All rise for Lady Kitt; subversive, perfectly ridiculous & immensely talented.

The whole point of International Women’s Day is to celebrate women, feminism, Northern lasses and champion women who rock your world. So for this year’s, International Women’s Day, I wanted to profile an artist and creative that I personally have loved from a far since I first became aware of her – her work, passion, innovative and interesting projects and commitment to creativity and  equality.

Well hello Lady Kitt… megababe. Kitt’s projects, work, events and her exciting ambitions are not only inspirational to the regional, National and Internation sector – but to me, she is someone  brave, bold, empowered and doing creative things that are truly exciting and making her mark in a thriving and vibing independent arts and cultural sector. She’s my kinda gal and I’m thrilled she accepted my invitation to be feature in this blog post.

BOOM – Happy International Women’s Day Lady Kitt – reet so let’s start at the beginning; tell me about you and your extremely diverse practice?

Hi, I’m Kitt- I’m a…. “Maker”. I guess that best sums it up. Art, jokes, food, quite a lots of mess, and, with my lovely husband Andy, a couple of super little humans. It’s all making really isn’t it?!

It’s funny – the diverse practice thing, I’ve been thinking about it quite a lot recently. I reckon the tools I use are quite diverse- there’s research, paper cutting, mass bubble blowing, fruit carving, performance, lectures, projects, … but really, the core of my work has always pretty much been the same- it’s all about delving into, developing, celebrating the social aspects of creativity.


Everyone has a different journey into the Arts; what was your journey into the arts?

I’m not massively into the idea that people are “born” to certain things; but looking at my early life it’s easy to link it to my practice now. I was brought up in a creative family. I grew up with my wonderful younger brother Louise who was severely disabled and terminally ill. He was an amazing artist and seeing the pleasure and power he experienced through being creative has had a huge influence on how I see art and why I think it’s important. I was taught at home until I was 14 – so had a good amount of time to focus on being creative and lots of time to spend with one of the most important people in my life- my sister, Bridie. Our relationship and creative adventures together are big, big part of almost everything I do.

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I’ve always made physical stuff- embroidery, nests, paper cuts- but for a long time I didn’t think I was an artist. I started off wanting to be a dancer. I trained in the Indian dance/drama discipline Bharata Natyam for six years and was taught contemporary dance by the completely awesome Trish Winters. It was through Trish that I started to experience some really playful ways of using and presenting performance. During my art foundation degree, I started making work that combined performance, working with community groups and making stuff all at once. But it wasn’t until I was at university that I really discovered live art and artists with a ‘social practice’ and then I was like- yes- that’s me- I have a gang!

Lady Kitt is an amazing artist name  – I love it!

Name wise-when I was coming up to my 21st birthday- my parents were talking about what to give me as a birthday present. I’ve always been a Republican (in the anti-monarchy sense), really disliking the idea of being subjugated, inherited titles and all that gubbins, so they offered to change my first name by Deed Poll to “Lady”, as a daft, subversive, two fingers up the whole system. I loved it – it’s such a cheeky gift- so we did all the paper work and everything- sent it off, but it was rejected – on the grounds that I was trying to “assume a title”- which is sort of pleasingly ironic. I thought “fuck it- I’ll just call myself Lady Kitt and I’ll keep doing it until everyone else does too” and that’s what I’ve done.


You have a very strong visual identity within your work and expression of yourself as an artist – how did you develop this?

It’s really interesting that you say I have a strong visual identity; looking at it objectively I can see what you mean, but that’s definitely not how I experience it myself. For me, I have a strong methodological process, and some very definite ideas about making art in inclusive, ethical ways.


I’ve developed my process by pretty much by throwing myself in at the deep end and seeing what happens. I don’t ever really think “this is too ridiculous” (although it nearly always is). I think “how can I do this so it genuinely, clearly says something I’m interested in” or “how can I get lots of people involved and change something we all want to change” or “how can this be the most fun possible?”.

Like with the first Nasty Women exhibition last year- I just thought “this is really important, I want people in the North East to have an opportunity to be part of this. I want an opportunity to be part of this”. I didn’t think “Bugger we can’t do this- we’ve got no money, no infrastructure, no gallery, no clue”- which was all true! So yup, that’s how I develop the process…


But visually, with the sort of “end product” – I don’t consider myself to have a very coherent style or visual language- I just make the next thing that I feel compelled to make, without ever thinking does it look like something I’ve done before- will it “fit in” with my existing body of work? Maybe it’s because the physical objects I make aren’t really the “end product” to me- to me they are a tool for getting to the goal- which could be raising awareness, building a community, changing a policy, having a good time.

I love your ethos of experimentation, challenging creative roles and processes – where does your creative playfulness come from?

Thank you! I like to see people reacting to things in curious, inquisitive, ways and I like to create situations that let people do that. So some of it comes from that- basically it just makes me happy!

It‘s fun for me to invite people to apply to be my muse (like it’s a formal job), or to encourage people to use my head as an art gallery or to make a performance where the content is authored by viewers sending me text messages telling me what to do. So that’s part of it- And some of it is more philosophical. People are creative- making things in a (generally!) thoughtful way is one of the things that makes us Human.

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Often people don’t get (or give themselves) opportunities to enjoy that- I want to create situations that encourage people to make physical stuff, make decisions and think about / celebrate the importance of being creative. I also hate all the hierarchical “hi/ low brow art” crap. I think it’s detrimental to individuals and to society. People thinking that they are not creative or not creative in the “right way” stops them from developing vital skills.

Making stuff gives people agency- it’s a chance to physically encounter change. Making in groups is like apes grooming- it’s social glue. When people start being creative together they almost instantly create a little community that has its own culture and rules- just like that, out of nothing, it’s like magic. Once people do that and know that they can do that then, they often start to explore other wider things that they can create and change. A community full of people who feel empowered in that way can be supportive, kind, resilient. Elitist ideas of what is art and who is an artist just stop all that dead. Sorry, I could go on about this for EVER.

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It’s great to be able to showcase you, on International Women’s Day….. what does being a female artist in 2018 mean? What does it mean to you?

Wow- well, I’m extraordinarily lucky. For me being a female artist in 2018 (in the UK), means freedom. I’m free to say what I want to say in the way I want to say it. A few people might think I’m idiotic, a lot of people will question me (and so they should) – but no one can stop me. Being a female artist in other places in 2018 doesn’t mean freedom, it can mean absolutely the opposite. And being a female, or a being queer, or being an activist can still mean torture and death. For me, knowing this and campaigning to change it, is a very important part of being a female artist and of being a Nasty Woman.

detail 1 105 WaysYouAreWorthMoreToMeLikeThis Lady Kitt 2018

How do you plan to mark it this week and #pressforprogress?

Again I’m so lucky. This year I have work in 4 exhibitions all over the UK all opening on Thurs 8th. I’ll be in London performing at the Creative Debuts and Nasty Women “Empowerment” exhibition along with a group of bloody amazing Nasty Women from all over the world.

We are also launching the Nasty Women International Art Prize this week. The aim of the prize is to: Recognise and reward Nastiness in art and activism. Prizes include an Artist residency, money and opportunities to show work in UK, USA & Holland.

