All rise for Lady Kitt; subversive, perfectly ridiculous & immensely talented.

The whole point of International Women’s Day is to celebrate women, feminism, Northern lasses and champion women who rock your world. So for this year’s, International Women’s Day, I wanted to profile an artist and creative that I personally have loved from a far since I first became aware of her – her work, passion, innovative and interesting projects and commitment to creativity and  equality.

Well hello Lady Kitt…..total megababe. Kitt’s projects, work, events and her exciting ambitions are not only inspirational to the regional, National and Internation sector – but to me, she is someone  brave, bold, empowered and doing creative things that are truly exciting and making her mark in a thriving and vibing independent arts and cultural sector. She’s my kinda gal and I’m thrilled she accepted my invitation to be feature in this blog post.

BOOM – Happy International Women’s Day Lady Kitt – reet so let’s start at the beginning; tell me about you and your extremely diverse practice?

Hi, I’m Kitt- I’m a…. “Maker”. I guess that best sums it up. Art, jokes, food, quite a lots of mess, and, with my lovely husband Andy, a couple of super little humans. It’s all making really isn’t it?!

It’s funny – the diverse practice thing, I’ve been thinking about it quite a lot recently. I reckon the tools I use are quite diverse- there’s research, paper cutting, mass bubble blowing, fruit carving, performance, lectures, projects, … but really, the core of my work has always pretty much been the same- it’s all about delving into, developing, celebrating the social aspects of creativity.

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Everyone has a different journey into the Arts; what was your journey into the arts?

I’m not massively into the idea that people are “born” to certain things; but looking at my early life it’s easy to link it to my practice now. I was brought up in a creative family. I grew up with my wonderful younger brother Louise who was severely disabled and terminally ill. He was an amazing artist and seeing the pleasure and power he experienced through being creative has had a huge influence on how I see art and why I think it’s important. I was taught at home until I was 14 – so had a good amount of time to focus on being creative and lots of time to spend with one of the most important people in my life- my sister, Bridie. Our relationship and creative adventures together are big, big part of almost everything I do.

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I’ve always made physical stuff- embroidery, nests, paper cuts- but for a long time I didn’t think I was an artist. I started off wanting to be a dancer. I trained in the Indian dance/drama discipline Bharata Natyam for six years and was taught contemporary dance by the completely awesome Trish Winters. It was through Trish that I started to experience some really playful ways of using and presenting performance. During my art foundation degree, I started making work that combined performance, working with community groups and making stuff all at once. But it wasn’t until I was at university that I really discovered live art and artists with a ‘social practice’ and then I was like- yes- that’s me- I have a gang!

Lady Kitt is an amazing artist name  – I love it!

Name wise-when I was coming up to my 21st birthday- my parents were talking about what to give me as a birthday present. I’ve always been a Republican (in the anti-monarchy sense), really disliking the idea of being subjugated, inherited titles and all that gubbins, so they offered to change my first name by Deed Poll to “Lady”, as a daft, subversive, two fingers up the whole system. I loved it – it’s such a cheeky gift- so we did all the paper work and everything- sent it off, but it was rejected – on the grounds that I was trying to “assume a title”- which is sort of pleasingly ironic. I thought “fuck it- I’ll just call myself Lady Kitt and I’ll keep doing it until everyone else does too” and that’s what I’ve done.

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You have a very strong visual identity within your work and expression of yourself as an artist – how did you develop this?

It’s really interesting that you say I have a strong visual identity; looking at it objectively I can see what you mean, but that’s definitely not how I experience it myself. For me, I have a strong methodological process, and some very definite ideas about making art in inclusive, ethical ways.

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I’ve developed my process by pretty much by throwing myself in at the deep end and seeing what happens. I don’t ever really think “this is too ridiculous” (although it nearly always is). I think “how can I do this so it genuinely, clearly says something I’m interested in” or “how can I get lots of people involved and change something we all want to change” or “how can this be the most fun possible?”.

Like with the first Nasty Women exhibition last year- I just thought “this is really important, I want people in the North East to have an opportunity to be part of this. I want an opportunity to be part of this”. I didn’t think “Bugger we can’t do this- we’ve got no money, no infrastructure, no gallery, no clue”- which was all true! So yup, that’s how I develop the process…

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But visually, with the sort of “end product” – I don’t consider myself to have a very coherent style or visual language- I just make the next thing that I feel compelled to make, without ever thinking does it look like something I’ve done before- will it “fit in” with my existing body of work? Maybe it’s because the physical objects I make aren’t really the “end product” to me- to me they are a tool for getting to the goal- which could be raising awareness, building a community, changing a policy, having a good time.

I love your ethos of experimentation, challenging creative roles and processes – where does your creative playfulness come from?

Thank you! I like to see people reacting to things in curious, inquisitive, ways and I like to create situations that let people do that. So some of it comes from that- basically it just makes me happy!

It‘s fun for me to invite people to apply to be my muse (like it’s a formal job), or to encourage people to use my head as an art gallery or to make a performance where the content is authored by viewers sending me text messages telling me what to do. So that’s part of it- And some of it is more philosophical. People are creative- making things in a (generally!) thoughtful way is one of the things that makes us Human.

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Often people don’t get (or give themselves) opportunities to enjoy that- I want to create situations that encourage people to make physical stuff, make decisions and think about / celebrate the importance of being creative. I also hate all the hierarchical “hi/ low brow art” crap. I think it’s detrimental to individuals and to society. People thinking that they are not creative or not creative in the “right way” stops them from developing vital skills.

Making stuff gives people agency- it’s a chance to physically encounter change. Making in groups is like apes grooming- it’s social glue. When people start being creative together they almost instantly create a little community that has its own culture and rules- just like that, out of nothing, it’s like magic. Once people do that and know that they can do that then, they often start to explore other wider things that they can create and change. A community full of people who feel empowered in that way can be supportive, kind, resilient. Elitist ideas of what is art and who is an artist just stop all that dead. Sorry, I could go on about this for EVER.

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It’s great to be able to showcase you, on International Women’s Day….. what does being a female artist in 2018 mean? What does it mean to you?

