Mixtape 90s: The Six Twenty

We all know I love theatre, I love a good old night out, buzz light years over a pub quiz and currently experiencing an intense nostalgic love affair with the 90s….. so Sunderland Stages bringing Mixtape by The Six Twenty to The Peacock in Sunderland is right up my street. Sunderland Stages is all about bringing theatre to unexpected places in Sunderland…..and of course, theatre in an actual pub is pretty unexpected and lush.

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Mixtape is an immersive performance pub quiz….. The Six Twenty have taken it to festivals, Live Theatre and other venues, all with sold out performances. I’ve heard rave reviews so I’m super excited to attend on 30th June…. (tickets are available now – bring a group, bring yourself and in typical 90s Nirvana style – ‘come as you areeee!’)

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It’s also a perfect opportunity to check out the newly opened Peacock venue – a beautiful independent pub within Sunderland’s thriving cultural quarter….. I’ve heard they do a corking Sunday lunch too.

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And, The Six Twenty are a Newcastle based theatre company that is growing and has big plans for the future so this is an opportunity to check them out and their work…..

I caught up with The Six Twenty’s Artistic Director, Creative Producer and all round absolute megababe, Melanie Rashbrooke, to find out more and all about 90s Mixtape….

Hi Melanie, right tell me about The Six Twenty?

The Six Twenty are dedicated to creating playful, entertaining and immersive theatre that’s ambitious and fun. We make new work and also produce re-imaginings of classic and contemporary plays. We tour throughout the UK to theatres, outdoor spaces and unexpected places. We hope to make theatre that inspires, moves and creates conversation and brings people together.

Now tell me about Mixtape?

Mixtape is our infamous comedy music quiz show. It’s a unique concept that was invented at The Six Twenty and is performed and created by a brilliant band of theatre-makers, comedians and musicians who we call Mixtapers. Basically The Mixtapers perform comedy sketches that are created entirely out of song lyrics; the song lyrics can be reordered and repeated but no additional words can be used. Plus the sketch can’t be longer than the running time of the track that inspired it.

The Culture Vulture: I literally feel sick with excitement at the thought of this already….. I know 90s songs inside out…….

The audience plays along in teams and tries to guess the songs, bands and artists that inspire the sketches. The team with the most correct answers at the end of the night wins one of our highly coveted Golden Mixtapes. Each of our shows is themed and the next one is The 90s so expect a mix of pop classics, Summer anthems, dance tracks and Brit Pop!  It’s a really fun relaxed show that’s great for music and pub quiz lovers as well as theatre fans.

The Culture Vulture: New life ambition is to own one of these golden Mixtapes…….

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What’s it been like getting rave reviews and sell out shows!?

It’s been great to see the show grow and build a real following. I’m particularly excited by the feedback we get from audiences – especially people who might not attend the theatre that much and who really enjoy the show.

The Culture Vulture: As someone who works on events and organize my own, feeding off the audience buzz and interaction is what feeds the want to do another event. It’s lush when people enjoy and champion what you’ve put on and of course, had a lush time!

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What was the show’s inspiration?

It was something I dreamed up whilst I was working on a writing project with Write on Tap (a group of writers based in Newcastle). The theme for the project was ‘Who I am with You, Who I Am Without You’. I decided to challenge myself by writing a short script using just the lyrics of the U2’s song…yes that one! And thus Mixtape was born.

Also, I love my music and who doesn’t love a good old pub quiz!

You’re bringing Mixtape to Sunderland 30th June, the Peacock….tell me about the show?

We’re bringing our new 90s show; the show recently premiered at Live Theatre (where we create all of our new shows) to a sell-out crowd. Expect a night crammed full of 90s tunes, comedy, crop-tops, dance routines, mayhem and fun!

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What can attendees expect on 30th June? Why should people come and get their tickets?

Comedy, quiz, fancy-dress, music, fun! A night crammed full of super fly hits. From boy bands to dance anthems, grunge and summer hits; this show’s gonna be off the chain. So dig out your 90s crop tops and Docs, brush off your Discman, and bring a team along and see if you can win the Golden Mixtape.

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90s fancy dress is also highly encouraged with the best dressed 90s team winning a special prize too!

The Culture Vulture: Well I’m going to be prancing around the place dressed as blossom with a side pony tail.

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As someone who is OBSESSED with the 90s….I dig the theme. Why did you go for the 90s music?

We’ve created a variety of Mixtape shows based on different music themes including North East bands, Alternative music, Rock ’n’ Roll 50s, Boy Bands vs. Girl Bands, 80s…the list goes on. So it was about time we tackled the most bangin’ decade. There are some seriously good tunes featured in the show.

The Culture Vulture: Right – I need to see every single show……love the sound of all of these!

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Your favourite 90s song of all time?

Ooooh tricky…there’s so many to choose from. I’m going to go with a curve ball option – I’m Too Sexy by Right Said Fred. Come and see the show and find out why……

The Culture Vulture: Now that’s a controversial and interesting choice – I need to know more. I’ve rediscovered E-17 recently – ‘House of Love’ plays on repeat currently…..

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Tell me a bit about some other The Six Twenty projects (fans!) and other things coming up?

In 2016 we won the Bridging the Gap award to create a new show called FANS which is part music gig and part theatre show and written by the brilliant Nina Berry and made with an awesome team of theatre-makers, musicians and creatives. It explores what it means to be a music fan. We’ll be redeveloping the show later this year and then re-touring the show in 2018.

We’re also working on a couple of new shows. One is with Mixtaper Lewis Jobson called Redcoat and explores what it means to be happy and what happens when you have an ‘off day’ and you tell Barney the Dinosaur to f***k off (in front of a load of kids)…at Butlins…in Bognor Regis.

The Culture Vulture: What a great concept for a show…..

The other show we’re working on is with Charlie Raine who performed in FANS. It’s called The Playground. For this we’re interviewing children aged between 4-7 years old about their lives and their views of the world. The final show will be performed by adults for adults as adults – using the words of the children we interview and collaborate with.

The Culture Vulture: This is brilliant – kids say hilarious and pure things.

And of course we’ve got loads more Mixtapes coming up!

To find out more about the projects we’ve got coming up and how you can get involved visit our website at www.thesixtwenty.com

Well thanks Melanie, this all sounds lush and brilliant………. I’m so passionate about theatre in and around the North East – love it! Get your tickets for 90s Mixtape everyone…….you’ll be greeted on the door by The Culture Vulture, manically happy, like some 90s super fan.

Big love from The Culture Vulture. xx

Invest into and start learning from NE culture & arts, oh and start paying them too!

