Interview with sound designer & artist Matthew Tuckey; unexplored possibilities & bringing stories to life through sound.

“You can’t be, what you can’t see”

This was my starting point for a creative discussion the other day – we were talking about creative industries and lack of diversity, lack of representation in some areas, empowered freelancers and I broadened the conversation on to creative skill set and roles. There are SO many roles and extremely talented folks that go relatively unnoticed and unseen. It’s not to do with their lack of importance or skill set – it’s because what they do happens behind closed doors or “backstage”. Ironically, some of these roles (especially the digital and tech ones) in the current climate – have never been more important. These are the folks that will drive and help shape the innovation and reinvention of creative projects because they have the skill and ability to do so! Therefore, we should be shouting about them and celebrating them!

As The Culture Vulture, my mission has always been to empower artists and showcase the creative and cultural sector in its entirety. So, in my blog over the next few months, I’m going to be featuring talented creative people who have interesting roles in creative projects but often, don’t get mentioned or celebrated in the way they should do! I want to remove the “mysterious” element of what they do and hopefully, make them feel seen with the hope that others may follow in their footsteps. I want to illuminate the creative industries in their entirety.

There are so many roles that could sit within the “unseen” and “mysterious” category – but the one I’m going to explore today is a sound designer! If you don’t know what one is – well don’t flap – I didn’t know until a couple of years ago! I’ve personally worked with them on films, animations, theatre productions and public art commissions exhibited as part of an event. They do weird and wonderful things to sound usually as part of a wider whole (e.g. a theatre production). Their skills lay in making people feel, think, experience things via sounds. In an immersive performance context, if we think about humans having 5 senses – the perfect blending of the performance including sight and sound, can trigger the audience to feel, smell, and even taste things. What you hear can be equally as important as what you see!

A sound designer that I’ve had the total pleasure of meeting and working with recently, as part of Mortal Fools – is Matthew Tuckey, he’s very talented but also really canny human (I’ve enjoyed surrounding myself with canny folks of late). So I thought, I’d jump at the chance to interview him to showcase what a sound design is, what they do and to celebrate Matthew’s work, to make it more “seen”. So here we go and over to Matthew!

Hiyer Matthew – right, let’s start at the beginning – please introduce yourself to my fellow Culture Vultures?

Matthew – I am a Sound Designer and Sound Artist. I work mainly in theatre but have more recently been taking private and public art commissions. I’m based in North East England but take my work further afield when I get the opportunity. I am currently craving a long escape to the Highlands (when it is safe to do so) and I really like cooking. So, if you want to talk at length about interesting sounds or how to make an excellent stir-fry – hit me up!

Laughing at Hadrians Wall 2017

Matthew Tuckey

As a forever hungry human, yes please! Can you tell me about your journey into the creative industries?

Matthew – It’s a convoluted one… I started off with a very committed drama teacher who encouraged me to pursue directing. I was involved in music, art and drama at school but unfortunately we were limited to only one option at GCSE level, so I ended up going for Drama and took this all the way to A Level. I tried studying a four year MA in Theatre Studies at the University of Glasgow but after the first two months decided this was a waste of time and somehow landed an internship in a recording studio back in Newcastle. I was still writing and directing theatre here and there, but the studio offered me an exciting new creative outlet. Without planning it, these two worlds merged quite naturally in sound design.

Fast forward to now and I’m exploring the exciting and diverse world of sound design for theatre, and more lately, sound art. This was quite a natural progression from my creative work in recording studios and theatre sound technician work, alongside participation in directing and writing workshops. The surprising thing I found was when I was doing the more technical work, some people were asking me questions like “have you given up on creating theatre then?” which really fuelled my desire to demonstrate how technical and creative meet harmoniously in the designer’s role.

The Culture Vulture – As a non-planner – I find the magic happens in the freedom and I’m delighted to hear you talk about the connection between technical and creative, as absolutely and actually, I think where they meet is exactly where the innovation is, that will  take us into the next sector creative phase for reinvent post (or during) pandemic!

So tell me, what do you do as a sound designer? What is a sound designer?

Matthew – I get asked this a lot, and often at the start of a project with a new collaborator funnily enough! Also, a lot of people keep asking me how I differentiate between my sound design and sound art practice, and to be fair most aren’t aware that a “sound artist” is a thing. So to clarify, briefly, I am a sound designer when I am serving a client or collaborators creative vision – they present a problem and I plan and execute a design solution. Sound Art is what I do when I am realising my own creative vision – but the line can be quite blurry.

So, a sound designer means a lot of things across film, music, theatre, UI, AR, etc. Even in the theatre industry, where I do most of my work, it can mean many things to many people depending on the show, the genre, the theatre, etc. Broadly speaking though, the sound designer for a theatre production is responsible for all audible aspects of a performance.

It’s a broad role that can involve any combination of the following: sound effects recording, sound effects design, Foley (live or pre-recorded), sound system design, live sound reinforcement, recording and playback of music, programming the show control software, and room acoustics. So if you get the right one, they can be very good value for money!

I describe this approach as a wholistic sound design and this is what I aim to achieve in my work. Depending on the show and the company, this can either be all on me or with a team of maybe one other sound designer or composer and the technicians in the sound department.

The Culture Vulture – I think it’s an important question for folks to keep asking as, the more they ask and get comfortable with what a sound designer can do – the more ambitious they will get with their use of sound during a performance or project. Lack of technical knowledge and understanding of specialist roles like yours, can be so self-limiting! Through increased awareness, the seemingly impossible transforms into possible.