Wow- well, I’m extraordinarily lucky. For me being a female artist in 2018 (in the UK), means freedom. I’m free to say what I want to say in the way I want to say it. A few people might think I’m idiotic, a lot of people will question me (and so they should) – but no one can stop me. Being a female artist in other places in 2018 doesn’t mean freedom, it can mean absolutely the opposite. And being a female, or a being queer, or being an activist can still mean torture and death. For me, knowing this and campaigning to change it, is a very important part of being a female artist and of being a Nasty Woman.

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How do you plan to mark it this week and #pressforprogress?

Again I’m so lucky. This year I have work in 4 exhibitions all over the UK all opening on Thurs 8th. I’ll be in London performing at the Creative Debuts and Nasty Women “Empowerment” exhibition along with a group of bloody amazing Nasty Women from all over the world.

We are also launching the Nasty Women International Art Prize this week. The aim of the prize is to: Recognise and reward Nastiness in art and activism. Prizes include an Artist residency, money and opportunities to show work in UK, USA & Holland.

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Last year hundreds of artists from all over the world gave their time and work to Nasty Women events- the generosity was overwhelming. It’s estimated that the movement has raised half a million dollars for Planned Parenthood and other women’s & LGBTQ+ charities so far. This year Nasty Women organisers wanted to create an opportunity to celebrate those artists and an art prize seemed like a good choice! The judging panel consists of 12 Artists, curators, gallerists & activists from around the world including:

Carolina Wheat & Liz Nielsen from Elijah Wheat Showroom, New York (USA), artist and co-founder of NW Amsterdam Airco Caravan (NL), Curator & NW North East Co-founder Michaela Wetherell and me!, to name just a few. There’s so much to say I don’t really know where to start, but we’d love it if lots of North East based artist entered! Anyone who is interested can check out here.

Do you have a female artist that you’re inspired by?

So many, but not just women, not just artists… all sorts of everyone. Me and my sister just went to see Bryony Kimmings “a pacifist’s guide to the war on cancer”; it was so funny and thoughtful and generous and utterly devastating, but in a really cathartic way.

I’ve just read Scottee’s play “Bravado”- it’s had a big impact on me, I’m making a lot of work about toxic masculinity at the moment and he’s perspective as a “sheep in wolves clothing in the world of men” is very shocking and inspiring.

Betsy Greer- the mother of Craftivism!

Nasty Women North East co-founders Michaela W and Aly Smith.

Venus di Milo- a Newcastle based performer who describes herself as “just a drag queen with no arms”.

Leeanne and Gareth at Thought Foundation in Gateshead– running a stunning, creative business whilst bring up two small children….

The world is full of bloomin’ fantastic, inspiring and very Nasty (in the nicest possible way) people.

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Tell me about Nasty Women?

Nasty Women is a global art and activism movement started by New York based artist Roxanne Jackson in Nov 2016 just after the election of Donald Trump. It is pro equality and anti-Trump. There have been Nasty Women events all over the world, raising money for and awareness of women’s and LGBTQ+ rights charities and organisations.

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What is a “Nasty Woman”?

The Nasty Women North East’s definition is:

Anyone!!! It is not necessary to identify a women or an artist

  1. Believing in equality and wanting to protect human rights (in particular women’s rights)
  2. Believing that art (in the broadest sense of the word- poetry, dance, drag, music, knitting etc) can be used to help increase equality and protect human rights
  3. Being happy to welcome and support others who also want to do these things…..

If this sounds like you, then as far as we are concerned you are Nasty- Hurrah!!!

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Will there be another Nasty Women conference in 2018?

I’m not sure- we won’t be organising one because we’re busy with the art prize and creating a feminist art magazine for children under 10! Also, if there was another I don’t think the same group should organise it -as a big part of the movement is about understand other people’s perspectives and doing things in a way that suits your own setting, so if there is another one I hope it’s somewhere completely different. I hope another group do organise one because I’d LOVE to go to it!

That sounds like a something, the Culture Vulture would be interested in…..how can I, and other potential Nasty Women, get involved?

People can get involved in a huge variety of ways- it’s a totally grass roots, DIY movement, you don’t need permission or any kind of initiation! So you can have an exhibition in your garage and invite your mam and 5 friends and raise money for a local women’s charity.

You can send your art work to one of the many NW shows going on around the world- these are listed in the USA website , you can submit work to the Nasty Women International Art Prize & you can volunteer to help a local Nasty women group

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You can also call out inequality and gendered idiocy when you see and experience it, you can tell children you know that they are thoughtful and strong and funny and creative and fierce and fabulous regardless of their gender. You can listen, really listen to the next person who says something sexiest because being Nasty is about being open minded, it’s about understanding perspectives that are not your own and looking for long term solutions.

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But ok – we are kindreds…..but let’s get back to you – Lady Kitt; what projects do you have planned?

I’m focussing on my projects “Worth”, “King Kitt” and the “Making Manifesto”.

Throughout 2018, to coincide with the centenary of (some) women’s right to vote in the UK, I am making a series of works called the “worth” portraits- inspired, in part, by Caroline Criado-Perez’s campaign to have Jane Austin’s image on the Bank of Engalnd 10 pound note. When that campaign was going on I was horrified by the abuse (including death threats) Criado-Perez received for wanting to celebrate the achievements of women in the same way the achievements of many men have been celebrated for years. The works are portraits of amazing women made by cutting love heart shapes from real £50 notes, each one depicts a woman who I feel needs celebrating. I am always on the lookout for new subjects, so if you know a wonderful women who needs celebrating please get in touch!

I’m also hoping to sleep quite a lot after next week as that’s something that’s been a bit neglected of late….

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What does being a feminist/megababe mean to you?

For me being a feminist is not just about women’s rights- it is about equal rights for everyone. The “King Kitt” series of works are about toxic masculinity- which I feel creates a series of circumstances that can make men comically manly, dangerously macho and devastatingly vulnerable. According to the Office for National Statistics- of the 5,965 suicides registered in the UK in 2016, a total of 4,508 were male and 1,457 were female. More equality will, hopefully, create a society where shocking statistics like that can become historical records, not lived realities.

The Making Manifesto is a research project based at Byker Community Centre about the benefits of community making. It involves a lot of the stuff I’ve ranted about earlier- hi art elitism and Making physical things and giving people agency!

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Wow – ok so for me as The Culture Vulture- I feel so inspired – this entire interview has given me a kick to be more Nasty, to be more experimental and to seriously consider doing something North East Nasty Women Conference related.