No one actually makes a living as an artist, right? The cultural sector pays pennies? Go get a “proper” job? Actually the reverse is true, the creative sector and industries in the region are BOOMING…… people want bespoke, creative, individual…..there is the biggest movement to shop and support local and to reject the everyday for something more unknown, exciting, opportunistic and emergingly edgy.

I champion the entrepreneurial agenda, it’s in my blood (literally) and I love it but I really struggle with two issues…………. Firstly that creatives are often not viewed as legitimate business people and yet to see so many creatives launching themselves as a business and behaving more and more like a start-up is fantastic to see. Some of these businesses, it’s been that blend between day job and passion project testing, until opportunity……..without realising and a business is launched and they are trading; they’ve been through years and years of testing without realising. For artists, they have often been drawing or making for YEARS, putting their stuff on Instagram or selling at craft fairs, developing their product and skill set, until they launch…..often accidentally. Someone commissions something, asks to buy or like me, offers you a lump sum of money for a freelance project that gives you traction and a real starting point to launch and oh hello, I think there might be some kind of business here……….

Secondly, this intrinsic opportunity ethos for creatives to work for free; don’t pay them – just let them perform, suggest future opportunities that might lead onto paid work, as if engaging with them is a favour. From a business perspective; outlay of materials, time and then freebies offering, is crippling and removes the legitimacy. Should they be grateful for the opportunity…..as if you offering them a space or time is enough!?As a business think about the implications on the cash flow…….moreover, many creative start-ups are already under-pricing themselves, not factoring in their time, don’t value their service or practice in a similar way to a “product” or factor in materials so before you even think about “may be possibly” paying them what they are owed……they are already doing it for you for a brilliant deal.

This is so short sighted as I find the creative and cultural sector in the North East, as exciting as the Digital Sector at the moment, something to invest into and be a part of……however, there are key differences. There isn’t the investment available, there isn’t the capital and people don’t necessarily take creatives as seriously, as a business they can really understand. So what you have instead is individuals, independents and artists launching on a shoe string; they are resilient, constantly willing to learn, eager for feedback, out there networking, seeking opportunities, developing business models that are lean, mean and sustainable – they are the blueprint learning wise for a start-up business and entrepreneurs……instead of operating with big sales forecasts and massively unrealistic ambitions, they instead operate seeking collaboration, they show patience, evidence a longer term strategy to grow, can afford to keep going without sales or bookings, experiment and take mitigated risks……it’s not all or nothing, or go hard or go home; instead it’s about building something they love, care about and growing at their own pace incrementally on their own terms, making their own rules.

And you may say, well these creative businesses are not going to be the next “big” thing, they aren’t going to feature in Forbes and world isn’t going to change………I’d argue the other way….instead there is no entrepreneurial ego, they are real; a massive big business that had mega investment that people view as “proper” may never get off the ground and no one might ever hear of it, whereas a creative business located in the North East hundreds and often thousands know their name, the people behind it, buy from them, champion and support them….there is less “talking” about doing business and more of the making, creating and trying to get out there from day one……..  they have priced their product, sold it, met their customers, marketed it, submitted accounts and got their hands entrepreneurially dirty……… however, we could help them grow….just by paying them fairly for what they do and the service they offer.

To reflect that into my business; is the Culture Vulture going to make me millions?….probably not. Do I want it to? NO – there I’ve said it. I don’t want a massive business, I don’t want investment – I want my own entrepreneurial and creative sphere……….and I want to do what I love. That is my driver in entrepreneurship and I want to enable others to do the same.

So please don’t apologise or shy away from having a creative business, be massively proud – it isn’t any less “proper”…..Creative businesses usually have real values and passion at the heart………people, talented and excited brilliant people behind it. You have more real life business experience than most, so own that!

Creative businesses and people are the next big thing; there is a movement on going in the North East; I’m so excited to be a part of it………..will Creative businesses, artists and creatives change the world? YES they will…….because they re-imagine it, they challenge it, redesign it, express it, embracing all those aspirational entrepreneurial attributes – ability to handle uncertainty, resilience (anyone who has sold all day at a craft fair and sold nothing), ability to absorb learning and feedback and to build something that is not income dependent……. Their projects and activity happens irrespective of funding because they make it happen………….for most creatives, lack of funding is not a barrier to launch a business…….they assume there is no funding and they launch anyway, because their passion makes it almost like a compulsion………..

Moreover, their creative products bring smiles to people’s faces and they mean something to both the person who purchased it and (if appropriate) the intended recipient. That’s an emotional buyer connection that many businesses can only dream about.

More traditional entrepreneurs and start-ups have a lot to learn from creatives and artists………..so creative businesses and artists, respect them, learn from them, seek them and of course, pay them……

GIFT 2017: The low down- what it is, why you need to go and get tickets immediately…..

I’m a big fan of theatre and performance – as someone who spent their childhood and teens doing drama related activity and in plays – I fell in love with it and it’s fair to say I have a leaning towards the dramatics in my everyday life; I’m certainly an animated personality and my face is the most expressive you’ve seen.

I absolutely love going to the theatre whether smaller productions or things at Northern Stage or Theatre Royal – it’s always a dream. Theatre is all about total immersion, escapism and storytelling. I love disconnecting from my life and my reality and being absorbed into watching someone else’s. Getting lost in a visual story…….

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And it’s not just about the acting and make believe – it’s one of those art forms into which everyone can engage and get involved. Whether it’s the writing, the costume designing, the lighting, the sound, the set design – a feast of visual, performance and digital arts.

Those who read this blog and follow The Culture Vulture, will know by now that I LOVE the undiscovered and the unfound – stepping outside of my comfort zone, seeing different things and new things. Something which embraces my love for performance and need for the new and unfound, is matched perfectly within GIFT Festival which is returning again (yahoo) for 2017 across Friday 28th – Sunday 30th April….. how exciting!?

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GIFT is an annual festival of theatre celebrating the new, unfound and experimental performance and theatre right here in Gateshead……last year, I attended and got to experience a performance as part of a wild hen party; disco, dancing, shots and crisps. And also, a version of Stand By Me with a soundtrack by the Eurythmics.

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This year the programme is jam packed with lots to see performance wise (for adults and children alike), workshops and discussion across Baltic , Caedmon Hall at Gateshead Libraries, St Mary’s Heritage Centre, The Central Bar and Prohibition Bar. And I’m even more excited that FINALLY this year, after a couple of years of no funding, GIFT was awarded their Arts Council funding, on top of running a successful crowd funding campaign….

I caught up with GIFT’s Programme Director and Queen of all things GIFT; Kate Craddock to find out about this year’s programme and what to expect. Kate is someone who I’ve known for many years now and who champions the up and comers in performance and empowers her students, at Northumbria University to reach their full potential……so by my standard, not just a mega talent and asset to the region but also an all-round cultural megababe.