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Matthew Tuckey – photo credit Von Fox

What types of folks require your services?

Matthew – Anyone wanting to tell a story with sound! Whether that’s theatre companies, film makers, podcasters, visual artists, museum curators, or marketing teams. For example, I’ve never worked with an organisation on creating a sonic brand (think Windows or Mac start up. Or Netflix “da-dum”!) but would love to hear from anyone interested in developing that side of their marketing strategy. My clientele is only limited by imagination – it’s fairly niche at the moment but more and more organisations are offering immersive audio experiences (see Land Rover marketing or Formula 1 teams or Bastille album launches).

The Culture Vulture – holy moly, the Bastille album launch was truly amazing (google it folks)! So innovative. And as someone, who had kind of forgotten about them and their music, it worked in getting me to notice them and reconnect.  

Matthew – There’s a range of technical proficiency out there already when it comes to things like recording a podcast or sound for video, not forgetting musicians with home studios. But my skills really lie in marrying specialist technical knowledge and creative expression. When I was working in recording studios, one of the most important lessons I learnt was how to create a workflow that allowed natural movement between ‘left brain’ activities (setting levels, patching signal chains, organising your space) and ‘right brain’ activities (creative ideation, abstraction thinking, meditative listening) – I think that’s one of the biggest offerings on a project.

I also offer consultancy and training for organisations looking to improve their sound infrastructure and skills. Whether that’s theatre and cinema workshops exploring sonic creativity or venues looking to improve their sound system. I’m yet to work with a restaurant that want to improve the sonic side of the dining experience (I’ve been lucky enough to go to some nice restaurants and notice how uncomfortable they are sonically!) – maybe one day!

The Culture Vulture – I really love what you’re talking about there. 1. The brand sound – as someone who works in marcomms, this would interest me greatly. We often talk about how colours and visuals feed into branding- but sound isn’t something explored in the mainstream and I think, it has such potential. 2. Enhancing audience experience through sound – I would love to visit a restaurant or bar that has invested into this area.

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Matthew Tuckey

Tell me about some recent project highlights?

Matthew – Just before lockdown I was nearing the end of an exciting new show with Mortal Fools called ‘Relentless’. This was the first time they had worked with a sound designer and we had/have a really ambitious vision for using sound in this production (Relentless was cancelled just before touring and is set to tour in 2021). I couldn’t help feel a touch of nostalgia with this project as it reminded me of similar devising processes I was part of as a teenager. We’re all determined that this show WILL have a life beyond lockdown!

Another recent highlight is ‘Wolf’ a winter story by Kitchen Zoo in association with Northern Stage which was performed in Stage 3 over Christmas 2019. Kitchen Zoo are a fantastic team making brilliant shows for little people and their grown-ups. It was my first time collaborating with the talented Katie Doherty who was the composer, we both found this collaborative effort very rewarding.

WOLF by Kitchen Zoo – photo credit Von Fox

What makes a “good” sound designer? What skills do they need?

Matthew – I think the main thing that is relevant for all types of sound designers, and sounds a bit obvious but I really do mean it, is you need to LOVE sound and really experience the world through a strong awareness of sound. Whether it’s noticing an interesting acoustic effect, experiencing new music (live and recorded), or being drawn into a film through the sound design and score. I’m pretty evangelical about people watching/listening to collaborations between Hans Zimmer and Christopher Nolan (current personal favourites – Dunkirk and The Dark Knight Trilogy – both making awesome use of Shepard tones which is one to ‘Google’!) And also, Joe Wright’s Atonement and Darkest Hour are great examples of sonic repetition and punctuation. But I’ll stop short of some of the more obscure ones…

The Culture Vulture – As a real film fan, I love sound in film and really appreciate its usage; 1917 had a fantastic use of sound and Ryan Murphy productions use sound (and populist music) fantastically; American Horror Story, Pose, Versace!

Matthew – Another important skill is developing a language alongside your awareness of sound. Being able to describe sound in a way that communicates clearly with a range of clients/collaborators – whether that’s a producer, a director, a performer, or videographer or painter. Having a common language is really important and is the first challenge in every new collaboration.

There are other skills that are really more specific to individual practice. Such as live sound reinforcement, microphone techniques for live and recorded sound, field recording, effects design, music composition, QLab programming etc. The depth that you go into these more practical skills really depends on what type of work you are designing.

The Culture Vulture – It’s interesting that you brought up commonality of language. I think it’s a real barrier to lots of collaboration where technology and more technical roles could come together. It’s the same with technological solutions and innovation that could make creative businesses function better – we (I class myself in that) often don’t have the words to describe effectively what we want or to do the research to understand what we need and the ones with the technological solution aren’t able to communicate to people who don’t understand tech speak! It can be overwhelming and disempowering!

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Matthew Tuckey

What kit do you use? What kit would you recommend to folks wanting to invest in sound for their work?

Matthew – So I use a combination of field recording, studio equipment, and electronic instruments.

For field recording I have a multitrack recorder with a vast range of microphones, from ambisonics (useful for VR and surround work) to contact microphones (useful for acousmatic compositions). I also have a handy mini field recorder with built-in and external mic’s which I use to grab interesting sounds that I come across day-to-day (this pretty much goes everywhere with me, and it’s not uncommon to spend the first 30mins in a new Airbnb recording another extractor fan or boiler!).

I have yet more microphones for studio recording (such as voiceovers and acoustic instruments) as well as a few acoustic instruments and Foley props that make great source material for designing effects. I recently got hold of a mini Roland synthesiser based on the classic Juno 60 and 106 which is very fun and versatile – I like being able to get hands on with this, as a lot of my work happens in audio editing software, and if all else fails you can just entertain yourself trying to make things sound a bit more Stranger Things!

