The Q Festival Low down – top 10

Right, so going out and seeing and doing things is my jam…… I’m at that age where gone is my capacity to go out endlessly, I work extremely hard and don’t really take time off so if I go to an event or thing, so when I’m going somewhere I want to know it’s going to blow my socks off or be something a bit special and different. So instead I’m all about cherry picking the very best stuff in the region and we are extremely lucky to have some much going on in region at the moment, overwhelmingly so.

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So in this blog post, I’m chatting about Q Festival and giving you the low down – so you know what are the hidden gems and the unmissables…..

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Q Festival in a nutshell, is an urban festival lasting 24days in the heart of NewcastleGateshead – smack bang on Gateshead Quays (Yep….this Gateshead lass, told you guys first 18months ago how much Gateshead has really got it going on at the moment). For 24days and nights, Baltic Square will come alive by day and by night with a huge Spiegeltent. Anyone who has been inside a Spiegeltent will know how beautiful they are as venues and anyone who hasn’t been inside well you haven’t lived yet!……

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The full programme is available at www.QFestival.co.uk with tickets on sale now; but the festival site itself is open every day from 14th July for all to come on down and have a drink….boom!

Here’s some of the inside craic for anyone wanting to drop by the festival site or attending events:

Q Festival has had some of the region’s in the know mixologists and bartenders assembling the bar stock and designing drinks for specific events…… as a gin gal and new red wine lover, having a decent drink in my hand at all times at an event is of the upmost priority! I don’t want a drink that’s a science experiment and I don’t want a £2 pint of wine circa Leeds festival 2002…..

The festival site is worth visiting on its own….from 14th July, you will be able to come on down to Baltic Square, grab a drink or tea/coffee (or something much stronger) in the outdoor beer garden, eat some yummy street food and of course whilst flicking through the brochure chose your events and book in person at the box office open 12.30pm-9.30pm daily.

Q Festival programme and site supports and champions our region’s independents, creative businesses, artists, performers and so much more……. The people working on this festival from the marketing, to the site build, to the bar, to the programme contributors, to the food are all from the region, living, making, creating, playing, surviving and thriving right here…..and a festival that sounds pretty special to me.

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So I’ve pulled together my top ten on what you need to attend……..

Jesterval Comedy Festival Opening Weekender….14th July

If like me you have a deep desire, to see everything and do everything first – let’s start with the beginning; Q Festival’s opening weekender – it all kicks off with Jesterval Comedy Festival back with a bang for 2017…. You need to make sure you check out Hal Cruttenden who is one of my all-time favourites (he’s bliddy funny) and of course, the big Jesterval Comedy Gala, which is your opportunity to see four comedy acts including Sara Pascoe. Sara’s individual show has now sold out so, this is your opportunity to see her if you didn’t manage to get the tickets.

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Why is the Comedy Gala unmissable? Well you, have the chance to see 4 acts – us lot, well we love a bargain and here you get 4 for price of 1 technically……..all for £15 mint! And of course, it’s an amazing show…… I will be there on the night (so will Mama Horts actually) so it’s also an opportunity for you to hear my infamous giggle/cackle and Mama Horts laughter snorting away.

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The Steampunk Gin Festival….21st and 22nd July

Gin Festivals and gin anything is really on trend and in vogue at the moment and I’d just like to point out, when I used to drink ginny years and years ago telling everyone how lush it was, everyone thought I was crackers….it was still Mother’s Ruin back then and responsible for tears at the end of the night. Well I’ve never been like that with gin – it’s always been lovely and yes I’m one of those annoying people that ponders lovingly over which gin to drink, what mixer, what additional lushness will be make this even lusher……..basically, I drank gin before it was cool…….

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I am thrilled that Gateshead gin company – Steampunk Gin are hosting a massive gin weekender with Q Fest – so they will have lots of lovely gins to taste, music, entertainment and a whole lot more all within a Spiegeltent….sounds mint innit!? Gin, Gin, Gin for the win!

Glitz and Glamour: getting ready for a party!….25th July

Meridith Towne is one of my favourite people of all time and I’ve seen her shows and talks (each one is amazing and I find them so empowering and bliddy entertaining!)……. Part performance, part costume show, part fashion history lesson – Merry knows where it’s at when it comes to having a passion for historical fashion and sharing that with an audience.

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As a fantastic storyteller, this evening invites you into her wardrobe as she takes you on her journey getting ready for a glitzy party and choosing those glad rags from 1920s towards more modern times. This evening will be full of vintage real pieces, fashion adverts and snippets from various time periods and recreations made by her own talented hands.

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As always Merry puts on a lively show; tickets are flying for this and this new talk has partly been written just for Q Festival….. so you really are in for a treat. Attendees will also receive a craft bag on the night from creative crafty business The Crafthood and there will be a pop up from fashion start-ups Trendlistr and Ebb & Sew with an opportunity for you have a deeks at their fashion pieces and purchase.

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MA Takeover featuring Drag Me to Love…..26th July

Following on from my love of the new and undiscovered, I’ve had the absolutely pleasure of working with and seeing some snippets (at GIFT Festival) of some different theatre shows and scratches. So this night is all about the new and emerging……

For one night only Northumbria’s M.A. Theatre and Performance students take over the Spiegeltent at Q Festival for an evening full of performances showcasing up and coming talent from the region. The evening consists of multiple scratches of work that they have been working on during the course of their degree. The night will also include a performance of Drag Me to Love by Bonnie and The Bonnettes.

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Scratch: Rooted by Becky Glendenning-Laycock and Fleur Rozan

In a battle between who we wanted to be when we were little girls Vs who we’ve turned out to be, we will come to realise that life doesn’t always hand you the story you wanted to tell when you were 9 years old. And that’s ok we guess. Isn’t it?

Scratch: Don’t Shoot the Messenger by Ashley Fraser and Becky Morris

This is about me, you, us, and everything that is going on around us. These are things that you may be aware of, or these may be things have you’ve ignored.

Scratch: Untitled by Jake Jarratt and Andrea Scrimshaw

From using two viewpoints, one male, one female, we challenge why sports are different for either gender. We take hold of our space and explore clichéd situations; replaying them in ways which challenge how society expects genders to behave within and around sport.

Drag Me to Love by Bonnie and Bonnettes

So imagine this. You are 14 years old and you are a drag queen. Its golden stilettos, ripped fishnets, shoulder pads, and neon bobs. It’s expression. It’s glamour. It’s power. It’s Doncaster, 2009.

It’s about being young, having that fire in your belly and seeing no limitations or rules. It’s the uncertainty of your own identity and the creation of a new one. It’s about finding a safe place between the two. It’s a reflection. An exorcism. A scrapbook.

We will laugh. We will cry. We will sing and we will dance.

You are bound to fall, as we drag you into love.

