Free – just drop in (small charge may apply to come activities on the day)

More information

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Culture Camp: Make a Play in a Day

Caedmon Hall, Gateshead Central Library, Thursday 13 April, 9.30am – 4.30pm

Back after last Summers’ smash hit success of a day…..join drama teacher David Raynor and The Culture Vulture to create an entire play in a day! You will experiment and explore a variety of acting and movement techniques, take part in confidence building workshops and character development, script writing, costume and staging activities.

This is a must for all budding Ryan Gosling and Maddie Ziegler ….

At the end of the day, you will perform the finished play to an audience of parents and Gateshead Culture Team.

Suitable for ages 8-14yrs.

£20

To book

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Design your own T-shirt

Birtley Library, Thursday 13 April, 11am

Well this session is for mini fashion designers in the making…..you’ll be making your own designs using stencils, paints, fabric pens or if you’re feeling super creative and brave, try free hand!

Suitable for ages 6+

£3

To book

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St Mary’s Storytime

St Mary’s Heritage Centre, Friday 14 April, 10.30am

Pop down to the beautiful St Mary’s for a lively storytime for under 5s in a beautiful venue! Your baby or toddler will experience lovely immersive storytelling and a mini rhymetime. After the session refreshments are available too!

£1 – Pay on the door.

For more information and dates of other sessions

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Culture Camp: Film Director Workshop

Caedmon Hall, Gateshead Central Library , Wednesday 19 April, 9.30am – 4.30pm

Join artist Karen Underhill to experience what it’s like being a Film Director; you’ll have the opportunity to create your own movie exciting and magic film trailer during this fun collaborative day. Learn how to work together to storyboard, act, record and edit a short fiction movie trailer.

Suitable for ages 8-14yrs.

£20

To book

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Culture Camp: Animation on location

Caedmon Hall, Gateshead Central Library, Thursday 20 April, 9.30am – 4.30pm

Join animator Sheryl Jenkins to learn about the animation process and work with a mobile animation studio using animation apps, alongside digital photography, drawings and natural materials to create an animated film inspired by what we find in the library. You will then create an animation on a green screen to bring the library to life with using your favourite book characters. Mint!

Suitable for ages 8-14 yrs.

£20

To book

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LEGO Drag Race

Caedmon Hall, Gateshead Central Library, Saturday 22 April, 11.30am & 1pm

Working with Richard Carter “Bricks Mcgee” build the fastest, meanest drag cars from our selection of LEGO elements, and race your creation against others as part of Maker Month – Maker Faire UK . Take your vehicle back to the pits and change the design to make your car faster, then compete in the grand final! Who will be victorious!?!?

There are 2 sessions to choose from please select your ticket for 11.30am -12.30pm or 1pm – 2.00pm

Suitable for families with children ages 6yrs+

Free – spaces limited so pre-booking is essential.

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Get planning Culture Vultures…….

The Culture Vulture xx