Votives To King Kitt and the Pixelated Pain 2018 Lady Kitt 50 pound note detail

Last year hundreds of artists from all over the world gave their time and work to Nasty Women events- the generosity was overwhelming. It’s estimated that the movement has raised half a million dollars for Planned Parenthood and other women’s & LGBTQ+ charities so far. This year Nasty Women organisers wanted to create an opportunity to celebrate those artists and an art prize seemed like a good choice! The judging panel consists of 12 Artists, curators, gallerists & activists from around the world including:

Carolina Wheat & Liz Nielsen from Elijah Wheat Showroom, New York (USA), artist and co-founder of NW Amsterdam Airco Caravan (NL), Curator & NW North East Co-founder Michaela Wetherell and me!, to name just a few. There’s so much to say I don’t really know where to start, but we’d love it if lots of North East based artist entered! Anyone who is interested can check out here.

Do you have a female artist that you’re inspired by?

So many, but not just women, not just artists… all sorts of everyone. Me and my sister just went to see Bryony Kimmings “a pacifist’s guide to the war on cancer”; it was so funny and thoughtful and generous and utterly devastating, but in a really cathartic way.

I’ve just read Scottee’s play “Bravado”- it’s had a big impact on me, I’m making a lot of work about toxic masculinity at the moment and he’s perspective as a “sheep in wolves clothing in the world of men” is very shocking and inspiring.

Betsy Greer- the mother of Craftivism!

Nasty Women North East co-founders Michaela W and Aly Smith.

Venus di Milo- a Newcastle based performer who describes herself as “just a drag queen with no arms”.

Leeanne and Gareth at Thought Foundation in Gateshead– running a stunning, creative business whilst bring up two small children….

The world is full of bloomin’ fantastic, inspiring and very Nasty (in the nicest possible way) people.

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Tell me about Nasty Women?

Nasty Women is a global art and activism movement started by New York based artist Roxanne Jackson in Nov 2016 just after the election of Donald Trump. It is pro equality and anti-Trump. There have been Nasty Women events all over the world, raising money for and awareness of women’s and LGBTQ+ rights charities and organisations.

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What is a “Nasty Woman”?

The Nasty Women North East’s definition is:

Anyone!!! It is not necessary to identify a women or an artist

  1. Believing in equality and wanting to protect human rights (in particular women’s rights)
  2. Believing that art (in the broadest sense of the word- poetry, dance, drag, music, knitting etc) can be used to help increase equality and protect human rights
  3. Being happy to welcome and support others who also want to do these things…..

If this sounds like you, then as far as we are concerned you are Nasty- Hurrah!!!

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Will there be another Nasty Women conference in 2018?

I’m not sure- we won’t be organising one because we’re busy with the art prize and creating a feminist art magazine for children under 10! Also, if there was another I don’t think the same group should organise it -as a big part of the movement is about understand other people’s perspectives and doing things in a way that suits your own setting, so if there is another one I hope it’s somewhere completely different. I hope another group do organise one because I’d LOVE to go to it!

That sounds like a something, the Culture Vulture would be interested in… can I, and other potential Nasty Women, get involved?

People can get involved in a huge variety of ways- it’s a totally grass roots, DIY movement, you don’t need permission or any kind of initiation! So you can have an exhibition in your garage and invite your mam and 5 friends and raise money for a local women’s charity.

You can send your art work to one of the many NW shows going on around the world- these are listed in the USA website , you can submit work to the Nasty Women International Art Prize & you can volunteer to help a local Nasty women group


You can also call out inequality and gendered idiocy when you see and experience it, you can tell children you know that they are thoughtful and strong and funny and creative and fierce and fabulous regardless of their gender. You can listen, really listen to the next person who says something sexiest because being Nasty is about being open minded, it’s about understanding perspectives that are not your own and looking for long term solutions.

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But ok – we are kindreds…..but let’s get back to you – Lady Kitt; what projects do you have planned?

I’m focussing on my projects “Worth”, “King Kitt” and the “Making Manifesto”.

Throughout 2018, to coincide with the centenary of (some) women’s right to vote in the UK, I am making a series of works called the “worth” portraits- inspired, in part, by Caroline Criado-Perez’s campaign to have Jane Austin’s image on the Bank of Engalnd 10 pound note. When that campaign was going on I was horrified by the abuse (including death threats) Criado-Perez received for wanting to celebrate the achievements of women in the same way the achievements of many men have been celebrated for years. The works are portraits of amazing women made by cutting love heart shapes from real £50 notes, each one depicts a woman who I feel needs celebrating. I am always on the lookout for new subjects, so if you know a wonderful women who needs celebrating please get in touch!

I’m also hoping to sleep quite a lot after next week as that’s something that’s been a bit neglected of late….

Votives To King Kitt and the Pixelated Pain 2018 Lady Kitt

What does being a feminist/megababe mean to you?

For me being a feminist is not just about women’s rights- it is about equal rights for everyone. The “King Kitt” series of works are about toxic masculinity- which I feel creates a series of circumstances that can make men comically manly, dangerously macho and devastatingly vulnerable. According to the Office for National Statistics- of the 5,965 suicides registered in the UK in 2016, a total of 4,508 were male and 1,457 were female. More equality will, hopefully, create a society where shocking statistics like that can become historical records, not lived realities.

The Making Manifesto is a research project based at Byker Community Centre about the benefits of community making. It involves a lot of the stuff I’ve ranted about earlier- hi art elitism and Making physical things and giving people agency!


Wow – ok so for me as The Culture Vulture- I feel so inspired – this entire interview has given me a kick to be more Nasty, to be more experimental and to seriously consider doing something North East Nasty Women Conference related.

Big love and happy International Women’s Day Culture Vultures.


Want to find out about the NE music scene? Well you need NE Volume in your life!

So you guys know me as The Culture Vulture – I’m your one stop shop for cultural information, happenings and the queen of championing creative projects and people. However, I’m only as good as my network and the people in it – I’m constantly out there seeking information and keeping my ear to the ground. I started two years ago, just a love of going out and cultural goings on with a passion to champion people, places and projects whilst doing my own stuff.

Now my network and cultural knowledge in the cultural sector is second to none. In fact, if I ever went on mastermind, I’d want it to be my specialist topic. I spend an insane amount of time on social media – it’s my job to know the happenings, to seek out opportunities, create connections and have a good overview of the movers and shakers, emerging and exciting happenings. It means that I discover lots of things and exciting people on social – some of whom are doing thriving and vibing things in the sector but I’ve actually never met. Weird right? Admiring their work from a far whilst their work and content becomes a core part of my knowledge bank. Any type of admiring from a far sounds creepy to me – but I’m the proud queen of creeping.

So as The Culture Vulture – you guys know I’m all about championing and seeking out the gems, the new venues, the gigs which you attend and you know you’ve just seen something magical and of course, local artists! On the flip side, I’m also going to see Taylor Swift in May and I’m literally buzz light years about it. But when I think of the North East and music for recommendations and gig suggestions – I think of NE Volume! It’s a great in print and digital publication, that covers lots of real reviews and editorial about the North-East music scene.


Their reviews are written by real people, the venues are many familiar favourites and some new gems, the gigs covered make me so proud of our cultural scene and many a time, I’ve taken a chance on an unknown and LOVED IT.

I love Crack Mag but NE Volume are doing something a bit special and have totally cornered a niche. Their passionate ever-growing readership and thriving online community of music lovers is a testament to the fact they are doing something mega special.

So, I digitally caught up with NE Volume founder Lee Allcock (one of my 2018 new years’ resolutions is to meet in person), to find out more about NE Volume and where it all started!


Lee Allcock

What is NE volume?

