Interview with Sophie Mosley aka Watch Sophie Draw – creative, designer, interiors & 3D visualiser….

I’ve got some corking Culture Vulture artist interviews coming up – it’s such a privilege to be able to reach out to connect with and champion creatives. It also gives me hope during this strange old world/Black Mirror episode we find ourselves in that there a wonderful talented creative people out there, smashing it. I find it really motivational on a personal level, but at a time, when freelancers have but really hit HARD by the pandemic, I’m feel it’s even more important for me to champion folks when I can and use my platform to profile and amplify!

So here we go with another wonderful Culture Vulture interview – this time with Sophie Mosley aka Watch Sophie Draw (@watchsophiedraw on Insta).  Sophie has a wonderful Insta feed, sells lush prints and creative products alongside a whoppingly brilliant design portfolio.

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Sophie Mosley aka Watch Sophie Draw

Well hello Sophie – long-time admirer right here! For my fellow Culture Vultures, introduce yourself!?

Hi there! I’m Sophie Mosley aka Watch Sophie Draw; I am a 27 year old cis woman from the North East, living in Newcastle.  I am an all-round creative and illustrator with a background in Interior Design.

How would describe your creative practice?

Watch Sophie Draw is a funnel for my self-expression. I have all these interests (some people say too many) like architecture, art history, travel and culture, psychology, minimalism and living sustainably – they all influence my work.

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Sophie Mosley aka Watch Sophie Draw

Have you always felt drawn into the creative industries or described yourself as creative?

Absolutely! I grew up around creative minded people like my grandad who I hail as my ultimate hero; it was always a path I was going to pursue. The biggest question was what direction I would take?

I really had no clue on what to specialise in at University and ultimately it was my lecturer’s enthusiasm during my interview that made me want to study Interior Design. Outside of my studies and developing within the industry, I have always loved the arts scene – my friends often refer to somewhere a bit arty as “very sophie”… which could be taken either way.

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Sophie Mosley aka Watch Sophie Draw

You’ve had roles like “interior designer” and “3D visualiser” – tell us about those roles? What on earth is a 3D visualiser?  Are you still doing it freelance?

I was really fortunate after graduating to be offered my first role working for Ikea as an Interior Designer. I had three fun, chaotic and flourishing years designing room sets for Ikea Gateshead and commuting to London working on a brand new store, with some of the most creative people I have ever met from all over the world. I really do owe a lot to the team from Gateshead and specialists I worked with in London; they made me the designer I am today.

The best way to demonstrate my role as a 3D Visualiser, is if you look at an interior design magazine and really look closely at the “photographs” of bathrooms, 90% of them will be CGI. That’s what I did. It is now something I can never unsee; the talent and skill that goes into these images is beyond crazy. It was the most challenging role of my career.

Just last year I ventured into the corporate and leisure side of Interior Design and thought finally “this is it” but in all honesty I hated it. I really struggled to align my values with the industry and found it to be, as much as this word is overused, toxic. I quit instantly and started doing some casual freelance work to pay my bills, but it was never going to be a long term plan as I had fallen out of love with design. That was until I decided to use my time of unemployment to finish all my personal art projects and that led me to ‘Watch Sophie Draw’.

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Sophie Mosley aka Watch Sophie Draw

How does your brain manage the focus, precision of technical drawing for your interior design and then the freedom to be creative and illustrate within other areas of your practice? To me, that seems opposing and contradictory – (I’m creative; the least precise person in the world and as delicate as a fat elephant)….

You are right! They are completely contradictory. I hated technical drawing when I was learning but somehow now it’s like my own personal ASMR. I used it daily for one of my roles and it is so natural to me now that the days I wanted to throw my computer out the window are long gone. It actually relaxes me now.

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Sophie Mosley aka Watch Sophie Draw

Oh gosh – love ASMR – obsessed and addicted. Tell me about your illustration work and how that came about?

I never set out to start illustrating, my main aim was to finish all my unfinished art projects as a way of therapy when I was in a really uncertain position after quitting my job and feeling really burnt out. I started flying through old sketchbooks, experimenting with new mediums and then my sister donated an old tablet to me and I started dipping into digital illustration. It wasn’t until lock down, that I really sat and found my groove.

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Sophie Mosley aka Watch Sophie Draw

Tell me about your graphic design style? You seem to have a love affair *like me* with colour!

I think my graphic design style is really driven by my interior influences. I love mid-century design and my ideas are often just me designing for myself. Which often means a lot of colour and bold lines.

You’ve illustrated iconic buildings and places in the North East – what do you love about the North East?

I love the people, the culture and the architectural history. I love how it’s so diverse and you can meet people from so many walks of life. Mostly I love the creative buzz and how, as a community, the north east always comes together to support small businesses and the arts.

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Sophie Mosley aka Watch Sophie Draw

In your spare time what is your creative pleasure or indulgence? I.e. something creative that you do just for yourself?

I have an overwhelming amount of old interior magazines and I try to repurpose them into collages. It often breaks down my creative block, but it is also just a really relaxing activity. I have a few of my pieces framed around my home. They often are very punchy and bold like my illustrations.

I do love collaging as an activity – very soul soothing! Where do you seek inspiration from?

I am really fascinated by old matchbox graphics, particularly those from Japan.  I did a little sketchbook study during lock down and I am constantly going back and forth to it for ideas. The graphics are fun, bold and colourful yet still simple; I try to mirror that in my own designs.

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Sophie Mosley aka Watch Sophie Draw

Tell us about a highlight of your career so far?

This is probably the unexpected answer, but it would be leaving the corporate world. I am so much happier now having found something that I can really express myself doing and being part of a great community of creatives in the north east.

It’s a more common highlight than you’d think…. So, how have you been spending lock down?

I really developed my style and identity as an illustrator, I decided to dive head first into my illustration to cope with being locked up in a tiny flat all day. It really was a bridge between me and self-care, in a time where I was concerned about a decline in my mental health. Between illustrating, watching Tik Toks and my daily walks, I decided to teach myself hooping – lets just say I almost broke the tv and a few windows practicing some basic techniques.

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Sophie Mosley aka Watch Sophie Draw

Do you sell any of your work? Take commissions?  

I do, I’m currently selling prints on Etsy and Redbubble and I am always open to commissions. You can catch me on my Insta @watchsophiedraw or on my website.

What are you working on right now? Any projects?

My local illustrations were really popular, so I am working on a few more and I have some commissions brewing inspired by our north east mining history. So there is a lot of exciting things to come.

Can you share with me a few artists that are inspiring you right now or suggestions of artists I need to check out?

I think everyone in Newcastle already knows of Nolasean, I am obsessed with her work and it definitely inspires me especially when I’m collaging. Another is a friend of mine Curious Smark, her embroidery work is beautiful and totally reflective of her fun personality.

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nolasean

What’s next for you? Any projects or creative happenings in the pipeline?

I’m hoping to host a few stalls at local markets this year, to really get out and meet the community. If all works out my first one should be in November, fingers crossed! I am also in talks to get some of my north east illustrations stocked by a local business, which would be amazing.

How can we stay connected with you?

You can follow me on Facebook or Instagram @watchsophiedraw

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Sophie Mosley aka Watch Sophie Draw

All sounds very exciting – loving hearing an empowering story of a creative finding their voice and honing their practice during lock down. Check Sophie’s work out and I guarantee you will fall in love with it like I did!

Big love fellow Culture Vultures!

Interview with artist Raphael Dada – we chat talent, doodles, the importance of language & entering into the creative industry as a black artist….

I’ve been super excited about this Culture Vulture artist interview for ages – another Instagram find through The Social Distance Art Project – artist Raphael Dada- @artbyadrafa on Instagram. I discovered Raphael’s work before George Floyd’s murder and the social justice and civil rights movement that followed and continues to the present (keep it going!). Raphael’s work explores the ‘black experience’, racial identity and his experience as a Nigerian-British diaspora artist growing up in the UK……

I loved Raphael’s work before, but now…well it’s like looking at it with a whole new lense and important reflective provocations exist in each piece of work. So please go and check it out.

This is a beaut interview – one of my faves for a while.

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Raphael Dada

Hiyer, Raphael – for my fellow Culture Vultures and readers – can you tell me who you are and how would you describe your varied practice?

My name is Raphael Dada and I am a 20-year-old Nigerian- British, multidisciplinary artist. Over the years my practice has taken many forms, ranging from videography, screen print, spoken word, installations and many more. But the one consistent motif about my practice is that through my various means of expression, what I try to do is tell stories about the black cultural experience that mainstream media or the education system will not tell you.

Most of my work is based around my own personal experiences growing up as a young black British artist in the UK. Even though a lot of my work is very personal, there are numerous entrance points, so the viewer can relate and empathise, as I do appropriate and reference aspects of black popular culture frequently in my work.

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Artist Raphael Dada

I really love you work – beautiful, interesting and very important. Tell me about your journey into the creative industries?

My journey into the creative industry was a weird one because when I was growing up, I never expected to enter the creative industry or make money off my art and collaborations with other artists. When I was young, I just knew I liked drawing and I liked colours, and when GCSEs came I was like: “Yeah, why not? It will be funny and it is one of the only subjects I actually like,” and I basically had the same reasoning when it came to A-Levels.

Then it came to applying to university and I almost didn’t choose art because there were so many different variations of the course, depending on where you wanted to go. I eventually decided on Fine Art at Leeds Arts, and even at Uni I wanted to get into the fashion industry, so I started my own clothing line in first year. As I started creating art work on subjects that I felt more passionate about, as well as working and networking with more artists, I decided the creative industry is where I belong. My clothing line is still active, and we have some new clothes dropping soon, but the creative industry will always have my heART.

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Raphael Dada

You’ve just finished Leeds University  – How was your experience studying at Leeds?

I can’t even lie and say my experience in Leeds was amazing, because if I’m being honest, it was tough most of the time. Having to adjust from living in such a diverse and multicultural town, then becoming the only black boy on the largest course at the university; it was very difficult. I experienced microaggressions on the daily and was racially abused a few times. Even got stopped by the receptionists a couple times because they didn’t believe I attended the Uni. It was tough.