Jumpin’ Hot Club Presents: Q Festival – 1st August

Award winning Jumpin’ Hot Club are hosting an evening of unmissable toe tapping blues, folk, country and live roots music……..I’ve championed and worked alongside the Jumpin’ Hot Club gang for years so I know you’re in for a real festival treat with these guys.  And what’s a festival without the musicccccccc!

The line-up includes the amazing and hilarious Martin Stephenson & The Toe Rags….. I’ve heard a sneaky rumour that the king of Jumpin’ Hot Club himself Graham may be getting up on stage with Martin so obviously, I’ll be cheering like a crowd cracker.

With plenty of space to dance and lush local booze on offer, you can enjoy this one of a kind night with Jumpin’ Hot Club and also get to see admired Austin Texas singer songerwriters Brennen Leigh & Noel MacKay, a country blues and desert rock band born on Route 66, Hymn for Her and local folk legends George Welch & Christine Jeans……..

 

 

 

martinS2The Big 90s Pop Culture Quiz – 2nd August

Right, I’m stuck in a time warp. I love the 90s; maybe it’s partly not wanting to grow up and maybe it’s just being in love with this era. Everything about the 90s makes me smile…..

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Ross and Rachel, Umbongo, Marky Mark, CK, hair mascara, Kickers as school shoes, Pogs, TLC chasing Waterfalls, Wayne’s World, Ravey davey dance….come down to Q Festival for a 90s Pop Culture Quiz with quiz mistress Cheish Merryweather (the only person I’ve ever met who is more ridiculous than I) testing your knowledge and love for the 90s.

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Tables are really flying for this – teams can be any size from 2-8 and are £10 a table….so come mmmbop with me down memory lane even if you’re totes clueless…..

Disposable Treasures; Paper Crafting – 3rd August

So you guys know I’m allllllllll about championing local artists and stepping out of my comfort zone and doing something creatively challenging. And that’s what this evening is all about whilst enjoying a few glasses of vino and enjoying four different activities with professional artists.

So first up we’ve got Fiona Jamieson; you can have a go at paper cutting- designing, cutting and opening up a paper treasure……you’ll be surprised at how beautiful and intricate the designs can be with this Snowflake technique.

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We’ve also got Culture Vulture fave and all round brilliant egg Sheryl Jenkins – you’ll have the opportunity to experience and create some paper crafty animations using stop-motion….. I’ve had a go at this many times now….you guys will not be shocked to hear that mine was cat related….

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Late Shows fave and 36 Lime Street legend Effie Burns will be facilitating a session to create a paper crafted miniature magical world; we could all do with a little escapism so get lost in a match box world!

Finally, Yvette Hawkins, will be showing you have to create sculptural wearables – fit for a cat walk – think big, think bold colours and just go with it…..

So come as you as, come as a group, this evening is most certainly for those crafty crafters!

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80s Social Club – 4th August

Going back to the time warp thing…I’m obsessed with 80s music. Not the cheesy kind (although after a couple of gin & tons singing them loud and proud, most certainly has their place) – the electro kind. I also have crazy large hair and “interesting” fashion choices – I look like someone who digs the 80s and stomp about to Stevie Nicks, Edge of 17 far more than I’d care to admit….

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Following on from the mega success of my 90s Social Club party a few years ago at World Head Quarters – those that follow me on social know I’ve been ITCHING to do an 80s version…..so when a prime slot at Q Festival came up – it was fate. I assembled the Social Club team – we’ve got Tim McVicar (Dat Bar, Bierrex, MSA and ex Smoove & Turrell bassist) playing 80s electro funk and boogie and we’ve got Patterns Collective to play some 80s dance floor pleasers.

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As per any Culture Vulture party, I’m pulling out some corkers – we’ve got glitter bar and neon facepainting, 80s decorative lushness and all sorts of things…..fancy dress is not enforced – but I will glittered up and back combed so why not so feel free!

“The question isn’t “what are we going to do,” the question is “what aren’t we going to do?” – Ferris Bueller’s Day off

The Candy Vortex Q Festival Closing Party – 5th August

Basically just don’t go to sleep between Friday and Saturday because this is the ultimate party weekend………when it comes to closing a big urban lush festival, is there ANYONE ELSE? If you haven’t heard of the Candy Vortex yet – well you’re going to, they run some fresh immersive parties, filled with revelry and you know an all lasses collective is going to get my vote.

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So what to expect – well I don’t know…….expect the unexpected and see you on the dance floor….

Carruthers & Kent Summer Wine Fair – 6th August

Something happens when you turn 30 – things you wouldn’t have dreamed of doing or liking suddenly seem lush and acceptable. I’m like that with red wine…….my friends have tried for years to get me to like wine and to taste different things and really appreciate it. A year a go something magical happened – people had told me it would happen but I just didn’t believe them….. I took a sip of red vino, the skies parted, the birds sang, my taste buds cheered and the world suddenly made sense………

So how excited am I that Carruthers & Kent are running this….. me with my new found wine loving status is alllllll over this. The opportunity to taste and find out about different wines….heaven. I know you’re supposed to spit and only “taste” – but my sips are unfortunately gulp like so I’m sure I’ll be dancing my merry way out of the Spiegeltent at Q Festival – which let’s be honest, is a fitting way to end the fest……

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So that’s my tip top ten of Q Festival picks; so I really hope to see you along and get booking: http://www.QFestival.co.uk

That’s all for now Culture Vultures!

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Creative Start-up Shepherd Illustration…

The heart and soul of Culture Vulture is my passion for culture and arts in the North East……I’m on a cultural adventure to seek out and discover as many things and creative people as possible. I’ve built a business based around seeking the unfound and going out and about in the region…..literally my dream.

My starting point with artists and creatives is them as individuals; teasing out their story and perspective. I don’t just want to see an arts piece or performance; I want to experience it, understand it, question it and learn from in. I am fantastically lucky that in my day job and as The Culture Vulture, I get to meet an array of creatives and artists. I really get to know them and they become a part of the Culture Vulture network and family. I look out for them and champion everything they do……..what is so brilliant about meeting so many people and hearing their stories, is the different journey people have often taken to become an artist, a creative, a creative business, practitioner, a performer, designer….however, an individual sees themselves. And this is why I do blog interviews….to learn more , explore but also for you lovely lot………

So pleased to meet you Lauren Shepherd, lush creative business and recent start up – you will be able to meet her at the after-party at Newcastle Start-up Week……….

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Hi L, Tell me about Shepherd Illustration?

Shepherd illustration was born out of my accidental habit of drawing. Each art course, I have ever taken, be it fine art, spatial design or animation, I have always found myself focusing on drawing. Many art forms need so much equipment, where as to draw you just need a scrap of paper and a pen.