NE Volume is a FREE North East music and culture magazine that is stocked in 250+ outlets right across the region ( and is also available to download at

Tell me about you and the beginnings of NE Volume?

I’ve always been passionate about music, especially local bands and artists, and my dream was to become a music journalist. I studied Journalism at Teesside University, volunteered for some other local music magazines while working as a content writer, and I was then given a small grant by Teesside University to start my own business. Of course, I quit my job immediately and the rest is history.


Quitting your job to pursue your dream is right up my street – so what was your motivation for the business, like me – you’re a bit of an workaholic – you must love what you do!

It hasn’t been easy, and there have been a lot of ups and downs, but I absolutely love what I do and I wouldn’t want to do anything else. I support local bands, cultural events, and North East businesses for a living and that keeps me motivated.

There’s the Crack, Narc and others – I love NE volume but do you want to tell my readers what makes you and the publication different?

We’re actually the ONLY music and culture magazine based in Teesside. And, although Teesside is a pretty large area, I felt that The Crack and NARC weren’t really showcasing this area so I wanted to help.

So tell me what was your highlight of 2017 in terms of NE Volume?

To be honest, the fact that we’re still here and running in an internet-based world has got to be the highlight for me. It’s been a tough road, but with the support of so many bands, independent businesses, music venues, our loyal readers, my designer, and my writers, we’ve been able to continue to support the local music and culture scenes – and that makes it all worthwhile.

Of course, I have to ask this question – what’s been your favourite gig?

Liam Gallagher at Metro Radio Arena. Okay, it’s not a small local gig (which I also absolutely adore) but Liam was in his element from start to finish and he had the crowd in the palm of his hands.


Liam Gallagher

What’s your ‘one to watch’ for 2018?

Local band, The Pale White. They’re set to play at Riverside in Newcastle this month and it’s already sold out. They’ve also supported the likes of the Libertines and they’re destined for big things this year – I’m sure of it.


The Pale White

Who is your fave soloist?

Samantha Durnan; her beautiful lyrics and stunning vocals really do pull on the heartstrings.


Samantha Durnan

You also have a cultural corner within your publication, I’ve written for it before as the Culture Vulture (yey!) – but what are your plans for this?

My plan is to increase the number of cultural articles we cover over the course of 2018. We’ll also be looking to review theatre productions and comedy gigs as well as interview comedians and artists.

OK so say I’m in a band and I want to get an NE volume review – what should I do?

Don’t be afraid to get in touch with me at including some background about your band and a link to your material and we’ll do all we can to arrange for your release to be reviewed.


You recruit lots of new aspiring writers and journalists – what’s your recruitment process?

It’s very simple: just send an email to me at including your CV and a paragraph about your favourite aspect of the North East music scene and I will get back to you within 2 days maximum.


What are you up to for 2018?

I’m actually going to start my own radio show (fingers crossed) so I’ll be looking for local promoters, bands, soloists, and independent venue owners to join me for a chat. Again, if you’re interested then please email me and I’ll be happy to liaise with you.


Well that’s lush and Lee has already asked me to be on his radio show (I do love the sound of my own voice so obviously I jumped at it) so something to look forward to! Make sure you check out the current edition of NE Volume – it’s a treat!

Until next time Culture Vultures.

Beth O’Doherty; fave human, actor, singer, dancer, writer, panto lover & challenger of asexual stereotypes.

The region is thriving and vibing culturally at the moment. I honestly, think this is the dawn of the independents, the makers, the doers, the passion project pushers, the creative thought leaders – the creative folk championing each other, their projects, their journey and I’m very much a part of that. Part of being the Culture Vulture means I’m a cultural cheerleader- willing everyone on, championing them, mentoring, trying to lead by example that the creative sector is truly ALIVE and has space for the brand new, the disruptors, experimenters and independents.

At the moment the performing arts sector in the North East is exactly that – there are so many independents, projects, individuals coming forward with new ideas and shows –  it makes me smile with pride and I’m so excited to see how 2018 pans out.

In 2017, I had the pleasure of falling back in love with performing arts – through my role at Sunderland Stages, was invited to work on 4 audience development projects, I saw 61 theatre shows, met 18 theatre companies, saw 3 festivals and BAM true love reunited.

I met a fantastic amount of exciting talented people and again, as the Culture Vulture – I love the possibilities and I have no idea what talent I might discover around any turn. Beth O’Doherty was around one of those corners and she’s thriving and vibing into 2018……


Hi Beth, so tell me a bit about you and what you’re up to at the moment?

Why hello you! At the minute, I’m enjoying the seasonal festivities and a bit of rest and relaxation time so I’m re cooperated for 2018.

You seem to have your fingers in so many creative projects and pies – it’s great and I love that about, honing your talents and vibe whilst experiencing so many things. What was your highlight of 2017?

That’s a tough one! I’ve been a part of so many lovely shows but seeing Alphabetti Theatre get a new venue and reopen with a triumphant hurrah was an absolute joy and the programme has been full of delights

I first met you at part of GIFT Festival 2017, which for those who don’t know, is a fantastic festival of theatre in Gateshead. Tell me about why you got involved in GIFT and your favourite GIFT 2017 moment?

I was taught by Kate Craddock (Festival Director) and the lecturers are always keen to give you experience through their projects. I couldn’t resist getting involved as I just love festivals. They wet your appetite with lots of different teases.


Bonnie and The Bonnettes

I got to build up my skills in Front of House and tech and generally see how you put such a mammoth event together. It was an amazing chance to see international work from different countries and to see international ways of working right on your door step. We are definitively better together and when we share and stay connected so I hope that this practice can continue.

Saying that, my favourite moment was when Bonnie and the Bonnettes along with their guests performed The Bloodhound Gang’s Bad Touch. What an absolute riot!

You remind me of ‘Little Voice’ – actress Jane Horrocks plays a shy, quiet young lady – who when she has a mic and on a stage, unleashes this mind blowing, unexpected big voice….. I love your voice; I love it so much, I invited you to sing at Newcastle Start Up Week’s Creative…… tell party me about your singing journey and how you developed your voice?


I am absolutely blushing! You are FAR too kind. I have a lot of people to thank that have gone into my singing. I watched so many Disney movies growing up (and still do) that bursting out into song was natural and all I wanted to do so I joined local theatre groups as a way to have fun and make friends.

There, I started developing my technique. You learn from every musical director you work with. I love old Hollywood musicals and the vaudeville style variety shows and am inspired by Judy Garland and Ella Fitzgerald so listened to them on repeat and started to build up a jazz repertoire. I’d love to learn to scat.


You recently, hosted a Jazz Showback at Prohibition Bar  in Gateshead – what was the inspiration behind that and most importantly, when’s the next one?

We have so many amazing performing arts groups across the North East and when you’re working on a show you sometimes end up in a bubble so I thought it would be nice to have an excuse to come together, meet new people and celebrate the level of talent we have here. Mitch, the owner of Prohibition bar was so open to ideas and so helpful in the planning. It’s a stunning venue and I’d recommend it to everybody, whatever the occasion. Big thanks to everyone that came to the first one and definitely watch this space for the next.


I was buzzing when you popped up on my Facebook news feed in full Panto character make-up! What show were you in, how did you get the part and what is being in panto really like?