But I didn’t let any of that get me down, I was able to channel all that anger and put it into my art, making art that was charged with emotion and passion. It worked for me almost like a coping mechanism, and it is because of this that my art is so important and personal to me. However, it wasn’t all bad; the Uni has really good facilities, allowing me to push my practice and continually experiment with new mediums. In my time at Leeds, I was able to meet some amazing people and like-minded creatives, and form relationships I can see myself having for life.

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Raphael Dada

Thinking about the positives, do you have a favourite moment during your study you’d like to share?

My favourite moment in Leeds without a doubt would have to be our ACS ‘2020’ Exhibition in February of this year. As president of our university’s African Caribbean Society, I was given the opportunity to oversee the running of an exhibition which included the work over 30 different artists- all from various different cultural backgrounds. This was a big deal, as our Uni is a white dominated institution, so to be able to see the work of so many different ethnic artists on display was a beautiful occasion. We also got the chance to collaborate with the Student Union, and the event was even sponsored by a local brewery. While the show was on we had over 1000 members of the general public come view it, and it was just such a great experience that gave so many artists the coverage they deserve, something that they wouldn’t normally get in the conventional gallery setting.

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Raphael Dada

That is truly brilliant – well done. How did it feel passing your course during lock down and not having a final year exhibition?

It was weird completing my degree during lockdown, because just like the rest of the world I never expected it. It took me and most third years nationwide by shock because our final module was a curation module, and you can’t really curate a show when the whole country is on lockdown.

The final degree show is what we were working towards for three years, and to have it all scrapped and turned into a digital submission was really strange and hard to get my head around. In protest I almost wasn’t going to submit, because I thought the whole idea was stupid, but looking back I am glad I did, and that the degree is over. Ideally, I would have wanted a degree show, but there are just some things you just do not have any control over, and hopefully we will have the opportunity to exhibit again soon.

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Raphael Dada

Absolutely and I hope I get to see it! (Invite me!) You work across a lot of mediums – do you think you’ll hone in and settle into one or two – or (like me) do you refuse to be pinned down?

I don’t actually know because sometimes I go through phases when I will only use pen, or only use pencil, or only screen print. I think the medium that I use always depends on my mood, or which the one I believe will best get the job done and convey my message the most effectively. I like having options.

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Raphael Dada

I’m a huge fan of your Dada Doodles –how do you select your subjects?

Ahh thank you! Dada Doodles is just a little thing I have had going for a while, they are just quick sketches I do in between major projects, or when I have taken a break from art for a bit, something light to get me back into drawing. They’re called Dada Doodles because when I was at Uni my friends used to say I was paying “9 grand to go doodle,” so I actually started doodling. But more times my subjects are kind of random and just things I like, ranging from music, TV shows and cartoons, or sometimes I can just see something and be like, “that looks like it would be fun to draw”, so I just draw it.

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Raphael Dada

Africa and African culture features in some of your work – can you talk about the personal link and why it’s important to you?

African culture, more specifically Nigerian culture is something that will always feature in my work. I was born in Nigeria and moved here when I was 5, so to me I always have to pay homage to my roots; it’s the country that made me, and it plays such a big role in my identity. And I feel like this is something that every black person should do, they should make a conscious effort to get in touch with their cultural heritage and roots. In the words of Burna Boy’s mum “Every black person should please remember that you were Africans before you were anything else”.

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Raphael Dada

Your practice and work is hooked into black cultural experience and identity…..what has your experience as a black artist been so far?

As mentioned earlier, entering into the creative industry as a black artist at first, was not easy at all. I was faced with numerous obstacles, and it was just hard getting started, because as a black artist, as much as we try and deny it, due to institutional bias, we will always be two steps behind our white counterparts, so we have to continuously prove ourselves by working twice as hard just to get noticed.

And I think I got to understand this quite early as my sixth form was quite white dominated in comparison to my secondary school, so once I understood how the game worked, I was able to use that to my advantage. In a way I kind of like the challenge as well; it is what keeps me going, because I know if I do eventually make it big, it would be a well-earned W for the culture.

Raphael Dada

In your about me section on your website you say “I also explore how language has been used both historically and in contemporary society in relation to the black experience and culturally the impact this has not just on me as a black British artist, but on my generation as a whole.” – can you talk me a little bit through that and what you mean?

As well as art, English Literature has always been one of my passions growing up, and till this day. I have always been fascinated by words and the use of language, and the power we give words when used in certain context. On their own words hold no weight nor power, but it is how we use them that determine their effect. For example when we see the word “blacks” it is not a racist word, the New Zealand rugby team are referred to as the All Blacks, simply due to the fact their kit is all black, but if we are to flip it and change the situation, let say a white lady says something like “all blacks are murderers”, then the word becomes racist, because it has been charged with animosity towards a racial group and its being used derogatorily to generalise and stereotype black people .

And this is something I find so interesting, especially when exploring racial matters, and how language has evolved over the year due to factors such as education, colloquialism and migration. No word is inherently offensive, it all depends on context. Even the word nigger (or nigga, however you want to spell it), it comes from the Amharic word Negus, which refers to Ethiopian royalty or emperor. But when colonialists come to Africa they didn’t like the idea of black royalty and excellence, so they took a word which was used to glorify black people to dehumanise a whole race, and due to centuries of subjugation and racism, the true meaning of the word has been lost. And I just find it crazy how a word that was twisted to subjugate a whole race, still holds so much weight and power over us today.

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Raphael Dada

Can you tell me about one of your recent projects?

Since I finished Uni I have not really taken on any large projects, I have just been chilling to be honest- it just been a lot of small commissions here and there, nothing big. But as mentioned earlier, I have been working on some new items for my clothing line, which are set to drop middle of July, fingers crossed.

Same for me…I keep reminding myself that it’s ok to not start a new project right now as….well…there’s a global pandemic and all! I know you take commissions – what type of commissions do you tend to take? How do people engage you for a commission?

All my commissions are all different if I am being honest, I have never received any two similar commissions; they are all personal and catered to the individual. And the thing is about being disciplined in most mediums, I don’t limit myself in the type of commissions I take in, if you can describe it, more times I will be able to draw it. I take most of my commissions through Instagram, if someone wants anything they can just drop me a DM (@artbyadrafa on Instagram), or through my phone number, which is on my website.

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Raphael Dada

You often collaborate with other creatives and artists – how do you choose who you collaborate with or how do you connect with collaborators? Can you tell me about some of your recent collaborations?

I can’t give you a straight-forward answer to that because all my collaborations have all come around so differently; sometimes people approach me, or I could be scrolling through Instagram and see someone’s work I like and be like “Yeahhhh I wanna work with you, your work is dope.” Or I could have an idea or project in mind that I want to execute, but the work load is just too much, or  physically don’t have the ability to do it, so I create a meticulous plan for the project, and what I want to do, then message people who I believe could be best fitted in helping me actualise this idea.

For example, before lockdown, a project I was working on was a photography series called ‘Black Baroque’, where I was recreating Baroque paintings but replacing the white aristocrats in the paintings with black models. But even before I started I knew this was going to be a big task at hand, because I would need help with photography, set design, costume and much more, all which are alien to me, so I pitched the idea with a couple of my friends who studied fashion photography and they were all aboard and agreed to work with me.

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Raphael Dada

Can you share with me three black artists that I MUST check out immediately and why?

If we are talking black artists, I am going to have to plug the work of some of my friends because these guys talented for real. They are all black creatives I met in Leeds and have had the honour of working with at some point.

Instagram: @artizham

Zhama Jumbo is all round talented guy- name it he can do it. Animation, illustration, graphics; anything, that’s my guy. He has such a distinct art style that no matter what he does or what medium he takes on, you will always be able to tell it was him, and I have had the pleasure of working with him a couple times. We have a collab we are working on soon, so make sure you follow his page so you don’t miss the drop.

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Instagram: @artizham

Instagram: @KapturedbyBennyK

Benny is a freelance photographer and stylist based in Leeds and Derby. She has worked and collaborated with clothing brands, make-up artists and social media influencers, she has a lot of experience under her belt with a rapidly growing following on Instagram. She has also just started a styling page as well @Stylehauss, so please follow that as well.

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Instagram: @KapturedbyBennyK

Instagram: @Gullygolden

A Leeds and Bristol based documentarian. Out of everyone I would say I have worked with Gully the most- she has such a distinct way of capturing life and moments, nothing like I have ever seen before, and what makes her so different in comparison to other documentarians I know, I have only ever seen her shoot in 35mm, and she has an aesthetic I don’t think anyone else could imitate if they tried.

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Instagram: @Gullygolden

Three amazing creatives right there to follow and each very different. Back to your work…can you tell about something you’ve got planned for 2020? A future project?

I had a few events and exhibitions that I was meant to be debuting some prints at, but because of corona, I don’t know when these will be happening. For the mean time, I am just chilling with no major projects on its way, mainly focusing on my clothing for a bit (make sure you give us a follow, Instagram @rddesigns99

Anything else you’d like to tell me about?

I think I have gone on for ages, so I don’t really have anything left to say but I will leave on this note: Black Lives STILL Matter. This is a movement not a moment, and we will keep going until we put an end to centuries of institutional bias and racism, not just in the UK but globally.

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Absolutely agreed and thank you Raphael Dada and for being so honest!

You can catch Raphael over on his website, his art/personal Insta and his clothing Insta.

Please check out his work. He’s going to be massive – I just know it!

And as Raphael reminds us – we (and I say that in relation to white people as a whole – myself included) need to keep doing the anti-racist work needed, challenging and questioning everything especially as the world begins to reopen and spin again – it must not go back to “normal”.

All my love The Culture Vulture. xxx

 

Interview with Laura Sheldon -graphic designer, illustrator & tattooist. Tattoos, mental health, freelance adventures & The Cluny!

I want a new tattoo – I want several.

I’ve been spending lock down ages looking at tattoos and tattoo artists online on Instagram – feeling thoroughly inspired in the process – the differing styles are so wonderful and I love the idea of a body as a walking, talking, living canvas. In my Instagram hole and research, I’ve discovered, it’s becoming progressively common that artists and creatives may start in the visual artist lane and edge into tattoo-ing or vice versa, a tattoo-ist edges into visual arts with their work. I think it’s wonderful thing.

