MiddleChild love by an only child

Well Culture Vultures, it’s that time of year when I sit with all my cultural programs, The Crack Mags and decide what, who and where I’m going to go this season – usually over a Gin and tonic. The process reminds me of when I used to sit with a highlighter when I was little and circle all the TV I was going to watch and things Mark Owen from Take That was appearing in….

So here I am highlighter in hand and now over Take That and I’m eagerly looking for exciting and different things to do. Autumn/Winter is my FAVE cultural season – and because it’s getting colder and darker, I love venue specific good times. I want to be in one place, be a part of something cool for a few hours before heading home. None of this bar hopping or outdoorsy things for me…….unless it’s Enchanted Parks or I’ve got my Gin jacket on – then all good and happy to face the elements.

So things that I’m looking forward to so far that I’m going to – Pink Sari Revolution at Northern Stage – based on a fantastic book about empowered and revolutionary women in Indian, Our Time at Great North Museum – party and culture crawl in a museum after hours, Get Lucky at Wylam Brewery –   a fully synthesized electronic soul orchestra performing Daft Punk live and I Hate Alone at The Peacock in Sunderland on 26th October at  7.30pm (tickets avail www.SunderlandStages.co.uk) – a full blown theatre gig, think Thelma and Louise turned up to 11.

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I Hate Alone is what I’m most excited about and it’s from MiddleChild – a theatre company that have absolutely thrived in Hull’s City of Culture this year….and it’s exciting to see a the theatre company thrive so much and is a testament to what the award of City of Culture can do not just to the region, but to the cultural organizations within.

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So who are MiddleChild!?…well they feel like hot property at the moment and are certainly doing amazing things…and the most important thing, culture vultures – they provide a bliddy good night out!

So Culture Vultures, I caught up with Paul Smith from MiddleChild and director of I Hate Alone to find out more and get in the know and the now….

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Hi Paul, Tell me about your show I Hate Alone?

I Hate Alone follows two women – Danielle and Chloe – who believe the world has wronged them. They decide to create a list of the people who have contributed to their dissatisfaction and get their own back one-by-one. It’s a story of injustice, revenge and above all, friendship. Danielle and Chloe are modern day anti-heroes.

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We re-watched Thelma and Louise just for the show – love the vibe of taking revenge against the world – who was your favourite Thelma or Louise?

An impossible question! You can’t have Thelma without Louise or Louise without Thelma. It’s like having Ant or Dec on their own – it’s just not the same. The great thing about that film is the relationship between the pair, the fact that they can simultaneously be good and bad for each other. It’s exactly that feeling that our writer Ellen Brammar has managed to capture with I Hate Alone. It’s impossible to say if the friendship is a good or a bad thing because there are elements of both, and it’s impossible to say who you prefer – be it Thelma/Louise or Danielle/Chloe, because they are yin and yang. One can’t exist in the same way without their partner in crime.

What is a theatre gig?

We like to use the term ‘a gig with a story’. It’s essentially a night out with big ideas in it. The feeling of coming to one of our shows is no different to going to see a stand-up comedian or your favourite band live but with one key difference – there’s a complex, compelling story at the heart of it.

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What can audiences expect?

A dark and funny tale of two women who sing, shout and kick ass.

What music can people expect?

Danielle and Chloe have chosen to tell their story as part of a gig where they showcase music from their band Disabled Barbie. Throughout the night they play their own brand of gothic-electronica influenced by a broad range of artists such as Let’s Eat Grandma, Kate Bush and Daughter. Expect dirty beats, hard-hitting drums and even a recorder solo!

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You guys really wanted your show in the Peacock – why was that? (they do amazing Sunday Lunch roast potatoes – just saying!)

We believe that theatre needs to break out of existing purely in traditional theatre spaces and want to set fire to expectations of what a night watching theatre can be. Taking I Hate Alone to social spaces like The Peacock allows us to do just that. Oh, and the amazing roast potatoes of course.

You guys have released a new EP and video – tell me a bit more about that?

We’re keen to find ways that the music in our shows can be enjoyed beyond the live experience. We think theatre can learn a lot from the idea of fandom in art forms like music and comedy and want to enable people to continue their engagement with gig theatre on their own terms. Being on Spotify, Band camp and places like that are key to ensuring our work reaches beyond the usual theatre crowd.

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Where did Middlechild start? Who/What is MiddleChild?

Middle Child started in Hull 6 years ago, almost to the day! We all met at Hull University and, after going off to various drama schools / jobs, decided that we wanted to make our own work in a city we loved. Since then Hull was awarded the honour of becoming the UK City of Culture, allowing us to grow in both ambition and capacity. The name actually comes from Fight Club, as the characters talk about being the ‘middle children of history’. That term really resonated with us at a time when the Coalition government was just coming into power. We had no great war, no obvious battle, but knew things weren’t right, needed changing and to do so we had to be loud and outspoken. That feeling remains today and runs right through the work we make.

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Favourite Fringe moment/experience?

This entire year up in Edinburgh was incredible. We were at our favourite venue – Paines Plough’s amazing Roundabout – and were selling out shows and receiving great reviews. The Fringe can either feel like the best or the worst place to be and this year we were extremely fortunate. The one moment that stands out is when one of our actors, Marc Graham, was surprised after the show with a Stage Award for Acting Excellence. It was the first time I’d seen him speechless, which was very enjoyable.

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Explain your involvement in City of Culture in Hull?

We were one of 2017’s major theatre commissions with our show All We Ever Wanted Was Everything by Luke Barnes. We also benefited hugely from organisational and creative development from the team who have supported what we do from the day they arrived. We’ve been massively fortunate and our impending NPO status is massively due to the permission for thinking big given to us by the Culture Company. The transformative power of culture has been so apparent all year, and Hull is absolutely buzzing. It’s been an amazing time for the city and our job now is to work with the other local organisations to ensure it is the start of something special, rather than the end of it.

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Advice to other cultural organisations in Sunderland and how they could benefit if Sunderland secures the bid?

Keep doing what you’re doing, believe in yourselves, work hard and – when the time comes – the right people will notice that and do what they can to help you achieve as much as you can. Don’t expect the City of Culture label to wave a magic wand – it’s commitment to what you’re making and doing that will make the real difference, City of Culture would simply reinforce and build upon that.

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Holy moly – I’m bliddy excited to meet MiddleChild and BEYOND excited to see them at The Peacock on 26th October at 7.30pm….  see you there!