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Hi Kate – last time we caught up was in Prohibition Bar over a G&T – this time, I want to hear all about GIFT 2017….so for those who haven’t been to GIFT before – what’s the low down?

GIFT is back for 3 days at the end of April – Friday 28th – Sunday 30th Aptil. GIFT is an international theatre festival based in Gateshead that aims to present new performances and the kind of that nowhere else in the region is able to put on. We are able to take a chance and do something new.

You are unlikely to see a traditional ‘play’ at GIFT; instead the work is more contemporary, visual, physical, conceptual, devised… .GIFT festival allows for a more experimental programme with less risk for the venue programming the same artists/work alone.

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GIFT offers a platform to showcase opportunity for NE based artists and theatre makers to show their own work in a lively festival context. It also brings International work to Gateshead and the region that we otherwise wouldn’t see. And of course, it brings performances and artists from across the UK who have never performed been here before to introduce North East audiences to new artists and ways of working.

Essentially GIFT is 3 days of artists and audiences coming together, forming a festival community whilst seeing lots of shows together; talking about the work they are seeing, networking and partying. A big feature of GIFT that makes it distinctive from some other festivals is that it is really personal, small scale and grass roots. It really tries to open up possibilities and opportunity for everyone participating.

What inspired you to start GIFT?

There were a number of factors that all came together at once.

I was one of the artists who was in the original SHED Artist studios on Gateshead High St, and I was living in Bensham-spending a lot of time in Gateshead at a time when there was lots of focus on regeneration and redevelopment…

I really wanted to do something that was about connecting the culturally regenerated quayside with Gateshead town centre and beyond – and knew that a festival had the potential to do this – acting as a catalyst. I realised that there wasn’t a theatre venue in Gateshead as such, but instead there were loads of really unique spaces and lots of very wiling supportive people who were happy to let me do things -like put performances in empty shops, or in church halls, or in the interchange.

I was also making some quite experimental performance work myself, but was finding that there was quite a limited number of platforms to show this  kind of work – and I realised I wasn’t alone in that.  – However, there was a community of artists really wanting to make something happen. I was also in a really lucky position where I was travelling and working at other European International festivals; these were hugely inspirational for me -and made me realise that we needed GIFT.

Why Gateshead? What venues have you selected this year?

When I founded GIFT in 2011, I was living and working in Gateshead and I got frustrated with the fact that for lots of people (in Newcastle) Gateshead meant a trip over the bridge to the Sage or Baltic and that was as far as they would venture. I wanted to do something that opened up other areas (some neglected, some beautiful) and connect performance to these areas.

Gateshead Council and Culture Team (formally the Arts team) have always been so supportive of the arts (Angel, Sage, Baltic, all the arts team work etc) and they were so supportive when I first approached them about it. For the first 3 years GIFT took place mainly in Gateshead old town hall, the Central, St Mary’s as well as other venues dotted around. In 2014 we relocated our main hub to Caedmon Hall, which is where we will be again this year for lots of our events. We will also be presenting performances at Baltic  this year for the first time – as well as Prohibition Bar, Central, St Mary’s , Caedmon Hall and our closing part will be at The Old Police House.

Tell me about the programme this year?

This year we have teamed up with 2 other UK festivals to present a programme of work from across Europe. On Friday night we will present the UK premiere of Possibilities that disappear before a landscape’ by El Conde de Torrefiel from Barcelona. This is being presented in collaboration with Transform Festival in Leeds where they are performing the partner piece Guerrilla a week before GIFT. Possibilities is stunning piece that works like a visual essay -so you are both reading and listening to spoken text while seeing multiple images played out on stage in front of you.

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The company are one of the most exciting to emerge from Spain in recent years and are in huge demand. I first saw this company in 2012 and have been trying to get them to GIFT since then – so I am totally thrilled they will be here! I also think they will really appeal to people who love visual art but might not be so sure normally about going to the theatre. We have also teamed up with BE Festival Birmingham to host Best of BE Festival – 3 amazing shows from across Europe. I have seen the work and can’t recommend it enough. Best of BE (or BE @ GIFT) is always a great fun night, and the work always rich and varied.

Also we have Julia Taduevin from Glasgow with ‘Blow Off’ described as one of the most memorable shows of the year by the Scotsman – and it is, completely unforgettable and completely stunning. All female punk band – music, spoken word, feminism – very loud! Would definitely appeal to people interested in live music but don’t think theatre is for them!

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One of the shows coming from Leeds is ‘Something Terrible Might Happen on Saturday’ by Uncanny Theatre at The Central – it will be hilarious and it looks at how obsessed we are with things going wrong. Enjoy the show while having a pint!

Other fab things are we have teamed up with Chalk to host Noise Lab -lots of young children working with a sound artist to turn their tantrums and crying into art, at Baltic.

Who are you most excited about seeing? I know it’s difficult to choose……

Literally all of it; one of the best things for me too is seeing the artists actually meeting each other, talking to each other and their audiences about their work – that is always so brilliant and rewarding; when this happens and works well, I know I am doing a good job.

Is there anything for families?

Yes –Noise Lab by Chalk on Friday morning – this is the strand of GIFT called Little GIFT and is for early years and their parents. On Sunday there is also a rolling programme of live performance and dance work at Baltic that is all free to attend.

Zoe Murtagh will also be at St Mary’s on Friday all day peeling potatoes and inviting audience members to help her discover her Irish heritage -there will be some dancing and laughs involved. Altgif7hough these events are not strictly for families as such, they will definitely appeal to a curious adventurous audience member of any age!

What should someone who has never been to GIFT before expect?

Expect to be surprised by each performance you encounter – and to take risks with what you go see. Expect to be welcomed by the GIFT crowd, to get involved and to throw yourself into opportunities – to chat and to meet new people.

You’ve had challenges this year with funding (again!) and you’ve set up a crowdfunding page – can you tell me a bit more about this and why people NEED to donate? 

Yes, we have really struggled to secure enough funding to make the festival happen this year – but Arts Council Funding has come through at the last minute after a lot of hard work resubmitting applications We also have a crowdfunding page on the go at the moment to help raise money towards supporting a lot of the infrastructure around the festival enabling the festival to happen – like paying technicians at the venues, to support the artists and also to be able to offer artists some support with their shows – towards their production budgets and costs involved in performing at GIFT like travel -and feeding them while they are here!

What would advice would you give to an aspiring performer, or script writer, set designer etc?

See as many performances and different types of performances as you can – and take every opportunity that is offered to you to network and meet people. But of course, the best advice I can give you at the moment is to get yourself along to GIFT between 28 – 30 April!