I went to an open audition in London after seeing an advert and crazily got it. I had the amazing chance to play Widow Twanky in Aladdin for Chaplins Pantos. We were touring schools and community centres around the Midlands and it was such a howl. I think everybody that does Panto falls head over heels for it. You can’t get better audiences. There’s all the nostalgia and tradition behind it, no matter what story you are telling.  You have total licence to play and turn little mistakes into the biggest laughs. For example, I lost my wig in perfect timing with the last beat of the music for the bows riling the kids back up just when it was meant to be over.


Big props have to go to panto stage managers and crew on book for trying to follow the madness.  Yes, you end up telling the same joke a ridiculous amount of times but it’s just so easy as the audiences give you all the energy you’ll ever need to keep it fresh. I must send my love to the Chaplins team, my cast and Sam, my director for such an amazing time.

I was catching up with Phil Douglas – Creative Director last week (p.s. absolutely can’t wait for Curious Festival 2018) and he told me that you were successfully awarded a Curious bursary! Well done you – very proud; what was the application process like and what was your motivation to apply?

I wanted to apply for Curious as I’ve loved previous years and the conversations that have been started through it. I was developing the idea for the piece and talking with other LGBT+ artists through workshops with Mother’s Ruin and Curious has given me the chance to take the piece to the next level. The application process was very accessible and the team we’re so lovely to talk to.


Mother’s Ruin

Your developing show is really ground breaking and interesting – what’s the show about?

It’s about my asexuality and not wanting sex when society is giving you so many messages about it. . It’s not wanting to hear another love song on the radio. It’s the confusion when everyone else your age seems to be hooking up. It’s not getting innuendos but not being brave enough to urban dictionary it, all with a bit of song, dance and dress up

As someone that has always struggled with sexuality labels in a world that is so focused in labeling, I think work like this is so important as it shows the spectrum and how individualistic it can be and the journey to a certain point. Do you mind explaining what asexuality is?

Basically, I don’t feel any sexual attraction or arousal. As with any sexuality, everyone has a different connection with it and I’d never claim to speak for anyone else.  I’m attracted by personality and having mutual interests. I’m part of a great online network full of people that use asexual to define themselves. We support each other, share experiences and campaign for visibility


I know it’s still in development – but what do you want audiences to take away from it?

To recognise that people have different feelings around sex and that enjoying it isn’t a given and to learn a bit about asexuality. I use the show to laugh at people’s negative misconceptions and reclaim jeers so I hope people might relate that to their own situations but most of all to laugh and have a good night out

When can I see it in scratch and do you know where it features in Curious yet? (sneaky way of also trying to find about the Curious programme).

I’m performing on the 6th July at Alphabetti Theatre alongside the other commissioned work which I am very excited to see. I’m not sure how much I can say but by the sound of current plans a wide range of venues are getting involved. It’s gonna absolutely cover the North East. The team are turning the heat up for sure. The range of art forms is gonna be amazing well. There’s gonna be so many different forms of expression.


BALTIC LIVE is Curious (Photo: Michael Mcguire) 

So what else is for Beth in 2018 – any other projects on the horizon?

I’m assisting the lovely Take Part team at the Customs House with their family arts sessions during the school holidays and am gonna be performing at Mama Rhi and Lydia Brickland’s night for International Women’s Day in March brining out all the girl power songs.


Mrs Fanny Bleach and other wonderful artists on the 8th March at The Bridge Hotel @ 7.30pm

This time next year, in a year’s time – what do you want to have achieved? One thing?

This is probably a massive ask but I’d love to be a part of a new, original Geordie musical for and about Geordies. Our Billy is still going strong, writer Tom Kelly knows every way to play with my heart (Dolly Mixtures was a highlight for my family last year), The Last Ship is coming back home and there’s some amazing triple threat companies creating vital work. As a region we have so many stories up our sleeve so I can only hope I can get amongst it.


Not at all a massive ask – an absolute reality in the making and it’s a pleasure to watch you creatively bloom. And of course, remember to invite me to all the scratches and launches of everything or I’ll be getting in a huff.

Big love for Beth – a lass making big waves in writing, singing, directing and just getting amongst it.

Until next time Culture Vultures!

MiddleChild love by an only child

Well Culture Vultures, it’s that time of year when I sit with all my cultural programs, The Crack Mags and decide what, who and where I’m going to go this season – usually over a Gin and tonic. The process reminds me of when I used to sit with a highlighter when I was little and circle all the TV I was going to watch and things Mark Owen from Take That was appearing in….

So here I am highlighter in hand and now over Take That and I’m eagerly looking for exciting and different things to do. Autumn/Winter is my FAVE cultural season – and because it’s getting colder and darker, I love venue specific good times. I want to be in one place, be a part of something cool for a few hours before heading home. None of this bar hopping or outdoorsy things for me…….unless it’s Enchanted Parks or I’ve got my Gin jacket on – then all good and happy to face the elements.

So things that I’m looking forward to so far that I’m going to – Pink Sari Revolution at Northern Stage – based on a fantastic book about empowered and revolutionary women in Indian, Our Time at Great North Museum – party and culture crawl in a museum after hours, Get Lucky at Wylam Brewery –   a fully synthesized electronic soul orchestra performing Daft Punk live and I Hate Alone at The Peacock in Sunderland on 26th October at  7.30pm (tickets avail – a full blown theatre gig, think Thelma and Louise turned up to 11.


I Hate Alone is what I’m most excited about and it’s from MiddleChild – a theatre company that have absolutely thrived in Hull’s City of Culture this year….and it’s exciting to see a the theatre company thrive so much and is a testament to what the award of City of Culture can do not just to the region, but to the cultural organizations within.


So who are MiddleChild!?…well they feel like hot property at the moment and are certainly doing amazing things…and the most important thing, culture vultures – they provide a bliddy good night out!

So Culture Vultures, I caught up with Paul Smith from MiddleChild and director of I Hate Alone to find out more and get in the know and the now….


Hi Paul, Tell me about your show I Hate Alone?

I Hate Alone follows two women – Danielle and Chloe – who believe the world has wronged them. They decide to create a list of the people who have contributed to their dissatisfaction and get their own back one-by-one. It’s a story of injustice, revenge and above all, friendship. Danielle and Chloe are modern day anti-heroes.


We re-watched Thelma and Louise just for the show – love the vibe of taking revenge against the world – who was your favourite Thelma or Louise?

An impossible question! You can’t have Thelma without Louise or Louise without Thelma. It’s like having Ant or Dec on their own – it’s just not the same. The great thing about that film is the relationship between the pair, the fact that they can simultaneously be good and bad for each other. It’s exactly that feeling that our writer Ellen Brammar has managed to capture with I Hate Alone. It’s impossible to say if the friendship is a good or a bad thing because there are elements of both, and it’s impossible to say who you prefer – be it Thelma/Louise or Danielle/Chloe, because they are yin and yang. One can’t exist in the same way without their partner in crime.

What is a theatre gig?

We like to use the term ‘a gig with a story’. It’s essentially a night out with big ideas in it. The feeling of coming to one of our shows is no different to going to see a stand-up comedian or your favourite band live but with one key difference – there’s a complex, compelling story at the heart of it.


What can audiences expect?

A dark and funny tale of two women who sing, shout and kick ass.

What music can people expect?

Danielle and Chloe have chosen to tell their story as part of a gig where they showcase music from their band Disabled Barbie. Throughout the night they play their own brand of gothic-electronica influenced by a broad range of artists such as Let’s Eat Grandma, Kate Bush and Daughter. Expect dirty beats, hard-hitting drums and even a recorder solo!