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GemArts Masala Festival 2017; a South Asian cultural infusion of a festival……

Working in Culture within the North East is possibly the best sector in the entire world to work in; it’s just mint! The ideas, the events, the projects, the people and beyond. As a none people loving people person, I really finding my little space in the world, with such brilliant people.

The Cultural sector in our region is just so diverse – I’ve never experienced anything like it. The cross fertilisation of ideas, partnerships and collaborations and the ever emerging willingness to work together culminates to ensure an exciting bubbling richness of lush things and people.

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GemArts and Sunderland Stages present Gods & Mortals at Sunderland Minster

The sector is also very close knit – you can attend any event really and see a smattering of friendly creative faces smiling, championing you and your projects and attending the things you do. It’s a like a secret club of lushness…… the people you work alongside or attend their things and champion, very easily move from project partner or such and such from that organisation….and become friends. Real friends and people who you celebrate every cultural moment with.

Sinead from Gem Arts is one of those people (and in fact really the whole Gem Arts team….but Sinead really likes cats and is quite ridiculous like me, so she’s my favourite). I’ve known of Gem Arts for some time and championed them for as long as I have worked in the cultural sector….. their Mini Mela was my induction into working with a large scale cultural children’s event.

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GemArts is a dynamic arts development organisation presenting South Asian arts. They produce and programme new and exciting culturally diverse arts, by creating and developing high quality concerts, events, festivals, workshops and commissions with regional, national and international artists. Every event I’ve attended has been a cultural hot pot and celebration of South Asian diversity and learning about respective cultures.

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Last year they launched Masala Festival and I had the pleasure of championing it as part of Gateshead Arts Team and of course, as Sinead’s mate Horts. So as we are literally about to jump into the second Malasa Festival (deep breaths Sinead and team – it’s going to be mint!), I thought I’d take the opportunity to catch up with her and find out what this year has in store for the region alongside digitally championing to my fellow Culture Vultures what a cracking week this is going to be…..

Well hello Sinead, so first up; what is Masala Festival?

Masala Festival is the North East’s very own, award winning, South Asian Arts Festival, bringing a mix and blend of the finest art and artists to the region for 7 days in July starting on 17th July.

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How many years has it been running and what kicked it all off?

GemArts launched Masala Festival in July 2016, offering a truly eclectic programme, spanning traditional and contemporary arts. After 16+ years presenting diverse arts in the North East, we decided it was time to put our expertise to good use, and create a brand new Summer Festival, showcasing artists from the UK, South Asia and beyond.

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This year the Masala Festival programme explores partition, migration, globalisation, identity, heritage, tradition and modernity, and marks the 70th anniversary of Independence for both India and Pakistan, something we were already starting to think about in 2016.

You won a Culture award for last year- tell me what that was like?

Recognition is the icing on the cake, alongside the incredible support we continue to receive from participants, audiences, trustees, volunteers, sponsors, partners and local communities, to whom we are hugely grateful and celebrates the creative talents of artists from the region, across the UK, South Asia and beyond.

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It was a joy to collaborate, connect and celebrate with thousands of people from across the region at our first Masala Festival, and we can’t wait to do it all again.

Receiving an award for something your team is truly passionate about is a dream come true, and has given everyone an even stronger drive to continue championing creativity and diversity at every level, supporting young and emerging artists, and offering people from all backgrounds and ages, community groups and schools, engaging opportunities to take part in our culturally rich and diverse arts offer.

So… now 2017; what’s coming up for Masala?

This year’s Festival (17th-23rd July) will ramp things up, building on our award success we’ve been even more ambitious, and added exciting collaborations and takeovers to last years list.

GemArts has commissioned work from celebrated companies and artists  and the programme is packed; award winning poetry readings (Daljit Nagra: Heritage and Identity), specially curated short film programmes (Changes), celebrations of Sikh soldier’s music tradition and contributions to the First World War (Sacred Sounds), leading choirs from India (Gandharva Choir), two nights of powerful theatre (No Dogs, No Indians), Masala Festival takeovers and collaborations (Q Festival, Trinity Square and Dabbawal), Mini Mela family fun days, Indian storytelling shows (Henna),  talented musicians fusing jazz, electronic and Indian classical music (Sarathy Korwar), folk music and dance (Rajasthan Heritage Brass Band),  film screenings (The Jungle Book, Ghandi), exhibitions (AURORA by Jayamini de Silva), food events (Biryani Club), fantastic workshops (Bollywood dance, Meditation and Yoga), talks and demos (including GBBO contestant Chetna Makan) and lots more……

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What should I not miss out on?

We think you should attend everything, but there probably aren’t enough hours in one person’s day. Three events we know the Culture Vulture will really enjoy would be;

SACRED SOUNDS – A national project called Sacred Sounds, which tells some of the largely forgotten stories of British India’s role in the First World War. Using archive footage, letters, photos, music and poetry, SACRED SOUNDS is a multi-art form performance which explores Sikh musical heritage and traditions, which soldiers took with them to the battlefield.

HENNA INDIAN STORYTELLING SHOW – As part of our Q Festival takeover we’ve invited international storytellers Peter and Gorg Chand to tell a very special story. On the eve of a wedding a young bride-to-be is having henna applied to her hands. As the patterns emerge, the stories begin to unfold… love, loss, betrayal and Bollywood! Plus GemArts Henna artists will be on hand to create beautiful designs for any of our audience who want them.

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NO DOGS NO INDIANS – A powerful new play from Siddhartha Bose. Three intertwining stories, spanning decades, explore the effects and legacy of the British in India in a powerful new play to mark the 70th anniversary of independence.

I’m always up for trying something new and out my comfort zone- do you have any recommendations?

CHANGES: stories on the edge will certainly make audiences ask some serious questions, and think long and hard about the world they live in and the resilience of people. Following last year’s successful ALIVE film programme, we’ve teamed up with creative producer Bobby Tiwana again, who has curated a stunning line up of short films for CHANGES; a programme of lives on the edge – personal and political conflicts test human resolve.

My little mini Culture Vulture Beck (one of my best pals little boys) – he’s really into trains, stamping his feet, stairs and exploring- anything for him and his lush fam?

There is plenty for mini Culture Vultures and their adults to get involved in during Masala Festival. We’re starting our Q Festival takeover with Bollywood dance classes for ages 2+ from 9am, and then from 11am we’ve Stories from the Punjab and Beyond for ages 5+ , a fun, interactive, and lively session of Indian tales.

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Part of our Movies at Masala programme with the Jam Jar Cinema, shows The Jungle Book at 11am on Saturday morning.