It’s important to say though that you can buy the best equipment in the world but use it terribly! So the best resource straight away is either investing time and money into learning the skills to optimise what equipment you can lay your hands on, or bringing in a collaborator like me who already has not just those skills and equipment resources, but thinks and creates in a heavily sound orientated way.

The Culture Vulture – When learning something new or feeling out of your depth, there is an impulse that can lead to buying ALL the kit possible as a solution or assuming the best kid will compensate for the lack of skills. I’ve been guilty of that for visual stuff and learnt the hard way!

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Matthew Tuckey

You worked on an Enchanted Parks’ piece – I didn’t know you back then,  but I worked on EP that year and remember your name, it was a wonderful piece– can you tell me about the piece?

Matthew – That was a lot of fun collaborating with Molly Barrett on her sculpture piece ‘Smoke & Mirrors’ in 2018. I got to play around with some new ways of manipulating the voiceover that was part of the wider Enchanted Parks story and working with some theme music from the wonderful Roma Yagnik.

I’m really hoping that Enchanted Parks makes a come-back after their hiatus. It’s a fantastic event and my involvement in 2018 left me with big ideas for a parkwide sound installation.

The Culture Vulture – Me too – both as someone who visited every year as a punter and lived along the top of Saltwell Park, it’s a proper visitor gem! AND as someone who worked on the event for a couple of years – it’s a big miss to my yearly calendar.

Can you tell me a career project highlight so far?

Matthew – That’s a tough one!

I really enjoyed working with Selma Dimitrijevic on ‘joey’. It was a preview tour and Selma’s first point in the brief was ‘very lo-fi’ – we were literally touring to venues that had the most basic of sound systems. The piece was performed as a monologue by two performers simultaneously, one in English the other in BSL (the very talented Scott Turnbull and Faye Alvi respectively), and so we decided to make the soundscape quite low-frequency heavy in order to maximise the effect for our D/deaf audience members. These very strict parameters helped me to focus my attention on the source material inspired by the script and manipulate these in a really creative way that supported and scored the performances on stage.

http://www.picturesbybish.com/ | https://www.facebook.com/picturesbybish/

Joey – Photo credit – Bish

I also have to mention working as Associate Sound Designer for Northern Stage’s production of ‘A Christmas Carol’ and working alongside sound designer Nick John Williams. That show was a lot of fun, not least because of the sheer scale of the production. Nick brought me onto that project to help with some particular tasks, which included recording various sound effects such as church bells – a first for me! I was also responsible for creating vocal effects chains for the different types of ghosts and narrators in the show. Both of these challenges were a lot of fun and we were very happy with the outcome.

The Culture Vulture – Great answer and it gives a real overview of how broad and diverse your work can be!

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A Christmas Carol – Northern Stage – photo credit Pamel

Can you tell me how COVID-19 has affected your work/practice?

Matthew – As soon as the PM suggested people stay away from theatres (prior to ordering them to close) the theatre industry pretty much shut down over night. My diary for the foreseeable cleared overnight simultaneously. Which was a shock to the system to say the least!

I had already been developing my practice in the digital art scene and making commission applications and funding bids in this area. Now with social distancing in place, a lot more people are contributing to digital art galleries which is great but also means the competition for funding and commissioning has jumped up!

The Culture Vulture – I hear ya! But from knowing you and chatting briefly to you about what you’ve got in store, I’m extremely excited to see your ideas and work unfold!

What challenges have you faced and how have you responded to them?

Matthew – The most immediate issues for me were the worries of financial loss and losing momentum in my practice. As a freelancer, I struggle with this mentality that if I stop for too long and lose momentum then it’s game over – I’ll lose clients, I’ll miss opportunities and I’ll forget how to do what I do.

I dealt with the financial worries by taking a few days just to gather my thoughts and assess the situation – fortunately I wasn’t in any immediate trouble and since then I’ve been successful in securing an individual ACE emergency support grant. I’ve also got some online workshop facilitation work for the lovely Mortal Fools and some online tutoring for Newcastle College’s FdA Stage Management and Technical Theatre students, which is also a lot of fun.

In terms of my practice – I started off by setting myself small, short term goals. I created a mini series of daily-ish ‘Mystery Sounds’ giving people 24 hours to guess the sound from a short recording clip. This helped me feel productive while I adjusted to the new circumstances. I’m still finding it difficult not being able to go very far with my recording equipment and to see people, but the cacophony of birds in our garden are more than obliging recording subjects for the time being. Listen here!

The Culture Vulture   – I loved your mystery sounds and I think it is a testament to your creativity with sound. In a busy digital space where everyone was suddenly pushing out content – I genuinely found yours fun and interesting! It also drove me insane trying to guess!

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Matthew Tuckey

You’ve been successful in receiving ACE emergency support funding – so firstly, BLIDDY WELL DONE PAL! Can you tell me what was the application process like? How did it feel to find out you were successful?

Matthew– It was a fairly simple process and I had some great advice from people who have a good track record with securing ACE funding. I’ve also been through a few bids over the past year, that were all unsuccessful in this ever increasingly competitive sphere of funding, so it was a real relief to find out I was successful. I was having a bad day when I got the email so just dismissed it without reading it in a moment of negativity and pessimism – thankfully I went back and read the email properly!

It was also very encouraging – I’ve basically spent lockdown juggling what little work is done remotely, applying to commissions for digital art, and trying to maintain some sort of routine! Now this help from ACE can give me some structure and purpose for a brief period of time.