You guys really wanted your show in the Peacock – why was that? (they do amazing Sunday Lunch roast potatoes – just saying!)

We believe that theatre needs to break out of existing purely in traditional theatre spaces and want to set fire to expectations of what a night watching theatre can be. Taking I Hate Alone to social spaces like The Peacock allows us to do just that. Oh, and the amazing roast potatoes of course.

You guys have released a new EP and video – tell me a bit more about that?

We’re keen to find ways that the music in our shows can be enjoyed beyond the live experience. We think theatre can learn a lot from the idea of fandom in art forms like music and comedy and want to enable people to continue their engagement with gig theatre on their own terms. Being on Spotify, Band camp and places like that are key to ensuring our work reaches beyond the usual theatre crowd.


Where did Middlechild start? Who/What is MiddleChild?

Middle Child started in Hull 6 years ago, almost to the day! We all met at Hull University and, after going off to various drama schools / jobs, decided that we wanted to make our own work in a city we loved. Since then Hull was awarded the honour of becoming the UK City of Culture, allowing us to grow in both ambition and capacity. The name actually comes from Fight Club, as the characters talk about being the ‘middle children of history’. That term really resonated with us at a time when the Coalition government was just coming into power. We had no great war, no obvious battle, but knew things weren’t right, needed changing and to do so we had to be loud and outspoken. That feeling remains today and runs right through the work we make.


Favourite Fringe moment/experience?

This entire year up in Edinburgh was incredible. We were at our favourite venue – Paines Plough’s amazing Roundabout – and were selling out shows and receiving great reviews. The Fringe can either feel like the best or the worst place to be and this year we were extremely fortunate. The one moment that stands out is when one of our actors, Marc Graham, was surprised after the show with a Stage Award for Acting Excellence. It was the first time I’d seen him speechless, which was very enjoyable.


Explain your involvement in City of Culture in Hull?

We were one of 2017’s major theatre commissions with our show All We Ever Wanted Was Everything by Luke Barnes. We also benefited hugely from organisational and creative development from the team who have supported what we do from the day they arrived. We’ve been massively fortunate and our impending NPO status is massively due to the permission for thinking big given to us by the Culture Company. The transformative power of culture has been so apparent all year, and Hull is absolutely buzzing. It’s been an amazing time for the city and our job now is to work with the other local organisations to ensure it is the start of something special, rather than the end of it.


Advice to other cultural organisations in Sunderland and how they could benefit if Sunderland secures the bid?

Keep doing what you’re doing, believe in yourselves, work hard and – when the time comes – the right people will notice that and do what they can to help you achieve as much as you can. Don’t expect the City of Culture label to wave a magic wand – it’s commitment to what you’re making and doing that will make the real difference, City of Culture would simply reinforce and build upon that.


Holy moly – I’m bliddy excited to meet MiddleChild and BEYOND excited to see them at The Peacock on 26th October at 7.30pm….  see you there!

GemArts Masala Festival 2017; a South Asian cultural infusion of a festival……

Working in Culture within the North East is possibly the best sector in the entire world to work in; it’s just mint! The ideas, the events, the projects, the people and beyond. As a none people loving people person, I really finding my little space in the world, with such brilliant people.

The Cultural sector in our region is just so diverse – I’ve never experienced anything like it. The cross fertilisation of ideas, partnerships and collaborations and the ever emerging willingness to work together culminates to ensure an exciting bubbling richness of lush things and people.


GemArts and Sunderland Stages present Gods & Mortals at Sunderland Minster

The sector is also very close knit – you can attend any event really and see a smattering of friendly creative faces smiling, championing you and your projects and attending the things you do. It’s a like a secret club of lushness…… the people you work alongside or attend their things and champion, very easily move from project partner or such and such from that organisation….and become friends. Real friends and people who you celebrate every cultural moment with.

Sinead from Gem Arts is one of those people (and in fact really the whole Gem Arts team….but Sinead really likes cats and is quite ridiculous like me, so she’s my favourite). I’ve known of Gem Arts for some time and championed them for as long as I have worked in the cultural sector….. their Mini Mela was my induction into working with a large scale cultural children’s event.


GemArts is a dynamic arts development organisation presenting South Asian arts. They produce and programme new and exciting culturally diverse arts, by creating and developing high quality concerts, events, festivals, workshops and commissions with regional, national and international artists. Every event I’ve attended has been a cultural hot pot and celebration of South Asian diversity and learning about respective cultures.


Last year they launched Masala Festival and I had the pleasure of championing it as part of Gateshead Arts Team and of course, as Sinead’s mate Horts. So as we are literally about to jump into the second Malasa Festival (deep breaths Sinead and team – it’s going to be mint!), I thought I’d take the opportunity to catch up with her and find out what this year has in store for the region alongside digitally championing to my fellow Culture Vultures what a cracking week this is going to be…..

Well hello Sinead, so first up; what is Masala Festival?

Masala Festival is the North East’s very own, award winning, South Asian Arts Festival, bringing a mix and blend of the finest art and artists to the region for 7 days in July starting on 17th July.


How many years has it been running and what kicked it all off?

GemArts launched Masala Festival in July 2016, offering a truly eclectic programme, spanning traditional and contemporary arts. After 16+ years presenting diverse arts in the North East, we decided it was time to put our expertise to good use, and create a brand new Summer Festival, showcasing artists from the UK, South Asia and beyond.


This year the Masala Festival programme explores partition, migration, globalisation, identity, heritage, tradition and modernity, and marks the 70th anniversary of Independence for both India and Pakistan, something we were already starting to think about in 2016.

You won a Culture award for last year- tell me what that was like?

Recognition is the icing on the cake, alongside the incredible support we continue to receive from participants, audiences, trustees, volunteers, sponsors, partners and local communities, to whom we are hugely grateful and celebrates the creative talents of artists from the region, across the UK, South Asia and beyond.


It was a joy to collaborate, connect and celebrate with thousands of people from across the region at our first Masala Festival, and we can’t wait to do it all again.

Receiving an award for something your team is truly passionate about is a dream come true, and has given everyone an even stronger drive to continue championing creativity and diversity at every level, supporting young and emerging artists, and offering people from all backgrounds and ages, community groups and schools, engaging opportunities to take part in our culturally rich and diverse arts offer.

So… now 2017; what’s coming up for Masala?

This year’s Festival (17th-23rd July) will ramp things up, building on our award success we’ve been even more ambitious, and added exciting collaborations and takeovers to last years list.

GemArts has commissioned work from celebrated companies and artists  and the programme is packed; award winning poetry readings (Daljit Nagra: Heritage and Identity), specially curated short film programmes (Changes), celebrations of Sikh soldier’s music tradition and contributions to the First World War (Sacred Sounds), leading choirs from India (Gandharva Choir), two nights of powerful theatre (No Dogs, No Indians), Masala Festival takeovers and collaborations (Q Festival, Trinity Square and Dabbawal), Mini Mela family fun days, Indian storytelling shows (Henna),  talented musicians fusing jazz, electronic and Indian classical music (Sarathy Korwar), folk music and dance (Rajasthan Heritage Brass Band),  film screenings (The Jungle Book, Ghandi), exhibitions (AURORA by Jayamini de Silva), food events (Biryani Club), fantastic workshops (Bollywood dance, Meditation and Yoga), talks and demos (including GBBO contestant Chetna Makan) and lots more……


What should I not miss out on?