Sunday sees the return of our popular Masala Festival Mini Mela, which last year welcomed more than 500 people throughout the day. Like all GemArts Mini Melas the day includes a range of drop in arts workshops, from Rangoli, Kite making and Silk painting to Bollywood Dance and Dhol drumming, plus we’ve invited an amazing group of musicians to really bring the space to life, as the Rajasthan Heritage Brass Band will perform throughout the day.

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Heard about the curry night at Arch 16 which obvs I’m all over that…..I like my curry to be an experience…..

BIRIYANI CLUB AT ARCH 16 – We love working with our friends and neighbours, and when we read about Arch 16’s curry clubs with Ashiyana Café we knew we had to chat Masala Festival with them. A tasty curry for less than £10, and GemArts DJs spinning the best bhangra hits, what’s not to like?!

CHETNA MAKAN CHAI, CHAAT AND CHUTNEY – As big fans of food shows, food cooking and food in general, we were over the moon when former Great British Bake Off contestant Chetna Makan was available to deliver a cooking demonstration during Masala Festival. Chetna will share stories from her travels around India for new cookbook, Chai Chaat and Chutney, and attendees will get to taste a selection of delicious street food recipes created before their very eyes!

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Well that’s all a little bit amazing isn’t it – so make sure you check out GemArts Masala Festival next week…..you’ll see instantly why  it won a Culture Award and how fantastic it is – every night a brand new experience of diverse lushness – so much to see, do and of course Culture Vultures, EAT!

So bye for now Culture Vultures and Sinead, well I’ll see you on the other side of Masala Festival…..

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The Culture Vulture xx

The Q Festival Low down – top 10

Right, so going out and seeing and doing things is my jam…… I’m at that age where gone is my capacity to go out endlessly, I work extremely hard and don’t really take time off so if I go to an event or thing, so when I’m going somewhere I want to know it’s going to blow my socks off or be something a bit special and different. So instead I’m all about cherry picking the very best stuff in the region and we are extremely lucky to have some much going on in region at the moment, overwhelmingly so.

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So in this blog post, I’m chatting about Q Festival and giving you the low down – so you know what are the hidden gems and the unmissables…..

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Q Festival in a nutshell, is an urban festival lasting 24days in the heart of NewcastleGateshead – smack bang on Gateshead Quays (Yep….this Gateshead lass, told you guys first 18months ago how much Gateshead has really got it going on at the moment). For 24days and nights, Baltic Square will come alive by day and by night with a huge Spiegeltent. Anyone who has been inside a Spiegeltent will know how beautiful they are as venues and anyone who hasn’t been inside well you haven’t lived yet!……

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The full programme is available at www.QFestival.co.uk with tickets on sale now; but the festival site itself is open every day from 14th July for all to come on down and have a drink….boom!

Here’s some of the inside craic for anyone wanting to drop by the festival site or attending events:

Q Festival has had some of the region’s in the know mixologists and bartenders assembling the bar stock and designing drinks for specific events…… as a gin gal and new red wine lover, having a decent drink in my hand at all times at an event is of the upmost priority! I don’t want a drink that’s a science experiment and I don’t want a £2 pint of wine circa Leeds festival 2002…..

The festival site is worth visiting on its own….from 14th July, you will be able to come on down to Baltic Square, grab a drink or tea/coffee (or something much stronger) in the outdoor beer garden, eat some yummy street food and of course whilst flicking through the brochure chose your events and book in person at the box office open 12.30pm-9.30pm daily.

Q Festival programme and site supports and champions our region’s independents, creative businesses, artists, performers and so much more……. The people working on this festival from the marketing, to the site build, to the bar, to the programme contributors, to the food are all from the region, living, making, creating, playing, surviving and thriving right here…..and a festival that sounds pretty special to me.

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So I’ve pulled together my top ten on what you need to attend……..

Jesterval Comedy Festival Opening Weekender….14th July

If like me you have a deep desire, to see everything and do everything first – let’s start with the beginning; Q Festival’s opening weekender – it all kicks off with Jesterval Comedy Festival back with a bang for 2017…. You need to make sure you check out Hal Cruttenden who is one of my all-time favourites (he’s bliddy funny) and of course, the big Jesterval Comedy Gala, which is your opportunity to see four comedy acts including Sara Pascoe. Sara’s individual show has now sold out so, this is your opportunity to see her if you didn’t manage to get the tickets.

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Why is the Comedy Gala unmissable? Well you, have the chance to see 4 acts – us lot, well we love a bargain and here you get 4 for price of 1 technically……..all for £15 mint! And of course, it’s an amazing show…… I will be there on the night (so will Mama Horts actually) so it’s also an opportunity for you to hear my infamous giggle/cackle and Mama Horts laughter snorting away.

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The Steampunk Gin Festival….21st and 22nd July

Gin Festivals and gin anything is really on trend and in vogue at the moment and I’d just like to point out, when I used to drink ginny years and years ago telling everyone how lush it was, everyone thought I was crackers….it was still Mother’s Ruin back then and responsible for tears at the end of the night. Well I’ve never been like that with gin – it’s always been lovely and yes I’m one of those annoying people that ponders lovingly over which gin to drink, what mixer, what additional lushness will be make this even lusher……..basically, I drank gin before it was cool…….

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I am thrilled that Gateshead gin company – Steampunk Gin are hosting a massive gin weekender with Q Fest – so they will have lots of lovely gins to taste, music, entertainment and a whole lot more all within a Spiegeltent….sounds mint innit!? Gin, Gin, Gin for the win!

Glitz and Glamour: getting ready for a party!….25th July

Meridith Towne is one of my favourite people of all time and I’ve seen her shows and talks (each one is amazing and I find them so empowering and bliddy entertaining!)……. Part performance, part costume show, part fashion history lesson – Merry knows where it’s at when it comes to having a passion for historical fashion and sharing that with an audience.

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As a fantastic storyteller, this evening invites you into her wardrobe as she takes you on her journey getting ready for a glitzy party and choosing those glad rags from 1920s towards more modern times. This evening will be full of vintage real pieces, fashion adverts and snippets from various time periods and recreations made by her own talented hands.

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As always Merry puts on a lively show; tickets are flying for this and this new talk has partly been written just for Q Festival….. so you really are in for a treat. Attendees will also receive a craft bag on the night from creative crafty business The Crafthood and there will be a pop up from fashion start-ups Trendlistr and Ebb & Sew with an opportunity for you have a deeks at their fashion pieces and purchase.