Big love and happy International Women’s Day Culture Vultures.

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Stupid at Arts Centre Washington : a review

So here I am – I’m in Arts Centre Washington Theatre. I’m watching Stupid by Sian Armstrong, directed by Anna Ryder as part of Sunderland Stages Autumn programme.  I’m sat towards the back – near my mum. Mama Horts – we’ve just driven to the venue – she’s lectured me about my career choices on the way.  Still can’t drive.  Still don’t own my own house. Still single. Still unruly hair.

I drank two gin and tonics in the bar. My mum cross because I’m not the best at self-restraint. She’s also annoyed because I was late to meet her. I’m always late.

So we are sat and I’m ready to watch Stupid. This is a play I’ve been excited to see all Autumn. I loved hearing about it when it was in development. I love the story now – I just connect with it. I love that the all-female team behind it – are ladies that I admire and in the spirit of supporting my local girl gang – that’s why I’m posting this.

So my unruly hair and my Mama are sat waiting for the show to start. And the lights go down and I just know I’m going to love it. And then we are on a Ferris wheel. And we are with ‘Stupid’ – but she’s not stupid at all – she’s merely figuring things out’ like many of us still are.

Dumped, single, back home, working out the who, where, what and why of her life whilst pretending to be a functioning adult felt a little (actually VERY) close to home. And I felt every high and low with the character. I literally laughed, I cried and also felt like getting on stage, to tell ‘Stupid’ that she’s absolutely fine, not to worry and she will figure it out.

This one woman show is the best piece of theatre I’ve seen this season. It’s fresh, it’s real, it’s funny, it’s well written and it’s worth seeing. The live drawing excerpts work well as a reflective take to encourage the audience to consider what’s just happened whilst feeding into the undertone that this temporarily lost creative soul, just absolutely needs to be creative and draw.

The set is fantastically minimalistic, full of touches that further Stupid’s characterisation. Each scene from the Ferris wheel, to the pub, to the supermarket, to the classroom, to run, to the school cupboard is so rich with the storytelling that you become immersed in Stupid’s world – a world that at this moment is not quite what she expected, full of societal expectations and the moments when we all question who we are and what exactly we are supposed to be in life; questions that seem terrifying and daunting as nobody has that answer. And then, that absolutely terrifying realisation that we can all be anything we want to be…….

My favourite element of the show was watching it with my mum a.k.a. the infamous Mama Horts. Stupid’s Mum is full of questions and statements about how she should life her life – “why can’t you just get a proper job?”. I sat smiling the whole way through the show because Stupid’s mum is my mum and I’m sure she represents many other well-meaning mums out there. Any straying from conformity, deciding to make my own way in the world and not ticking the societal boxes is just crazy and questioned at every turn. Seeing this dynamic brought to life made me smile.

However, Mama Horts very much did not see herself in the mum character and actually, she perceived the Mum as talking a lot of sense really…… and actually, the whole show reminded her, that she’d always thought I’d be good a teacher and that it would be a stable job but if I ever was going to be a teacher, I’d need to sort my hair out and learn how to dress like a grown up…… uh huh.

Stupid ends on possibilities….. a feeling like many things are possible and I love that. A million and one things are possible irrespective of age and circumstance – I walked away from the show feeling empowered to continue pursuing my own creativity. I feel like I went on a wild emotional ride with Stupid, we hit rock bottom and the story took us both to the end point to champion that life is not about what and who you “should” be and is entirely about figuring out and embracing what you “could” be.

Well done Sian Armstrong and Anna Ryder – it’s a brilliant, well written show that mirrors the hilarity and painful realness of figuring life shit out. I thoroughly recommend and it’s coming to Alphabetti Theatre in Newcastle on 28th November….. it’s a must see and tickets are available.

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GemArts Masala Festival 2017; a South Asian cultural infusion of a festival……

Working in Culture within the North East is possibly the best sector in the entire world to work in; it’s just mint! The ideas, the events, the projects, the people and beyond. As a none people loving people person, I really finding my little space in the world, with such brilliant people.

The Cultural sector in our region is just so diverse – I’ve never experienced anything like it. The cross fertilisation of ideas, partnerships and collaborations and the ever emerging willingness to work together culminates to ensure an exciting bubbling richness of lush things and people.

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GemArts and Sunderland Stages present Gods & Mortals at Sunderland Minster

The sector is also very close knit – you can attend any event really and see a smattering of friendly creative faces smiling, championing you and your projects and attending the things you do. It’s a like a secret club of lushness…… the people you work alongside or attend their things and champion, very easily move from project partner or such and such from that organisation….and become friends. Real friends and people who you celebrate every cultural moment with.

Sinead from Gem Arts is one of those people (and in fact really the whole Gem Arts team….but Sinead really likes cats and is quite ridiculous like me, so she’s my favourite). I’ve known of Gem Arts for some time and championed them for as long as I have worked in the cultural sector….. their Mini Mela was my induction into working with a large scale cultural children’s event.

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GemArts is a dynamic arts development organisation presenting South Asian arts. They produce and programme new and exciting culturally diverse arts, by creating and developing high quality concerts, events, festivals, workshops and commissions with regional, national and international artists. Every event I’ve attended has been a cultural hot pot and celebration of South Asian diversity and learning about respective cultures.

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Last year they launched Masala Festival and I had the pleasure of championing it as part of Gateshead Arts Team and of course, as Sinead’s mate Horts. So as we are literally about to jump into the second Malasa Festival (deep breaths Sinead and team – it’s going to be mint!), I thought I’d take the opportunity to catch up with her and find out what this year has in store for the region alongside digitally championing to my fellow Culture Vultures what a cracking week this is going to be…..

Well hello Sinead, so first up; what is Masala Festival?

Masala Festival is the North East’s very own, award winning, South Asian Arts Festival, bringing a mix and blend of the finest art and artists to the region for 7 days in July starting on 17th July.

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How many years has it been running and what kicked it all off?

GemArts launched Masala Festival in July 2016, offering a truly eclectic programme, spanning traditional and contemporary arts. After 16+ years presenting diverse arts in the North East, we decided it was time to put our expertise to good use, and create a brand new Summer Festival, showcasing artists from the UK, South Asia and beyond.

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This year the Masala Festival programme explores partition, migration, globalisation, identity, heritage, tradition and modernity, and marks the 70th anniversary of Independence for both India and Pakistan, something we were already starting to think about in 2016.