I like being quiet (this will come as a surprise to anyone who knows me as I talk…. Too much) but when I am on my own, I just love to be quiet; drawing offers me that sanctuary. I ended up with a bunch of drawings and wanted to do something with them; at first I found it really hard to focus on creating a product and still now, I realise I have gaps in my product range and I don’t focus on creating a card for every occasion. I like to give the customer chance to think for themselves and to become a part of the creative process. I’m still learning and I enjoy meeting people on this journey of turning my passion into a business.

Tell me about your journey setting up a creative business?

At first it was very exciting and still is; but it’s hard receiving knockbacks especially when I still work full time and come home after a long week to receive emails saying “no”.

It’s long hours and hard; sometimes you can’t see friends or fit in going to the gym. It’s really hard when you feel like no one sees your work and you spend more on products than you make. But then all of a sudden someone says “yes” and I get to do something extraordinary. For example I love to ski and approached Chalet Rosiere as I had heard they offer places to artists; they emailed back and were actually interested in commissioning me to do some work for them! I was totally overwhelmed but I grabbed the chance and spent the next 2 weeks creating 8 new pieces of work for the chalet which I honestly think are my best to date. 1 month later I was skiing in the Alps hosted by the wonderful owners of Chalet Rosiere.

Also if you’re creative you just can’t help it, you have to make!

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I really love your branding – what was the inspiration behind that?

My branding comes directly from my illustration. I wanted to create a brand rather than just a collection of drawings; I try and keep everything as stylized as I can. When I first started drawing everything was very macabre. But at that point, I was a young singleton drinking too much gin; I don’t think it’s any coincidence that the happier and more secure I have become in my life, the more romantic and positive my illustrations have become.

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Do you have an inspiration behind your style of work?

I am hugely inspired by botanical illustrations and Thomas Bewicks’ engraving. I feel my drawings are a modern interpretation of his engravings and share the same love of the countryside. This could be why I unintentionally draw solely in black ink. But I also feel again that it is the simplicity of only needing one sheet of paper and a pen to be able to start work. I often look at painters and feel a pang of jealousy when they are sat amidst huge boxes of paints and turps, paintbrushes, easels and canvases but then I remember that’s not where I currently am artistically.

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What about your love of dogs?

I love dogs! I am a dog person. My miniature dachshund isn’t my baby; but O truly think she’s a part of me. I got her when she was 10 weeks old and I was only 19. She has travelled the length of the country with me and looked after me much more than I have her. This year we have been together for 10 years and I can’t thank her enough for getting me through some very hard times. I’m very lucky to have a great team at YourFilm and my boss’s even let me sneak her into work so she can snooze beneath my desk.

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What was your journey into animation? You work for Your Film?

I came to study animation at Northumbria University and completed my degree in Motion graphics & animation BA. I was not necessarily the best person on my course and often felt I wouldn’t be able to find a job in the field, especially in Newcastle; a city I fell in love with and didn’t want to leave.  Through hard work I found some really great projects to work on even before graduating; this gave me enough experience and confidence to apply for my job at Yourfilm.

A few people applied from my course and I honestly didn’t know how the interview had gone, but only a few hours later Matthew rang me to ask me when I could start. I couldn’t believe it and screamed down the phone…. In hindsight I wish I had played this cooler. Fast forward nearly 4 years and I am still with the company. It is a fantastic place to work and being part of a small team means I have full control over the projects I work on and am constantly learning.

What’s next for you? Next project?

I currently only sell through a few independent retailers but would love to move into more shops and get my products noticed by a larger audience. Fingers crossed I will have some exciting news on the horizon soon. I have also been asked to be part of a new exhibition in York and am working hard on a new product range for the Thought Foundation.

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Creative, artist, animator, all round absolutely lush megababe gin lover Lauren Shepherd………..you can see more of her at Newcastle Start-Up Week………

Invest into and start learning from NE culture & arts, oh and start paying them too!

No one actually makes a living as an artist, right? The cultural sector pays pennies? Go get a “proper” job? Actually the reverse is true, the creative sector and industries in the region are BOOMING…… people want bespoke, creative, individual…..there is the biggest movement to shop and support local and to reject the everyday for something more unknown, exciting, opportunistic and emergingly edgy.

I champion the entrepreneurial agenda, it’s in my blood (literally) and I love it but I really struggle with two issues…………. Firstly that creatives are often not viewed as legitimate business people and yet to see so many creatives launching themselves as a business and behaving more and more like a start-up is fantastic to see. Some of these businesses, it’s been that blend between day job and passion project testing, until opportunity……..without realising and a business is launched and they are trading; they’ve been through years and years of testing without realising. For artists, they have often been drawing or making for YEARS, putting their stuff on Instagram or selling at craft fairs, developing their product and skill set, until they launch…..often accidentally. Someone commissions something, asks to buy or like me, offers you a lump sum of money for a freelance project that gives you traction and a real starting point to launch and oh hello, I think there might be some kind of business here……….

Secondly, this intrinsic opportunity ethos for creatives to work for free; don’t pay them – just let them perform, suggest future opportunities that might lead onto paid work, as if engaging with them is a favour. From a business perspective; outlay of materials, time and then freebies offering, is crippling and removes the legitimacy. Should they be grateful for the opportunity…..as if you offering them a space or time is enough!?As a business think about the implications on the cash flow…….moreover, many creative start-ups are already under-pricing themselves, not factoring in their time, don’t value their service or practice in a similar way to a “product” or factor in materials so before you even think about “may be possibly” paying them what they are owed……they are already doing it for you for a brilliant deal.

This is so short sighted as I find the creative and cultural sector in the North East, as exciting as the Digital Sector at the moment, something to invest into and be a part of……however, there are key differences. There isn’t the investment available, there isn’t the capital and people don’t necessarily take creatives as seriously, as a business they can really understand. So what you have instead is individuals, independents and artists launching on a shoe string; they are resilient, constantly willing to learn, eager for feedback, out there networking, seeking opportunities, developing business models that are lean, mean and sustainable – they are the blueprint learning wise for a start-up business and entrepreneurs……instead of operating with big sales forecasts and massively unrealistic ambitions, they instead operate seeking collaboration, they show patience, evidence a longer term strategy to grow, can afford to keep going without sales or bookings, experiment and take mitigated risks……it’s not all or nothing, or go hard or go home; instead it’s about building something they love, care about and growing at their own pace incrementally on their own terms, making their own rules.

And you may say, well these creative businesses are not going to be the next “big” thing, they aren’t going to feature in Forbes and world isn’t going to change………I’d argue the other way….instead there is no entrepreneurial ego, they are real; a massive big business that had mega investment that people view as “proper” may never get off the ground and no one might ever hear of it, whereas a creative business located in the North East hundreds and often thousands know their name, the people behind it, buy from them, champion and support them….there is less “talking” about doing business and more of the making, creating and trying to get out there from day one……..  they have priced their product, sold it, met their customers, marketed it, submitted accounts and got their hands entrepreneurially dirty……… however, we could help them grow….just by paying them fairly for what they do and the service they offer.