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MA Takeover featuring Drag Me to Love…..26th July

Following on from my love of the new and undiscovered, I’ve had the absolutely pleasure of working with and seeing some snippets (at GIFT Festival) of some different theatre shows and scratches. So this night is all about the new and emerging……

For one night only Northumbria’s M.A. Theatre and Performance students take over the Spiegeltent at Q Festival for an evening full of performances showcasing up and coming talent from the region. The evening consists of multiple scratches of work that they have been working on during the course of their degree. The night will also include a performance of Drag Me to Love by Bonnie and The Bonnettes.

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Scratch: Rooted by Becky Glendenning-Laycock and Fleur Rozan

In a battle between who we wanted to be when we were little girls Vs who we’ve turned out to be, we will come to realise that life doesn’t always hand you the story you wanted to tell when you were 9 years old. And that’s ok we guess. Isn’t it?

Scratch: Don’t Shoot the Messenger by Ashley Fraser and Becky Morris

This is about me, you, us, and everything that is going on around us. These are things that you may be aware of, or these may be things have you’ve ignored.

Scratch: Untitled by Jake Jarratt and Andrea Scrimshaw

From using two viewpoints, one male, one female, we challenge why sports are different for either gender. We take hold of our space and explore clichéd situations; replaying them in ways which challenge how society expects genders to behave within and around sport.

Drag Me to Love by Bonnie and Bonnettes

So imagine this. You are 14 years old and you are a drag queen. Its golden stilettos, ripped fishnets, shoulder pads, and neon bobs. It’s expression. It’s glamour. It’s power. It’s Doncaster, 2009.

It’s about being young, having that fire in your belly and seeing no limitations or rules. It’s the uncertainty of your own identity and the creation of a new one. It’s about finding a safe place between the two. It’s a reflection. An exorcism. A scrapbook.

We will laugh. We will cry. We will sing and we will dance.

You are bound to fall, as we drag you into love.

Jumpin’ Hot Club Presents: Q Festival – 1st August

Award winning Jumpin’ Hot Club are hosting an evening of unmissable toe tapping blues, folk, country and live roots music……..I’ve championed and worked alongside the Jumpin’ Hot Club gang for years so I know you’re in for a real festival treat with these guys.  And what’s a festival without the musicccccccc!

The line-up includes the amazing and hilarious Martin Stephenson & The Toe Rags….. I’ve heard a sneaky rumour that the king of Jumpin’ Hot Club himself Graham may be getting up on stage with Martin so obviously, I’ll be cheering like a crowd cracker.

With plenty of space to dance and lush local booze on offer, you can enjoy this one of a kind night with Jumpin’ Hot Club and also get to see admired Austin Texas singer songerwriters Brennen Leigh & Noel MacKay, a country blues and desert rock band born on Route 66, Hymn for Her and local folk legends George Welch & Christine Jeans……..

 

 

 

martinS2The Big 90s Pop Culture Quiz – 2nd August

Right, I’m stuck in a time warp. I love the 90s; maybe it’s partly not wanting to grow up and maybe it’s just being in love with this era. Everything about the 90s makes me smile…..

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Ross and Rachel, Umbongo, Marky Mark, CK, hair mascara, Kickers as school shoes, Pogs, TLC chasing Waterfalls, Wayne’s World, Ravey davey dance….come down to Q Festival for a 90s Pop Culture Quiz with quiz mistress Cheish Merryweather (the only person I’ve ever met who is more ridiculous than I) testing your knowledge and love for the 90s.

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Tables are really flying for this – teams can be any size from 2-8 and are £10 a table….so come mmmbop with me down memory lane even if you’re totes clueless…..

Disposable Treasures; Paper Crafting – 3rd August

So you guys know I’m allllllllll about championing local artists and stepping out of my comfort zone and doing something creatively challenging. And that’s what this evening is all about whilst enjoying a few glasses of vino and enjoying four different activities with professional artists.

So first up we’ve got Fiona Jamieson; you can have a go at paper cutting- designing, cutting and opening up a paper treasure……you’ll be surprised at how beautiful and intricate the designs can be with this Snowflake technique.

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We’ve also got Culture Vulture fave and all round brilliant egg Sheryl Jenkins – you’ll have the opportunity to experience and create some paper crafty animations using stop-motion….. I’ve had a go at this many times now….you guys will not be shocked to hear that mine was cat related….

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Late Shows fave and 36 Lime Street legend Effie Burns will be facilitating a session to create a paper crafted miniature magical world; we could all do with a little escapism so get lost in a match box world!

Finally, Yvette Hawkins, will be showing you have to create sculptural wearables – fit for a cat walk – think big, think bold colours and just go with it…..

So come as you as, come as a group, this evening is most certainly for those crafty crafters!

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80s Social Club – 4th August

Going back to the time warp thing…I’m obsessed with 80s music. Not the cheesy kind (although after a couple of gin & tons singing them loud and proud, most certainly has their place) – the electro kind. I also have crazy large hair and “interesting” fashion choices – I look like someone who digs the 80s and stomp about to Stevie Nicks, Edge of 17 far more than I’d care to admit….

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Following on from the mega success of my 90s Social Club party a few years ago at World Head Quarters – those that follow me on social know I’ve been ITCHING to do an 80s version…..so when a prime slot at Q Festival came up – it was fate. I assembled the Social Club team – we’ve got Tim McVicar (Dat Bar, Bierrex, MSA and ex Smoove & Turrell bassist) playing 80s electro funk and boogie and we’ve got Patterns Collective to play some 80s dance floor pleasers.

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As per any Culture Vulture party, I’m pulling out some corkers – we’ve got glitter bar and neon facepainting, 80s decorative lushness and all sorts of things…..fancy dress is not enforced – but I will glittered up and back combed so why not so feel free!

“The question isn’t “what are we going to do,” the question is “what aren’t we going to do?” – Ferris Bueller’s Day off

The Candy Vortex Q Festival Closing Party – 5th August

Basically just don’t go to sleep between Friday and Saturday because this is the ultimate party weekend………when it comes to closing a big urban lush festival, is there ANYONE ELSE? If you haven’t heard of the Candy Vortex yet – well you’re going to, they run some fresh immersive parties, filled with revelry and you know an all lasses collective is going to get my vote.

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So what to expect – well I don’t know…….expect the unexpected and see you on the dance floor….