You won a Culture award for last year- tell me what that was like?

Recognition is the icing on the cake, alongside the incredible support we continue to receive from participants, audiences, trustees, volunteers, sponsors, partners and local communities, to whom we are hugely grateful and celebrates the creative talents of artists from the region, across the UK, South Asia and beyond.

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It was a joy to collaborate, connect and celebrate with thousands of people from across the region at our first Masala Festival, and we can’t wait to do it all again.

Receiving an award for something your team is truly passionate about is a dream come true, and has given everyone an even stronger drive to continue championing creativity and diversity at every level, supporting young and emerging artists, and offering people from all backgrounds and ages, community groups and schools, engaging opportunities to take part in our culturally rich and diverse arts offer.

So… now 2017; what’s coming up for Masala?

This year’s Festival (17th-23rd July) will ramp things up, building on our award success we’ve been even more ambitious, and added exciting collaborations and takeovers to last years list.

GemArts has commissioned work from celebrated companies and artists  and the programme is packed; award winning poetry readings (Daljit Nagra: Heritage and Identity), specially curated short film programmes (Changes), celebrations of Sikh soldier’s music tradition and contributions to the First World War (Sacred Sounds), leading choirs from India (Gandharva Choir), two nights of powerful theatre (No Dogs, No Indians), Masala Festival takeovers and collaborations (Q Festival, Trinity Square and Dabbawal), Mini Mela family fun days, Indian storytelling shows (Henna),  talented musicians fusing jazz, electronic and Indian classical music (Sarathy Korwar), folk music and dance (Rajasthan Heritage Brass Band),  film screenings (The Jungle Book, Ghandi), exhibitions (AURORA by Jayamini de Silva), food events (Biryani Club), fantastic workshops (Bollywood dance, Meditation and Yoga), talks and demos (including GBBO contestant Chetna Makan) and lots more……

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What should I not miss out on?

We think you should attend everything, but there probably aren’t enough hours in one person’s day. Three events we know the Culture Vulture will really enjoy would be;

SACRED SOUNDS – A national project called Sacred Sounds, which tells some of the largely forgotten stories of British India’s role in the First World War. Using archive footage, letters, photos, music and poetry, SACRED SOUNDS is a multi-art form performance which explores Sikh musical heritage and traditions, which soldiers took with them to the battlefield.

HENNA INDIAN STORYTELLING SHOW – As part of our Q Festival takeover we’ve invited international storytellers Peter and Gorg Chand to tell a very special story. On the eve of a wedding a young bride-to-be is having henna applied to her hands. As the patterns emerge, the stories begin to unfold… love, loss, betrayal and Bollywood! Plus GemArts Henna artists will be on hand to create beautiful designs for any of our audience who want them.

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NO DOGS NO INDIANS – A powerful new play from Siddhartha Bose. Three intertwining stories, spanning decades, explore the effects and legacy of the British in India in a powerful new play to mark the 70th anniversary of independence.

I’m always up for trying something new and out my comfort zone- do you have any recommendations?

CHANGES: stories on the edge will certainly make audiences ask some serious questions, and think long and hard about the world they live in and the resilience of people. Following last year’s successful ALIVE film programme, we’ve teamed up with creative producer Bobby Tiwana again, who has curated a stunning line up of short films for CHANGES; a programme of lives on the edge – personal and political conflicts test human resolve.

My little mini Culture Vulture Beck (one of my best pals little boys) – he’s really into trains, stamping his feet, stairs and exploring- anything for him and his lush fam?

There is plenty for mini Culture Vultures and their adults to get involved in during Masala Festival. We’re starting our Q Festival takeover with Bollywood dance classes for ages 2+ from 9am, and then from 11am we’ve Stories from the Punjab and Beyond for ages 5+ , a fun, interactive, and lively session of Indian tales.

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Part of our Movies at Masala programme with the Jam Jar Cinema, shows The Jungle Book at 11am on Saturday morning.

Sunday sees the return of our popular Masala Festival Mini Mela, which last year welcomed more than 500 people throughout the day. Like all GemArts Mini Melas the day includes a range of drop in arts workshops, from Rangoli, Kite making and Silk painting to Bollywood Dance and Dhol drumming, plus we’ve invited an amazing group of musicians to really bring the space to life, as the Rajasthan Heritage Brass Band will perform throughout the day.

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Heard about the curry night at Arch 16 which obvs I’m all over that…..I like my curry to be an experience…..

BIRIYANI CLUB AT ARCH 16 – We love working with our friends and neighbours, and when we read about Arch 16’s curry clubs with Ashiyana Café we knew we had to chat Masala Festival with them. A tasty curry for less than £10, and GemArts DJs spinning the best bhangra hits, what’s not to like?!

CHETNA MAKAN CHAI, CHAAT AND CHUTNEY – As big fans of food shows, food cooking and food in general, we were over the moon when former Great British Bake Off contestant Chetna Makan was available to deliver a cooking demonstration during Masala Festival. Chetna will share stories from her travels around India for new cookbook, Chai Chaat and Chutney, and attendees will get to taste a selection of delicious street food recipes created before their very eyes!

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Well that’s all a little bit amazing isn’t it – so make sure you check out GemArts Masala Festival next week…..you’ll see instantly why  it won a Culture Award and how fantastic it is – every night a brand new experience of diverse lushness – so much to see, do and of course Culture Vultures, EAT!

So bye for now Culture Vultures and Sinead, well I’ll see you on the other side of Masala Festival…..

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The Culture Vulture xx

Mixtape 90s: The Six Twenty

We all know I love theatre, I love a good old night out, buzz light years over a pub quiz and currently experiencing an intense nostalgic love affair with the 90s….. so Sunderland Stages bringing Mixtape by The Six Twenty to The Peacock in Sunderland is right up my street. Sunderland Stages is all about bringing theatre to unexpected places in Sunderland…..and of course, theatre in an actual pub is pretty unexpected and lush.

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Mixtape is an immersive performance pub quiz….. The Six Twenty have taken it to festivals, Live Theatre and other venues, all with sold out performances. I’ve heard rave reviews so I’m super excited to attend on 30th June…. (tickets are available now – bring a group, bring yourself and in typical 90s Nirvana style – ‘come as you areeee!’)