Thank you Kate…..

And that’s what I love about the Cultural sector at the moment- it’s all about feeling empowered and being the change you want to see; she wanted an experimental theatre and performance festival in the region and made it happen!

Well you can expect to see The Culture Vulture at every single event and performance for GIFT – I’m obviously most excited for ‘Blow Off’, Pug Party anddddd GIFTed: Late Night Lip Sync CabaretBonnie and the Bonnettes and GIFTed guests

Check out the full GIFT 2017 programme in all its glory.

If you see me, feel free to say hello

 

Easter Easter Easter holidayzzzzzz

It’s nearly Easter 2017 – can you actually believe it? I surely can’t…..

Well as always, I’ve rounded up some of the lushest activity for your minis for holiday season – so here it is Easter holidays in a nutshell………jam packed with activity in Gateshead for kids, families and young people; Gateshead has it covered with a diverse and interesting programme of fun cultural activity……

So get yer skates on and get planning for some fun things to do over the holidays for your mini Culture Vultures before these seasons are booked up….

Digital Makings: Family Music Workshop

Leam Lane Library, Saturday 8 April, 10am – 12pm

Start off your Easter holiday making some noise with us and spend a morning as a music producer; you’ll be using your favourite songs to help inspire you to create your own compositions using apps on iPads. Work with We engAGE on a variety of instruments and learn the art of designing a piece of music from scratch.

Suitable for ages 8+

Free – Book in advance

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Design Your Own Easter Egg

The Gallery, Gateshead Central Library, Monday 10 April, 10am – 12.30pm

Drop in across the morning and join The Culture Vulture to design your own Easter Eggs and enter the competition. Go 3D and use a hard-boiled egg and create a sculpture, a character, or something eggcellently Easter related.

Or go 2D and design your egg from scratch like a pro. We’ll have LOTS of different materials for you to get your hands on.

Your finished designs can be entered into a competition which will be judged by three professional artists!

Suitable for all ages.

Free – just drop in.

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Digital Makings: Wearable Tech

Gateshead Central Library, Tuesday 11 April, 2pm-3pm

Art and Science come together with our electronics maker activities – make your own piece of wearable tech. Become a digital fashionista!

Suitable for ages 8+

£5

To Book

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Culture Camp: Soundscapes

Caedmon Hall, Gateshead Central Library

Wednesday 12 April, 9.30am – 4.30pm

A full day workshop with artist Ben Freeth exploring and creating soundscapes using digital techniques and coding. Unsure of what a soundscape is….well artists used them this year at Enchanted Parks and they are a regular thing on immersive theme park rides…..

Sounds pretty cool right? You’ll be learning how to use open source software to explore the Sound Library and Archives in Gateshead Library and take existing digital media and manipulate it to create your own unique locational compositions.

Suitable for ages 10-18yrs.

£20

To book

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Accidentally Minecrafted

Blaydon Library, Wednesday 12 April, 10am

Addicted to Minecraft? Well Blaydon Library have it covered with a whole host of Minecraft activities so drop in and get Minecrafted…..

Suitable for ages 8+

Free – just drop in (small charge may apply to come activities on the day)

More information

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Culture Camp: Make a Play in a Day

Caedmon Hall, Gateshead Central Library, Thursday 13 April, 9.30am – 4.30pm

Back after last Summers’ smash hit success of a day…..join drama teacher David Raynor and The Culture Vulture to create an entire play in a day! You will experiment and explore a variety of acting and movement techniques, take part in confidence building workshops and character development, script writing, costume and staging activities.

This is a must for all budding Ryan Gosling and Maddie Ziegler ….

At the end of the day, you will perform the finished play to an audience of parents and Gateshead Culture Team.

Suitable for ages 8-14yrs.

£20

To book

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Design your own T-shirt

Birtley Library, Thursday 13 April, 11am

Well this session is for mini fashion designers in the making…..you’ll be making your own designs using stencils, paints, fabric pens or if you’re feeling super creative and brave, try free hand!

Suitable for ages 6+

£3

To book

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St Mary’s Storytime

St Mary’s Heritage Centre, Friday 14 April, 10.30am

Pop down to the beautiful St Mary’s for a lively storytime for under 5s in a beautiful venue! Your baby or toddler will experience lovely immersive storytelling and a mini rhymetime. After the session refreshments are available too!

£1 – Pay on the door.

For more information and dates of other sessions

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Culture Camp: Film Director Workshop

Caedmon Hall, Gateshead Central Library , Wednesday 19 April, 9.30am – 4.30pm

Join artist Karen Underhill to experience what it’s like being a Film Director; you’ll have the opportunity to create your own movie exciting and magic film trailer during this fun collaborative day. Learn how to work together to storyboard, act, record and edit a short fiction movie trailer.

Suitable for ages 8-14yrs.

£20

To book

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Culture Camp: Animation on location

Caedmon Hall, Gateshead Central Library, Thursday 20 April, 9.30am – 4.30pm

Join animator Sheryl Jenkins to learn about the animation process and work with a mobile animation studio using animation apps, alongside digital photography, drawings and natural materials to create an animated film inspired by what we find in the library. You will then create an animation on a green screen to bring the library to life with using your favourite book characters. Mint!

Suitable for ages 8-14 yrs.

£20

To book

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LEGO Drag Race

Caedmon Hall, Gateshead Central Library, Saturday 22 April, 11.30am & 1pm

Working with Richard Carter “Bricks Mcgee” build the fastest, meanest drag cars from our selection of LEGO elements, and race your creation against others as part of Maker Month – Maker Faire UK . Take your vehicle back to the pits and change the design to make your car faster, then compete in the grand final! Who will be victorious!?!?

There are 2 sessions to choose from please select your ticket for 11.30am -12.30pm or 1pm – 2.00pm

Suitable for families with children ages 6yrs+

Free – spaces limited so pre-booking is essential.

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Get planning Culture Vultures…….

The Culture Vulture xx

 

 

 

 

 

 

Charlton Walk – Gateshead; Public Art hidden gem!

The urban jungle is full of hidden gems….I’ve told you before, I’m a big fan of street art and I was lucky enough, to be shown to a gem a couple of weeks ago.

Park Life is a lush art work funded by Big Local Gateshead, created by local children from Gateshead Schools – Corpus Christi, Kelvin Grove and St Aidan’s who worked with artist and Culture Vulture favourite Tommy Anderson and writer Paul Summers.

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The large scale art work sited at Charlton Walk Park in Teams, Gateshead. The pieces explore the people, places, stories, history of the area (Teams and Bensham) alongside exploring the regional identity and aspirations of the school children themselves. The pieces pull together a rich tapestry into the rich heritage of Gateshead and insights into the new generation.