Carruthers & Kent Summer Wine Fair – 6th August

Something happens when you turn 30 – things you wouldn’t have dreamed of doing or liking suddenly seem lush and acceptable. I’m like that with red wine…….my friends have tried for years to get me to like wine and to taste different things and really appreciate it. A year a go something magical happened – people had told me it would happen but I just didn’t believe them….. I took a sip of red vino, the skies parted, the birds sang, my taste buds cheered and the world suddenly made sense………

So how excited am I that Carruthers & Kent are running this….. me with my new found wine loving status is alllllll over this. The opportunity to taste and find out about different wines….heaven. I know you’re supposed to spit and only “taste” – but my sips are unfortunately gulp like so I’m sure I’ll be dancing my merry way out of the Spiegeltent at Q Festival – which let’s be honest, is a fitting way to end the fest……

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So that’s my tip top ten of Q Festival picks; so I really hope to see you along and get booking: http://www.QFestival.co.uk

That’s all for now Culture Vultures!

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Mobile; a class theatre show about class.

I don’t come from an artsy back ground; I come from one in which new experiences and trying different things was encouraged. My first and only experience of the theatre, as a child was either through primary school trips or my yearly panto trip. It wasn’t until I was older, as a shy introverted child, that I decided getting involved in drama was a good idea and one, which pushed me out of my comfort zone. I acted in plays, wrote stories and took countless different drama exams – theatre and performance were important as they not only let me challenge myself but they also let me be myself. I found the confidence to have a voice as opposed to a teen that had a million and one thoughts and things going on in my head, but just never had the courage to say them. This will sound hilarious now as someone who often never stops talking or putting forward her opinion…..

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Now as an adult, I engage and enjoy theatre from the other side – as an audience member. I love theatre and performance for many reasons; firstly – it’s pure escapism and storytelling at its very best. You can lose yourself in another world, whilst having a really lush experience or evening out. Secondly, it’s a shared experience and moment – an absolute one off that you share with the audience around you, the people you’ve come to see the show with and of course, the cast and crew. And finally, and yet mostly importantly, it offers a different perspective of a theme, a story, a thing and triggers reflection and a growing sense of a new understanding.

I love things that make me think – things that challenge my perception of life and theatre can and does, open you up to a whole new world. In some instances, it might be a show of make believe and in others, many of my favourite shows, the story resonates and sits very close to home, exploring societal themes and stories.

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Couple that with my love of something unique; what I like to call a “sneaky hidden cultural adventures” – an arts experience in an unexpected place; well I was thrilled to go and see Mobile, a performance piece by an all-girl collective called The Paper Birds (gan on lasses!). Mobile was brought to Sunderland Winter Gardens on 28th and 29th May by the lush Sunderland Stages. Sunderland Stages take theatre and performance to unexpected places across Sunderland and let’s be honest, there is nothing more unexpected that a theatre show next to Mowbray Park in a caravan……

You can watch the Mobile trailer here!

The dynamic company The Paper Birds comprises Artistic Director Jemma McDonnell, Kylie Walsh and Bonnie Mitchell. After their first show, A Smile Fell in the Grass, featured in the National Student Drama Festival, the company formed in 2003. 14 years on The Paper Birds strive to create and share devised work that is culturally, socially and politically important in day to day life and often tells and prioritisies the stories and voices of women.

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Mobile is the second of a trilogy series about class; the first in the series was a show called ‘Broke’. Many of you may have seen the piece already when it appeared in 2016 at Live Theatre and received smash hit rave reviews. The Guardian has even reviewed it: “Mobile neatly turns the caravan into a magic box where every cupboard and drawer springs a surprise”.

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But for those who haven’t seen it; Mobile is a piece entirely set in a caravan, the audience is invited inside the caravan after playing name games with each other outside. The set-up is one that reminded me of a festival / camping feel so automatically I felt at ease and was enjoying chatting to other audience members.

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Once inside the caravan, the story is told with one narrator and explores the themes of class, home, society and identity through a whole host of appliances, which are used in a really innovative digital means to give voices to other “characters” sharing their story and experience of class boundaries, barriers and labels.

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The show was interactive, thought provoking and exceptionally emotional in parts. For 40mins, so many class-related questions were posed, stories shared and it was a beautiful production. It was interesting to explore how much of our sense of self, is defined by birth right, labels given to us and societies construction of who and what we are, what we could be and who we should be.

I caught up with Jemma McDonnell, the artistic director of Paper Birds to find out more about Mobile and to dig a little deeper about the show…..

Tell me about Paper Birds and the inspiration behind the name and the collective?

The idea was based on taking a piece of paper and creating something new from it and to be honest I think at the time I had meant origami but was not sure of the spelling so wrote ‘paper bird’.  Because we are a devising theatre company and we try to make work that is very current this felt like it would symbolically work for the company and our aims.

Now tell me about Mobile; a play that is set inside a caravan – what’s it all about?

We were utilising the research of a sociologist at the London School of Economics (Dr Sam Friedman) about social mobility and it inspired us. Enshrined within this is the notion of class and social structure in Britain both past and present. We wanted to tap into how we all feel resonance with different classes, and the universality of the issues they include; family, home, ambition.

What was the inspiration behind setting the piece in a caravan?

The caravan symbolised for us, holidays and nostalgic memories of family; we wanted to use the intimacy of such a small space to be able to explore things theatrically that could never work on a stage. It was the proximity of the audience to the performer and the immersive aspect that enticed us.

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We were also really attracted to the idea that the caravan itself has experienced social mobility; 100 years ago the caravan was an affluent symbol, and since then it has both risen and declined in popularity. In particular it now represents a ‘working class’ holiday – and the complexity of this shift seemed to fit perfectly with the subject we were exploring.

It must have been a real challenge creating and playing in such a small location as a caravan, with just eight people sat so close to you?

The challenges certainly include how you can use the space; there’s not a lot of room, especially when the caravan is at capacity! We had to be really inventive with the way we transformed the space with technology and AV design. It also limits the capacity for cast members/actors; we found creative ways of including as many voices and stories as possible despite only using one actor.

But the best thing is that we don’t need to rig and focus all the lights at each new venue we tour to- as they are all in position already!

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Considering the volatile nature of modern politics, are there any timely messages that Mobile has to offer?

The main political strand that evolves throughout the piece relates to the notion of fairness; in how our culture lays out the promise of a fair and just society for all where we are free to prosper and rise. But as is experienced by our character Cindy, those who do not start with financial advantage are very rarely rewarded with the same level of upward mobility as it would seem.

You’re currently touring the show up and down the country, what has the audience response been like so far?