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It’s also a perfect opportunity to check out the newly opened Peacock venue – a beautiful independent pub within Sunderland’s thriving cultural quarter….. I’ve heard they do a corking Sunday lunch too.

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And, The Six Twenty are a Newcastle based theatre company that is growing and has big plans for the future so this is an opportunity to check them out and their work…..

I caught up with The Six Twenty’s Artistic Director, Creative Producer and all round absolute megababe, Melanie Rashbrooke, to find out more and all about 90s Mixtape….

Hi Melanie, right tell me about The Six Twenty?

The Six Twenty are dedicated to creating playful, entertaining and immersive theatre that’s ambitious and fun. We make new work and also produce re-imaginings of classic and contemporary plays. We tour throughout the UK to theatres, outdoor spaces and unexpected places. We hope to make theatre that inspires, moves and creates conversation and brings people together.

Now tell me about Mixtape?

Mixtape is our infamous comedy music quiz show. It’s a unique concept that was invented at The Six Twenty and is performed and created by a brilliant band of theatre-makers, comedians and musicians who we call Mixtapers. Basically The Mixtapers perform comedy sketches that are created entirely out of song lyrics; the song lyrics can be reordered and repeated but no additional words can be used. Plus the sketch can’t be longer than the running time of the track that inspired it.

The Culture Vulture: I literally feel sick with excitement at the thought of this already….. I know 90s songs inside out…….

The audience plays along in teams and tries to guess the songs, bands and artists that inspire the sketches. The team with the most correct answers at the end of the night wins one of our highly coveted Golden Mixtapes. Each of our shows is themed and the next one is The 90s so expect a mix of pop classics, Summer anthems, dance tracks and Brit Pop!  It’s a really fun relaxed show that’s great for music and pub quiz lovers as well as theatre fans.

The Culture Vulture: New life ambition is to own one of these golden Mixtapes…….

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What’s it been like getting rave reviews and sell out shows!?

It’s been great to see the show grow and build a real following. I’m particularly excited by the feedback we get from audiences – especially people who might not attend the theatre that much and who really enjoy the show.

The Culture Vulture: As someone who works on events and organize my own, feeding off the audience buzz and interaction is what feeds the want to do another event. It’s lush when people enjoy and champion what you’ve put on and of course, had a lush time!

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What was the show’s inspiration?

It was something I dreamed up whilst I was working on a writing project with Write on Tap (a group of writers based in Newcastle). The theme for the project was ‘Who I am with You, Who I Am Without You’. I decided to challenge myself by writing a short script using just the lyrics of the U2’s song…yes that one! And thus Mixtape was born.

Also, I love my music and who doesn’t love a good old pub quiz!

You’re bringing Mixtape to Sunderland 30th June, the Peacock….tell me about the show?

We’re bringing our new 90s show; the show recently premiered at Live Theatre (where we create all of our new shows) to a sell-out crowd. Expect a night crammed full of 90s tunes, comedy, crop-tops, dance routines, mayhem and fun!

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What can attendees expect on 30th June? Why should people come and get their tickets?

Comedy, quiz, fancy-dress, music, fun! A night crammed full of super fly hits. From boy bands to dance anthems, grunge and summer hits; this show’s gonna be off the chain. So dig out your 90s crop tops and Docs, brush off your Discman, and bring a team along and see if you can win the Golden Mixtape.

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90s fancy dress is also highly encouraged with the best dressed 90s team winning a special prize too!

The Culture Vulture: Well I’m going to be prancing around the place dressed as blossom with a side pony tail.

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As someone who is OBSESSED with the 90s….I dig the theme. Why did you go for the 90s music?

We’ve created a variety of Mixtape shows based on different music themes including North East bands, Alternative music, Rock ’n’ Roll 50s, Boy Bands vs. Girl Bands, 80s…the list goes on. So it was about time we tackled the most bangin’ decade. There are some seriously good tunes featured in the show.

The Culture Vulture: Right – I need to see every single show……love the sound of all of these!

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Your favourite 90s song of all time?

Ooooh tricky…there’s so many to choose from. I’m going to go with a curve ball option – I’m Too Sexy by Right Said Fred. Come and see the show and find out why……

The Culture Vulture: Now that’s a controversial and interesting choice – I need to know more. I’ve rediscovered E-17 recently – ‘House of Love’ plays on repeat currently…..

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Tell me a bit about some other The Six Twenty projects (fans!) and other things coming up?

In 2016 we won the Bridging the Gap award to create a new show called FANS which is part music gig and part theatre show and written by the brilliant Nina Berry and made with an awesome team of theatre-makers, musicians and creatives. It explores what it means to be a music fan. We’ll be redeveloping the show later this year and then re-touring the show in 2018.

We’re also working on a couple of new shows. One is with Mixtaper Lewis Jobson called Redcoat and explores what it means to be happy and what happens when you have an ‘off day’ and you tell Barney the Dinosaur to f***k off (in front of a load of kids)…at Butlins…in Bognor Regis.

The Culture Vulture: What a great concept for a show…..

The other show we’re working on is with Charlie Raine who performed in FANS. It’s called The Playground. For this we’re interviewing children aged between 4-7 years old about their lives and their views of the world. The final show will be performed by adults for adults as adults – using the words of the children we interview and collaborate with.

The Culture Vulture: This is brilliant – kids say hilarious and pure things.

And of course we’ve got loads more Mixtapes coming up!

To find out more about the projects we’ve got coming up and how you can get involved visit our website at www.thesixtwenty.com

Well thanks Melanie, this all sounds lush and brilliant………. I’m so passionate about theatre in and around the North East – love it! Get your tickets for 90s Mixtape everyone…….you’ll be greeted on the door by The Culture Vulture, manically happy, like some 90s super fan.

Big love from The Culture Vulture. xx

Invest into and start learning from NE culture & arts, oh and start paying them too!

No one actually makes a living as an artist, right? The cultural sector pays pennies? Go get a “proper” job? Actually the reverse is true, the creative sector and industries in the region are BOOMING…… people want bespoke, creative, individual…..there is the biggest movement to shop and support local and to reject the everyday for something more unknown, exciting, opportunistic and emergingly edgy.