We think you should attend everything, but there probably aren’t enough hours in one person’s day. Three events we know the Culture Vulture will really enjoy would be;

SACRED SOUNDS – A national project called Sacred Sounds, which tells some of the largely forgotten stories of British India’s role in the First World War. Using archive footage, letters, photos, music and poetry, SACRED SOUNDS is a multi-art form performance which explores Sikh musical heritage and traditions, which soldiers took with them to the battlefield.

HENNA INDIAN STORYTELLING SHOW – As part of our Q Festival takeover we’ve invited international storytellers Peter and Gorg Chand to tell a very special story. On the eve of a wedding a young bride-to-be is having henna applied to her hands. As the patterns emerge, the stories begin to unfold… love, loss, betrayal and Bollywood! Plus GemArts Henna artists will be on hand to create beautiful designs for any of our audience who want them.


NO DOGS NO INDIANS – A powerful new play from Siddhartha Bose. Three intertwining stories, spanning decades, explore the effects and legacy of the British in India in a powerful new play to mark the 70th anniversary of independence.

I’m always up for trying something new and out my comfort zone- do you have any recommendations?

CHANGES: stories on the edge will certainly make audiences ask some serious questions, and think long and hard about the world they live in and the resilience of people. Following last year’s successful ALIVE film programme, we’ve teamed up with creative producer Bobby Tiwana again, who has curated a stunning line up of short films for CHANGES; a programme of lives on the edge – personal and political conflicts test human resolve.

My little mini Culture Vulture Beck (one of my best pals little boys) – he’s really into trains, stamping his feet, stairs and exploring- anything for him and his lush fam?

There is plenty for mini Culture Vultures and their adults to get involved in during Masala Festival. We’re starting our Q Festival takeover with Bollywood dance classes for ages 2+ from 9am, and then from 11am we’ve Stories from the Punjab and Beyond for ages 5+ , a fun, interactive, and lively session of Indian tales.


Part of our Movies at Masala programme with the Jam Jar Cinema, shows The Jungle Book at 11am on Saturday morning.

Sunday sees the return of our popular Masala Festival Mini Mela, which last year welcomed more than 500 people throughout the day. Like all GemArts Mini Melas the day includes a range of drop in arts workshops, from Rangoli, Kite making and Silk painting to Bollywood Dance and Dhol drumming, plus we’ve invited an amazing group of musicians to really bring the space to life, as the Rajasthan Heritage Brass Band will perform throughout the day.


Heard about the curry night at Arch 16 which obvs I’m all over that…..I like my curry to be an experience…..

BIRIYANI CLUB AT ARCH 16 – We love working with our friends and neighbours, and when we read about Arch 16’s curry clubs with Ashiyana Café we knew we had to chat Masala Festival with them. A tasty curry for less than £10, and GemArts DJs spinning the best bhangra hits, what’s not to like?!

CHETNA MAKAN CHAI, CHAAT AND CHUTNEY – As big fans of food shows, food cooking and food in general, we were over the moon when former Great British Bake Off contestant Chetna Makan was available to deliver a cooking demonstration during Masala Festival. Chetna will share stories from her travels around India for new cookbook, Chai Chaat and Chutney, and attendees will get to taste a selection of delicious street food recipes created before their very eyes!


Well that’s all a little bit amazing isn’t it – so make sure you check out GemArts Masala Festival next week…’ll see instantly why  it won a Culture Award and how fantastic it is – every night a brand new experience of diverse lushness – so much to see, do and of course Culture Vultures, EAT!

So bye for now Culture Vultures and Sinead, well I’ll see you on the other side of Masala Festival…..


The Culture Vulture xx

The Q Festival Low down – top 10

Right, so going out and seeing and doing things is my jam…… I’m at that age where gone is my capacity to go out endlessly, I work extremely hard and don’t really take time off so if I go to an event or thing, so when I’m going somewhere I want to know it’s going to blow my socks off or be something a bit special and different. So instead I’m all about cherry picking the very best stuff in the region and we are extremely lucky to have some much going on in region at the moment, overwhelmingly so.


So in this blog post, I’m chatting about Q Festival and giving you the low down – so you know what are the hidden gems and the unmissables…..


Q Festival in a nutshell, is an urban festival lasting 24days in the heart of NewcastleGateshead – smack bang on Gateshead Quays (Yep….this Gateshead lass, told you guys first 18months ago how much Gateshead has really got it going on at the moment). For 24days and nights, Baltic Square will come alive by day and by night with a huge Spiegeltent. Anyone who has been inside a Spiegeltent will know how beautiful they are as venues and anyone who hasn’t been inside well you haven’t lived yet!……


The full programme is available at with tickets on sale now; but the festival site itself is open every day from 14th July for all to come on down and have a drink….boom!

Here’s some of the inside craic for anyone wanting to drop by the festival site or attending events:

Q Festival has had some of the region’s in the know mixologists and bartenders assembling the bar stock and designing drinks for specific events…… as a gin gal and new red wine lover, having a decent drink in my hand at all times at an event is of the upmost priority! I don’t want a drink that’s a science experiment and I don’t want a £2 pint of wine circa Leeds festival 2002…..

The festival site is worth visiting on its own….from 14th July, you will be able to come on down to Baltic Square, grab a drink or tea/coffee (or something much stronger) in the outdoor beer garden, eat some yummy street food and of course whilst flicking through the brochure chose your events and book in person at the box office open 12.30pm-9.30pm daily.

Q Festival programme and site supports and champions our region’s independents, creative businesses, artists, performers and so much more……. The people working on this festival from the marketing, to the site build, to the bar, to the programme contributors, to the food are all from the region, living, making, creating, playing, surviving and thriving right here…..and a festival that sounds pretty special to me.


So I’ve pulled together my top ten on what you need to attend……..

Jesterval Comedy Festival Opening Weekender….14th July

If like me you have a deep desire, to see everything and do everything first – let’s start with the beginning; Q Festival’s opening weekender – it all kicks off with Jesterval Comedy Festival back with a bang for 2017…. You need to make sure you check out Hal Cruttenden who is one of my all-time favourites (he’s bliddy funny) and of course, the big Jesterval Comedy Gala, which is your opportunity to see four comedy acts including Sara Pascoe. Sara’s individual show has now sold out so, this is your opportunity to see her if you didn’t manage to get the tickets.


Why is the Comedy Gala unmissable? Well you, have the chance to see 4 acts – us lot, well we love a bargain and here you get 4 for price of 1 technically……..all for £15 mint! And of course, it’s an amazing show…… I will be there on the night (so will Mama Horts actually) so it’s also an opportunity for you to hear my infamous giggle/cackle and Mama Horts laughter snorting away.

 Jesterval ad

The Steampunk Gin Festival….21st and 22nd July

Gin Festivals and gin anything is really on trend and in vogue at the moment and I’d just like to point out, when I used to drink ginny years and years ago telling everyone how lush it was, everyone thought I was crackers….it was still Mother’s Ruin back then and responsible for tears at the end of the night. Well I’ve never been like that with gin – it’s always been lovely and yes I’m one of those annoying people that ponders lovingly over which gin to drink, what mixer, what additional lushness will be make this even lusher……..basically, I drank gin before it was cool…….


I am thrilled that Gateshead gin company – Steampunk Gin are hosting a massive gin weekender with Q Fest – so they will have lots of lovely gins to taste, music, entertainment and a whole lot more all within a Spiegeltent….sounds mint innit!? Gin, Gin, Gin for the win!