The show is always received with positive reactions – being so close to the audience and sharing the enclosed space means that audience experience is always clearly obvious; most people experience a reflective and emotional engagement with the issues and themes and often this is characterised by shedding a few tears! But it’s not all doom and gloom – there are plenty of laughs along the way!

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What can the audience expect getting into the caravan and what will they take away?

We hope that people come away with a new found appreciation for all that their family and upbringing involved, that they leave the caravan thinking about class and how social structure relates to them. We hope that they identify with if not one, but several of the characters they meet along the way, and above all else – that they are wowed by the technical wizardry installed into the humble interior of a family caravan!

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Well thank you Jemma – what a pleasure and good luck with the rest of the tour. Can’t wait to see what The Paper Birds do next!

Still curious about Mobile? Well you can watch audience feedback here and The Paper Birds are currently touring the show across the Summer, so make sure on your Summer adventures to plan in time to see this amazing show.

Big love to Sunderland Stages for bringing this lush and thought provoking show to the North East….they are shortly announcing their Autumn programme so keep an eye out – but Mobile certainly gives you a flavour of the different type of theatre shows to expect.

Even bigger love to fellow Culture Vultures – see you soon!

Are you in the Crafthood?

We all know I love small businesses….that’s a given right? Well what I love even more than that, is a small business that are absolutely owning and disrupting an established sector……And of course, what else could top trumps this? – well of course; an all-female run creative business….

Well hello there; The Crafthood….

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The Crafthood are a business that I heard about through other people (always a good sign) so I can’t claim they are my discovery, but I certainly am one of their biggest champions…. First of all what’s in a name? Well The Crafthood have a really good one, just by going to something I feel a part of their ‘hood! I love their name and branding…..Secondly, they are making crafting amazing, exciting, essential for the modern day lass and socially responsible….

Right up my street!

If you don’t know who the Crafthood are…. Well you’re going to over the next 12 months! They are one of the most exciting creative businesses; growing and thriving in the North East currently. Their offering is three fold; they run their own workshops within North East’s up and coming independents – as fantastically talented craftswomen, you’ll get a lush crafting experience like no other. Secondly, they sell a fantastic bespoke range of products; from cards, to notebooks to clothing, to bespoke lettering and signage – all with their lush Crafthood edge! Thirdly, they organise their own events or add value to a pre-established event (keep an eye out for their pop-ups).

The Crafthood invited me along to one of their Brush Lettering workshops as a punter in May 2017 and I absolutely loved it……so where to begin…..

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First and foremost, I’d like to say that The Crafthood workshops are for both artsy and crafty folk and others (like me!) – so for those that love crafting and trying new things in a new environment and taking time out just for you, to create; well their workshops are for you. However, if you’re like me and are massively creative but not at all “crafty”, well I can promise these workshops are for you too and you’ll love them.

 

I rocked up to their Brush Lettering workshop, I sat down with the other fellow participants and The Crafthood talked through our beautiful Brush Lettering pack, equipment, exercises and information. The first thing that hit me was the care to detail; everything I had was take away, beautifully presented and made me feel super excited to get started.

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We had 20mins of expert tuition and information (and lush cake and refreshments from Flat Cap Joes) and then we were ready to get started. What was stand out through-out the session was how inclusive the session felt, whilst being able to experiment, chill and get creative. In all honesty, I felt like I was taking time out for me, creating and absolutely loving it! I also was able to chat to other participants through-out the session – was lovely to hear more about them and their creative interests.

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Sharon and Kay (The master creatives behind Crafthood) chatted about their workshop portfolio, which currently consists of Brush Lettering, Soy Wax Candle-making and Modern Calligraphy. They also run their Crafty socials and attend events with add on mini taster workshops. For every workshop or organisation workshop booked, they book another workshop for a community group or charity– buy one gift one. It was lush to hear the “Wearside Women in Need” were benefitting from our brush lettering workshop…..

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When we got hands on with the brush lettering, we worked through lots of different exercises and Kay and Sharon (The Crafthood) were always on hand to guide and offer feedback.

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A lot of exercises were repetitive practicing of shapes and letters; the process of experimenting with technique and shape was really cathartic. As someone who struggles with detail and perfection, I actually found the process really freeing – being able to let go, make marks and just have a go without worrying about what things looked like…..However, I could not and still can’t master a “d”…… I will one day *shakes fist at the sky*…….

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We were working towards a sentence or word – of course, because I’m the Culture Vulture, I wanted to write my name and also CV in brush lettering; luckily no “d”s involved. I was massively surprised how easy it was to become engrossed with the letter shape and completely forget how to spell things…..so there were a few moments when I would look proudly at my work and see letters missing….. boo!

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As I got to the end of the workshop, I thought several things – firstly, I’d really enjoyed myself; I felt like I’d taken time out of the busy to do something lush just for me; this is something I so rarely do. Secondly, I’d learnt something new; I’m all about personal development and challenging myself – I felt walking away from this session that I’d actually developed a brand new skill and that was mint.

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Thirdly, that I’d defs continue this; the lushness of brush lettering is that you can do it anywhere and The Crafthood workshop sets you up nicely with everything you need so you can practice and do it often. I am now a brush lettering aholic (minus the letter “d”)!

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The Crafthood have a whole host of lush workshops, events and activities coming up – they are adding a new workshop to their workshop portfolio every season, so watch out for a developing programming……as always I will be championing them and attending – so check them out Culture Vultures and make sure you become a part of the C ‘Hood.

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Invest into and start learning from NE culture & arts, oh and start paying them too!

No one actually makes a living as an artist, right? The cultural sector pays pennies? Go get a “proper” job? Actually the reverse is true, the creative sector and industries in the region are BOOMING…… people want bespoke, creative, individual…..there is the biggest movement to shop and support local and to reject the everyday for something more unknown, exciting, opportunistic and emergingly edgy.

I champion the entrepreneurial agenda, it’s in my blood (literally) and I love it but I really struggle with two issues…………. Firstly that creatives are often not viewed as legitimate business people and yet to see so many creatives launching themselves as a business and behaving more and more like a start-up is fantastic to see. Some of these businesses, it’s been that blend between day job and passion project testing, until opportunity……..without realising and a business is launched and they are trading; they’ve been through years and years of testing without realising. For artists, they have often been drawing or making for YEARS, putting their stuff on Instagram or selling at craft fairs, developing their product and skill set, until they launch…..often accidentally. Someone commissions something, asks to buy or like me, offers you a lump sum of money for a freelance project that gives you traction and a real starting point to launch and oh hello, I think there might be some kind of business here……….