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Laura Sheldon tattoo – aka SHELDO – Design and Illustration

One tattoo artist that sits across both the tattoo and artist lane is Laura Sheldon – she’s been on my list for AGES for a Culture Vulture interview and I’d love her to tattoo me up, when the time comes. It’s interesting and exciting for me, as someone who loves tattoos, to chat to an artist that has tattooing within their range of practice. I find that artists create the best tattoos…. much better than traditional tattoo shop tattoos, i.e. the type that currently adorn my body. I regret all my tattoos – but if I had to do my life over, I’d still get them again! That’s what we need to teach folks at a young age…not “don’t get tattoos – you’ll regret it”- instead “don’t get SHIT tattoos” and then use me as a case study.

Anyhoo… over to Laura Sheldon aka SHELDO – Design and Illustration!

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Laura Sheldon – aka SHELDO – Design and Illustration

So hiyer, who are you and how would you describe your creative practice?

Hello there!  My name is Laura Sheldon aka SHELDO. I’m a freelance Designer, Illustrator and hand poke tattoo artist from Newcastle.

Tell me about your journey into the creative industries?

In 2009, I graduated Graphic Design at Northumbria University into a crippling recession. Luckily, I found an internship at Reluctant Hero/Electric Sheep for 8 months working on several live briefs. After the internship ended, I spent a summer in Berlin to figure out what to do.  Unsuccessfully able to a cement a placement or work, I decided to return to Newcastle and started freelancing (taking any opportunity I could) whilst holding down a part time job. I freelanced and juggled part time work for the next 3 years then decided to move to London in 2013 to try expand my network and business opportunities. I continued to work 2 part time jobs but was determined not to give up my freelance work. I had very little commercial work at this time but a lot of time to development my own illustration style. After 3 years I returned to Newcastle. I contacted Roots and Wings (multi-media design company) when I got back and have primely been working with them alongside other projects since. I opened an Etsy shop in 2016 with help from Everything Funky and Spiffing prints providing a fulfilment service. Since moving back to Newcastle (4 years in July) I’ve been able to live off my design, illustration & now tattooing. It’s be quite a journey to where I am today!!

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Laura Sheldon – aka SHELDO – Design and Illustration

Quite the adventure/quest – well done! Your design work and illustrations are so diverse – you don’t seem to have a set style (which I bliddy love!) – where do you seek inspiration?

Thanks very much, greatly appreciated! I get bored quite easily, so I generally dot around to different things to keep it interesting. They say variety is the spice of life.  My inspiration comes from many different places, such as vivid dreams but I also like to merge Art Deco, surrealism, space and psychedelia as well as a strong female themes.

I also have a passion for music which feeds into my work, the weird and the wonderful. One of my favourite designers is Stefan Sagmeister. He definitely went against the grain and made me think that it was ok to be experimental and to follow your own path. I was lucky enough to meet him when I was on placement in America with University in 2008.

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Laura Sheldon – aka SHELDO – Design and Illustration

You went full blown freelance in 2009…. What made you take that leap and how has the adventure been so far?

I had no choice; I couldn’t find a job and felt very annoyed that I had come all the way through the educational system to work in a job that I hated. That wasn’t going to happen. I started freelancing pretty much taking any job I could get whilst working part time at the weekend and living intermittently at my parents or staying on kind friends’ couches. It’s definitely been an adventure! It’s been very difficult at times to keep motivated and determined when you are earning very little money and still living at your parents but there was no other option for me.

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Laura Sheldon – aka SHELDO – Design and Illustration

Thank you for your honesty! Let’s chat about your design work – what is your design process? What materials and programmes do you use?

I usually do most correspondence with clients over email as I find it easier to have everything written down unless the client requests to meet. But if possible, I like to have a clear idea of what the client wants. I usually work with clients who like to be involved in the process. I don’t really like to dictate what I think they should have unless it’s a really terrible idea haha! I go away and do a few initial ideas and send them for feedback then develop the idea into a final piece. The initial email/chat is usually the most important, so I don’t feel like I’m trying to read the clients mind. Depending on the project I might send a super rough sketch or I might go straight on to the computer it depends on how much input I have from the beginning. I have quite recently invested in an iPad as well as my Mac so the programmes I use are illustrator, procreate and photoshop.

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Laura Sheldon – aka SHELDO – Design and Illustration

You have a really broad range of clients in your design portfolio from Brewdog, to Great Exhibition of the North, to musician album covers….how do you get your clients?

I like to socialise maybe a little less these days but work has always come from just meeting people through gigs, events, exhibitions or part time jobs and sharing that I’m a designer. It’s like a little snowball that gets bigger when you roll it. Also, Facebook was starting to kick off when I graduated so I utilised sharing my work and reminding people I was there. I’m really proud of my work and like to share what I am doing.

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Laura Sheldon – aka SHELDO – Design and Illustration

Well I love seeing your work – so keep sharing it! You design for lots of different media – for social, apparel, sculptures, displays, vinyl graphics, branding……. Do you approach all these types of design projects with the same approach?

Yes everything is approached the same, everything starts with a conversation/brief and follows a similar design process of initial design, development and finalising the idea.

You have done some wonderful positive mental health illustrations for The Recovery College…. Can you tell me a bit about that project? How has your own mental health been during lock down?

I was commissioned by Roots and Wings to produce illustrations for The Recovery College that might help people navigate through this pandemic. I love The Recovery College’s ethos so anything that may help people was very important to me. I suffer from Hypermobility which I was diagnosed with around the same time I started freelancing so my mental health day to day is quite a struggle. Hypermobility causes joint pain, lower back pain, Chronic fatigue to name a few things but I find staying creative, going for walks and listening to music helps manage my pain as well as acupuncture and CBD oil.

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Laura Sheldon – aka SHELDO – Design and Illustration

I know you worked with Novak Collective creating part of the illustrations for ‘Imminence’ – a 50 metre long audio visual projection portraying the impact of climate change at Bloomberg Arcade, London in collaboration with textile designer Hazel Dunn and sound artist Ed Carter. – How did it come about? I’ve worked with them before – love them!

I had one of my first studios in the Biscuit Tin back in 2010 so would bump into Novak Collective in the corridor and always loved the work they do. They are a lovely bunch of people and always championed what I did. I think work had gone a little quiet last year, so I set up a meeting and it was just good timing that they needed some help on a big project.

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Imminence

You designed something super special for Nowt Special – can you tell us a bit about that project?

I’ve known Kurt Eaton & Anthony Downie for a very long time and have been exhibiting at Nowt Special from the beginning. It’s very hard work putting on successful events, so I really appreciate being part of this great event. I was lucky enough to be asked to design the event poster and a DJ booth was created from the artwork. It was such an amazing night and felt blown away by it all really. Newcastle is such a supportive network and I know many talented creative people!

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Laura Sheldon – aka SHELDO – Design and Illustration

Can you tell me about the Tattoos and Evergreen tattoo studio? You design your tattoos – but do you also tattoo them too? What does hand poked mean? Do you have any tattoos yourself?

Evergreen Tattoo Studio was set up by Faye Oliver. She does amazing hand poked bespoke botanical tattoos. I have been really great friends with Faye for over 15 years and she has always been very supportive of my illustration and at the end of 2018 asked me to be her tattoo apprentice.

Yes, I illustrate and tattoo my designs on people for life. I’m still getting my head round this haha! Hand poked tattoos are created without machine. I attach the needle to a chop stick and gently poke the needle into the skin whilst dipping the needle in ink. They take a bit longer to do than machine tattoos as I am doing it all by hand. Yes I have quite a few tattoos mainly machine tattoos but I’m looking to get more in the future.

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Laura Sheldon – aka SHELDO – Design and Illustration

Me too! How has COVID-19 effected your creativity? And practice?

Fortunately, my creativity hasn’t been greatly affected as being freelance I usually work from home but tattooing has completely stopped which I’m really missing.  I have definitely had more time on my hands to try new things like engraving, sowing, and clay modelling. It’s been great to get back to my fine art roots.

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Laura Sheldon – aka SHELDO – Design and Illustration

You been creating/making outfits in lock down with tie dye and stitching – what’s it been like to play and learn something new?

I have! It’s be really fun and I think it’s the pinnacle of my lockdown creativity/madness. I hand dyed a pair of old curtains with turmeric then made it into a dress. I hope to wear it when I can finally go to the pub.

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Laura Sheldon – aka SHELDO – Design and Illustration

How can we purchase from you right now and what type of products, prints etc are available?

I have an Etsy shop where you can buy tees, totes & prints. You can visit it HERE!

Any upcoming projects you want to tell me about?

I’m part of an exciting T-shirt collaboration with The Cluny helping them through this uncertain time and illustrating a map of Walker Park to encourage more people to visit. Projects that Couldn’t be any more different! Just the way I like it!

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Laura Sheldon – aka SHELDO – Design and Illustration

Love Walker Park and Love the Cluny! Thank you Laura! Such a wonderfully talented human and you can order your Cluny Tee HERE. Each purchase is supporting a brilliant independent music venue and pub.

That’s all for now Culture Vultures. Xx

Interview with Sunderland artist Kathryn Robertson – making waves, rebels & lock down.

I am so proud at how the artistic and creative community has been coming together and rallying at this unprecedented time of….well it’s nothing short of a Black Mirror episode of crazy that I keep thinking I might pinch myself and wake up from at some point. I am more determined than ever to use my platform and voice to help and support artists – I want to show you the talent that exists in the world, how bright and beautiful creative humans are and the amazing things many artists are doing even when the chips are down….

Kathryn Robertson –  is one of those artists doing lush amazing things. I wanted to interview her long before this COVID-19 thing kicked off – but having a little bit more down time has provided me with the ability to get through my “must interview” wish list and start reaching out to folks. And what a better place to start than Sunderland muralist, illustrator, graphic designer and all round gloriously talented Kathryn! #ganonlass

Kathryn Robertson

Head over to @kr.illustrates on Insta to get a flavour of Kathryn’s work – it’s so lush and if you’re familiar with Sunderland, you’ll see lots of lush sites and re-imaginings of things you might recognise. Kathryn has also collaborated remotely with @martintype (Insta) on a screen print to raise funds for North East food banks during their time of arguably greatest need. Head over to HERE to see it and purchase – it’s Pay What You Decide.

I had the pleasure of recently, remotely catching up with Kathryn and here is our interview…. It’s lush one!

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Kathryn Robertson

Hiyer, so tell my Culture Vultures who you are?