I champion the entrepreneurial agenda, it’s in my blood (literally) and I love it but I really struggle with two issues…………. Firstly that creatives are often not viewed as legitimate business people and yet to see so many creatives launching themselves as a business and behaving more and more like a start-up is fantastic to see. Some of these businesses, it’s been that blend between day job and passion project testing, until opportunity……..without realising and a business is launched and they are trading; they’ve been through years and years of testing without realising. For artists, they have often been drawing or making for YEARS, putting their stuff on Instagram or selling at craft fairs, developing their product and skill set, until they launch…..often accidentally. Someone commissions something, asks to buy or like me, offers you a lump sum of money for a freelance project that gives you traction and a real starting point to launch and oh hello, I think there might be some kind of business here……….

Secondly, this intrinsic opportunity ethos for creatives to work for free; don’t pay them – just let them perform, suggest future opportunities that might lead onto paid work, as if engaging with them is a favour. From a business perspective; outlay of materials, time and then freebies offering, is crippling and removes the legitimacy. Should they be grateful for the opportunity…..as if you offering them a space or time is enough!?As a business think about the implications on the cash flow…….moreover, many creative start-ups are already under-pricing themselves, not factoring in their time, don’t value their service or practice in a similar way to a “product” or factor in materials so before you even think about “may be possibly” paying them what they are owed……they are already doing it for you for a brilliant deal.

This is so short sighted as I find the creative and cultural sector in the North East, as exciting as the Digital Sector at the moment, something to invest into and be a part of……however, there are key differences. There isn’t the investment available, there isn’t the capital and people don’t necessarily take creatives as seriously, as a business they can really understand. So what you have instead is individuals, independents and artists launching on a shoe string; they are resilient, constantly willing to learn, eager for feedback, out there networking, seeking opportunities, developing business models that are lean, mean and sustainable – they are the blueprint learning wise for a start-up business and entrepreneurs……instead of operating with big sales forecasts and massively unrealistic ambitions, they instead operate seeking collaboration, they show patience, evidence a longer term strategy to grow, can afford to keep going without sales or bookings, experiment and take mitigated risks……it’s not all or nothing, or go hard or go home; instead it’s about building something they love, care about and growing at their own pace incrementally on their own terms, making their own rules.

And you may say, well these creative businesses are not going to be the next “big” thing, they aren’t going to feature in Forbes and world isn’t going to change………I’d argue the other way….instead there is no entrepreneurial ego, they are real; a massive big business that had mega investment that people view as “proper” may never get off the ground and no one might ever hear of it, whereas a creative business located in the North East hundreds and often thousands know their name, the people behind it, buy from them, champion and support them….there is less “talking” about doing business and more of the making, creating and trying to get out there from day one……..  they have priced their product, sold it, met their customers, marketed it, submitted accounts and got their hands entrepreneurially dirty……… however, we could help them grow….just by paying them fairly for what they do and the service they offer.

To reflect that into my business; is the Culture Vulture going to make me millions?….probably not. Do I want it to? NO – there I’ve said it. I don’t want a massive business, I don’t want investment – I want my own entrepreneurial and creative sphere……….and I want to do what I love. That is my driver in entrepreneurship and I want to enable others to do the same.

So please don’t apologise or shy away from having a creative business, be massively proud – it isn’t any less “proper”…..Creative businesses usually have real values and passion at the heart………people, talented and excited brilliant people behind it. You have more real life business experience than most, so own that!

Creative businesses and people are the next big thing; there is a movement on going in the North East; I’m so excited to be a part of it………..will Creative businesses, artists and creatives change the world? YES they will…….because they re-imagine it, they challenge it, redesign it, express it, embracing all those aspirational entrepreneurial attributes – ability to handle uncertainty, resilience (anyone who has sold all day at a craft fair and sold nothing), ability to absorb learning and feedback and to build something that is not income dependent……. Their projects and activity happens irrespective of funding because they make it happen………….for most creatives, lack of funding is not a barrier to launch a business…….they assume there is no funding and they launch anyway, because their passion makes it almost like a compulsion………..

Moreover, their creative products bring smiles to people’s faces and they mean something to both the person who purchased it and (if appropriate) the intended recipient. That’s an emotional buyer connection that many businesses can only dream about.

More traditional entrepreneurs and start-ups have a lot to learn from creatives and artists………..so creative businesses and artists, respect them, learn from them, seek them and of course, pay them……

GIFT 2017: The low down- what it is, why you need to go and get tickets immediately…..

I’m a big fan of theatre and performance – as someone who spent their childhood and teens doing drama related activity and in plays – I fell in love with it and it’s fair to say I have a leaning towards the dramatics in my everyday life; I’m certainly an animated personality and my face is the most expressive you’ve seen.

I absolutely love going to the theatre whether smaller productions or things at Northern Stage or Theatre Royal – it’s always a dream. Theatre is all about total immersion, escapism and storytelling. I love disconnecting from my life and my reality and being absorbed into watching someone else’s. Getting lost in a visual story…….

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And it’s not just about the acting and make believe – it’s one of those art forms into which everyone can engage and get involved. Whether it’s the writing, the costume designing, the lighting, the sound, the set design – a feast of visual, performance and digital arts.

Those who read this blog and follow The Culture Vulture, will know by now that I LOVE the undiscovered and the unfound – stepping outside of my comfort zone, seeing different things and new things. Something which embraces my love for performance and need for the new and unfound, is matched perfectly within GIFT Festival which is returning again (yahoo) for 2017 across Friday 28th – Sunday 30th April….. how exciting!?

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GIFT is an annual festival of theatre celebrating the new, unfound and experimental performance and theatre right here in Gateshead……last year, I attended and got to experience a performance as part of a wild hen party; disco, dancing, shots and crisps. And also, a version of Stand By Me with a soundtrack by the Eurythmics.

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This year the programme is jam packed with lots to see performance wise (for adults and children alike), workshops and discussion across Baltic , Caedmon Hall at Gateshead Libraries, St Mary’s Heritage Centre, The Central Bar and Prohibition Bar. And I’m even more excited that FINALLY this year, after a couple of years of no funding, GIFT was awarded their Arts Council funding, on top of running a successful crowd funding campaign….

I caught up with GIFT’s Programme Director and Queen of all things GIFT; Kate Craddock to find out about this year’s programme and what to expect. Kate is someone who I’ve known for many years now and who champions the up and comers in performance and empowers her students, at Northumbria University to reach their full potential……so by my standard, not just a mega talent and asset to the region but also an all-round cultural megababe.