YAS!  Proud of you pal! What will the funding enable you to do? What can we hook into?

Matthew – It’s buying me time really. The Arts Council asked how I would use this time to plan and stabilise for the future. And my answer was two things: take some sections of my original sound library and create collections to be bought online, and also to host webinars and discussions for collaborators who want to find out more about the sound design process and how they can collaborate with a sound designer in their work.

The webinars and discussions are largely going to be promoted through my existing networks with the help of regional theatre companies, but if anyone would like to get in touch to hear more about these events then they can find my contact details on my website.

Count me in for the webinars and discussions! So, I know it’s hard to plan during the uncertainty right now – but what’s next for Matthew on the horizon? What projects/happenings/things should my fellow Culture Vultures look out for?

Matthew – I am currently working on a mini album of sound art made during lockdown. It’s largely inspired by sounds I’ve noticed more since social distancing measures and sounds I am missing too. This will be available on my Soundcloud page (and other platforms that I will announce via Facebook, Twitter and Instagram (@MGTuckey, @thesoundportrait)

As soon as I can safely do so, I will be recording more pieces or ‘episodes’ for my Sound Portrait ‘Podcast’. This is a long-term project that I am running through a Patreon page that is all about hearing someone unfold their thoughts in a type of one-sided conversation. For me, it’s the sound artists portrait photograph of an individual. I’m steadily growing a following and patronage for this project, and I’ve recently created a new lower tier (just £1 per month) on my Patreon in order to try and encourage new followers to support the life of the project. It’s a slow burner, but my hope is that we can create a series of portraits that collectively amount to a sonic time-capsule of people, a kind of living oral history if you like.

Other than that, things are fairly uncertain during lock down unfortunately, particular with regards to theatre work – who knows when this will pick up again.

The Culture Vulture – a sound portrait of an individual…..I really love that. Just reading that has got me excited and I would love to be involved in some way!

Matthew – The other project I have continually running in the background is called The Rime and is my personal response to the epic poem The Rime of the Ancient Mariner and combines influences of field recording, acousmatic composition, and sound poetry. I am constantly applying to commissioning opportunities to take this work further and hope I’ll be able to share more about this in the coming months!

The Culture Vulture – Thank you Matthew; you can find out more about Matthew on his website or via his socials; Facebook, Twitter and Instagram (@MGTuckey, @thesoundportrait)

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Matthew Tuckey

One of the things I love about working in the cultural sector, is the rich tapestry of people, vocations and skill sets that exist within it; it truly is unrivalled. I am unsure if people outside of the sector, truly understand its richness or skill diversity. I often sit back during a project team meeting and look around thinking…..”bliddy heck – what a talented bunch of people we have here!?” Matthew is one of those people!

And I am truly excited to see the opportunities as I predict tech and digital will creatively collide due to the pandemic, connect and from that, exciting collaborations will unfold.

Until next time Culture Vulture.

(#AD) Does Culture Matter? – a mass participation research project from Crystallised.

I’ve found myself really missing cultural experiences whilst on lock down. Even as The Culture Vulture, I didn’t realise how much “culture” mattered to me on a day to day personal level and how intrinsically linked going to the theatre, cinema, wandering around a gallery, is to my sense of self and well-being. I miss it and I miss feeling a part of a creative community in person. Attending things and supporting cultural venues gives me a real sense of positive purpose and now their doors are closed, I’ve spent a little while feeling lost. I am going to go on the BIGGEST cultural binge when this is all over – I want to attend, see, visit, experience e.v.e.r.y.t.h.i.n.g. all the time.

I’ve been trying to replace this sense of loss in my life with cultural streaming – watching theatre, live performance poetry, launching a Silent Book Club (and about to launch a Culture Vulture film club) alongside heading down a rabbit hole on Insta discovering new artists and creative lushness. It’s helping ease that loss….but it’s not the same!

A project that is helping me tackle some of the above and making me feel useful to the cultural sector – is Crystallised’s project Does Culture Matter?  You might have seen me plugging it on my social…. Does Culture matter? explores that question thematically by collating the opinions and insights of the Nation, during COVID-19 and beyond. Through a series of weekly questions sent direct to your inbox on a Sunday, you get to explore and reflect on what culturally matters to you, what you’re missing and what you’d normally be out and about doing.

Lead DCM

Crystallised are collecting all this data, to make it available to arts and cultural venues and sector when locked down measures are lifted. Your insights and data will directly help organisations recover, pivot, be more resilient, stronger through the power of knowledge and shape their activities by enabling them to identify what is actually important culturally to you!

So do I think my fellow Culture Vultures should get involved…..

  • It’s something a little lush to do, to get you thinking and reflecting. The questions asked are interesting and in the moment – I mean there was a question about Tiger King last week!
  • It’s something to look forward to each week; I really look forward to the questions dropping in my inbox, grabbing a cup of tea/Sunday gin and sitting answering them. Only takes a few minutes but it’s a little lush brain exercise.
  • You are a part of a cultural community who are united in sharing their insights – it’s lush to feel useful and to be a part of something happening across the UK. #peoplepower
  • It’s helping the creative and cultural sector at a time of need – the organisations that will have free access to this data need a helping hand to recover post-COVID – this is that helping hand. Knowledge is power. At a time when you can’t attend these venues, support their cancelled projects or donate to every single cultural organisation and venue – this is something you can do to help that they will all have access to.
  • The data produced could form part of regional and National government lobbying – fingers crossed – it could form the foundation to justify increased spending in culture and creative projects by evidencing what is important to the Nation; what they want, need, love.