I’m Kathryn Robertson, 25, some kind of artist from Sunderland.

Standard Vulture question – what was your journey into the creative industries?

It was a bit of a winding road, apologies in advance for the long answer. I went from: Apprenticeship in Design & Print when I was 18 then unemployed then worked in bars/cafes then an apprentice chef (for a very short but painful while) then realising I was a bit awful at all of these jobs.

Ben Wall (HI BEN), gave me some work in designing event posters for Independent (Music Venue & Nightclub in Sunderland), I worked behind the bar at the time, but I basically ended up quitting the bar to design the posters and other things instead. I registered as self-employed, went to uni in 2016 to do Graphic Design at 21, carried on with illustration/graphics on the side, did a bit of hustling/selling my own printed products/couple of art fairs here and there.

I structured my final project at Uni around public artwork and illustration, and since then I’ve worked on commissions and public artworks with University of Sunderland, Sunderland Libraries, The Council, Pop Recs, Holmeside Coffee, Vaux and many others! I’ve been lucky to have been supported, and to have worked with some great orgs like Sunderland Culture and The Enterprise Place along the way.

Kathryn Robertson

I love your illustration – when did you fall in love with drawing?

I liked it when I was little because my sister is an artist, and she would give me drawing lessons and take me to The Baltic, and out to see street art when she lived in Manchester. I used to draw/try to emulate things like the typography off food and drink labels quite a lot. I properly fell in love with it when I was around 17, when people started to ask me to draw things for actual purposes, like gig posters, and stuff for fanzines etc.

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Kathryn Robertson

You do SO.MUCH; tell me about your practice?

This is something I’m not very eloquent at. I usually look to others to describe my work back to me (lol). I’d describe my practice as: Graphic Design, illustration, and painted murals, sometimes/mostly heavily influenced by my surroundings in the North East.

How you finding “lock down” as an artist/creative? Any advice to creatives struggling right now working from home?

I’ve never been the *best* at working from home, but it is something I got used to when I was freelancing as a graphic designer, so I’m mentally prepared for it. I’m easing myself into it at the moment and feeling very lucky that I have the option to do so. I’m doing organisational things that I’ve been putting off for ages, stuff like backing up my work up 7 million times, organising folders and filing receipts. I find that “getting dressed” in the morning is a canny good start though.

 

Kathryn Robertson

SAME – terrible working at home; a dynamic learning situation! You’ve got quite a recognisable style in terms of design work – how did that develop?

Thanks! I guess just a lot of practicing makes for the natural development of your own style really. Everyone has a unique style, so the more you work, the more you iron it out and make it your own. We’re all just an accumulation of our other influences as well though, innit.

You were awarded University of Sunderland 2019 Design Student Award, how did that come about? How did it feel to win?

I did a mixture of sort of hands-on things as part of my final Graphic Design Project at University. It included an illustrated surfboard which is on display in The Beam, an entry in Vaux’s beer label design competition, and a mural of Sunderland in The Priestman Building, along with some other things. The award was for Creativity & Individuality – probably just because of the weird mixture of not-very-graphic-designy things I decided to do (lol).

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Kathryn Robertson

Thoroughly deserved! You create fantastic murals – tell me about the mural connected to Holmeside Coffee in Sunderland and the process behind creating it?

Joe from Holmeside got in touch as they wanted something to jazz up the doorway of their take-out shop when it first opened. We struck up a deal of a doorway mural in exchange for me selling my merch in the shop. That was sort of the first ‘mural’ I did really, (other than a terrible one I did in Independent in 2014).

It’s a mash up of Sunderland buildings in HC doorway, and it was kind of made up as I went along, and drawn in paint pens, it was snowing at the time, so I went delirious with the cold. When people ask if the made-up-buildings are certain places I’m like “yep, that’s exactly what it’s meant to be, definitely didn’t make it up”.

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Kathryn Robertson

HAHA! How does it feel having your murals pop-up all over Sunderland bringing it to life? Do you ever lurk and watch folks looking at it to get a sense of what they think?

It’s great 🙂 I like having my work so visible, but I’m very shy, so when I see people looking at stuff it’s nice to just wander past in the knowledge that they don’t know that I made it (if that makes any sense) (creepy). I like hiding (figuratively) behind the artwork I guess, that’s probably why I’m an artist in the first place, to let the drawings do the talking for me. I’m bad at talking.

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Kathryn Robertson

I’m QUEEN lurker/introvert/socially awkward and shy – I hear you! As a social media professional I LOVE your personality on Insta and that you’ve got the breadth of your practice (including yourself!) on there; loved the @teatowelontour Insta channel – how did it feel finding out about that? (Reminds me of the Innocent smoothie stapler going across the world!)

Yeah it’s great to see Helen (@lifeouels) travel with the Sunderland Tea Towel, just a really canny idea to take a bit of home with her around the world, love seeing the updates 🙂

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Kathryn Robertson

In addition to tea towels – you sell some of your work and your available for commissions (loved the design for Lamp Light Festival graphics!) – where can people buy stuff from you and get in touch?

Thanks!! My online shop is partially down for the time-being while I figure the whole ‘freelancing whilst social distancing’ thing out, but I’ve got something out now with another artist pal (Andy Martin) at the moment, a print – you can get it HERE.  Other than that it’s: @kr.illustrates (insta), @krillustrates (FB) and krillustrates@gmail.com for work enquires!

I feel like you’re really making waves and your mark on the Sunderland creative scene – what do you think of the creative scene in Sunderland? Any Sunderland peer creatives you admire that I should check out?

I love the creative scene in Sunderland. Here are some names/instagrams of Visual artist pals based in Sunderland (I think) : @heatherchambersart, @chris_cummings_art, @saragibbesonillustration, @mar9ntype, @mariegardinerphoto, @sue.loughlin, @maverickartjo, @cwnutsandseeds, @charliepasquali , @faostyles.

There’s so many more but my brain is not working. Need coffee.

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Kathryn Robertson

Speaking of making waves….tell me about the “City by the Sea” exhibition and your piece in it?

There was an open call for artists based in Sunderland to design a surfboard to part of this exhibition in The Beam (that building on the Vaux site). I proposed a very Sunderland themed design of past and present buildings. I was picked as one of the artists to be commissioned.

They delivered this 6ft surfboard to me and I drew on it in paint pens, they lacquered it, and now it’s upstairs in The Beam, alongside some other local artists versions, and they got some schools to do a few as well. Canny!

Can you tell me about Rebel Women Sunderland – what the project is and how you got involved?

Laura Brewis (Sunderland Culture) is the mastermind behind The Rebel Women of Sunderland project, and I believe it was inspired by a book called Goodnight Stories for Rebel Girls, as well as her daughter. It’s a project to shine a light on notable women from Sunderland, and to tell their stories in an engaging way. We created illustrations and stories for each of the selected women. I was commissioned to do the illustrating, alongside writer Jessica Andrews who wrote their wonderful stories.

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Kathryn Robertson

How were the notable women selected?

Sunderland Culture put a post out for people to nominate women or give suggestions of notable women, or women that have shone in their field, or gone somewhat unsung, I believe they got a huge list of suggestions, and had to condense it down (which will have been very difficult!)

Why are projects like Rebel Women important in 2020?

It’s important to tell the stories of all of these women, and I think it’s particularly nice to be able to show and tell them in this way, there’s been a lot of RW themed events where people can get involved, the exhibition has been around a couple of different venues in the city – and I’m sure the stories will have inspired some young people to think “I can be that too”. As Laura quoted at one of the past Rebel Women events, “you can’t be what you can’t see.”!

I love that – Brewis is such a lush human! And rebel lass in her own right! Tell me about the new recent additions to Rebel Women Sunderland for this year’s International Women Day?

The newest editions are Nadine Shah, Florence Collard + The Shipyard Girls, Ellen Bell, and Aly Dixon.

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Kathryn Robertson

What’s next for Rebel Women Sunderland as a project? Where can we see the pieces in the future?

It will expand in the future hopefully, there’s still plenty of lasses to feature! Laura wants to make a book, which I’m so down for. I’m not sure where the pieces/stories will be available to see next, maybe we should make it into some kind of virtual exhibition though (!!?)

I am so here for that – so tell me about a few illustrators or muralists you admire and suggest I check out?

Sheffield-based artist Jo Peel @jo_peel (obsessed with her), James Gulliver Hancock, @gemmacorrell @vicleelondon @mul_draws, @pandafunkteam, @sophie_roach, @mr_aryz @ashwillerton

What’s next for you? What projects do you have in the pipeline?

As with everyone, I’m a little uncertain for the next however many months, as public work is off, art fairs either postponed or cancelled, but I’m hoping to have plenty of new illustrations by the end of this, and if I’m dreaming about the future, then I’d love to have my first exhibition of my own work somewhere one day – if it was something people wanted to see.

I’d love to carry on with public artworks too. Also I have this (maybe slightly ambitious) dream of doing a stop-motion animated mural, inspired greatly by Jo Peel, check this out HERE

Love what you do and thanks for the great questions!

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Kathryn Robertson

That love is right back at you and I am so excited for what you do next! You are a glorious human!  Check Kathryn’s work out…

That’s all for now Culture Vultures! I’ve got a great list of blog posts coming!