Secondly, this intrinsic opportunity ethos for creatives to work for free; don’t pay them – just let them perform, suggest future opportunities that might lead onto paid work, as if engaging with them is a favour. From a business perspective; outlay of materials, time and then freebies offering, is crippling and removes the legitimacy. Should they be grateful for the opportunity…..as if you offering them a space or time is enough!?As a business think about the implications on the cash flow…….moreover, many creative start-ups are already under-pricing themselves, not factoring in their time, don’t value their service or practice in a similar way to a “product” or factor in materials so before you even think about “may be possibly” paying them what they are owed……they are already doing it for you for a brilliant deal.

This is so short sighted as I find the creative and cultural sector in the North East, as exciting as the Digital Sector at the moment, something to invest into and be a part of……however, there are key differences. There isn’t the investment available, there isn’t the capital and people don’t necessarily take creatives as seriously, as a business they can really understand. So what you have instead is individuals, independents and artists launching on a shoe string; they are resilient, constantly willing to learn, eager for feedback, out there networking, seeking opportunities, developing business models that are lean, mean and sustainable – they are the blueprint learning wise for a start-up business and entrepreneurs……instead of operating with big sales forecasts and massively unrealistic ambitions, they instead operate seeking collaboration, they show patience, evidence a longer term strategy to grow, can afford to keep going without sales or bookings, experiment and take mitigated risks……it’s not all or nothing, or go hard or go home; instead it’s about building something they love, care about and growing at their own pace incrementally on their own terms, making their own rules.

And you may say, well these creative businesses are not going to be the next “big” thing, they aren’t going to feature in Forbes and world isn’t going to change………I’d argue the other way….instead there is no entrepreneurial ego, they are real; a massive big business that had mega investment that people view as “proper” may never get off the ground and no one might ever hear of it, whereas a creative business located in the North East hundreds and often thousands know their name, the people behind it, buy from them, champion and support them….there is less “talking” about doing business and more of the making, creating and trying to get out there from day one……..  they have priced their product, sold it, met their customers, marketed it, submitted accounts and got their hands entrepreneurially dirty……… however, we could help them grow….just by paying them fairly for what they do and the service they offer.

To reflect that into my business; is the Culture Vulture going to make me millions?….probably not. Do I want it to? NO – there I’ve said it. I don’t want a massive business, I don’t want investment – I want my own entrepreneurial and creative sphere……….and I want to do what I love. That is my driver in entrepreneurship and I want to enable others to do the same.

So please don’t apologise or shy away from having a creative business, be massively proud – it isn’t any less “proper”…..Creative businesses usually have real values and passion at the heart………people, talented and excited brilliant people behind it. You have more real life business experience than most, so own that!

Creative businesses and people are the next big thing; there is a movement on going in the North East; I’m so excited to be a part of it………..will Creative businesses, artists and creatives change the world? YES they will…….because they re-imagine it, they challenge it, redesign it, express it, embracing all those aspirational entrepreneurial attributes – ability to handle uncertainty, resilience (anyone who has sold all day at a craft fair and sold nothing), ability to absorb learning and feedback and to build something that is not income dependent……. Their projects and activity happens irrespective of funding because they make it happen………….for most creatives, lack of funding is not a barrier to launch a business…….they assume there is no funding and they launch anyway, because their passion makes it almost like a compulsion………..

Moreover, their creative products bring smiles to people’s faces and they mean something to both the person who purchased it and (if appropriate) the intended recipient. That’s an emotional buyer connection that many businesses can only dream about.

More traditional entrepreneurs and start-ups have a lot to learn from creatives and artists………..so creative businesses and artists, respect them, learn from them, seek them and of course, pay them……

GIFT 2017: The low down- what it is, why you need to go and get tickets immediately…..

I’m a big fan of theatre and performance – as someone who spent their childhood and teens doing drama related activity and in plays – I fell in love with it and it’s fair to say I have a leaning towards the dramatics in my everyday life; I’m certainly an animated personality and my face is the most expressive you’ve seen.

I absolutely love going to the theatre whether smaller productions or things at Northern Stage or Theatre Royal – it’s always a dream. Theatre is all about total immersion, escapism and storytelling. I love disconnecting from my life and my reality and being absorbed into watching someone else’s. Getting lost in a visual story…….

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And it’s not just about the acting and make believe – it’s one of those art forms into which everyone can engage and get involved. Whether it’s the writing, the costume designing, the lighting, the sound, the set design – a feast of visual, performance and digital arts.

Those who read this blog and follow The Culture Vulture, will know by now that I LOVE the undiscovered and the unfound – stepping outside of my comfort zone, seeing different things and new things. Something which embraces my love for performance and need for the new and unfound, is matched perfectly within GIFT Festival which is returning again (yahoo) for 2017 across Friday 28th – Sunday 30th April….. how exciting!?

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GIFT is an annual festival of theatre celebrating the new, unfound and experimental performance and theatre right here in Gateshead……last year, I attended and got to experience a performance as part of a wild hen party; disco, dancing, shots and crisps. And also, a version of Stand By Me with a soundtrack by the Eurythmics.

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This year the programme is jam packed with lots to see performance wise (for adults and children alike), workshops and discussion across Baltic , Caedmon Hall at Gateshead Libraries, St Mary’s Heritage Centre, The Central Bar and Prohibition Bar. And I’m even more excited that FINALLY this year, after a couple of years of no funding, GIFT was awarded their Arts Council funding, on top of running a successful crowd funding campaign….

I caught up with GIFT’s Programme Director and Queen of all things GIFT; Kate Craddock to find out about this year’s programme and what to expect. Kate is someone who I’ve known for many years now and who champions the up and comers in performance and empowers her students, at Northumbria University to reach their full potential……so by my standard, not just a mega talent and asset to the region but also an all-round cultural megababe.

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Hi Kate – last time we caught up was in Prohibition Bar over a G&T – this time, I want to hear all about GIFT 2017….so for those who haven’t been to GIFT before – what’s the low down?

GIFT is back for 3 days at the end of April – Friday 28th – Sunday 30th Aptil. GIFT is an international theatre festival based in Gateshead that aims to present new performances and the kind of that nowhere else in the region is able to put on. We are able to take a chance and do something new.

You are unlikely to see a traditional ‘play’ at GIFT; instead the work is more contemporary, visual, physical, conceptual, devised… .GIFT festival allows for a more experimental programme with less risk for the venue programming the same artists/work alone.