To get involved and to sign up – follow this link to take part – takes seconds and you can do it HERE

I had the pleasure of catching up with Laura Rothwell, Managing Director of Crystallised to find out more about why they launched this ‘Does Culture Matter’ project, why it is important and what they hope to achieve through it!

Hiyer you – right first things first, tell my fellow Culture Vultures about Crystallised?  

Crystallised is a marketing, PR and events agency for ethically, socially or culturally motivated organisations.

That’s the spiel.

What that means is we work with a range of organisations. All of them with a cause or purpose at their heart. We help them promote themselves, or their initiatives, we help them reach new audiences, market their work or make some kind of change. Invariably that means we work with a lot of arts and culture organisations, but we also work with charities, NGOs, ethically minded brands and foundations.

We’ve been doing this for seven years; we’ve helped organisations reach audiences of over 30 million people from all over the world.

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Team Crystallised

Impressive stuff – has has your organisation been personally impacted by COVID-19?

Yes, big time. A lot of our work is about getting people to a place. Arts, culture or destination marketing. So, jobs have been cancelled, or indefinitely postponed. We’re seeing many of our clients putting their plans on hold until at least October.

In January, I started looking at pitching for work which was less event-focussed, because of COVID-19. I have anxiety, and actually that has come in handy here, because I was worrying about this very early on.

Snap and snap! It’s been full of devastation and an opportunity to re-imagine in equal measure. What was is about the cultural and creative sector that drew you in?

It took a while to be honest. As a kid, things like ‘culture’ (museums, galleries) weren’t ‘for us’. Sometimes we went to castles which I loved, other times we went to National Trust properties which I hated, my main motivator for tolerating those was the Kendal Mint Cake at the gift shops.

It’s marketing that got me here, it’s where I started at 17, as a Marketing Administrator. And it’s what I’ve done for the past 19 years. The first eight years or so was retail and destination marketing, very commercial environments which are incredible places to learn and to train as a marketer.

I eventually took a role which connected me to ‘art’ for the first time, albeit in a commercial art organisation. There I ended up working on projects in the museum sector, at Great North Museum; Hancock, Birmingham Museum and Art Gallery and Magna Science Centre (Sheffield).

That’s what drew me in. I saw – for the first time really – what art meant, what culture could do for people when/if it wasn’t about commercial gain, how essential it was. I very quickly felt as though I had to use my marketing experience to allow more people (everyone, ideally) to a) know what was out there b) feel like it was ‘for them’ and c) contribute to it, own it, be part of it and d) benefit from it.

I started Crystallised, and seven years on I still feel those things acutely.

We are crazily similar #kendalmintcake Let’s move on to Does Culture Matter? What was the inspiration behind Does Culture Matter? – why did you start the project?

The idea came from an Instagram group convo with a collection of excellent women I know who work in the creative sectors. We were talking about what this all (COVID-19) meant for us, for our jobs, for the sector.

I was in the middle of what I suspect was coronavirus, I felt truly awful in the mind and the body. We’d had a recent, sudden family bereavement, and my brain was just not up for anything at all.

Anyway, as is the way, during this chit-chat back and forth, inspiration struck. I just thought, now is the perfect time to listen to audiences, to learn, without an agenda. No-one is paying us to do this, we aren’t trying to meet a brief, we are simply listening.

You almost never get an opportunity like this.

Can you describe what it is and how people can get involved?

Does Culture Matter? is a mass participation research project. We want to understand how our relationship with culture is changing because of COVID-19, what it was like before, perhaps if our own definitions of what culture means are changing and what we might want it to look like after COVID-19.

We want EVERYONE to give their opinions, even if – no, especially if, like me back in the day, you don’t think ‘culture’ is for you.

All you need to do is follow and input your email address.

You’ll receive an intro questionnaire via email and then one every Sunday for the rest of the year.

Why is it important that people share their insights with you?

It’s important because culture belongs to us all. There should not be someone ‘in charge’ of culture, there should not be someone gatekeeping, or deciding what is or isn’t culture. It belongs to us all. We own it.

I believe every single human being should be able to be involved with and relate to the cultural offer of their cities or communities.

The sector talks about ‘hard to reach’ audiences, that is infuriating bullshit. Audiences aren’t hard to reach, it’s the organisation that is hard to reach, because for whatever reason, intentional or not, they have made themselves inaccessible.

So, it’s important for you all to join up and share, because when your voice gets heard, change can be made.

We have an opportunity to come out of this and shape the next chapter. I felt as though the best way Crystallised could contribute to that change, was to use our skills and expertise.

Listen to people, advise organisations. It’s what we do every day.

Have there been any interesting insights you wish to share?

Our North East participants told us their favourite places to visit in the city, at the moment, the list looks like this – the data changes the more people who join, so that’s another reason why everyone should get involved.

Tyneside Cinema

BALTIC Centre for Contemporary Art

Sage Gateshead

Northern Stage

Laing Art Gallery

But, if you look at our North East respondents under the age of 25, the list changes:

Cineworld, Newcastle

Tyneside Cinema

Riverside Newcastle

O2 Newcastle

Utilita Arena

Three music venues, two cinemas. I find this fascinating, there’s much that can be explored from this data alone.

2 April Stat North East

What do you hope to get out of it after the research period?

I’d like the data to have organisations start asking their own questions. I’d like this to be the starting point for organisations to look at how they can better serve their communities.