Interview with street artist & graphic designer Mul – “if people hate what you do, do it more”

If I have one piece of advice for you Culture Vultures for 2020, it’s put down your phone, get outside more and be a tourist in your own city. Northern cities are FULL of beautiful street art – work by amazing regional, National and International street artists are waiting for you to discover. Actually the North East is well known for its street art and I discovered recently, big name street artists actually visit here, seek out mural spaces and create their own mark on a NE city or town.
And if like me, you spend way too much time with your head down in your social media feed, you’re actually missing out on this lush art to discover, different styles AND the urban landscape is ever changing with new murals.
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Alex Mulholland mural in Ouseburn (near Tyne Bar)
Over the summer, I worked on a project exploring Ouseburn Valley and all the street art there – I visit the Ouseburn all the time, but largely in a passive auto pilot manner, as I’m looking at my phone and scrolling my feed. Over the Summer, I decided to put down my phone and suddenly, paths that I’d walked MANY times before sprung to life with pieces of work and street art, suddenly popping out; they’d been there YEARS but i’d never seen them before. I discovered SO many new artists.
One of those Ouseburn street artists is local artist Alex Mulholland a.k.a. ‘ Mul’! I’ve been a fan of Alex over the last few years – his bright murals brighten up my day when I’m walking around Ouseburn and Heaton and his Insta is just lush – he regularly posts new work. He’s got such a beaut style; Alex is graphic designer, street artist and he makes prints of his work too. He also takes commissions.
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Alex Mulholland – Mul
I first properly discovered Mul when i found out he was going to be spraying a design on the side of Thought Foundation caravan in their yarden! I wish children’s play areas were as cool as that when I was a mini….no rusty nails with a broken swing and instead street art, colour and lush space to play.
Recently, reached out to Mul for an interview to find out about his practice, what inspires him and to connect with him as an artist massively on the rise, getting commissions Nationally.
So over to you Mul….
Hi Mul, for my fellow Culture Vultures, tell me who are you and what’s your practice?
I’m Alex Mulholland or ‘Mul’ and I’m an artist and freelance  graphic designer from Newcastle.
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Alex Mulholland/Mul’s work
Tell me your journey into the creative arts?
I probably started my journey when I was about 12 years old, that was when I discovered graffiti. Since then I have completed my degree in graphic design at Northumbria University and I started working for myself.
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Alex Mulholland/Mul’s work
Your pieces are so lush and bold – where do you get the inspiration from for your pieces?
I guess inspiration comes from everywhere; I never seem to find it when I’m looking though. It always suddenly pops up out of nowhere; like a van driving past with something on the side of it. Apart from those random occurrences, music can also be very influential for me alongside travelling to new places and seeing art on the streets.
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Alex Mulholland/Mul’s work
You designed and sprayed Thought Foundation in Gateshead caravan, how did that commission come about?  I know what is used to look like before, you’ve done an amazing job!  
Thought Foundation was an interesting one. I’d never painted a caravan before but always wanted too after seeing ones Sickboy had done. I wanted to make the piece as colourful and crazy as possible and it was actually just made up there and then.
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Alex Mulholland/Mul’s work
Tell us a bit about your big piece in the Ouseburn (near Tyne Bar in Newcastle)? What was the inspiration? 
That wall as really fun; I prefer painting bigger as there’s more space for creativity. I didn’t go into painting that wall with a sketch, I wanted to freestyle it and make it up as I went along.
I always have the most fun when I do that, as I’m not beating myself up if something doesn’t look how it does on the sketch.
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Alex Mulholland/Mul’s work
You have a very distinctive style, I think you can always tell your work from a mile off – how did it develop?
The current  ‘style’ has only been developing since January 2019. I hit a bit of a turning point with the art I produce and stopped what I had been doing for the previous four years. I think that if I hadn’t done that and made that decision, I’d still be stuck in the rut of doing the same thing over and over again.
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Alex Mulholland/Mul’s work
And where is the fun in that!? Do you like the mystic surrounding street artists? Often the pieces and style is recognised – but the person remains unknown….
I do understand it yes; I do think it’s more of a legal thing rather than the artist necessarily wanting to remain unknown (but not in all cases). The art I produce now I happily put my name to because it’s me and not an alias if that makes sense.
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Alex Mulholland/Mul’s work
As someone who champions and celebrates the North and loves street art – I’m thrilled people are seeing it as the exciting art form it is. There is a real buzz around street art and murals at the moment in the region – do you feel that too?
I’m glad this is becoming more accepted and celebrated up North. Places like Bristol and areas of London have been like this for a long time and I always love going to paint in places like that as it’s almost received with open arms.
Also having travelled and painted all through Europe you get a sense of how accepted it is in other places. Most cities now have designated areas for it and people travel from all over to paint and see the pieces.
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Alex Mulholland/Mul’s work
One thing I’ve always wondered is that outdoor art pieces have to survive the elements, but I do love it when it ages with it’s environment – do you enjoy the creative challenge making outdoor art?
Yeah! I mean my generation is lucky where that is concerned; we get the best paint for the cheapest price, delivered to your door and most of it will stand the test of time.
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Alex Mulholland/Mul’s work
Do you take commissions? How would people get in touch if they wanted you to create a piece for them?
I do take commissions; the last ten months have really been great for that, lots of people are seeing my work and getting in touch for a whole range of fun projects.
You can contact me through my website http://www.mul-draws.com  or drop me and email at: alexmulholland@mul-draws.com
Alternatively I’m also on Instagram and Facebook @Mul_draws
Alex Mulholland/Mul’s work
Tell us about other street artists that inspire you?
I guess my biggest inspiration would be Keith Haring; he really pioneered street art in New York back in the 70’s and 80’s. His style is fun and bouncy which I guess is how I strive my work to be.
From the UK, artists like Stik, and D-face. I couldn’t leave Shepard Fairey out either, as he was probably my first exposure to street art way back in 2006 when he and other artists did the ‘Spank the Monkey’ exhibition at the Baltic.
Some of my favourite street pieces in Newcastle are still standing from that exhibition- The Obey paste-up mural on Falmouth road in Heaton and numerous Space invaders dotted around Newcastle and Gateshead. I think that they were the first pieces I saw and have definitely stuck in my mind ever since.
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Alex Mulholland/Mul’s work
Do you have a fave piece that you’ve created? If i had a gun to your head and you had to pick one?
Yeah one springs to mind but it was under another alias so I can’t reveal.
Alex Mulholland/Mul’s work
Why do you think street artists are typically male identifying? There are some fantastic female identifying street artists too – but they seem in the minority.
Street art stems from graffiti, which is well known for being egotistical. I would love to see more females doing it especially up North. I can only name maybe one or two that do it up here which is a shame really.
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Alex Mulholland/Mul’s work
Any advice for future creatives and street artists?
If people hate what you do, do it more.
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Alex Mulholland/Mul’s work
Highlight of 2019 so far?
I had a great client that I’ve designed some hockey sticks for and a clothing line that will hopefully be going to the Olympics in Tokyo next year. I also got to produce a mural for them in Shoreditch, which was amazing.
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Alex Mulholland/Mul’s work
Final question….what’s next for Mul in 2020 – anything you can share?
I am working on a few projects for 2020 at the moment that I can’t talk about at the moment but you can expect lots of big walls and collaborations. So make sure you follow @mul_draws on Instagram to stay up to date with that.

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Alex Mulholland/Mul’s work
Thank you Mul; that is ace and I’ve got some amazing street artists to check out from your recommendations and if you’d like to discover more street artists, put your phone away and get exploring your city, you’ll discover loads of street art. A good place to start is the Ouseburn; you’ll see Mul’s piece there too – tell me what you think of it!? AND why not, swing by Thought Foundation and check out their Mul designed caravan; they also have a lush cafe, shop, exhibition on and events programme too.
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Alex Mulholland/Mul’s work
Until next time Culture Vultures……

Stuart Langley; an artist lighting up the world one installation at time…

So I’ve had a full weekend of Culture Vulturing – I’ve been all over the place to galleries previews, to live painting, to workshops, to Christmas markets, to the theatre, to Lumiere Durham and I can tell you, that it has given me a total Monday spring in my step.

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Giant Slinky – End Over End at Lumiere Durham

It has filled my soul with such lushness and all feels great in the world of the Culture Vulture, today on this glorious Monday. Lumiere Durham was of course, a total highlight…. I mean…. WOW! I LOVE Durham at the best of times, but with light installations, sculpture and projections around every corner, I fell in love with it more. So after Lumiere Durham, catching up with Stellar Projects ahead of Nightfall AND hitting up Light Up North’s residency launch at The Biscuit Factory on Friday eve – my world is presently #lit with my love for light installations so it just feels like the perfect time to share this interview with one of my hands down fave light artists, Stuart Langley.

Stuart Langley is one of many artists creating a BRAND new light installation art work for Nightfall 2019 (last few tickets still available for this lush outdoor event in Teesside) and he is someone I’ve fangirled from a far for ages. I’ve had the absolute pleasure of championing his work, programming his work, I’ve even got slightly drunk at a Curious Arts auction and purchased his work and across 2019, I’ve worked with him multiple times. It’s funny in the freelance world – folks like Stuart, whilst I’ve only met a couple of times in *real* life, due to ongoing projects, I speak to him more currently than some of my mates.

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Stuart Langley

Stuart is a graphic designer, maker, installation creator and neon rule breaker…. His light installation pieces are just amazing. I knew from the moment, he created a toilet with a neon rainbow coming out of it, that he’d cemented his place on my top fave artist list. AND he’s a local lad from Hartlepool, big up the North creating work on a National (and International) field.

I’m BEYOND excited to see his new piece at Nightfall – I’ve seen the mock up drawing of and I know where it is going to go – it’s epic, it’s brilliant, it’s colourful, it’s ambitious….it’s VERY Stuart Langley.

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So without further ado…. Let’s hear from Stuart!

Hi Stuart, we’ve had this interview on the cards for ages…. So let’s get down to it for my readers; who are you and what’s your practice?

I’m Stuart Langley and I design, create and imagine things with lights and that.

Standard Culture Vulture question…… tell us about your journey into the creative arts?

I’ve always created – from making model rollercoasters and stop motion animation as a kid to being able to create big installations nowadays. I didn’t do a degree in the arts (I ended up doing Japanese and French), not even a GCSE, because I was always told being creative could only ever translate into a hobby. I ended up doing a foundation degree in graphic design and worked (and still do) as a graphic designer which gave me the confidence to imagine on a big scale.

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Amusements – Stuart Langley

It’s so bizarre that folks don’t believe that there is a career possible in the creative industries and that message is still being communicated….Your pieces are really interesting, some have a ‘Langley flare’ and others are completely different in style…. Where do you get the inspiration from for your pieces?

Anywhere and everywhere but anything that holds my interest for longer than a day or so is always worth developing.

Tell me about your involvement with Nightfall 2019?

For Nightfall, the plan is to create a piece that is going to reanimate the iconic aviary space which is very exciting but kinda intimidating as it’s a space I’ve wanted to do something in for ages. I’m just one of a number of commissioned artists that are going to be turning Preston Park into a magical moon themed escape for two nights in December.

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Hartlepool Art Gallery – Stuart Langley Solo Exhibition

Tell us a little more about your piece? What was the inspiration?