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The project is infused with Tommy Anderson’s style and practice which really brings it to life. Tommy is an experienced arts facilitator and graphic designer who manages small and large scale community arts projects (like this one) and progressive participatory and educational arts programmes inspired by his practice.

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He is passionate about creative opportunities for all and that really came forward, when he recently spoke at my Culture Vulture networking evening in February. Art and engagement with it, is a means of creating dialogue, a forum for self-expression, community sense making, identity ownership, exploratory learning, understanding enhancement and so much more.

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Projects like Charlton Walk, give communities a voice and sense of ownership of their space. Tommy, as a professional artist, plays a critical role in enabling these opportunities and voices to be heard and them empowering such groups to actively make something.

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Community collectivism alongside individualist artistic effort can be a really beautiful thing and it’s absolutely wonderful that artists like Tommy can put their time, resources, skill set and talent into facilitation of the production of these pieces. It takes the old, we are stronger together than alone, to another level.

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“Having lived and worked in Bensham for several years, the Park Life project has been a wonderful opportunity to create a major artwork for the area that has brought people together to celebrate their community.

The duration of the project allowed me to explore a range of art forms with the children, resulting in a rich and detailed interpretation of the area and its people.

Hopefully the project will spark a continued interest in the arts for the children, and a sense of pride in their community.”Tommy Anderson

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In terms of the impact of the project and having the opportunity, to engage with Tommy Anderson and Paul Summers, you only have to read a few quotes from some of the children to realise how important not only projects like this area, but creative learning opportunities for children.

“I am so proud of my art – I didn’t think I could be creative.”

“This is the best thing I’ve done in my entire life – I just love it!”

“It’s so exciting – I want to be an artist”

“Art club is amazing – I look forward to is every week”

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So – now the weather is getting brighter and Spring is coming, you must pencil in somewhere to go and view the Charlton Walk and see the pieces. I absolutely loved it – I love the word choices, the colours, the imagery….. it’s a great piece of community Public Art in Gateshead and deserves wayyyyy more recognition. But I guess if everyone knew about it, it wouldn’t be a hidden gem……

So here are a couple of my favourite pieces from the walk…..

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That’s all for now Culture Vultures.

February 17 Artist of the Month; Chris Folwell

New month, new projects and new artists to showcase…….so February’s artist of the Month is an artist, I’ve only quite recently had the pleasure of getting to know but in a variety of forms. I met him as an aspiring artist at The Late Shows so many moons ago….the exact year is hazy, as are so many of the Late Shows weekends when you meet so many wonderful people and do many lovely things. I saw his work as part of The Book Art project in 2012 and then our paths crossed again at last year’s Anime Attacks where he ran a flip book animation drop in workshop and again as one of the brilliant artists selected to join the 2016 Gateshead cohort of Make Art Happen.

Who is this artist you ask – well it’s Chris Folwell of course! Chris has been one of those artists that I’ve only ever met at events, or through their participatory work and collaborative larger scale projects. I’ve have quite been able to place him – he has just sprang up to me doing something fantastically creative.

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Chris Folwell

Through his involvement on MAH, I got to know more about him, his practice, his background and his ambitions. I remember reading his application for MAH and I just loved it – full of creative project ideas, lots of passion and most importantly, real legs and capacity to get it off the ground.

So when I found out he was one of the Digital Makings Fore-edge artists and running some activity as part of the Gateshead Live programme – I was thrilled. So here he is in all his glory as The Culture Vulture’s February Artist of the Month…….

How did you get into “the Arts”?

I have a sneaking suspicion that a lot of people just fall into the arts and it was the same for me: I studied graphic design and hated how cold and removed it was, then animation and loved the hands on side but didn’t want to work at a computer doing CG.

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My tutor there introduced me to printmaking and I got hooked – I did a top up year in fine art pretty much purely to play in the print room, then I bought a second hand press and barely went in to university afterwards! I had grand visions of graduating and becoming a full time illustrator and printer making work that sells out in an hour like some of the big names in the US. That never happened, but for a time I did make decent money selling my work at craft markets and I think that visibility served me well, though it eventually left me a little jaded with the arts and craft market scene.

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A lot of the early ‘proper’ art work I did was through people who’d approached me at a market, then been surprised to discover that I had fingers in lots of pies outside of printmaking; I make a lot of objects out of cardboard just for fun: automata, zoetropes, small sculptures, and that’s lead to some interesting commissions (a 1:25th scale rocket and a life size polar bear). My animation degree has helped too, that led to artist Anton Hecht hiring me for one of his projects and he’s been a real patron of mine ever since, he taught me a lot about working in the arts professionally and spurred me on to pursue participatory art independently, something which has become the core of my practice.

Mostly I think it’s just interest in how things are made and what makes them work though that led me to being a full time artist; the first thing I do when I walk into a gallery is try and figure out how the artist made it and if it doesn’t impress me technically as well as visually then I feel cheated somehow. So that’s something I always tried to put into my work, seeing that look of wonder on people’s faces at the audacity of building a 30 foot tall rocket purely from cardboard is worth every second, especially when it’s a kid or a teenager: it takes more than you’d think to impress children!

How would you describe your practice?

Most of my practice now revolves around participatory art, though I still do make and sell prints, working with the public has become my focus. It starts with an idea for something I would really like to make or an issue I’m interested in, then I spend time figuring out how to involve people that would make the work more worthwhile.

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For instance I’m currently collaborating with ceramics artist Judith Davies on the Out of the Box project, we’re exploring housing and community: how people would like to live given the freedom to choose. It’s my first real collaboration, and it’s the biggest project I’ve ever worked on but at it’s roots it just sprang out of our mutual interest in homes. At this stage it’s a pilot working with a handful of Gateshead youth groups to design homes and communities and build ceramic maquettes we’ll be exhibiting in Gateshead town centre, but we’re hoping to grow the project and commission other artists, I suppose the dream would be to use our findings to influence local housing development for the better.

Outside of big projects l do plenty of workshops, I started off doing simple arts and crafts workshops but that’s gradually evolved until now they’re usually as much about engineering as art.

What inspires you?

Science and science fiction has been a big influencer, in both my printmaking and participatory practice, I guess that’s the inquisitive part of me wanting to know how the world goes together. I read a lot, and listen to podcasts on a myriad of subjects but sociology is a particular favourite: it fits in beautifully with participatory art.

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Otherwise I’m drawn to all sorts of things, I collect hobbies then discard them after a few months, I obsess over constructing imaginary homes, I’ve been building a boat on and off for 3 years. I suppose I find objects more interesting than people most of the time, and I love planning new projects, especially when I can go on a good walk and think them through.