I’d love to work with the braver organisations who want to do something bold and radical as a result of seeing the data, perhaps homing in on something specific, collaborating with audiences, flipping the narrative and to some extent taking a back seat, so that others can shine.

In your opinion, do you think Culture Matters more during this period?

Yes.

This is a horrible, terrifying time, we’re all going to lose someone or something. There are many many people, organisations, institutions that desperately need support. I’m not suggesting that an “art gallery is more important than the NHS” – which I’ve been accused of on social media of late.

No argument is that black and white.

I think culture has the power to uplift, to teach, to heal, to connect, nourish and to be fun. I think it’s essential for us to support and protect the sector if we don’t want to see a desolate, cultural wasteland post COVID-19. Our lives and societies will be much poorer if we don’t act.

Has the lock down changed your cultural consumption personally? Have you been watching any streams/online happenings?

Yes, I’ve been watching National Theatre, stand-up comedy, a film discussion and some DJ sets all online.

A theatre performance feels special even when it’s on the small screen, you can still sense the atmosphere between the audience and the cast.

How do you feel about the movement to digital culture and events through streaming platforms and social media?

I think it’s amazing and fantastic that so much has suddenly become available, the speed at which organisations have been able to adapt to the changing circumstances I think is impressive.

However, I can’t help but find it problematic that it’s taken a global pandemic for organisations to make their content accessible. It has long been the case that parts of the arts sector are inaccessible to disabled people. To now see all this readily available content filling our timelines because their able-bodied audience members are no longer allowed to attend a venue, is shameful.

The future must be radically different. We cannot live through this, witness all the change that has been enacted and then revert. That would be a tragedy.

What’s the first thing you’re going to do post lockdown?

Oh Christ! I’d like to go to Riley’s Fish Shack, sit on the beach and listen to my pals chatter, feel the sunshine on my face and be able to lie down on the sand, let my dog make friends with a Bichon Frisse, and just take my sweet sweet time outside.

What would be success for you as Crystallised for 2020?

Crystallised still existing would be success. I’m fearful of how much harder the year is going to get for business. This is going to be a slog. If we still have our full team and are on the way to some semblance of stability at the end of this year, I’ll be thrilled and relieved.

Anything other projects or happenings you think my fellow Culture Vultures should know about?

Right now, we’re working with one of our long-term clients Family Arts Campaign, who exist to make the arts accessible for families. Our focus is supporting their ambition to be the go-to national database of all arts and culture events happening online for families to join. We’ll be working on PR and influencer campaigns to get as many families as possible trying something new. Find that here: fantasticforfamilies.com

We’re also deep into New Creatives, a two-year project with BBC Arts and Arts Council England which looks to find undiscovered talent to make work for the BBC – could be a film, or something for radio. No prior experience is necessary, we’re trying to find northern creative folk under-30 who have something to say. Find that here: newcreatives.com

Other than that, we’ll be staying at home.

DCM. Share your thoughts.

Thank you Laura….so does culture matter? Well it does to me, it does to Crystallised and I think it matters to my fellow culture vultures, followers and readers. I’d love you to support Crystallised on their mission by signing up to participate in ‘Does Culture Matter?”

Remember – signing up is LUSH and is contributing to a project that could support your favourite arts and culture organisations to learn, pivot, recover, restart and fingers crossed – GROW.

Signing up takes seconds and participating in the project takes approx. 5mins a week.

You can sign up by HERE and feel free to share the project with your friends and networks – spread the word! #ganon

Takeover Festival 2020 : What is it, how to get involved & meet #teamtakeover Harrison & James

I had the pleasure of attending the Takeover 2020 launch event and hearing about the plots & plans for this year’s festival – you know when you leave somewhere and feel buzzing with ideas and can’t wait to get home and write about it – well here I am!

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The Takeover is an annual week-long arts festival at The Customs House that is produced by, with and for young people to develop and showcase their leadership skills. The festival is led, planned, marketed, delivered and evaluated by the Takeover Team, a group of 12-18 year olds who are recruited from diverse backgrounds and have varying leadership and arts experiences.

I am working on Takeover 2020 advising & supporting with audience development and marketing. I will also be working with the Takeover Team supporting them with marketing, PR, social media & supporting their skills development. I’m buzzing.

The Takeover is authentically a festival by & for young people – the Takeover Team have full control. In a similar ethos to Mortal Fools’ approach with young people – they treat & support young people as creative practitioners & professionals from day one, investing into them and their learning journey as the future generation of creatives, freelancers, entrepreneurs, innovators, writers, performers, artists, facilitators, business professionals etc. And they have an amazing time too!

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Young people may get involved with a specific ambition of realising an event, others may want to learn more about an art form or professional element of practice, others it’s about meeting & connecting with young people and for others, it’s to develop the transferrable skills for their future career or education choice.

This year’s Takeover dates are 25th-29th May (get them in your diary!) & a five-day festival awaits for young people; each day into evening. Lots of the programme is unknown (at this stage) because it’s worked up with young people – but there will be a visual arts exhibition displaying young people’s work, a poetry evening, a new theatre show, film awards, music, workshops and who knows what else!? I’m excited for what the team comes up with!

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Recruitment for the Takeover Team is currently open – they will meet every Monday from 24th February, 5pm-7pm at The Customs House. This is open to ALL young people aged 12-18yrs old. You don’t have to be able to attend every session (great if you can though!), you can dip in and out and if you can’t make the first session, you can get involved at a later Monday. To get involved & find out more all you have to do is email Izzy@customshouse.co.uk

I was blown away at the Launch and it was great to hear and see from last year’s young people about why they got involved, their REAL experience, what they learnt and what they are excited about doing & making happen for this year’s festival. Now I could wax lyrical about what a brilliant opportunity this is for young people and why other young people should get involved…. Or I could share mini interview profiles with two of last year’s team, who are also part of Take Over Team 2020 as Team Assistants. I had the pleasure of meeting them at the launch and what BRILLIANT humans. It’s young people like this, that make me feel a bit better about the future of the world….