So the iconic Aviary is going to be filled with about 3,000 floating iridescent butterflies that should look a little like magic. The work is inspired by a moment: at the end of July this year I looked out of the window and saw hundreds of butterflies everywhere – I was having a shit day and it made me smile.

Apparently, painted lady butterflies make an annual 7,500 mile trip from Africa to the Arctic Circle every year and 2019 just so happened to feature a major pit stop on the Teesside coastline. So, thinking about extraordinary journeys in the sense of 2019 being the anniversary of the first moon landing, the aim is to create a piece which celebrates a magical journey of the natural world.

Why should folks get tickets for Nightfall 2019 and see your piece?

First off, for a one-of-a-kind and memorable trip out on a cold December evening, it’s a bargain. Plus, there is so much going on in the programme, there is bound to be something for everyone to enjoy – not forgetting the appearance of the iconic ‘Museum of the Moon’ by Luke Jerram which is surely reason enough to get tickets.

There feels a real buzz around culture and events in Teesside at the moment – do you feel that too?

Yes – Teesside and its people, have so much resilience, humour and creativity. It’s good to be the underdog and so many organisations (the Auxiliary, Pineapple Black, Platform A, Navigator North, Creative Factory etc etc) are proper flying the flag for creativity in the North East. There’s a ridiculous myth that art happens down South and although there is a higher concentration of cultural activity down there I think Teesside is able to put a completely different spin on things.

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Neon and That – Stuart Langley

I couldn’t agree more and In Teesside you see that real unique partnership work of Indie galleries and orgs working together with the more “traditional sector players”….you don’t often see that. Back to your work, you often create outdoor art pieces that require real technical knowledge to survive the elements – do you enjoy the creative challenge that creates?

To say that I create things is a bit of a fib. I’m fortunate to work with so many other people with so many different skills and knowledge and the success of a piece is always reliant on the quality of the collaboration. It’s essential to collaborate when you’re coming up with ideas for outdoor pieces as there are so many different factors to consider.

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Over – Stuart Langley

Tell us about your involvement with Curious Arts (who will also be popping up at Nightfall!)?

Being a gay lord myself, I think it’s important to support work that champions the outsider and increases visibility of LGBTQ+ comrades. Curious Arts are doing some really ground-breaking work in terms of making the arts part of a wider drive for equality and I’m always happy to play a small part in that.

(The Culture Vulture adds – Following the success of Start’s installation ‘over’, featured as part of Curious Festival 2016, Curious Arts reconnected with him to reimagine the World AIDS Day ribbon. Curious Arts challenged Stuart to create an artwork inspired by the World AIDS Day charity ribbon to reinstate its distinctiveness in ensuring visibility for the 36.7 million people globally who are living with HIV & AIDS.

36point7 saw the creation of 36.7 of Stuart’s neon light box, available for a minimum donation of £360.70 each. Curious Arts’ ambition is that each limited edition piece will be displayed in a visible public area for a minimum of two weeks annually – National HIV testing week and the week of World AIDS Day (1st December). In addition, a large touring piece is in development which will be accompanied by a programme of workshops and talks delivered in partnership with local HIV & AIDS affected communities. I purchased one of the smaller Light boxes for £360.70 to support the project)

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Do you have a fave piece that you’ve created? If I had a gun to your head and you had to pick one?

I’ve never had a gun to my head, a few other choice implements but never a gun – so that’s quite difficult. I am never happy with the work I put out – it’s a feeling a lot of other creatives have – there’s always something that could have been done differently to improve the end result. But staring down that loaded barrel, there’s a work I keep revisiting called VHS R.I.P. (the fourth incarnation of it was shown at Pineapple Black earlier in the year, the first version was shown as part of Nuit Blanche Brussels way back in 2014) which has a very exciting mix of subject and material: video tape, horror and light. Maybe being obsessed with films like The Dark Crystal, Labyrinth and The Never Ending Story as a kid has something to do with my love of VHS and wanting to give it a proper send-off/funeral but it’s also nice to think of defunct technologies like absent friends and do right by them through celebration.

LOVE that answer….Tell me about the toilet with the rainbow coming out of it?

I’m a big fan of the work of people like John Waters, David Hoyle and more recently the artist Christeene. They all promote the idea of revealing and celebrating the beauty to be found in the dirt; ultimately highlighting the ridiculousness and hilarity of modern values that try and push us towards glazing over the more unsavoury and carnal aspects of our existence. So, the rainbow in a bog considers a lot of these ideas as well as being a direct response to some of Bobby Benjamin’s work which I thought looked a bit like the insides of a very healthy and active bowel.

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Rainbow in a Bog – Stuart Langley

Tell me about a fellow artist that inspires you currently?

I went to see Christeene perform Sinead O’Connor’s The Lion The Witch and The Cobra at the Barbican recently and loved how feral and honest her performance was. She has so much drive and ambition and never apologises for being so intense and direct – her energy is inspirational and I hope one day I can take my own work to a level where it might have a positive impact on other people’s lives.

Any advice for future creatives?

Just make stuff.

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Two Hearts – Stuart Langley

You don’t really do much social media – which blows my mind – how do you champion yourself and your work?

I came off Facebook in 2013 or summat and have since ditched everything else, most recently turning off Instagram. There was a time when what you experienced and what people told you directly mattered most and whilst there are some really good things about social media I personally think it adds too much noise, distraction and negativity to our lives. Maybe I’ll turn it back on in a year or so when all the commissions dry up from lack of presence on the internet.

Well, if you need a social media “representative” look no further! Do you have a highlight of 2019 so far?

I’m working on two big projects at the moment – the Nightfall installation and something for Ushaw College in Durham so fingers crossed I don’t fuck it up…

What’s next for Stuart in 2020 – anything you can share?

All buns in the oven for now but I would really, really like to make a ghost train before I pass away…

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Cars – Stuart Langley

Can I be one of the first to ride it please? Thanks Stuart, an artist who inspires me and reminds me that my dream of having a house full of neon art work to dance around near, on a Friday night, is more possible than ever before. See, all you folks planning your families and lives and I’m planning when I can afford a Langley commission, with a Light Up North commission and a Dan Cimmerman….

To see Stuart’s new commission at Nightfall 2019, why not nab one of the last few tickets available….. I’m so excited to see it in person! You can’t follow Stuart on social but he does have a website…so you can check him out there!

Posy Jowett: my favourite creative onion

Creative people are just like onions…..layers and layers – lots of hidden talents, surprises and so much more than what you see on the surface. The biggest onion I’ve met this year has to be artist, creative and all round megababe Posy Jowett.

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I had the absolute pleasure of working with Posy during Juice Festival – on face value, Posy works at Northern Stage and is a dream working with children, facilitating creative activity.  And then (remember she’s an onion) as part of Juice – Posy had  been commissioned to create re-imaginings in a graphic exhibition showcasing partners, venues and people and it was bliddy fantastic. Jaw dropping amazing – I was blown away! Flash forward to our Juice Festival Culture Camp and Posy drawing an amazing lobster illustration….. it was a really beautiful piece. We all know how furiously jealous I am of people who can draw……

And THEN, it pops up on social media a few weeks ago, sneaky creative Posy was launching her new crafty and creative business; Pocketful of Posy. Posy now sells beautiful hand made product and animals – the attention to detail is immense and I really need more of my friends to have babies so that I can purchase these soft little creatures.

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That’s what I mean about creative people – onions. Posy – working in performing arts and theatre, strong skill set in creative facilitation with children, brilliant graphic designer, naturally talented illustrator and now, a crafty business person designing and sell products. She’s an onion.

So i caught up with Posy recently to find out more about Pocketful of Posy and what is next for this creative onion in 2018…..

Hi Posy, so tell me a bit about yourself?

Well, I have a background in Fine Art – I studied in Sheffield – and have always loved making things. Since moving back to the North East to study for my MA in Cultural Heritage Management, I have worked in a few different roles but missed making things with my hands. I do a little bit of everything; knitting, crochet, pottery, illustration, digital design, lino printing… and now sewing.

Tell me about your brand spanking new creative business – you sneakily launched it and I love the name Pocketful of Posy!

When my sister in law was pregnant with my nephew, Leo, I wanted to make her and her new family a handmade gift. I always over-gift (I love giving presents) and so in addition to the crochet baby blanket I spent hours making I decided to make the new baby a toy. I rummaged through the boxes of craft things that I hoard at home and found a pair of jeans that didn’t fit anyone and one of my boyfriend’s striped shirts that he didn’t wear any more – and they became the first whale.

A mutual friend, Bryony Villiers-Stuart asked that I make her a whale because she loved Leo’s so much, so I made another. This Autumn out of the blue, I had a phone call from Bryony to say she was putting together an ethical makers collective to exhibit and sell work in Hexham this winter, and asked if I would make some soft toys, like the whales, to sell. So I started drawing and trying out designs for my animals, and have ended up with a collection! It’s literally the last week or so that I’ve begun to think that maybe this is a business that I can keep going, so I’ve created Pocketful of Posy.

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I love your products – very lush and special.

I love them too! I am totally dedicated to reducing my carbon footprint and one of the ways I do that is to not buy new clothes. I watched an incredible documentary a couple of years ago, The True Cost, which really influenced the way I think about where I spend my money. I try really hard to shop in charity shops and to buy vintage, and to buy handmade and local where I can. All of my animals are made from repurposed fabrics – I shrink woolen jumpers and scarves in the washing machine to make wool felt for my bears and three of the killer whales are made from a pair of French Connection velvet trousers! This means that there is always a limited number of animals I can make of each fabric. The size of the animals are determined by the clothes I buy from charity shops, and I love that about the pieces. So far I have designed patterns for a snow bear, a grizzly bear, a blue whale, an orca and a fox.

What is the inspiration behind it all?

I think mostly I really adore making things for people. I love gifting beautiful objects to my friends and family, I love making people happy. Particularly at this time of year, I think we all get caught up in buying a lot of plastic rubbish that doesn’t last and is bad for the environment, and I think it’s great to offer an alternative to that for customers. The designs for this collection of animals is inspired by the north and the sea – creatures that survive and thrive in the wind and the snow.

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I’m super jealous about real makers and crafty folk – how did you hone your craft?