To reflect that into my business; is the Culture Vulture going to make me millions?….probably not. Do I want it to? NO – there I’ve said it. I don’t want a massive business, I don’t want investment – I want my own entrepreneurial and creative sphere……….and I want to do what I love. That is my driver in entrepreneurship and I want to enable others to do the same.

So please don’t apologise or shy away from having a creative business, be massively proud – it isn’t any less “proper”…..Creative businesses usually have real values and passion at the heart………people, talented and excited brilliant people behind it. You have more real life business experience than most, so own that!

Creative businesses and people are the next big thing; there is a movement on going in the North East; I’m so excited to be a part of it………..will Creative businesses, artists and creatives change the world? YES they will…….because they re-imagine it, they challenge it, redesign it, express it, embracing all those aspirational entrepreneurial attributes – ability to handle uncertainty, resilience (anyone who has sold all day at a craft fair and sold nothing), ability to absorb learning and feedback and to build something that is not income dependent……. Their projects and activity happens irrespective of funding because they make it happen………….for most creatives, lack of funding is not a barrier to launch a business…….they assume there is no funding and they launch anyway, because their passion makes it almost like a compulsion………..

Moreover, their creative products bring smiles to people’s faces and they mean something to both the person who purchased it and (if appropriate) the intended recipient. That’s an emotional buyer connection that many businesses can only dream about.

More traditional entrepreneurs and start-ups have a lot to learn from creatives and artists………..so creative businesses and artists, respect them, learn from them, seek them and of course, pay them……

Easter Easter Easter holidayzzzzzz

It’s nearly Easter 2017 – can you actually believe it? I surely can’t…..

Well as always, I’ve rounded up some of the lushest activity for your minis for holiday season – so here it is Easter holidays in a nutshell………jam packed with activity in Gateshead for kids, families and young people; Gateshead has it covered with a diverse and interesting programme of fun cultural activity……

So get yer skates on and get planning for some fun things to do over the holidays for your mini Culture Vultures before these seasons are booked up….

Digital Makings: Family Music Workshop

Leam Lane Library, Saturday 8 April, 10am – 12pm

Start off your Easter holiday making some noise with us and spend a morning as a music producer; you’ll be using your favourite songs to help inspire you to create your own compositions using apps on iPads. Work with We engAGE on a variety of instruments and learn the art of designing a piece of music from scratch.

Suitable for ages 8+

Free – Book in advance

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Design Your Own Easter Egg

The Gallery, Gateshead Central Library, Monday 10 April, 10am – 12.30pm

Drop in across the morning and join The Culture Vulture to design your own Easter Eggs and enter the competition. Go 3D and use a hard-boiled egg and create a sculpture, a character, or something eggcellently Easter related.

Or go 2D and design your egg from scratch like a pro. We’ll have LOTS of different materials for you to get your hands on.

Your finished designs can be entered into a competition which will be judged by three professional artists!

Suitable for all ages.

Free – just drop in.

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Digital Makings: Wearable Tech

Gateshead Central Library, Tuesday 11 April, 2pm-3pm

Art and Science come together with our electronics maker activities – make your own piece of wearable tech. Become a digital fashionista!

Suitable for ages 8+

£5

To Book

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Culture Camp: Soundscapes

Caedmon Hall, Gateshead Central Library

Wednesday 12 April, 9.30am – 4.30pm

A full day workshop with artist Ben Freeth exploring and creating soundscapes using digital techniques and coding. Unsure of what a soundscape is….well artists used them this year at Enchanted Parks and they are a regular thing on immersive theme park rides…..

Sounds pretty cool right? You’ll be learning how to use open source software to explore the Sound Library and Archives in Gateshead Library and take existing digital media and manipulate it to create your own unique locational compositions.

Suitable for ages 10-18yrs.

£20

To book

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Accidentally Minecrafted

Blaydon Library, Wednesday 12 April, 10am

Addicted to Minecraft? Well Blaydon Library have it covered with a whole host of Minecraft activities so drop in and get Minecrafted…..

Suitable for ages 8+

Free – just drop in (small charge may apply to come activities on the day)

More information

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Culture Camp: Make a Play in a Day

Caedmon Hall, Gateshead Central Library, Thursday 13 April, 9.30am – 4.30pm

Back after last Summers’ smash hit success of a day…..join drama teacher David Raynor and The Culture Vulture to create an entire play in a day! You will experiment and explore a variety of acting and movement techniques, take part in confidence building workshops and character development, script writing, costume and staging activities.

This is a must for all budding Ryan Gosling and Maddie Ziegler ….

At the end of the day, you will perform the finished play to an audience of parents and Gateshead Culture Team.

Suitable for ages 8-14yrs.

£20

To book

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Design your own T-shirt

Birtley Library, Thursday 13 April, 11am

Well this session is for mini fashion designers in the making…..you’ll be making your own designs using stencils, paints, fabric pens or if you’re feeling super creative and brave, try free hand!

Suitable for ages 6+

£3

To book

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St Mary’s Storytime

St Mary’s Heritage Centre, Friday 14 April, 10.30am

Pop down to the beautiful St Mary’s for a lively storytime for under 5s in a beautiful venue! Your baby or toddler will experience lovely immersive storytelling and a mini rhymetime. After the session refreshments are available too!

£1 – Pay on the door.

For more information and dates of other sessions

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Culture Camp: Film Director Workshop

Caedmon Hall, Gateshead Central Library , Wednesday 19 April, 9.30am – 4.30pm

Join artist Karen Underhill to experience what it’s like being a Film Director; you’ll have the opportunity to create your own movie exciting and magic film trailer during this fun collaborative day. Learn how to work together to storyboard, act, record and edit a short fiction movie trailer.

Suitable for ages 8-14yrs.

£20

To book

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Culture Camp: Animation on location

Caedmon Hall, Gateshead Central Library, Thursday 20 April, 9.30am – 4.30pm

Join animator Sheryl Jenkins to learn about the animation process and work with a mobile animation studio using animation apps, alongside digital photography, drawings and natural materials to create an animated film inspired by what we find in the library. You will then create an animation on a green screen to bring the library to life with using your favourite book characters. Mint!

Suitable for ages 8-14 yrs.

£20

To book

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LEGO Drag Race

Caedmon Hall, Gateshead Central Library, Saturday 22 April, 11.30am & 1pm

Working with Richard Carter “Bricks Mcgee” build the fastest, meanest drag cars from our selection of LEGO elements, and race your creation against others as part of Maker Month – Maker Faire UK . Take your vehicle back to the pits and change the design to make your car faster, then compete in the grand final! Who will be victorious!?!?

There are 2 sessions to choose from please select your ticket for 11.30am -12.30pm or 1pm – 2.00pm

Suitable for families with children ages 6yrs+

Free – spaces limited so pre-booking is essential.

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Get planning Culture Vultures…….