Over to James & Harrison

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Takeover Assistant James

Tell me a bit about yourself?

I’m an 18 year old college student currently studying for my A levels in Maths, Chemistry and physics. I enjoy going out to gigs especially locally.

Why did you join The Takeover Team last year?

I joined last year as I have always been interested in the running of different venues and always wanted to organise such events for myself so when I heard about takeover festival it was an opportunity I simply couldn’t miss.

What was your favourite part of Takeover 2019?

For me my personal favourite part of the festival was The Lake Poets gig as it was the main thing that I helped in organising and seeing it go as well as it did felt really rewarding after putting in all the effort in the build up to prepare.

What did you learn from being part of the team last year?

Last year, I feel like I learned a lot about the inner running of a venue; as well as learning a lot about other communities that were involved in the festival – the different theatre groups, dance groups and LGBTQ+ artists that aided us with the festival.

As Takeover Assistant this year what will you be focusing on?

This year I will be concentrating on developing my leadership skills as I’ve never been in any kind of leadership role, so this is a whole new experience and challenge that I’m excited to undertake.

Why do you think being part of The Takeover 2020 team is a good opportunity?

For me, it gave me an opportunity that will help me in the future showing me the ins and outs of organising a festival. It also is really rewarding when you have put in weeks of work building up to one event and seeing it go brilliantly is a great feeling you rarely get the opportunity to achieve at our age.

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Takeover Assistant Harrison

Tell me a bit about yourself?

I am an 18 year old sixth form student currently studying A level Maths, Computer Science and BTEC Business. During my spare time I enjoy playing football and have a particular interest in business finance. In the future, I would like to complete an apprenticeship in this field.

Why did you join The Takeover Team last year?

Last year I joined The Takeover Team as I felt it was a unique opportunity to gain real-life work experience as it’s something not easy to come by. When Natasha approached me, at first, I was hesitant as I was unsure of what my role would be in the team but I was not disappointed.

What was your favourite part of Takeover 2019?

My favourite part of Takeover 2019 festival was the North East Young Filmmaker’s Award as some of the talent on display was immense. However, I really enjoyed leading the finances of the festival as that is where my aspirations lie and the experience was invaluable.

What did you learn from being part of the team?

Last year, I learnt all the different entities needed to run a successful festival and how every member of the team has value and brings their own skill sets. I also gained leadership qualities as I was team leader on 2 of the days.

As Takeover Assistant this year what will you be focusing on?

This year, I will be focusing on the finances of the festival again but I also hope to develop my public speaking skills as well as furthering my leadership qualities with being in a more senior role.

Why do you think being part of The Takeover 2020 team is a good opportunity?

The Takeover Festival is an opportunity for any young person to express themselves in whichever way they want. No matter what your interests are, there is a place for any young person wanting to gain work experience and a place for you to aid with your own festival. For me, my interests were in finance but many of the team had backgrounds in the arts and each team member was valued equally bringing different qualities to the table.

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Well how cracking is that – I wish there had been opportunities like that when I was a young person instead of spending time learning about biscuit making (long and strange story!).

Take Over team recruitment is open – email Izzy@customshouse.co.uk for more info. Sessions are Mondays – 5pm-7pm at The Customs House in South Shields.

There are also LOADS of other ways for young people to get involved & call outs open too! Let me take you through them…..

Other opportunities:

Visual Arts Call Out for the exhibition part of the Festival.

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Poetry Call out for Young Poets

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Young Film Maker Call Out

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Writer in Residence Call out – (Future Culture Vulture blog coming with last year’s writer Elijah Young.)

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That’s all for now Culture Vultures – I’ve got a back log of blog posts to publish – so expect them coming in thick & fast from now!

(#AD) Festival of Thrift 2019 – let’s get thrifty!

It’s September….it’s Autumnal and this is my favourite time of year…. It’s also time for Festival of Thrift!

There are some events and festivals that go on every year in the North East and you can mention them to folks and you’ll see a glint in their eye and their face lights up because they love them so much. In the North East, it doesn’t take too long if you put on a really lush festival/event that’s all about the people attending and connects with folks with a lush offer, that suddenly, it’s like the event is a North East tradition and we embrace it as one of our diamonds.

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(All photos belong to Festival of Thrift in this post)

Festival of Thrift is one of those events…..and this year it returns 14th & 15th September 10am-5pm in lush village of Kirkleatham – it’s a MUST do for everyone.  This annual award-winning festival is in its 7th year and is a proper celebration of sustainable living, positive change and protecting our planet….which has never been more necessary! Whilst there are lots of lessons and things to take away from the festival, it’s also a lush event and around every corner of the magical festival site is something different for you to discover and enjoy. And lots of my fave artists and creatives work on it…so I’m a bit (a lot) biased!

Each year, Festival of Thrift brings fresh themes and #thriftfest 2019 highlights clean air and celebrating the anniversary of the moon landing. Expect new journeys of discovery, thought provoking performances and a special mix of hands-on fun, food, music, dance and song. There are over 160 stalls selling all manner of thrifty, upcycled and recycled goods, delicious food and drink as well as a few surprises along the way….