Glitz and Glamour: getting ready for a party!….25th July

Meridith Towne is one of my favourite people of all time and I’ve seen her shows and talks (each one is amazing and I find them so empowering and bliddy entertaining!)……. Part performance, part costume show, part fashion history lesson – Merry knows where it’s at when it comes to having a passion for historical fashion and sharing that with an audience.

Glitz & Glamour copy

As a fantastic storyteller, this evening invites you into her wardrobe as she takes you on her journey getting ready for a glitzy party and choosing those glad rags from 1920s towards more modern times. This evening will be full of vintage real pieces, fashion adverts and snippets from various time periods and recreations made by her own talented hands.


As always Merry puts on a lively show; tickets are flying for this and this new talk has partly been written just for Q Festival….. so you really are in for a treat. Attendees will also receive a craft bag on the night from creative crafty business The Crafthood and there will be a pop up from fashion start-ups Trendlistr and Ebb & Sew with an opportunity for you have a deeks at their fashion pieces and purchase.


MA Takeover featuring Drag Me to Love…..26th July

Following on from my love of the new and undiscovered, I’ve had the absolutely pleasure of working with and seeing some snippets (at GIFT Festival) of some different theatre shows and scratches. So this night is all about the new and emerging……

For one night only Northumbria’s M.A. Theatre and Performance students take over the Spiegeltent at Q Festival for an evening full of performances showcasing up and coming talent from the region. The evening consists of multiple scratches of work that they have been working on during the course of their degree. The night will also include a performance of Drag Me to Love by Bonnie and The Bonnettes.


Scratch: Rooted by Becky Glendenning-Laycock and Fleur Rozan

In a battle between who we wanted to be when we were little girls Vs who we’ve turned out to be, we will come to realise that life doesn’t always hand you the story you wanted to tell when you were 9 years old. And that’s ok we guess. Isn’t it?

Scratch: Don’t Shoot the Messenger by Ashley Fraser and Becky Morris

This is about me, you, us, and everything that is going on around us. These are things that you may be aware of, or these may be things have you’ve ignored.

Scratch: Untitled by Jake Jarratt and Andrea Scrimshaw

From using two viewpoints, one male, one female, we challenge why sports are different for either gender. We take hold of our space and explore clichéd situations; replaying them in ways which challenge how society expects genders to behave within and around sport.

Drag Me to Love by Bonnie and Bonnettes

So imagine this. You are 14 years old and you are a drag queen. Its golden stilettos, ripped fishnets, shoulder pads, and neon bobs. It’s expression. It’s glamour. It’s power. It’s Doncaster, 2009.

It’s about being young, having that fire in your belly and seeing no limitations or rules. It’s the uncertainty of your own identity and the creation of a new one. It’s about finding a safe place between the two. It’s a reflection. An exorcism. A scrapbook.

We will laugh. We will cry. We will sing and we will dance.

You are bound to fall, as we drag you into love.

Jumpin’ Hot Club Presents: Q Festival – 1st August

Award winning Jumpin’ Hot Club are hosting an evening of unmissable toe tapping blues, folk, country and live roots music……..I’ve championed and worked alongside the Jumpin’ Hot Club gang for years so I know you’re in for a real festival treat with these guys.  And what’s a festival without the musicccccccc!

The line-up includes the amazing and hilarious Martin Stephenson & The Toe Rags….. I’ve heard a sneaky rumour that the king of Jumpin’ Hot Club himself Graham may be getting up on stage with Martin so obviously, I’ll be cheering like a crowd cracker.

With plenty of space to dance and lush local booze on offer, you can enjoy this one of a kind night with Jumpin’ Hot Club and also get to see admired Austin Texas singer songerwriters Brennen Leigh & Noel MacKay, a country blues and desert rock band born on Route 66, Hymn for Her and local folk legends George Welch & Christine Jeans……..




martinS2The Big 90s Pop Culture Quiz – 2nd August

Right, I’m stuck in a time warp. I love the 90s; maybe it’s partly not wanting to grow up and maybe it’s just being in love with this era. Everything about the 90s makes me smile…..


Ross and Rachel, Umbongo, Marky Mark, CK, hair mascara, Kickers as school shoes, Pogs, TLC chasing Waterfalls, Wayne’s World, Ravey davey dance….come down to Q Festival for a 90s Pop Culture Quiz with quiz mistress Cheish Merryweather (the only person I’ve ever met who is more ridiculous than I) testing your knowledge and love for the 90s.


Tables are really flying for this – teams can be any size from 2-8 and are £10 a table….so come mmmbop with me down memory lane even if you’re totes clueless…..

Disposable Treasures; Paper Crafting – 3rd August

So you guys know I’m allllllllll about championing local artists and stepping out of my comfort zone and doing something creatively challenging. And that’s what this evening is all about whilst enjoying a few glasses of vino and enjoying four different activities with professional artists.

So first up we’ve got Fiona Jamieson; you can have a go at paper cutting- designing, cutting and opening up a paper treasure……you’ll be surprised at how beautiful and intricate the designs can be with this Snowflake technique.


We’ve also got Culture Vulture fave and all round brilliant egg Sheryl Jenkins – you’ll have the opportunity to experience and create some paper crafty animations using stop-motion….. I’ve had a go at this many times now….you guys will not be shocked to hear that mine was cat related….


Late Shows fave and 36 Lime Street legend Effie Burns will be facilitating a session to create a paper crafted miniature magical world; we could all do with a little escapism so get lost in a match box world!

Finally, Yvette Hawkins, will be showing you have to create sculptural wearables – fit for a cat walk – think big, think bold colours and just go with it…..

So come as you as, come as a group, this evening is most certainly for those crafty crafters!



80s Social Club – 4th August

Going back to the time warp thing…I’m obsessed with 80s music. Not the cheesy kind (although after a couple of gin & tons singing them loud and proud, most certainly has their place) – the electro kind. I also have crazy large hair and “interesting” fashion choices – I look like someone who digs the 80s and stomp about to Stevie Nicks, Edge of 17 far more than I’d care to admit….

80s Prom

Following on from the mega success of my 90s Social Club party a few years ago at World Head Quarters – those that follow me on social know I’ve been ITCHING to do an 80s version… when a prime slot at Q Festival came up – it was fate. I assembled the Social Club team – we’ve got Tim McVicar (Dat Bar, Bierrex, MSA and ex Smoove & Turrell bassist) playing 80s electro funk and boogie and we’ve got Patterns Collective to play some 80s dance floor pleasers.

1980 social club tickets on sale

As per any Culture Vulture party, I’m pulling out some corkers – we’ve got glitter bar and neon facepainting, 80s decorative lushness and all sorts of things…..fancy dress is not enforced – but I will glittered up and back combed so why not so feel free!

“The question isn’t “what are we going to do,” the question is “what aren’t we going to do?” – Ferris Bueller’s Day off

The Candy Vortex Q Festival Closing Party – 5th August

Basically just don’t go to sleep between Friday and Saturday because this is the ultimate party weekend………when it comes to closing a big urban lush festival, is there ANYONE ELSE? If you haven’t heard of the Candy Vortex yet – well you’re going to, they run some fresh immersive parties, filled with revelry and you know an all lasses collective is going to get my vote.

Candy Vortex

So what to expect – well I don’t know…….expect the unexpected and see you on the dance floor….