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GIFT offers a platform to showcase opportunity for NE based artists and theatre makers to show their own work in a lively festival context. It also brings International work to Gateshead and the region that we otherwise wouldn’t see. And of course, it brings performances and artists from across the UK who have never performed been here before to introduce North East audiences to new artists and ways of working.

Essentially GIFT is 3 days of artists and audiences coming together, forming a festival community whilst seeing lots of shows together; talking about the work they are seeing, networking and partying. A big feature of GIFT that makes it distinctive from some other festivals is that it is really personal, small scale and grass roots. It really tries to open up possibilities and opportunity for everyone participating.

What inspired you to start GIFT?

There were a number of factors that all came together at once.

I was one of the artists who was in the original SHED Artist studios on Gateshead High St, and I was living in Bensham-spending a lot of time in Gateshead at a time when there was lots of focus on regeneration and redevelopment…

I really wanted to do something that was about connecting the culturally regenerated quayside with Gateshead town centre and beyond – and knew that a festival had the potential to do this – acting as a catalyst. I realised that there wasn’t a theatre venue in Gateshead as such, but instead there were loads of really unique spaces and lots of very wiling supportive people who were happy to let me do things -like put performances in empty shops, or in church halls, or in the interchange.

I was also making some quite experimental performance work myself, but was finding that there was quite a limited number of platforms to show this  kind of work – and I realised I wasn’t alone in that.  – However, there was a community of artists really wanting to make something happen. I was also in a really lucky position where I was travelling and working at other European International festivals; these were hugely inspirational for me -and made me realise that we needed GIFT.

Why Gateshead? What venues have you selected this year?

When I founded GIFT in 2011, I was living and working in Gateshead and I got frustrated with the fact that for lots of people (in Newcastle) Gateshead meant a trip over the bridge to the Sage or Baltic and that was as far as they would venture. I wanted to do something that opened up other areas (some neglected, some beautiful) and connect performance to these areas.

Gateshead Council and Culture Team (formally the Arts team) have always been so supportive of the arts (Angel, Sage, Baltic, all the arts team work etc) and they were so supportive when I first approached them about it. For the first 3 years GIFT took place mainly in Gateshead old town hall, the Central, St Mary’s as well as other venues dotted around. In 2014 we relocated our main hub to Caedmon Hall, which is where we will be again this year for lots of our events. We will also be presenting performances at Baltic  this year for the first time – as well as Prohibition Bar, Central, St Mary’s , Caedmon Hall and our closing part will be at The Old Police House.

Tell me about the programme this year?

This year we have teamed up with 2 other UK festivals to present a programme of work from across Europe. On Friday night we will present the UK premiere of Possibilities that disappear before a landscape’ by El Conde de Torrefiel from Barcelona. This is being presented in collaboration with Transform Festival in Leeds where they are performing the partner piece Guerrilla a week before GIFT. Possibilities is stunning piece that works like a visual essay -so you are both reading and listening to spoken text while seeing multiple images played out on stage in front of you.

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The company are one of the most exciting to emerge from Spain in recent years and are in huge demand. I first saw this company in 2012 and have been trying to get them to GIFT since then – so I am totally thrilled they will be here! I also think they will really appeal to people who love visual art but might not be so sure normally about going to the theatre. We have also teamed up with BE Festival Birmingham to host Best of BE Festival – 3 amazing shows from across Europe. I have seen the work and can’t recommend it enough. Best of BE (or BE @ GIFT) is always a great fun night, and the work always rich and varied.

Also we have Julia Taduevin from Glasgow with ‘Blow Off’ described as one of the most memorable shows of the year by the Scotsman – and it is, completely unforgettable and completely stunning. All female punk band – music, spoken word, feminism – very loud! Would definitely appeal to people interested in live music but don’t think theatre is for them!

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One of the shows coming from Leeds is ‘Something Terrible Might Happen on Saturday’ by Uncanny Theatre at The Central – it will be hilarious and it looks at how obsessed we are with things going wrong. Enjoy the show while having a pint!

Other fab things are we have teamed up with Chalk to host Noise Lab -lots of young children working with a sound artist to turn their tantrums and crying into art, at Baltic.

Who are you most excited about seeing? I know it’s difficult to choose……

Literally all of it; one of the best things for me too is seeing the artists actually meeting each other, talking to each other and their audiences about their work – that is always so brilliant and rewarding; when this happens and works well, I know I am doing a good job.

Is there anything for families?

Yes –Noise Lab by Chalk on Friday morning – this is the strand of GIFT called Little GIFT and is for early years and their parents. On Sunday there is also a rolling programme of live performance and dance work at Baltic that is all free to attend.

Zoe Murtagh will also be at St Mary’s on Friday all day peeling potatoes and inviting audience members to help her discover her Irish heritage -there will be some dancing and laughs involved. Altgif7hough these events are not strictly for families as such, they will definitely appeal to a curious adventurous audience member of any age!

What should someone who has never been to GIFT before expect?

Expect to be surprised by each performance you encounter – and to take risks with what you go see. Expect to be welcomed by the GIFT crowd, to get involved and to throw yourself into opportunities – to chat and to meet new people.

You’ve had challenges this year with funding (again!) and you’ve set up a crowdfunding page – can you tell me a bit more about this and why people NEED to donate? 

Yes, we have really struggled to secure enough funding to make the festival happen this year – but Arts Council Funding has come through at the last minute after a lot of hard work resubmitting applications We also have a crowdfunding page on the go at the moment to help raise money towards supporting a lot of the infrastructure around the festival enabling the festival to happen – like paying technicians at the venues, to support the artists and also to be able to offer artists some support with their shows – towards their production budgets and costs involved in performing at GIFT like travel -and feeding them while they are here!

What would advice would you give to an aspiring performer, or script writer, set designer etc?

See as many performances and different types of performances as you can – and take every opportunity that is offered to you to network and meet people. But of course, the best advice I can give you at the moment is to get yourself along to GIFT between 28 – 30 April!

Thank you Kate…..

And that’s what I love about the Cultural sector at the moment- it’s all about feeling empowered and being the change you want to see; she wanted an experimental theatre and performance festival in the region and made it happen!

Well you can expect to see The Culture Vulture at every single event and performance for GIFT – I’m obviously most excited for ‘Blow Off’, Pug Party anddddd GIFTed: Late Night Lip Sync CabaretBonnie and the Bonnettes and GIFTed guests

Check out the full GIFT 2017 programme in all its glory.

If you see me, feel free to say hello