Tell me a bit about your experience on Make Art Happen?

I think it was honestly the single most transformative period of my arts career. If you’re not familiar with Make Art Happen it’s a project designed by Helix Arts supported by Gateshead Culture Team to teach people how to deliver participatory arts programmes; it’s changed my whole outlook. My first involvement was through a commission; Bensham & Teams art, the group who hired me, came about through the MAH scheme then following that I was invited to apply for the next reiteration of the programme that would this time be aimed specifically at artists in Gateshead who wanted to expand their practice to include participatory art. It was hugely informative, they walked us through every aspect you could imagine and the support they gave us has been amazing. I met Judith Davies on the course and the Out of the Box project was a direct result of MAH, but more importantly it pushed me to examine the work I’d done so far and decide what a really wanted to do.

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Until that point the route my career had taken was determined almost entirely by hunting paid work, which is fine but then you realise one day that you’ve had very little creative control over what you’ve been doing. That little push from Helix and the support allowed me to start a project entirely from scratch, and since then I’ve been planning projects until the cows come home – I’m sure some of them will never see the light of day, but if only a fraction of the things I want to do come to pass then I will feel like I’ve really achieved something!

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If I could recommend one thing to anyone who thinks participatory art is something they want to add to their practice, even in a small way, it would be to email Helix Arts and tell them you would be interested in a Make Art Happen programme in your area.

Tell me about the Fore-edge exhibition? What is it?

Fore-edge paintings are a painting or drawing on the page edge of a book that’s hidden beneath gold leaf, if you twist the spine and fan the pages then it reveals this secret image underneath. It’s a medieval technique really, but the disappearing illustrations we’ve been working on started popping up around the 1600s and there have been a few small revivals but as far as I know there’s only one other person in the world still producing them. This was a chance to get a collection of artists together and produce a fresh take on an ancient technique, and the restrictions of the medium make for some really interesting results. Alongside the more traditional fore edge illustrations there’ll be a more modern twist on the hidden image, this time using augmented reality to display a secret visual in the books.

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How did the project idea come about?

The fore-edge exhibition is one of Anton Hecht’s projects, he produces a lot of interactive art and pursues that in the projects he manages too, we’d previously done a project together illustrating books to turn them into flip books so when he stumbled across this technique it seemed like a natural development.

Tell me about your Fore-edge book Necronomicon? Did you select it?

I did yes, Lovecraft is just one of those writers that jumps out at you, he produced such a huge volume of work and was such a founding father of the horror genre it’s impossible to ignore him. It seemed a perfect fit for a work revolving around hidden imagery and mystery, I’m sure Lovecraft would have been interested in the technique. There is a little joke in there at his expense though, the man had a terrible habit of never actually describing the monsters in his stories.. since so many of his creatures are “indescribable” there’s only a hint of lurking beasties in my own illustration.

Tell me about the process you went through making your piece?

It’s quite a complicated process to prepare the books for a fore edge illustration, and an even more long winded process to gold leaf them, but that was the aspect that most appealed to me when Anton approached me. I think I went through 12 books testing different approaches and fine tuning techniques to get it just right!

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If you reduce it to simple terms then you need to prepare the edge you’re going to decorate by sanding it smooth, then we twist the spine so the pages are fanned at least 45degrees and clamp it in a specially made press, similar to book binding press. Once it’s in there you can get painting or drawing but you need to be sure you don’t leave a residue on the surface, so acrylics are out but watercolour and markers work well. After that we pop the book back to normal and clamp it again then stain the edge with a red pigment called Armenian bole, which we can buff to a shiny finish with stiff brush. Lastly we apply a thinned down PVA glue and the gold leaf then you’re done! As part of the exhibition I’ll be running a workshop running through the full technique so please do come along and try it.

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Have you seen any of the other works? Any favourites?

Yes, I ended up applying the gold finish to the majority of them so I’ve had a sneak peak. I think Mandeep Chohan’s book was my personal favourite, she was someone I was really keen to get involved in the project from the get-go; she makes fabulous collages so it was quite a challenge translating that technique to a fore edge illustration. We ended up using acetone to transfer images from photocopies, but that has formed the basis of the approach I’ll be teaching in the workshops.

What would you like people to take away from the exhibition?

Mostly just a little bit of wonder, this is something people have been doing for hundreds of years on some of the most beautiful books in history, so this is your chance to see some modern examples made by some of the North East’s finest artists!

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What’s next for you in 2017 onwards?

More of the same if I’m lucky; 2016 was a great year for my practice so I’m looking forward to all of the planning I started back then finally paying off. I’m working on a community arts festival for Bensham, Teams and Racecourse estates, I’ve got a fibreglass knight on horseback to paint celebrating the Battle of Lincoln, a wedding to plan, and you never know I might even finish that boat!

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So fellow Culture Vultures have until 1st April to come and see the Fore-edge Book Trail at Gateshead Central Library…..make sure you do! Looking at the books and the detail, it makes me wonder when exactly was the moment we stopped, as a society, decorating our books to the extreme. There is just something SO magical about a leather bound book; with gorgeous illustrations and touches…..absolute works of art in their own right.

Peace and love. x

Enchanted Parks 2016; “Love me or hate me, both are in my favour!”

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I can finally get down to writing a post about my visit to Enchanted Parks. For those of you, that don’t know what Enchanted Parks is, it can be summarised as NewcastleGateshead Initiative and Gateshead Council’s popular after-dark arts adventure in Saltwell Park, Gateshead. This year it made a welcome return from Tuesday 6 – Sunday 11 December.

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The theme and concept behind this year’s installations were inspired by the 400th anniversary of William Shakespeare’s death, taking visitors and participants on an intriguing journey through Saltwell Park, where a hidden manuscript found inside the Towers unleashed a strange kind of magic, as ‘A Midwinter Night’s Tale’ slowly came to life.

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I visited several times across the week, with very young children, primary school groups, older adult community groups alongside a whole host of groups of friends, so I really experienced Enchanted Parks through the eyes of lots of different demographics of people. This is the first year, I’ve had the opportunity to do this and it really added to my own personal experience, seeing which pieces captivated particular people and the infectious excitement of viewing again and again, with individuals that hadn’t seen it before.

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St Joseph’s Primary viewing The Eternal Debate of the Unconscious Mind – Alise Stopina

Like many social media’aholics, I take an interest in what other people are saying about their cultural experiences, as part of the process of reflecting on my own. I was really shocked but also very interested to read the extent of negativity towards this year’s Enchanted Parks.