The Culture Vulture xx

 

 

 

 

 

 

Sheryl Jenkins: Digital Makings’ Artist of the Month for March 17

It’s March, practically Spring and the month of International Women’s Day. Due to how many events and parties on going through-out March, it feels the whole month is now full of possibilities, empowerment and championing lush ladies and all who fist pump equality and female success.

Seems apt I am able to use this blog to pretty much channel and showcase all the wonderful people that I admire – and as it’s March and all about #lasses – this month I’m championing Digital artist Sheryl Jenkins as Digital Makings Artist of the Month for March.

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I’ve had the pleasure of working with Sheryl during her delivery of participatory arts workshop for kids with animation. She’s dreamy to work with; fast paced, full of energy, great at facilitating creative experimentation, brilliant with young people and fun to work alongside. You can watch the result of her recent ‘Crafty Animations’ session at Gateshead Central Library HERE.

Sheryl describes herself as a freelance animator, an anarchic creative and filmmaker who often works on collaborative projects with artists, schools, community groups, and education and arts organisations. She is also involved in independent film productions and residencies, producing film content for online education resources and random bits of animation.

What comes across from Sheryl’s showreel (give it a watch – it’s brilliant) – is that she really loves her work and has great fun producing it. That vibe is infectious to be around…… I’m all about positivity and people loving their work.

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I caught up with Sheryl recently and wanted to find out more about her practice, her love of things Digital, her involvement in Thinking Digital and her favourite films……

Hi Sheryl, tell me about your journey into digital arts?

At the moment I’m interested in using tablets as animation and filmmaking tools. The apps available make it possible to include a variety of styles including drawn, model, photographic sequences, rotoscoping, green screen and cut out.  It’s kind of the perfect point for me to reach because I’ve always been interested in being able to create animated work where ever I like.  The iPad is like an animation sketchbook and means I can create animated work in response to anything on location.  So that’s where I’m at now.

Going back in time, I was always interested in drawing and making things, I used to pretend I was presenting Blue Peter, when I was younger we had a BBC computer and I used to write games for it. Most members of my family had a camera of one sort or another whether it was 35mm, Super8 film or a video camera.  I enjoyed taking photographs – I’d’ve been obsessed with Instagram if it’d been around when I was growing up.  My brother and I used to make animated films with my Dad’s video camera.  We used our toys and made models – I still have some of those films.

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I studied Graphic Design before studying Animation at the Surrey Institute of Art and Design. It was great to meet and work alongside so many other people interested in animation who had such a broad range of styles.  At that time we were using a combination of rostrum camera and reel to reel mixed with newer audio technology and editing software.  I always like the idea of mixing old and new.  I like to feel a creative connection (for want of a less naff description) to what I’m making.  I don’t want tech to come between me and the process of making.  I like that creative closeness.  It probably sounds like I’m contradicting my practice that I talked about at the start but it’s all about a balance and taking advantage of what a piece of technology can offer.

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I’ve been freelance for about 17 years. During that time, through working with different groups and other artists my practice changed and I went back to university to explore my more abstract style that had emerged.  I think that change in style had come about through working with schools, community groups and so on.  It was the influence from those groups and the need to create animated work quickly that had changed how I worked with animation.  During projects I had to take a process that you would normally think of as slow and steady and speed it up and make it accessible.  Those groups have had an impact; I like it when someone questions the process or suggests a different approach.

At the moment I drift between traditional narrative, abstract ideas and anarchic creativity – Anything could be a possible beginning of something and if something catches my eye I start thinking about the possibilities.

Why animation and film making?

The process of animation is fascinating. After all this time I’m still amazed when I finish at bit of work, whether it’s an independent piece or part of a collaboration, and it appears to move itself – just magic. I often use optical toys in workshops and things like the zoetrope are amazing – everyone loves those.  I don’t know if it’s because you’re watching live animation, there’s no camera and you’re not watching a TV; it’s happening in front of your eyes.  It’s just mad.  When I was a kid I had an annual about an egg-shaped, gem stone called Ludwig and on the bottom corner of several pages was a series of drawings that you could flick and they’d move – it was one of the most amazing things I’d ever seen.

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I had ideas about being an archaeologist or an astronomer – maybe I was working my way through the alphabet but didn’t get very far – but it dawned on me that if I did animation then I can become all of the other jobs I’d like to do, in a Mr. Benn fashion. So through animation I get to explore, learn about, work with other professionals from other areas and make films in response to my experience.

Favourite animator/animation?

In his animator guise I love Terry Gilliam.  I used to watch a lot of Monty Pythons Flying Circus and I loved the cut out animation sequences.  I liked the style – it didn’t use drawings like Scooby Doo and it wasn’t smooth like a Disney film.  I liked the use of images from photographs and paintings.  It was charming, quirky and just bizarre.

Another favourite animator is Norman McLaren – I like how he experimented with technology and the animation process.  I often show his films in my workshops.

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Norman McLaren

Another favourite is Barry Purves.  He has made some amazing model animations.  I’ve heard him speak at festivals a few times and I love to hear how passionate he is about animation.

I like to know about other people’s filmmaking process – that’s what interesting to me – I think that the process ultimately adds an energy and presence to the work. I heard Caroline Leaf, who has used sand in her animations, talking about her work and someone asked her what happened if she made a mistake and she said that there were no mistakes because they all become part of the film.  I like that – it’s like growing a piece of animation.

Favourite film maker/film?

I like filmmakers who get immersed in the process or are determined to make their idea and take creative risks. I’ve got to say Terry Gilliam again.  One of my favourite films is Time Bandits.

There are a lot of artists from other backgrounds that I like – It’s often people working with shapes, the idea or suggestion of movement, and shadows.

Do you have a favourite project you’ve worked on so far?

Sometimes projects are memorable because of the people you work with – everyone enjoys themselves and works well together.

One of my favourite film outcomes from a project was an animation – Invasion of the Chocolate Monster – made with Year 3 children in Carlisle over three days.  I really like the narration, voices and sound effects in that one.

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As part of my degree I worked alongside English Heritage who were recording prehistoric markings in Northumberland and County Durham. That was interesting.  I was working outdoors with my cameras and pastels, inks and paint – tricky in the wind and rain.  I could’ve done with the iPad then.  The film I made was a mix of all sorts – drawn sequences, Super8, 35mm photographs, mixed media, digital clips.

I worked on a project a while ago with Darlington Arts and people on Firthmoor Estate. During the project we made life-sized, MDF cut-out versions of people and animated them around the estate.  I don’t think I’d worked on that scale before.

I like to collaborate with other artists and professionals. I like to observe how they work and consider how their process could be adapted or applied to my animation practice.  I’m always looking for new ways of working that keep things fresh and challenging.

Tell me about a current/recent project?