I can’t remember learning how to use a sewing machine but my mum always had one and would let me play with it. I became much better when my sister Minty taught me how to repair holes in jeans – I spent hours patching up my boyfriend’s jeans that were ripped to shreds! I realised that it was easy enough to make gentle alterations and mends to clothes, so I became more and more familiar with my sewing machine.

The main skill, though, once you’ve learned how to thread a machine, is patience. I am a very patient person and am able to sit for hours doing really boring jobs. Sewing well, I have found, is all about the preparation – pressing, marking and pinning. If you make a mistake, painstakingly picking out stitches without tearing the fabric is a challenge! When I’m tired or grumpy and rush my work it never turns out as well because I make silly mistakes. I think all crafters will say that the more hours you put into your craft, the better you get. Making your craft space a nice place to work means you will want to put in more hours.

I also saw your amazing design work – I was blown away by your style! How did you learn to do that?

Thank you! When I was studying in Sheffield I was part of an exhibition curation team, and we designed an exhibition called Fabricate held at Millennium Galleries in the city centre. We had reached a dead end with designing a flyer so I made some drawings and scanned them in. I opened them on Pages (Apple’s version of Word) and somehow figured out that I could draw a line and bend it, like you can on Photoshop.

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I have never had Photoshop on my laptop, but I found I could make these drawings on my computer using this free software. It’s basically tracing — I take an image that already exists and draw shapes on top of it to make a digital image. Again, patience is the skill — the drawings can take a long time to create and you have to just be able to work away at it and not get bored.

Who/what inspires you?

People that work from home! I’ve found it hard to get in a routine and not be distracted by house jobs. And it’s quite isolating – not like when you go into work and get to see and talk to all different kinds of people. So to the people who have figured that out: I have loads of respect for you! I think social media is hard work sometimes but I find loads of inspiration online – there is the world’s community of makers showing you that it can be done. Closer to home, I’m really lucky to know a few talented makers who don’t compromise their values and still manage to make some money. Hurray!

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What does 2018 hold for you Posy?

Scary question. Well I’ve got a busy few weeks making softies for Graft pop up in Hexham (open until 22nd December!)  I’ve hardly thought about next year! I do feel like there is potential here to continue making these little animals, which would be amazing — I feel like they are my thing that no-one else does. So I suppose there will be some research time — I think I need to figure out how to work from home, or else find a studio; as well as searching for opportunities to sell my work. I have another small business, Grow to Glow, which makes and sells natural skincare products — my business partner Pia has just gone on maternity leave so I will be looking after that project for a while too. I’ll be doing some design work for packaging and working on a range of healing balms — so I think 2018 is all about making and creating.

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Posy Jowett – creative onion and megababe. Posy – artist, creative, designer, maker, graphic designer, crafter, illustrator and also skin care brand creater….

Posy my absolute favourite creative onion of 2017.

Check out her new business, show her some social media love and until next time Culture Vultures.

Are you in the Crafthood?

We all know I love small businesses….that’s a given right? Well what I love even more than that, is a small business that are absolutely owning and disrupting an established sector……And of course, what else could top trumps this? – well of course; an all-female run creative business….

Well hello there; The Crafthood….

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The Crafthood are a business that I heard about through other people (always a good sign) so I can’t claim they are my discovery, but I certainly am one of their biggest champions…. First of all what’s in a name? Well The Crafthood have a really good one, just by going to something I feel a part of their ‘hood! I love their name and branding…..Secondly, they are making crafting amazing, exciting, essential for the modern day lass and socially responsible….

Right up my street!

If you don’t know who the Crafthood are…. Well you’re going to over the next 12 months! They are one of the most exciting creative businesses; growing and thriving in the North East currently. Their offering is three fold; they run their own workshops within North East’s up and coming independents – as fantastically talented craftswomen, you’ll get a lush crafting experience like no other. Secondly, they sell a fantastic bespoke range of products; from cards, to notebooks to clothing, to bespoke lettering and signage – all with their lush Crafthood edge! Thirdly, they organise their own events or add value to a pre-established event (keep an eye out for their pop-ups).

The Crafthood invited me along to one of their Brush Lettering workshops as a punter in May 2017 and I absolutely loved it……so where to begin…..

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First and foremost, I’d like to say that The Crafthood workshops are for both artsy and crafty folk and others (like me!) – so for those that love crafting and trying new things in a new environment and taking time out just for you, to create; well their workshops are for you. However, if you’re like me and are massively creative but not at all “crafty”, well I can promise these workshops are for you too and you’ll love them.

 

I rocked up to their Brush Lettering workshop, I sat down with the other fellow participants and The Crafthood talked through our beautiful Brush Lettering pack, equipment, exercises and information. The first thing that hit me was the care to detail; everything I had was take away, beautifully presented and made me feel super excited to get started.

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We had 20mins of expert tuition and information (and lush cake and refreshments from Flat Cap Joes) and then we were ready to get started. What was stand out through-out the session was how inclusive the session felt, whilst being able to experiment, chill and get creative. In all honesty, I felt like I was taking time out for me, creating and absolutely loving it! I also was able to chat to other participants through-out the session – was lovely to hear more about them and their creative interests.

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Sharon and Kay (The master creatives behind Crafthood) chatted about their workshop portfolio, which currently consists of Brush Lettering, Soy Wax Candle-making and Modern Calligraphy. They also run their Crafty socials and attend events with add on mini taster workshops. For every workshop or organisation workshop booked, they book another workshop for a community group or charity– buy one gift one. It was lush to hear the “Wearside Women in Need” were benefitting from our brush lettering workshop…..

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When we got hands on with the brush lettering, we worked through lots of different exercises and Kay and Sharon (The Crafthood) were always on hand to guide and offer feedback.

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A lot of exercises were repetitive practicing of shapes and letters; the process of experimenting with technique and shape was really cathartic. As someone who struggles with detail and perfection, I actually found the process really freeing – being able to let go, make marks and just have a go without worrying about what things looked like…..However, I could not and still can’t master a “d”…… I will one day *shakes fist at the sky*…….

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We were working towards a sentence or word – of course, because I’m the Culture Vulture, I wanted to write my name and also CV in brush lettering; luckily no “d”s involved. I was massively surprised how easy it was to become engrossed with the letter shape and completely forget how to spell things…..so there were a few moments when I would look proudly at my work and see letters missing….. boo!

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As I got to the end of the workshop, I thought several things – firstly, I’d really enjoyed myself; I felt like I’d taken time out of the busy to do something lush just for me; this is something I so rarely do. Secondly, I’d learnt something new; I’m all about personal development and challenging myself – I felt walking away from this session that I’d actually developed a brand new skill and that was mint.

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Thirdly, that I’d defs continue this; the lushness of brush lettering is that you can do it anywhere and The Crafthood workshop sets you up nicely with everything you need so you can practice and do it often. I am now a brush lettering aholic (minus the letter “d”)!

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The Crafthood have a whole host of lush workshops, events and activities coming up – they are adding a new workshop to their workshop portfolio every season, so watch out for a developing programming……as always I will be championing them and attending – so check them out Culture Vultures and make sure you become a part of the C ‘Hood.

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Charlton Walk – Gateshead; Public Art hidden gem!

The urban jungle is full of hidden gems….I’ve told you before, I’m a big fan of street art and I was lucky enough, to be shown to a gem a couple of weeks ago.

Park Life is a lush art work funded by Big Local Gateshead, created by local children from Gateshead Schools – Corpus Christi, Kelvin Grove and St Aidan’s who worked with artist and Culture Vulture favourite Tommy Anderson and writer Paul Summers.

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The large scale art work sited at Charlton Walk Park in Teams, Gateshead. The pieces explore the people, places, stories, history of the area (Teams and Bensham) alongside exploring the regional identity and aspirations of the school children themselves. The pieces pull together a rich tapestry into the rich heritage of Gateshead and insights into the new generation.

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The project is infused with Tommy Anderson’s style and practice which really brings it to life. Tommy is an experienced arts facilitator and graphic designer who manages small and large scale community arts projects (like this one) and progressive participatory and educational arts programmes inspired by his practice.

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He is passionate about creative opportunities for all and that really came forward, when he recently spoke at my Culture Vulture networking evening in February. Art and engagement with it, is a means of creating dialogue, a forum for self-expression, community sense making, identity ownership, exploratory learning, understanding enhancement and so much more.

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Projects like Charlton Walk, give communities a voice and sense of ownership of their space. Tommy, as a professional artist, plays a critical role in enabling these opportunities and voices to be heard and them empowering such groups to actively make something.

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Community collectivism alongside individualist artistic effort can be a really beautiful thing and it’s absolutely wonderful that artists like Tommy can put their time, resources, skill set and talent into facilitation of the production of these pieces. It takes the old, we are stronger together than alone, to another level.

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“Having lived and worked in Bensham for several years, the Park Life project has been a wonderful opportunity to create a major artwork for the area that has brought people together to celebrate their community.

The duration of the project allowed me to explore a range of art forms with the children, resulting in a rich and detailed interpretation of the area and its people.

Hopefully the project will spark a continued interest in the arts for the children, and a sense of pride in their community.”Tommy Anderson

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In terms of the impact of the project and having the opportunity, to engage with Tommy Anderson and Paul Summers, you only have to read a few quotes from some of the children to realise how important not only projects like this area, but creative learning opportunities for children.

“I am so proud of my art – I didn’t think I could be creative.”

“This is the best thing I’ve done in my entire life – I just love it!”

“It’s so exciting – I want to be an artist”

“Art club is amazing – I look forward to is every week”

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So – now the weather is getting brighter and Spring is coming, you must pencil in somewhere to go and view the Charlton Walk and see the pieces. I absolutely loved it – I love the word choices, the colours, the imagery….. it’s a great piece of community Public Art in Gateshead and deserves wayyyyy more recognition. But I guess if everyone knew about it, it wouldn’t be a hidden gem……

So here are a couple of my favourite pieces from the walk…..

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That’s all for now Culture Vultures.

Sheryl Jenkins: Digital Makings’ Artist of the Month for March 17

It’s March, practically Spring and the month of International Women’s Day. Due to how many events and parties on going through-out March, it feels the whole month is now full of possibilities, empowerment and championing lush ladies and all who fist pump equality and female success.

Seems apt I am able to use this blog to pretty much channel and showcase all the wonderful people that I admire – and as it’s March and all about #lasses – this month I’m championing Digital artist Sheryl Jenkins as Digital Makings Artist of the Month for March.