The whole reason Enchanted Parks has steadily grown from strength to strength, year after year, is that it’s something different, it invests into student artists alongside National and International artist commissions, it innovates, it takes risks and it creates an experience. It is not a commercial entity or a cash cow lights event; it is an art walk….the art is shockingly, I know…at the heart of that. Each piece has its own story to tell, has been specially commissioned and brought together within a curated experience.

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Enchanted Parks brings people who love art and culture like myself, alongside other people who may not engage as regularly with art, side by side to both enjoy and appreciate a magical experience. Whilst we each may take very different things away from it, for example I look at the glass piece thinking in complete awe knowing the processes behind it, whereas my mum, who is not particularly into art at all, simply thinks she’s had a lush night and thought the glass piece was ‘beautiful’.

One of the brilliant things about art and culture is the fact it provokes a reaction, an opinion. With an event that evolves, changes, transforms year after year, it is expected that certain years are considered “better” or more to a particular taste than others. It is also, perfectly acceptable for people to walk away and think – “that wasn’t really what I thought it was going to be” or “I didn’t really get it”. These opinions are completely valid and interesting in their own right – that’s what the artists want!

I remember having a chat with well-known Sculptor Colin Rose, and he was flicking through gallery book feedback during his exhibition at Gateshead Central Library. As always lots of positive comments, some colourful and several that just said “how is this art?”, “this is rubbish” etc. I obviously, apologised for those types of comment and was a bit embarrassed. However, Colin said it was these comments, he most enjoyed because if he was creating something that everyone thought was “good”, “nice” then what was the point!? It’s like a beige buffet – it’s ok, I’m not excited about it, I wouldn’t complain but I wouldn’t rave about it……..who on earth wants something they’ve created to be a “beige buffet”.

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You want to evoke something in someone and if the reaction you evoke, is that someone wants to express “it’s bad” or “disappointing” then that is great because firstly, it’s a reaction and secondly at the other end of the spectrum, many people will think it’s brilliant…..this year’s Enchanted Parks certainly did that and I think it’s a sign of a job well done. Different people from all walks of life, had entirely individualistic experiences.

This year’s Shakespeare theme was abstract and conceptual which allowed for visitors’ ideas and imaginations to run wild. I really enjoyed the storytelling through Shakespeare’s themes from the stories we all know (some better than others). I thought the thematic approach actually made it far more accessible to all ages and demographics, as you didn’t have to engage or follow a specific story or have a certain level of knowledge about Shakespeare. It wasn’t even linear story telling – again this suited me as I was really able to enjoy and appreciate the pieces for what they were, how they made me feel, making sense of them instead of trying to fit them into a pre-conceived narrative.

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Engagement is a two way process; this means you must be willing to be open minded, fluid in your expectations and interact with the exhibits and pieces. Enchanted Parks is not simply walking through the door with the perception of “right…..entertain me!”….. you have to be willing to create some of the magic yourself, spend some time appreciating the exhibits, buy into it, share your experience around with your party. It’s an immersive experience in which you let go and encourage others to do the same.

The first piece as you walked in, the projection on Saltwell Towers was called A Forgotten Treasure and was by Roma Yagnik and Chris Lavelle. It’s hard to capture a piece like this on a photo…..but I’ve tried….

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A Forgotten Treasure –  Roma Yagnik and Chris Lavelle.

A Forgotten Treasure set the scene for your enchanted Midwinter journey through Saltwell Park, starting with the discovery of Shakespeare’s diary, uncovering the existence of a long-lost work. This piece was a very traditional Enchanted Parks piece that we’ve all come to know and love. Lots of colour, 3D projection work and amazingly visuals.

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A Forgotten Treasure –  Roma Yagnik and Chris Lavelle.

This is unsurprising given that Roma is a Newcastle based composer of music for film, animation, television and theatre. She has a diverse client list including BBC, Sky, EMI, Universal, Unicef, Open Clasp and Tate Britain and has had music performed, recorded and broadcast internationally. Roma is part of 2016’s BAFTA crew. Roma worked with children from St Joseph’s primary school recording their voices and reactions which were layered onto the projection.

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A Forgotten Treasure –  Roma Yagnik and Chris Lavelle.

The second piece was called Ignis Fatuus – Faery Magic and was by ArtAV. This piece represented fairies (think Midsummer Night’s Dream) giggling and whispering in the trees, whilst running amok and mischievously darting from tree to tree, their brightly coloured fairy dust clear for all to see.

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Ignis Fatuus – Faery Magic – ArtAV

ArtAV are digital artists, producing complex multidisciplinary works involving interactive video, lighting and sound. They specialise in the fields of 3D projection mapping and pixel mapped video. This piece was a real crowd favourite, as whilst it was subtle in its appearance, it had the effect of enabling visitors to walk into a fairy world almost accidentally and suddenly being surrounded by the sights and sounds. It was extremely effective.

The third piece was Forever and a Day by Impossible Arts. Impossible Arts are known for creating intriguing digital arts works that capture the imagination with interactive and participatory elements. Their interactive piece at Enchanted enabled individuals to have their faces projected on to big screens whilst mouthing the words of famous Shakespearean lines.

Forever and a Day – Impossible Arts (St Joseph’s Primary School faces)

For most families and groups, this was a highlight – seeing their faces projected led to loads of giggles! The St Joseph’s group that I went with, although nervous at first to have a go, were soon at the front and absolutely howling with laughter at each other contorting their faces for specific vowel sounds and later seeing the finished projection. I thought this piece worked so well, full of interaction and it was lush to hear all the giggling.

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Follow your heart to Saltwell Towers and we did……..with the forth piece The Eternal Debate of the  Unconscious Mind by Alise Stopina. These pieces were subtle and complimented with beating heart sounds. To me, this explored the theme of love in Shakespeare both from a romanticised feeling sense, but also in the brutal, heart break and the realism of the hearts depicted something to me, which spoke of violence and humanism. Love sometimes feels like having your heart ripped out of your chest and exposed for all to see.

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The Eternal Debate of the Unconscious Mind –  Alise Stopina

Alise Stopina is a 2nd year student at the University of Sunderland, the Glass and Ceramics department and I think the quality of this piece, and other student pieces really evidenced loud and proud about creative and art’s students this year standing shoulder to shoulder in concept and visual quality with the National and International Artists. Her pieces were fantastic and the piece was one of my favourites!

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The Eternal Debate of the Unconscious Mind – Alise Stopina

The next piece viewed on the trail was the Enchanted Talking Posts by Shared Space and Light. On all occasions of visiting, I was able to stop off just before this point in the trail and purchase an obscenely big hot chocolate, covered in cream and mallows which made standing and taking in the pieces a little bit more brilliant.