I recently completed a residency with Newbiggin Hall Estate and Newcastle Arts Team. I worked with community groups on the estate over about a year and a half.  I felt very welcome and people were interested in being involved.  We made animated film, live action, there was a bit of photography, some painting and crafts, and a bit of textiles.  It depended on what the groups’ interests were.  We had a great celebratory event at the end where everyone came together for a creative fun day and we premiered one of the films.

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When a project comes to an end I hope that people continue to use what they’ve learnt because I always think that there’s so much more potential and scope for animated work and I would like to see where they go next with their ideas.

At the moment I’m working with The Cultural Spring and St. Clare’s Hospice in Jarrow.  I’m working with Day Care visitors.  The sessions are relaxing and fun.  We have a laugh and come up with some absolutely bizarre ideas – they often become a random stream of ideas – “then this happens, then there’s a dog appears, then a shark eats a duck …” and so on.  It’s all very Monty Python.

Do you have a favourite age group to work with?

I don’t have a favourite age group that I like working with. I like working with anyone if they’re interested and want to be involved.  I like to see what ideas and skills people can bring to a project.  Some people, often older groups, worry about the technology, but the technology is only a small part of things.  I’m interested in the creative side of the process.  And there’s always a role to suit everyone whether they’re interested in making things, designing, filming or animating, or telling everyone else what to do.

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Do you do commissions/independent stuff? Tell me a bit more!

I make my own films. It’s tricky, partly because if I have start a project then that takes priority, and also because if I’m working by myself there’s no-one to chat to about how it’s going or keep me motivated or focused, so that’s all down to myself.  I have several independent projects that sit on a shelf and every so often I revisit whichever one I’m in the mood for.  Taking a break from them probably helps me to come back with a fresh view.

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I collect a lot of archive material. I have a stash of old photograph albums and loads of slides.  I’ve used them in projects but there’s potential for other projects with those.  For a while, I’ve been working on a series of images that are made from animation sequences.  I take each frame and build them up on top of one another into a single, still image.  I look at it as a record of each stage in one picture.  It came out of some work mixing animated, morphing sequences which had been inspired by Spirograph patterns.  I sometimes set myself creative tasks, some might take a day to complete and some last a whole year.  They challenge me to think and solve technical and creative problems.

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I’ve been commissioned to create artwork and animation for theatre, television, galleries and festivals. I like seeing my work projected, shown or displayed.  I see it on a screen while I’m making it and it’s good to see how it looks somewhere else.

I see you’re involved in Thinking Digital this year – how did that come about and what are you doing? And most importantly, can you get me a ticket for mates rates?

I was asked if I had any workshop ideas that would be good for Thinking Digital.  I thought it would be a great opportunity to deliver a mobile workshop along the Quayside with participants using their own tablets and apps.  There are plenty of interesting landmarks and some lovely architecture to take inspiration from.

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My plan is for the group to use tablets to collect and create visuals, add sound and edit. There’ll also be scope to create artwork using art materials and then add that work to graphics, sketching and animation apps as part of the post-production process.  The workshop is an opportunity for participants to develop creative use of their tablets at their own pace, share knowledge, and gain inspiration and ideas for future animation work of their own.

I haven’t had any word about mates rates!

Can you tell me any sneaky peakies about any future projects?

I am working with The Hepworth in Wakefield, the Rheged Centre, and young people from Whizz-Kidz over the next few months.  I have my fingers crossed for a successful funding application result in the near future!  And I’m always interested in collaborations.  Plus I have my shelf of on-going personal projects and I quite fancy doing something about chaos theory and motor racing circuits (but not at the same time).

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Well how insightful and exciting – like Sheryl, I love hearing about how other creatives work and I adore the concept of mobile animation – so accessible. Watching her show reel is a testament to that – both old and young, engaged and enjoying animation.

I have the pleasure of working with Sheryl over the coming months as part of Arts Council funded Digital Makings project…….and if you know any budding young animators looking for something lush and exciting to do over the Easter holidays, well we’ve got it covered. Sheryl is running an all-day Culture Camp on Thursday 20th April at Gateshead Central Library – so get booked up!

That’s all for now Culture Vultures.

 

 

 

February Half term – a Gateshead round up and roll up, roll up!

Well after the success of the last half term post I pulled together, I thought I’d give you a little run down of some of the brilliant things going on this February half term for kids and teens across my stomping ground of Gateshead…….

February is a bit of a funny half term – we’ve just got over Christmas and back to work and oh “HIIII HALF TERM – where on earth did you come from” ….. most people haven’t thought about it yet either…….

Also the weather is likely to be a little bit rubbish and grey, so we need indoor activities…….

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Whilst having a small breakdown is completely acceptable – as a parent, you have a right to have them on a daily basis, but I want to try and help you guys out a bit.

Right so my top Gateshead based activity selection……..go go……

Saturday 18th Feb….

Why not have a little lie in, (it is half term after all) and then join Gateshead’s Children’s Knitting group at 11am at Gateshead Central Library? This group is newly established and doing really well. You may think “knitting!?!”…..knitting is all the rage at the moment and kids love hands on practical stuff and better yet, the skills they learn in this group, they can continue at home on a rainy afternoon!

To book for free, visit HERE!

Sunday 19th Feb…..

Sunday is obviously the day of rest and for overdosing on roast potatoes butttt if you do fancy feeling adventurous, why not pop along to The Centre for Life and visit the new Lego exhibitions. It looks mint – I’m yet to go but it’s on my “to visit” list. This blog post from Here Come The Hoopers gives you a good idea of what it’s like!

And p.s. the ice skating rink is still there until 26th Feb….so hurry up and get yerr skates on.

Monday 20th Feb…..

Hiyerrrr Monday….. without the usual blues I hope, as it’s half term!

So first up, we’ve got Stop Motion Monday at Blaydon Library. This session is for ages 7yrs+ and you’ll have the opportunity to use our tablets to make your very own stop motion movie. This process is highly addictive (speaking from an addict here!) and super enjoyable.

To book for free, visit HERE!

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In the afternoon, Creatures up Close returns to Gateshead Central Library. Laura is back with her amazing animal and insect friends….. this is your chance to get hands on and learn all about some crazy creatures.

These sessions are for 3yrs + and priced £3 for non-library members and £2.50 for members.

To book on the 2pm session visit HERE!

To book on the 2.45pm session visit HERE!

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For slightly older kids, aged 7yrs + there is Digital Makings: Crafty Animations with artist Sheryl Jenkins. In this workshop, Sheryl will introduce attendees to a crafty approach to the animation process and provide the opportunity to experiment with a wide variety of arts materials. Participants will use textiles, collage, rubbings, digital media, charcoal, pastels and inks to make an animated film.

To book for £5, visit HERE!

Tuesday 21st Feb…….

There are only two places left for the super popular Culture Camp: Make a Movie in a Day at Gateshead Central Library starting at 9.30am. This all day session is for 8-14yr old budding film makers who will work with digital artist John Quinn to create a movie using iPads and apps.