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I’ve had the pleasure of working with Sheryl during her delivery of participatory arts workshop for kids with animation. She’s dreamy to work with; fast paced, full of energy, great at facilitating creative experimentation, brilliant with young people and fun to work alongside. You can watch the result of her recent ‘Crafty Animations’ session at Gateshead Central Library HERE.

Sheryl describes herself as a freelance animator, an anarchic creative and filmmaker who often works on collaborative projects with artists, schools, community groups, and education and arts organisations. She is also involved in independent film productions and residencies, producing film content for online education resources and random bits of animation.

What comes across from Sheryl’s showreel (give it a watch – it’s brilliant) – is that she really loves her work and has great fun producing it. That vibe is infectious to be around…… I’m all about positivity and people loving their work.

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I caught up with Sheryl recently and wanted to find out more about her practice, her love of things Digital, her involvement in Thinking Digital and her favourite films……

Hi Sheryl, tell me about your journey into digital arts?

At the moment I’m interested in using tablets as animation and filmmaking tools. The apps available make it possible to include a variety of styles including drawn, model, photographic sequences, rotoscoping, green screen and cut out.  It’s kind of the perfect point for me to reach because I’ve always been interested in being able to create animated work where ever I like.  The iPad is like an animation sketchbook and means I can create animated work in response to anything on location.  So that’s where I’m at now.

Going back in time, I was always interested in drawing and making things, I used to pretend I was presenting Blue Peter, when I was younger we had a BBC computer and I used to write games for it. Most members of my family had a camera of one sort or another whether it was 35mm, Super8 film or a video camera.  I enjoyed taking photographs – I’d’ve been obsessed with Instagram if it’d been around when I was growing up.  My brother and I used to make animated films with my Dad’s video camera.  We used our toys and made models – I still have some of those films.

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I studied Graphic Design before studying Animation at the Surrey Institute of Art and Design. It was great to meet and work alongside so many other people interested in animation who had such a broad range of styles.  At that time we were using a combination of rostrum camera and reel to reel mixed with newer audio technology and editing software.  I always like the idea of mixing old and new.  I like to feel a creative connection (for want of a less naff description) to what I’m making.  I don’t want tech to come between me and the process of making.  I like that creative closeness.  It probably sounds like I’m contradicting my practice that I talked about at the start but it’s all about a balance and taking advantage of what a piece of technology can offer.

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I’ve been freelance for about 17 years. During that time, through working with different groups and other artists my practice changed and I went back to university to explore my more abstract style that had emerged.  I think that change in style had come about through working with schools, community groups and so on.  It was the influence from those groups and the need to create animated work quickly that had changed how I worked with animation.  During projects I had to take a process that you would normally think of as slow and steady and speed it up and make it accessible.  Those groups have had an impact; I like it when someone questions the process or suggests a different approach.

At the moment I drift between traditional narrative, abstract ideas and anarchic creativity – Anything could be a possible beginning of something and if something catches my eye I start thinking about the possibilities.

Why animation and film making?

The process of animation is fascinating. After all this time I’m still amazed when I finish at bit of work, whether it’s an independent piece or part of a collaboration, and it appears to move itself – just magic. I often use optical toys in workshops and things like the zoetrope are amazing – everyone loves those.  I don’t know if it’s because you’re watching live animation, there’s no camera and you’re not watching a TV; it’s happening in front of your eyes.  It’s just mad.  When I was a kid I had an annual about an egg-shaped, gem stone called Ludwig and on the bottom corner of several pages was a series of drawings that you could flick and they’d move – it was one of the most amazing things I’d ever seen.

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I had ideas about being an archaeologist or an astronomer – maybe I was working my way through the alphabet but didn’t get very far – but it dawned on me that if I did animation then I can become all of the other jobs I’d like to do, in a Mr. Benn fashion. So through animation I get to explore, learn about, work with other professionals from other areas and make films in response to my experience.

Favourite animator/animation?

In his animator guise I love Terry Gilliam.  I used to watch a lot of Monty Pythons Flying Circus and I loved the cut out animation sequences.  I liked the style – it didn’t use drawings like Scooby Doo and it wasn’t smooth like a Disney film.  I liked the use of images from photographs and paintings.  It was charming, quirky and just bizarre.

Another favourite animator is Norman McLaren – I like how he experimented with technology and the animation process.  I often show his films in my workshops.

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Norman McLaren

Another favourite is Barry Purves.  He has made some amazing model animations.  I’ve heard him speak at festivals a few times and I love to hear how passionate he is about animation.

I like to know about other people’s filmmaking process – that’s what interesting to me – I think that the process ultimately adds an energy and presence to the work. I heard Caroline Leaf, who has used sand in her animations, talking about her work and someone asked her what happened if she made a mistake and she said that there were no mistakes because they all become part of the film.  I like that – it’s like growing a piece of animation.

Favourite film maker/film?

I like filmmakers who get immersed in the process or are determined to make their idea and take creative risks. I’ve got to say Terry Gilliam again.  One of my favourite films is Time Bandits.

There are a lot of artists from other backgrounds that I like – It’s often people working with shapes, the idea or suggestion of movement, and shadows.

Do you have a favourite project you’ve worked on so far?

Sometimes projects are memorable because of the people you work with – everyone enjoys themselves and works well together.

One of my favourite film outcomes from a project was an animation – Invasion of the Chocolate Monster – made with Year 3 children in Carlisle over three days.  I really like the narration, voices and sound effects in that one.

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As part of my degree I worked alongside English Heritage who were recording prehistoric markings in Northumberland and County Durham. That was interesting.  I was working outdoors with my cameras and pastels, inks and paint – tricky in the wind and rain.  I could’ve done with the iPad then.  The film I made was a mix of all sorts – drawn sequences, Super8, 35mm photographs, mixed media, digital clips.

I worked on a project a while ago with Darlington Arts and people on Firthmoor Estate. During the project we made life-sized, MDF cut-out versions of people and animated them around the estate.  I don’t think I’d worked on that scale before.

I like to collaborate with other artists and professionals. I like to observe how they work and consider how their process could be adapted or applied to my animation practice.  I’m always looking for new ways of working that keep things fresh and challenging.

Tell me about a current/recent project?

I recently completed a residency with Newbiggin Hall Estate and Newcastle Arts Team. I worked with community groups on the estate over about a year and a half.  I felt very welcome and people were interested in being involved.  We made animated film, live action, there was a bit of photography, some painting and crafts, and a bit of textiles.  It depended on what the groups’ interests were.  We had a great celebratory event at the end where everyone came together for a creative fun day and we premiered one of the films.

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When a project comes to an end I hope that people continue to use what they’ve learnt because I always think that there’s so much more potential and scope for animated work and I would like to see where they go next with their ideas.

At the moment I’m working with The Cultural Spring and St. Clare’s Hospice in Jarrow.  I’m working with Day Care visitors.  The sessions are relaxing and fun.  We have a laugh and come up with some absolutely bizarre ideas – they often become a random stream of ideas – “then this happens, then there’s a dog appears, then a shark eats a duck …” and so on.  It’s all very Monty Python.

Do you have a favourite age group to work with?

I don’t have a favourite age group that I like working with. I like working with anyone if they’re interested and want to be involved.  I like to see what ideas and skills people can bring to a project.  Some people, often older groups, worry about the technology, but the technology is only a small part of things.  I’m interested in the creative side of the process.  And there’s always a role to suit everyone whether they’re interested in making things, designing, filming or animating, or telling everyone else what to do.

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Do you do commissions/independent stuff? Tell me a bit more!

I make my own films. It’s tricky, partly because if I have start a project then that takes priority, and also because if I’m working by myself there’s no-one to chat to about how it’s going or keep me motivated or focused, so that’s all down to myself.  I have several independent projects that sit on a shelf and every so often I revisit whichever one I’m in the mood for.  Taking a break from them probably helps me to come back with a fresh view.

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I collect a lot of archive material. I have a stash of old photograph albums and loads of slides.  I’ve used them in projects but there’s potential for other projects with those.  For a while, I’ve been working on a series of images that are made from animation sequences.  I take each frame and build them up on top of one another into a single, still image.  I look at it as a record of each stage in one picture.  It came out of some work mixing animated, morphing sequences which had been inspired by Spirograph patterns.  I sometimes set myself creative tasks, some might take a day to complete and some last a whole year.  They challenge me to think and solve technical and creative problems.

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I’ve been commissioned to create artwork and animation for theatre, television, galleries and festivals. I like seeing my work projected, shown or displayed.  I see it on a screen while I’m making it and it’s good to see how it looks somewhere else.

I see you’re involved in Thinking Digital this year – how did that come about and what are you doing? And most importantly, can you get me a ticket for mates rates?

I was asked if I had any workshop ideas that would be good for Thinking Digital.  I thought it would be a great opportunity to deliver a mobile workshop along the Quayside with participants using their own tablets and apps.  There are plenty of interesting landmarks and some lovely architecture to take inspiration from.

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My plan is for the group to use tablets to collect and create visuals, add sound and edit. There’ll also be scope to create artwork using art materials and then add that work to graphics, sketching and animation apps as part of the post-production process.  The workshop is an opportunity for participants to develop creative use of their tablets at their own pace, share knowledge, and gain inspiration and ideas for future animation work of their own.

I haven’t had any word about mates rates!

Can you tell me any sneaky peakies about any future projects?

I am working with The Hepworth in Wakefield, the Rheged Centre, and young people from Whizz-Kidz over the next few months.  I have my fingers crossed for a successful funding application result in the near future!  And I’m always interested in collaborations.  Plus I have my shelf of on-going personal projects and I quite fancy doing something about chaos theory and motor racing circuits (but not at the same time).

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Well how insightful and exciting – like Sheryl, I love hearing about how other creatives work and I adore the concept of mobile animation – so accessible. Watching her show reel is a testament to that – both old and young, engaged and enjoying animation.

I have the pleasure of working with Sheryl over the coming months as part of Arts Council funded Digital Makings project…….and if you know any budding young animators looking for something lush and exciting to do over the Easter holidays, well we’ve got it covered. Sheryl is running an all-day Culture Camp on Thursday 20th April at Gateshead Central Library – so get booked up!

That’s all for now Culture Vultures.