Carruthers & Kent Summer Wine Fair – 6th August

Something happens when you turn 30 – things you wouldn’t have dreamed of doing or liking suddenly seem lush and acceptable. I’m like that with red wine…….my friends have tried for years to get me to like wine and to taste different things and really appreciate it. A year a go something magical happened – people had told me it would happen but I just didn’t believe them….. I took a sip of red vino, the skies parted, the birds sang, my taste buds cheered and the world suddenly made sense………

So how excited am I that Carruthers & Kent are running this….. me with my new found wine loving status is alllllll over this. The opportunity to taste and find out about different wines….heaven. I know you’re supposed to spit and only “taste” – but my sips are unfortunately gulp like so I’m sure I’ll be dancing my merry way out of the Spiegeltent at Q Festival – which let’s be honest, is a fitting way to end the fest……


So that’s my tip top ten of Q Festival picks; so I really hope to see you along and get booking:

That’s all for now Culture Vultures!


Mixtape 90s: The Six Twenty

We all know I love theatre, I love a good old night out, buzz light years over a pub quiz and currently experiencing an intense nostalgic love affair with the 90s….. so Sunderland Stages bringing Mixtape by The Six Twenty to The Peacock in Sunderland is right up my street. Sunderland Stages is all about bringing theatre to unexpected places in Sunderland…..and of course, theatre in an actual pub is pretty unexpected and lush.


Mixtape is an immersive performance pub quiz….. The Six Twenty have taken it to festivals, Live Theatre and other venues, all with sold out performances. I’ve heard rave reviews so I’m super excited to attend on 30th June…. (tickets are available now – bring a group, bring yourself and in typical 90s Nirvana style – ‘come as you areeee!’)


It’s also a perfect opportunity to check out the newly opened Peacock venue – a beautiful independent pub within Sunderland’s thriving cultural quarter….. I’ve heard they do a corking Sunday lunch too.


And, The Six Twenty are a Newcastle based theatre company that is growing and has big plans for the future so this is an opportunity to check them out and their work…..

I caught up with The Six Twenty’s Artistic Director, Creative Producer and all round absolute megababe, Melanie Rashbrooke, to find out more and all about 90s Mixtape….

Hi Melanie, right tell me about The Six Twenty?

The Six Twenty are dedicated to creating playful, entertaining and immersive theatre that’s ambitious and fun. We make new work and also produce re-imaginings of classic and contemporary plays. We tour throughout the UK to theatres, outdoor spaces and unexpected places. We hope to make theatre that inspires, moves and creates conversation and brings people together.

Now tell me about Mixtape?

Mixtape is our infamous comedy music quiz show. It’s a unique concept that was invented at The Six Twenty and is performed and created by a brilliant band of theatre-makers, comedians and musicians who we call Mixtapers. Basically The Mixtapers perform comedy sketches that are created entirely out of song lyrics; the song lyrics can be reordered and repeated but no additional words can be used. Plus the sketch can’t be longer than the running time of the track that inspired it.

The Culture Vulture: I literally feel sick with excitement at the thought of this already….. I know 90s songs inside out…….

The audience plays along in teams and tries to guess the songs, bands and artists that inspire the sketches. The team with the most correct answers at the end of the night wins one of our highly coveted Golden Mixtapes. Each of our shows is themed and the next one is The 90s so expect a mix of pop classics, Summer anthems, dance tracks and Brit Pop!  It’s a really fun relaxed show that’s great for music and pub quiz lovers as well as theatre fans.

The Culture Vulture: New life ambition is to own one of these golden Mixtapes…….


What’s it been like getting rave reviews and sell out shows!?

It’s been great to see the show grow and build a real following. I’m particularly excited by the feedback we get from audiences – especially people who might not attend the theatre that much and who really enjoy the show.

The Culture Vulture: As someone who works on events and organize my own, feeding off the audience buzz and interaction is what feeds the want to do another event. It’s lush when people enjoy and champion what you’ve put on and of course, had a lush time!


What was the show’s inspiration?

It was something I dreamed up whilst I was working on a writing project with Write on Tap (a group of writers based in Newcastle). The theme for the project was ‘Who I am with You, Who I Am Without You’. I decided to challenge myself by writing a short script using just the lyrics of the U2’s song…yes that one! And thus Mixtape was born.

Also, I love my music and who doesn’t love a good old pub quiz!

You’re bringing Mixtape to Sunderland 30th June, the Peacock….tell me about the show?

We’re bringing our new 90s show; the show recently premiered at Live Theatre (where we create all of our new shows) to a sell-out crowd. Expect a night crammed full of 90s tunes, comedy, crop-tops, dance routines, mayhem and fun!


What can attendees expect on 30th June? Why should people come and get their tickets?

Comedy, quiz, fancy-dress, music, fun! A night crammed full of super fly hits. From boy bands to dance anthems, grunge and summer hits; this show’s gonna be off the chain. So dig out your 90s crop tops and Docs, brush off your Discman, and bring a team along and see if you can win the Golden Mixtape.


90s fancy dress is also highly encouraged with the best dressed 90s team winning a special prize too!

The Culture Vulture: Well I’m going to be prancing around the place dressed as blossom with a side pony tail.


As someone who is OBSESSED with the 90s….I dig the theme. Why did you go for the 90s music?

We’ve created a variety of Mixtape shows based on different music themes including North East bands, Alternative music, Rock ’n’ Roll 50s, Boy Bands vs. Girl Bands, 80s…the list goes on. So it was about time we tackled the most bangin’ decade. There are some seriously good tunes featured in the show.

The Culture Vulture: Right – I need to see every single show……love the sound of all of these!


Your favourite 90s song of all time?

Ooooh tricky…there’s so many to choose from. I’m going to go with a curve ball option – I’m Too Sexy by Right Said Fred. Come and see the show and find out why……

The Culture Vulture: Now that’s a controversial and interesting choice – I need to know more. I’ve rediscovered E-17 recently – ‘House of Love’ plays on repeat currently…..


Tell me a bit about some other The Six Twenty projects (fans!) and other things coming up?

In 2016 we won the Bridging the Gap award to create a new show called FANS which is part music gig and part theatre show and written by the brilliant Nina Berry and made with an awesome team of theatre-makers, musicians and creatives. It explores what it means to be a music fan. We’ll be redeveloping the show later this year and then re-touring the show in 2018.

We’re also working on a couple of new shows. One is with Mixtaper Lewis Jobson called Redcoat and explores what it means to be happy and what happens when you have an ‘off day’ and you tell Barney the Dinosaur to f***k off (in front of a load of kids)…at Butlins…in Bognor Regis.

The Culture Vulture: What a great concept for a show…..

The other show we’re working on is with Charlie Raine who performed in FANS. It’s called The Playground. For this we’re interviewing children aged between 4-7 years old about their lives and their views of the world. The final show will be performed by adults for adults as adults – using the words of the children we interview and collaborate with.

The Culture Vulture: This is brilliant – kids say hilarious and pure things.

And of course we’ve got loads more Mixtapes coming up!

To find out more about the projects we’ve got coming up and how you can get involved visit our website at

Well thanks Melanie, this all sounds lush and brilliant………. I’m so passionate about theatre in and around the North East – love it! Get your tickets for 90s Mixtape everyone…….you’ll be greeted on the door by The Culture Vulture, manically happy, like some 90s super fan.

Big love from The Culture Vulture. xx