Culture camps are the perfect opportunity to engage with a variety of arts and creative activities, whilst working with a peer group. Children are left at Gateshead Library for the day, whilst you are free to get on with your terrific Tuesday in the knowledge they are having a mint time and learning!

To book for £20, visit HERE!

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Do your mini mes love Pokemon Go? Yes!? Well bring them along to your local Pokestop at Pelaw Library at 10am. There will be lots of Pokemon activities for you to have a go at and of course, you’re welcome to play Pokemon Go with fellow Pokemon hunters.

This session is for children of all ages and is £1 to attend – just turn up!

If you can’t make the session on the 21st Feb, come along to Whickham Library at 2pm on 22nd for another session!

Wednesday 22nd Feb….

The amazing Pop-Up Studio Low Fell is running a workshop at Gateshead Central Library at 10am. They will be facilitating a space themed accessories family workshop – attendees will make a space themed key chain, bracelet or necklace by following an out of this world design or by getting super creative and designing their own.

This session is for 8yrs+.

To book for £10 per adult and £7 per child, visit HERE!

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Or why not visit Crawcrook Library at 10am for their Maker Morning. Let your imagination go in their maker modelling morning; will you make a monster, an alien, something from Minecraft!? We’ll provide the materials and you bring the ideas!

This session is for children of all ages and is free to attend – just turn up!

Thursday 23rd Feb……

Drop by Chopwell Library at 9.30am for their Dinosaur Romp for under 5s and families. Your little tinkers will stomp their way around the library in this dino themed rhymetime. Fancy dress is encouraged!

This session is for Under 5s and families and is free to attend but visit HERE to reserve your place!

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Or visit Felling Library for some Minecraft Mayhem at 10.30am. Attendees will create some scenes from a favourite book or join special worlds with friends using tablets. Just remember absolutely no TNT!

This session is for children of all ages and is free to attend – but visit HERE to reserve your place!

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In the afternoon, get your Digital fix at Microbit Coding activity at Gateshead Central Library at 2pm.

Spend a lovely afternoon challenging yourself with a fun coding activity to make the game of Frustration.

This session is for 8yrs+ and pre-booking is essential!

To book for £3, visit HERE!

Friday 24th Feb……

Start your half term Fri-yey right with the lush Chalk and get making and building at The Mythical Beast Building Construction Club at Shipley Art Gallery starting at 10.30am. What creatures do you imagine live in Saltwell Park? Does the creature have three heads, one hundred eyes and a tongue longer than a lorry? Let your imagination run wild as you create your very own mythical beast; delve into the Chalk invention box, choose your materials, and get creating!

This workshop is designed with both little ones and big ones in mind; you can make and build on your own, or work together as a whole family. To spur on the crafting, the workshop will be set to a soundtrack of beastly music! Grrrrrrr!

This session is for children of all ages and is £2.50 to attend per child, to book visit HERE!

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And then on to GemArts Mini Mela for an exciting multicultural afternoon at Gateshead Central Library, from 11am-3pm. This event is packed full of family fun, with free workshops, performances, henna artists, face painting and lots of other exciting arts and crafts to take part in. Join in Indian, Chinese and other visual arts from around the world, Indian dance and African drumming activities, learn something new and take home your very own creations.

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How amazing does that sound? The entire day is on a drop in basis – so come along and get involved!

This session is for children of all ages and is free to attend, but visit HERE to keep up to date at the programme of the day is announced.

Saturday 25th Feb…….

Spend a culture vulture full day pottering around The Baltic, walk up to Sage Gateshead and then…. go and visit the beautiful St Mary’s Heritage Centre for their ‘History Mysteries Children’s Trail’!

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Ooooooh sounds exciting, adventurous and a little bit spooky.

You and your mini me’s will be challenged to unravel the truth from the fiction about this building’s fascinating past. They will also have their ever popular Victorian toys on display for the whole family to play with.

This is for children of all ages and is free to attend – just turn up 10am -4pm Tuesday – Saturday across the half term week. For more details visit HERE!

Sunday 26th Feb…..

Sounds like a lazy Sunday on the sofa watching films together as a fam and getting ready for the week ahead back at school……

Let me know what you get up to and get planning your half term and booking your places.

The Culture Vulture xx

February 17 Artist of the Month; Chris Folwell

New month, new projects and new artists to showcase…….so February’s artist of the Month is an artist, I’ve only quite recently had the pleasure of getting to know but in a variety of forms. I met him as an aspiring artist at The Late Shows so many moons ago….the exact year is hazy, as are so many of the Late Shows weekends when you meet so many wonderful people and do many lovely things. I saw his work as part of The Book Art project in 2012 and then our paths crossed again at last year’s Anime Attacks where he ran a flip book animation drop in workshop and again as one of the brilliant artists selected to join the 2016 Gateshead cohort of Make Art Happen.

Who is this artist you ask – well it’s Chris Folwell of course! Chris has been one of those artists that I’ve only ever met at events, or through their participatory work and collaborative larger scale projects. I’ve have quite been able to place him – he has just sprang up to me doing something fantastically creative.

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Chris Folwell

Through his involvement on MAH, I got to know more about him, his practice, his background and his ambitions. I remember reading his application for MAH and I just loved it – full of creative project ideas, lots of passion and most importantly, real legs and capacity to get it off the ground.

So when I found out he was one of the Digital Makings Fore-edge artists and running some activity as part of the Gateshead Live programme – I was thrilled. So here he is in all his glory as The Culture Vulture’s February Artist of the Month…….

How did you get into “the Arts”?

I have a sneaking suspicion that a lot of people just fall into the arts and it was the same for me: I studied graphic design and hated how cold and removed it was, then animation and loved the hands on side but didn’t want to work at a computer doing CG.

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My tutor there introduced me to printmaking and I got hooked – I did a top up year in fine art pretty much purely to play in the print room, then I bought a second hand press and barely went in to university afterwards! I had grand visions of graduating and becoming a full time illustrator and printer making work that sells out in an hour like some of the big names in the US. That never happened, but for a time I did make decent money selling my work at craft markets and I think that visibility served me well, though it eventually left me a little jaded with the arts and craft market scene.

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A lot of the early ‘proper’ art work I did was through people who’d approached me at a market, then been surprised to discover that I had fingers in lots of pies outside of printmaking; I make a lot of objects out of cardboard just for fun: automata, zoetropes, small sculptures, and that’s lead to some interesting commissions (a 1:25th scale rocket and a life size polar bear). My animation degree has helped too, that led to artist Anton Hecht hiring me for one of his projects and he’s been a real patron of mine ever since, he taught me a lot about working in the arts professionally and spurred me on to pursue participatory art independently, something which has become the core of my practice.