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Hi Kate – last time we caught up was in Prohibition Bar over a G&T – this time, I want to hear all about GIFT 2017….so for those who haven’t been to GIFT before – what’s the low down?

GIFT is back for 3 days at the end of April – Friday 28th – Sunday 30th Aptil. GIFT is an international theatre festival based in Gateshead that aims to present new performances and the kind of that nowhere else in the region is able to put on. We are able to take a chance and do something new.

You are unlikely to see a traditional ‘play’ at GIFT; instead the work is more contemporary, visual, physical, conceptual, devised… .GIFT festival allows for a more experimental programme with less risk for the venue programming the same artists/work alone.

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GIFT offers a platform to showcase opportunity for NE based artists and theatre makers to show their own work in a lively festival context. It also brings International work to Gateshead and the region that we otherwise wouldn’t see. And of course, it brings performances and artists from across the UK who have never performed been here before to introduce North East audiences to new artists and ways of working.

Essentially GIFT is 3 days of artists and audiences coming together, forming a festival community whilst seeing lots of shows together; talking about the work they are seeing, networking and partying. A big feature of GIFT that makes it distinctive from some other festivals is that it is really personal, small scale and grass roots. It really tries to open up possibilities and opportunity for everyone participating.

What inspired you to start GIFT?

There were a number of factors that all came together at once.

I was one of the artists who was in the original SHED Artist studios on Gateshead High St, and I was living in Bensham-spending a lot of time in Gateshead at a time when there was lots of focus on regeneration and redevelopment…

I really wanted to do something that was about connecting the culturally regenerated quayside with Gateshead town centre and beyond – and knew that a festival had the potential to do this – acting as a catalyst. I realised that there wasn’t a theatre venue in Gateshead as such, but instead there were loads of really unique spaces and lots of very wiling supportive people who were happy to let me do things -like put performances in empty shops, or in church halls, or in the interchange.

I was also making some quite experimental performance work myself, but was finding that there was quite a limited number of platforms to show this  kind of work – and I realised I wasn’t alone in that.  – However, there was a community of artists really wanting to make something happen. I was also in a really lucky position where I was travelling and working at other European International festivals; these were hugely inspirational for me -and made me realise that we needed GIFT.

Why Gateshead? What venues have you selected this year?

When I founded GIFT in 2011, I was living and working in Gateshead and I got frustrated with the fact that for lots of people (in Newcastle) Gateshead meant a trip over the bridge to the Sage or Baltic and that was as far as they would venture. I wanted to do something that opened up other areas (some neglected, some beautiful) and connect performance to these areas.

Gateshead Council and Culture Team (formally the Arts team) have always been so supportive of the arts (Angel, Sage, Baltic, all the arts team work etc) and they were so supportive when I first approached them about it. For the first 3 years GIFT took place mainly in Gateshead old town hall, the Central, St Mary’s as well as other venues dotted around. In 2014 we relocated our main hub to Caedmon Hall, which is where we will be again this year for lots of our events. We will also be presenting performances at Baltic  this year for the first time – as well as Prohibition Bar, Central, St Mary’s , Caedmon Hall and our closing part will be at The Old Police House.

Tell me about the programme this year?

This year we have teamed up with 2 other UK festivals to present a programme of work from across Europe. On Friday night we will present the UK premiere of Possibilities that disappear before a landscape’ by El Conde de Torrefiel from Barcelona. This is being presented in collaboration with Transform Festival in Leeds where they are performing the partner piece Guerrilla a week before GIFT. Possibilities is stunning piece that works like a visual essay -so you are both reading and listening to spoken text while seeing multiple images played out on stage in front of you.

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The company are one of the most exciting to emerge from Spain in recent years and are in huge demand. I first saw this company in 2012 and have been trying to get them to GIFT since then – so I am totally thrilled they will be here! I also think they will really appeal to people who love visual art but might not be so sure normally about going to the theatre. We have also teamed up with BE Festival Birmingham to host Best of BE Festival – 3 amazing shows from across Europe. I have seen the work and can’t recommend it enough. Best of BE (or BE @ GIFT) is always a great fun night, and the work always rich and varied.

Also we have Julia Taduevin from Glasgow with ‘Blow Off’ described as one of the most memorable shows of the year by the Scotsman – and it is, completely unforgettable and completely stunning. All female punk band – music, spoken word, feminism – very loud! Would definitely appeal to people interested in live music but don’t think theatre is for them!

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One of the shows coming from Leeds is ‘Something Terrible Might Happen on Saturday’ by Uncanny Theatre at The Central – it will be hilarious and it looks at how obsessed we are with things going wrong. Enjoy the show while having a pint!

Other fab things are we have teamed up with Chalk to host Noise Lab -lots of young children working with a sound artist to turn their tantrums and crying into art, at Baltic.

Who are you most excited about seeing? I know it’s difficult to choose……

Literally all of it; one of the best things for me too is seeing the artists actually meeting each other, talking to each other and their audiences about their work – that is always so brilliant and rewarding; when this happens and works well, I know I am doing a good job.

Is there anything for families?

Yes –Noise Lab by Chalk on Friday morning – this is the strand of GIFT called Little GIFT and is for early years and their parents. On Sunday there is also a rolling programme of live performance and dance work at Baltic that is all free to attend.

Zoe Murtagh will also be at St Mary’s on Friday all day peeling potatoes and inviting audience members to help her discover her Irish heritage -there will be some dancing and laughs involved. Altgif7hough these events are not strictly for families as such, they will definitely appeal to a curious adventurous audience member of any age!

What should someone who has never been to GIFT before expect?

Expect to be surprised by each performance you encounter – and to take risks with what you go see. Expect to be welcomed by the GIFT crowd, to get involved and to throw yourself into opportunities – to chat and to meet new people.

You’ve had challenges this year with funding (again!) and you’ve set up a crowdfunding page – can you tell me a bit more about this and why people NEED to donate? 

Yes, we have really struggled to secure enough funding to make the festival happen this year – but Arts Council Funding has come through at the last minute after a lot of hard work resubmitting applications We also have a crowdfunding page on the go at the moment to help raise money towards supporting a lot of the infrastructure around the festival enabling the festival to happen – like paying technicians at the venues, to support the artists and also to be able to offer artists some support with their shows – towards their production budgets and costs involved in performing at GIFT like travel -and feeding them while they are here!