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Amazing hot chocolate

The lamp posts with their discourse, banter and insults were very typical of Shakespearean comedy – frenemies one minute and sworn enemies the next. They evoked lots of giggles from the crowd and I loved their expressive faces – as someone with a very expressive face, I really embrace the inability to hide any sort of emotional feeling because my face contorts and speaks volumes.

The next piece was often I noticed slightly overlooked by passers-by……it wasn’t really hidden, but for whatever reason, people walked passed it. Not sure why – as it really stuck out to me! The piece was called The Song of Time and was by Natsumi Jones, another Sunderland University student.

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The Song of Time – Natsumi Jones

The colourful nightingales danced, twinkled and appeared in like a curtain format. It spoke to me about the fragility of people and love; slightly obscured by the trees made me think of something intangible that is so beautiful, that we can’t really quite understand or touch.

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The Song of Time – Natsumi Jones

Following on to Enchanted Echoes by Stuff and Things; this was an immersive sound scape at the top of the Dene draws audiences in, creating a sense of mystery and intrigue, magic and uncertainty. For some of the adults that I visited with, this was their favourite piece but it was also one of the ones that was quite negatively talked about on social media.

Enchanted Echoes – Stuff and Things

I found it beautiful, entirely innovative and something completely different from previous years. It was the true definition of an immersive, multi-sensory experience. As someone working on a Digital Arts project currently, I’m extremely interested in sound influencing experiences, perceptions and visuals. You can see the exact same images and visuals, but different sounds added can make things feel and seem very different. The soundscape was new to Enchanted Parks and I hope it is something that is weaved into future performances.

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Enchanted Echoes – Stuff and Things

This year Enchanted Parks welcomed back Steve Newby with a new piece Rough Magic under a new professional name Studio Vertigo . These flashes of lightning worked fantastically well alongside the Soundscape, drawing the audience further into the Dene and into a storm. The pieces together made me predominantly think of King Lear and the madness during the storm but also thematically about the conflict and emotional wars in McBeth and Richard III.

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The third piece in this mix was Storm by Output Arts; a collaboration between artists Andy D’Cruz, Jonathan Hogg and Hilary Sleiman who create artworks that are powerful, emotional and memorable working primarily, but not exclusively, with sound and light. This installation was like walking into the eye of the storm, under the storm clouds and then out the other side, with the storm and conflict left behind and dispersing. Again, I was drawn to think of the moment in King Lear where Lear is wandering the heath and the character Edgar who plays a mad man, is his company  – the storm whilst not the beginning or the end of the story, feels like some kind of conclusion so the story can move on and the characters can grown.

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Storm by Output Arts

The next installations were a collection of pieces and sculptures under the collective name These Words Take Wing by Richard Dawson. Lots of papercutting and sculpture was used to bring these magical manuscripts to life.

These Words Take Wing – Richard Dawson

Richard is an artist based in the North of England and works in various mediums especially three dimensional and sculptural pieces often with kinetic elements and created from recycled materials. His pieces were so diverse and different, that I assumed they were actually made by entirely different artists. Each piece was so delicate, beautiful and thematically different. To me, the pieces each spoke of story-telling by very different means; the books, the words, the stories, the characters all were brought to life, very cleverly.

These Words Take Wing – Richard Dawson

Feedback from one of the little boys from St Joseph’s primary was that “the art is good – I like it. But he’s very naughty for cutting up books – what if someone wanted to read that book, they can’t now!”. Hehe – still makes me laugh and is in fact a very good point.

Larger than life, the beautiful red and white roses lined the Cherry Tree Walk; a memory of the bloody battles of the War of the Roses. This installation was called A Rose By Any Other Name by Cristina Ottonello; a designer, educator and public artist, specialising in the construction of large scale and temporary installations for public spaces and events. These oversized flowers were a perfect photo opportunity and looked visually amazing. I read more into the piece, thinking about warring families and how from those troubled factions and difficult times, something beautiful can bloom.

A Rose By Any Other Name by Cristina Ottonello

Love, Rivalry and Magic! by Daniel Rollitt, a University of Sunderland student, was what Mary Berry might call the “showstopper” piece. It depicted a scene from one of Shakespeare’s most popular works, where love, rivalry and magic meet in A Midsummer Night’s Dream. The layering of the glass, the colour and the fact that visually as you moved around the piece, it slightly changed and offered a real depth. I loved it.

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A Rose By Any Other Name by Cristina Ottonello

Again, my appreciation for this one, comes more from working with glass artists and knowing how bliddy hard it is to work with glass. I’ve got several coaster attempts on my desk at work which highlights this. I worked really hard on them, but they look like a five year old did them. The time, the skill, the patience behind this piece, is just mesmerising.

A piece I had the privilege of seeing stage by stage before the final installation was The Book of Shadows by Bethan Maddocks . Bethan worked with community arts groups, paper cutters and Oakfield school on elements of this piece.

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The Book of Shadows – Bethan Maddocks

Within the bandstand, sat a giant magical book, waiting to be discovered, waiting to be read. Its large pages were delicate paper-cuts of scenes frozen in time. Participants were encouraged to pick up a torch and shine onto the piece, which projected stories through shadows. There was a lot going on within this piece – hanging witch trials, animals in nature, floral scenes. Fantastic, entirely unique, beautiful and interactive.

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The Book of Shadows – Bethan Maddocks

The final piece, was also the last student piece; ‘Exit, pursued by a bear’ by Jonny Michie, University of Sunderland. Take your leave exit stage right as directed by Shakespeare himself, pursued by a bear – a giant, glass bear. I wasn’t 100% sure of this pieces’ connection to the Shakespeare theme – but it was still one of my favourites and a warm way to end the show.

Exit, pursued by a bear – Jonny Michie

A roving piece was Nyx by Gijs van Bon. If you don’t know which piece this was – it was the robot writing glow in the dark quotes. Letter after letter the glowing text poured slowly out of the machine and made its way slowly around the park.

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Nyx – Gijs van Bon

Audiences were both transfixed on the quotes themselves, but also the robot and how it was operating. I could have happily watched it all day. Again, another really innovative, exciting and unexpected piece!

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Nyx – Gijs van Bon

So Enchanted Parks 2016 – you were a beauty and a really different experience. Please continue innovating, doing something different and creating a magical, unique and often unexpected experience for all. We are so lucky to have an event like this in the North and I’m buzzing for next year already!

If you loved it, like me –see you next year. If you didn’t like it this year….well keep an open mind because next year, it will be completely different again, a different experience, story and installations. Remember Art is supposed to make you think, question, reflect and feel – so if you came away doing any of those things, well Enchanted Parks smashed it out the park (literally).

Nobody wants a beige buffet.

All my love – The Culture Vulture.