Mostly I think it’s just interest in how things are made and what makes them work though that led me to being a full time artist; the first thing I do when I walk into a gallery is try and figure out how the artist made it and if it doesn’t impress me technically as well as visually then I feel cheated somehow. So that’s something I always tried to put into my work, seeing that look of wonder on people’s faces at the audacity of building a 30 foot tall rocket purely from cardboard is worth every second, especially when it’s a kid or a teenager: it takes more than you’d think to impress children!

How would you describe your practice?

Most of my practice now revolves around participatory art, though I still do make and sell prints, working with the public has become my focus. It starts with an idea for something I would really like to make or an issue I’m interested in, then I spend time figuring out how to involve people that would make the work more worthwhile.

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For instance I’m currently collaborating with ceramics artist Judith Davies on the Out of the Box project, we’re exploring housing and community: how people would like to live given the freedom to choose. It’s my first real collaboration, and it’s the biggest project I’ve ever worked on but at it’s roots it just sprang out of our mutual interest in homes. At this stage it’s a pilot working with a handful of Gateshead youth groups to design homes and communities and build ceramic maquettes we’ll be exhibiting in Gateshead town centre, but we’re hoping to grow the project and commission other artists, I suppose the dream would be to use our findings to influence local housing development for the better.

Outside of big projects l do plenty of workshops, I started off doing simple arts and crafts workshops but that’s gradually evolved until now they’re usually as much about engineering as art.

What inspires you?

Science and science fiction has been a big influencer, in both my printmaking and participatory practice, I guess that’s the inquisitive part of me wanting to know how the world goes together. I read a lot, and listen to podcasts on a myriad of subjects but sociology is a particular favourite: it fits in beautifully with participatory art.

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Otherwise I’m drawn to all sorts of things, I collect hobbies then discard them after a few months, I obsess over constructing imaginary homes, I’ve been building a boat on and off for 3 years. I suppose I find objects more interesting than people most of the time, and I love planning new projects, especially when I can go on a good walk and think them through.

Tell me a bit about your experience on Make Art Happen?

I think it was honestly the single most transformative period of my arts career. If you’re not familiar with Make Art Happen it’s a project designed by Helix Arts supported by Gateshead Culture Team to teach people how to deliver participatory arts programmes; it’s changed my whole outlook. My first involvement was through a commission; Bensham & Teams art, the group who hired me, came about through the MAH scheme then following that I was invited to apply for the next reiteration of the programme that would this time be aimed specifically at artists in Gateshead who wanted to expand their practice to include participatory art. It was hugely informative, they walked us through every aspect you could imagine and the support they gave us has been amazing. I met Judith Davies on the course and the Out of the Box project was a direct result of MAH, but more importantly it pushed me to examine the work I’d done so far and decide what a really wanted to do.

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Until that point the route my career had taken was determined almost entirely by hunting paid work, which is fine but then you realise one day that you’ve had very little creative control over what you’ve been doing. That little push from Helix and the support allowed me to start a project entirely from scratch, and since then I’ve been planning projects until the cows come home – I’m sure some of them will never see the light of day, but if only a fraction of the things I want to do come to pass then I will feel like I’ve really achieved something!

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If I could recommend one thing to anyone who thinks participatory art is something they want to add to their practice, even in a small way, it would be to email Helix Arts and tell them you would be interested in a Make Art Happen programme in your area.

Tell me about the Fore-edge exhibition? What is it?

Fore-edge paintings are a painting or drawing on the page edge of a book that’s hidden beneath gold leaf, if you twist the spine and fan the pages then it reveals this secret image underneath. It’s a medieval technique really, but the disappearing illustrations we’ve been working on started popping up around the 1600s and there have been a few small revivals but as far as I know there’s only one other person in the world still producing them. This was a chance to get a collection of artists together and produce a fresh take on an ancient technique, and the restrictions of the medium make for some really interesting results. Alongside the more traditional fore edge illustrations there’ll be a more modern twist on the hidden image, this time using augmented reality to display a secret visual in the books.

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How did the project idea come about?

The fore-edge exhibition is one of Anton Hecht’s projects, he produces a lot of interactive art and pursues that in the projects he manages too, we’d previously done a project together illustrating books to turn them into flip books so when he stumbled across this technique it seemed like a natural development.

Tell me about your Fore-edge book Necronomicon? Did you select it?

I did yes, Lovecraft is just one of those writers that jumps out at you, he produced such a huge volume of work and was such a founding father of the horror genre it’s impossible to ignore him. It seemed a perfect fit for a work revolving around hidden imagery and mystery, I’m sure Lovecraft would have been interested in the technique. There is a little joke in there at his expense though, the man had a terrible habit of never actually describing the monsters in his stories.. since so many of his creatures are “indescribable” there’s only a hint of lurking beasties in my own illustration.

Tell me about the process you went through making your piece?

It’s quite a complicated process to prepare the books for a fore edge illustration, and an even more long winded process to gold leaf them, but that was the aspect that most appealed to me when Anton approached me. I think I went through 12 books testing different approaches and fine tuning techniques to get it just right!

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If you reduce it to simple terms then you need to prepare the edge you’re going to decorate by sanding it smooth, then we twist the spine so the pages are fanned at least 45degrees and clamp it in a specially made press, similar to book binding press. Once it’s in there you can get painting or drawing but you need to be sure you don’t leave a residue on the surface, so acrylics are out but watercolour and markers work well. After that we pop the book back to normal and clamp it again then stain the edge with a red pigment called Armenian bole, which we can buff to a shiny finish with stiff brush. Lastly we apply a thinned down PVA glue and the gold leaf then you’re done! As part of the exhibition I’ll be running a workshop running through the full technique so please do come along and try it.

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Have you seen any of the other works? Any favourites?

Yes, I ended up applying the gold finish to the majority of them so I’ve had a sneak peak. I think Mandeep Chohan’s book was my personal favourite, she was someone I was really keen to get involved in the project from the get-go; she makes fabulous collages so it was quite a challenge translating that technique to a fore edge illustration. We ended up using acetone to transfer images from photocopies, but that has formed the basis of the approach I’ll be teaching in the workshops.

What would you like people to take away from the exhibition?

Mostly just a little bit of wonder, this is something people have been doing for hundreds of years on some of the most beautiful books in history, so this is your chance to see some modern examples made by some of the North East’s finest artists!

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What’s next for you in 2017 onwards?

More of the same if I’m lucky; 2016 was a great year for my practice so I’m looking forward to all of the planning I started back then finally paying off. I’m working on a community arts festival for Bensham, Teams and Racecourse estates, I’ve got a fibreglass knight on horseback to paint celebrating the Battle of Lincoln, a wedding to plan, and you never know I might even finish that boat!

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So fellow Culture Vultures have until 1st April to come and see the Fore-edge Book Trail at Gateshead Central Library…..make sure you do! Looking at the books and the detail, it makes me wonder when exactly was the moment we stopped, as a society, decorating our books to the extreme. There is just something SO magical about a leather bound book; with gorgeous illustrations and touches…..absolute works of art in their own right.

Peace and love. x