What would advice would you give to an aspiring performer, or script writer, set designer etc?

See as many performances and different types of performances as you can – and take every opportunity that is offered to you to network and meet people. But of course, the best advice I can give you at the moment is to get yourself along to GIFT between 28 – 30 April!

Thank you Kate…..

And that’s what I love about the Cultural sector at the moment- it’s all about feeling empowered and being the change you want to see; she wanted an experimental theatre and performance festival in the region and made it happen!

Well you can expect to see The Culture Vulture at every single event and performance for GIFT – I’m obviously most excited for ‘Blow Off’, Pug Party anddddd GIFTed: Late Night Lip Sync CabaretBonnie and the Bonnettes and GIFTed guests

Check out the full GIFT 2017 programme in all its glory.

If you see me, feel free to say hello

 

Easter Easter Easter holidayzzzzzz

It’s nearly Easter 2017 – can you actually believe it? I surely can’t…..

Well as always, I’ve rounded up some of the lushest activity for your minis for holiday season – so here it is Easter holidays in a nutshell………jam packed with activity in Gateshead for kids, families and young people; Gateshead has it covered with a diverse and interesting programme of fun cultural activity……

So get yer skates on and get planning for some fun things to do over the holidays for your mini Culture Vultures before these seasons are booked up….

Digital Makings: Family Music Workshop

Leam Lane Library, Saturday 8 April, 10am – 12pm

Start off your Easter holiday making some noise with us and spend a morning as a music producer; you’ll be using your favourite songs to help inspire you to create your own compositions using apps on iPads. Work with We engAGE on a variety of instruments and learn the art of designing a piece of music from scratch.

Suitable for ages 8+

Free – Book in advance

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Design Your Own Easter Egg

The Gallery, Gateshead Central Library, Monday 10 April, 10am – 12.30pm

Drop in across the morning and join The Culture Vulture to design your own Easter Eggs and enter the competition. Go 3D and use a hard-boiled egg and create a sculpture, a character, or something eggcellently Easter related.

Or go 2D and design your egg from scratch like a pro. We’ll have LOTS of different materials for you to get your hands on.

Your finished designs can be entered into a competition which will be judged by three professional artists!

Suitable for all ages.

Free – just drop in.

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Digital Makings: Wearable Tech

Gateshead Central Library, Tuesday 11 April, 2pm-3pm

Art and Science come together with our electronics maker activities – make your own piece of wearable tech. Become a digital fashionista!

Suitable for ages 8+

£5

To Book

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Culture Camp: Soundscapes

Caedmon Hall, Gateshead Central Library

Wednesday 12 April, 9.30am – 4.30pm

A full day workshop with artist Ben Freeth exploring and creating soundscapes using digital techniques and coding. Unsure of what a soundscape is….well artists used them this year at Enchanted Parks and they are a regular thing on immersive theme park rides…..

Sounds pretty cool right? You’ll be learning how to use open source software to explore the Sound Library and Archives in Gateshead Library and take existing digital media and manipulate it to create your own unique locational compositions.

Suitable for ages 10-18yrs.

£20

To book

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Accidentally Minecrafted

Blaydon Library, Wednesday 12 April, 10am

Addicted to Minecraft? Well Blaydon Library have it covered with a whole host of Minecraft activities so drop in and get Minecrafted…..

Suitable for ages 8+

Free – just drop in (small charge may apply to come activities on the day)

More information

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Culture Camp: Make a Play in a Day

Caedmon Hall, Gateshead Central Library, Thursday 13 April, 9.30am – 4.30pm

Back after last Summers’ smash hit success of a day…..join drama teacher David Raynor and The Culture Vulture to create an entire play in a day! You will experiment and explore a variety of acting and movement techniques, take part in confidence building workshops and character development, script writing, costume and staging activities.

This is a must for all budding Ryan Gosling and Maddie Ziegler ….

At the end of the day, you will perform the finished play to an audience of parents and Gateshead Culture Team.

Suitable for ages 8-14yrs.

£20

To book

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Design your own T-shirt

Birtley Library, Thursday 13 April, 11am

Well this session is for mini fashion designers in the making…..you’ll be making your own designs using stencils, paints, fabric pens or if you’re feeling super creative and brave, try free hand!

Suitable for ages 6+

£3

To book

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St Mary’s Storytime

St Mary’s Heritage Centre, Friday 14 April, 10.30am

Pop down to the beautiful St Mary’s for a lively storytime for under 5s in a beautiful venue! Your baby or toddler will experience lovely immersive storytelling and a mini rhymetime. After the session refreshments are available too!

£1 – Pay on the door.

For more information and dates of other sessions

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Culture Camp: Film Director Workshop

Caedmon Hall, Gateshead Central Library , Wednesday 19 April, 9.30am – 4.30pm

Join artist Karen Underhill to experience what it’s like being a Film Director; you’ll have the opportunity to create your own movie exciting and magic film trailer during this fun collaborative day. Learn how to work together to storyboard, act, record and edit a short fiction movie trailer.

Suitable for ages 8-14yrs.

£20

To book

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Culture Camp: Animation on location

Caedmon Hall, Gateshead Central Library, Thursday 20 April, 9.30am – 4.30pm

Join animator Sheryl Jenkins to learn about the animation process and work with a mobile animation studio using animation apps, alongside digital photography, drawings and natural materials to create an animated film inspired by what we find in the library. You will then create an animation on a green screen to bring the library to life with using your favourite book characters. Mint!

Suitable for ages 8-14 yrs.

£20

To book

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LEGO Drag Race

Caedmon Hall, Gateshead Central Library, Saturday 22 April, 11.30am & 1pm

Working with Richard Carter “Bricks Mcgee” build the fastest, meanest drag cars from our selection of LEGO elements, and race your creation against others as part of Maker Month – Maker Faire UK . Take your vehicle back to the pits and change the design to make your car faster, then compete in the grand final! Who will be victorious!?!?

There are 2 sessions to choose from please select your ticket for 11.30am -12.30pm or 1pm – 2.00pm

Suitable for families with children ages 6yrs+

Free – spaces limited so pre-booking is essential.

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Get planning Culture Vultures…….

The Culture Vulture xx