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Since it started 7 years ago, I’ve never been able to fully enjoy it as it’s always clashed with Gateshead Family Sculpture Day, the day itself or the event prep, so my mind has been elsewhere and had to rush back. So this year, I’m excited…I’m going for the full Saturday, my mind will be all about enjoying the event and yes, I will be charting my full Thrift experience over on my Instagram……

There is loads to do and take part in across the two days…..drop in and pre-bookable workshops, storytelling, performances, lush live music, installations, thrifty stalls, advice pop-ups, talks, thing to make, see, do and experience….things for adults and families alike…..

Download Festival of Thrift programme to get plotting and planning your festival experience and for those who are just hearing about Thrift or haven’t quite decided if you’re going to go….well, by the end of this blog post, I hope you will!

I recently caught up with the wonderful  Festival of Thrift Director – Stella Hall for an interview; Stella is the visionary behind the festival and has been at the helm since its birth seven years ago! I met Stella at Make & Mend Festival 2019 and her passion for culture and events, across Teesside, in my opinion is largely responsible for lots of the excited happenings that are going on now and are set to come……

Interview with Festival of Thrift Director – Stella Hall

For those who are unsure, never been or curious, what is Festival of Thrift?

Festival of Thrift is the UK’s first large-scale festival promoting sustainable, socially responsible living, and creative, resilient communities.  Each September since 2013,  it has provided  a free weekend event  presenting  a mix of professional and emerging artists, community driven projects, skills and learning activities – with a focus on upcycling, recycling, making, growing, volunteering, skills building, learning and saving money.

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Let’s go back to the beginning…..How did it all start? What was the inspiration?

Festival of Thrift was launched in Darlington in 2012 at Lingfield Point business park inspired by the creative reuse of the buildings there, together with the UKs growing DIY and reuse, recycle, upcycle  culture.

Over the last seven years, the Festival has attracted 200,000 visitors, and is now recognised as playing a pivotal role in the social, cultural and economic regeneration of Tees Valley. It won the Observer Ethical Award for Arts and Culture and the North East Tourism Event of the Year 2015 and was shortlisted for Best Event North East for 2018.

In 2015, after the closure of the steelworks in Redcar, we moved the Festival to our beautiful Kirkleatham site and established as a Community Interest Company.

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For those who this will be their first year, what can they expect? Any pre-festival advice to get the most out of the weekend?

A beautiful , wooded green site  in a lovely village with play areas, fields  a museum absolutely packed with activities, stalls, performances, stages, demonstrations, food and drink .

Advice wise…

  • Bring walking shoes, dress for the UK weather, a picnic blanket and reusable cup and water bottle.
  • Bring your surplus fruit and veg and we will make soup and jam.
  • Bring things you don’t need – and swap them for things you do at the swapshop.
  • Bring stuff that doesn’t work and we will help you fix it at the Fix It café.
  • Dress in your finest remade clothing and get picked for the catwalk.
  • Book in advance if you fancy any of the workshops – but there will be plenty to see and do if you don’t!
  • Download the festival programme to plan your day(s).

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The theme changes every year, so tell me about the theme for this year?

Clean Air is one of our big themes his year – being in the Great Outdoors in the Tees Valley – we just don’t deserve the name “Smoggies” anymore, we’ve moved beyond that and Art is an invaluable way to help people to understand serious issues, as tapping into people’s emotional responses is far more powerful than simply presenting bald facts.

The other artworks in this year’s Viewpoints by Festival of Thrift will also respond to the Festival of Thrift’s clean air theme for 2019…. View Points is a series of pieces with a clean air focus curated by the Festival of Thrift for its second Viewpoints project, which sees sculptures, installations and artworks displayed across the Tees Valley from 12 -19 September to prompt discussions about sustainability issues.

The works include a lung cleaning experience at its railway station, a giant drawing using ink recycled from exhaust fumes, a series of enormous painted canaries using a dazzle camouflage technique, an extraordinary green house, a free-standing observation platform and Human Sensors consisting of wearable costumes that respond to air pollution levels.

The works we have selected for Viewpoints are effective ways to explain and help people to experience and explore the clean air crisis that we simply can’t afford to ignore.

You can find out more about ViewPoints HERE!

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Your marking the anniversary of the moon landing this year too, how has that influenced your festival programme?

It’s a great theme for celebrating what we can do if we really try – and boldly go! The theme also reminds us that we only really have one planet to live on – so let’s make the most of it and look after it well.

Plus we will be

  • Taking off with Whippet Up’s – Mission (out of) Control – an interactive re-imagining of the 1969 Moon Landing. Whippet Up’s vision will bring the excitement and optimism of space travel in the 1960’s to the Festival of Thrift.
  • Putting girls in charge with Space Rebel princess theatre show – a fearless young princess raised for royalty but not for rocketry, dreams of becoming an astronaut. Outsmarting the confines of her palace upbringing, she must boldly go where no princess has gone before!
  • Building your own rockets with Woodshed – this year they are building rockets out of reclaimed wood, hammers and nails, once the building is complete we will ask you to get creative with paint to personalise your invention.

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Now this is a toughie question….what are your programme highlights for 2019…your top picks?

I love all of it of course!

If I were a teenager (or adult!) it would be brilliant to be part of

  • Manic Chord’s search for an alien  in The unknown – Amber, a tech savvy teen and her rather more traditional grandmother, Dawn are onto something supernatural. With fellow members of the Society for Speculation, can the daring duo get to the bottom of these gravitational goings on? This show is free but prebookable HERE!
  • Urban Playground in the parkour show looking into the future, Zoo Humans. It’s a brilliant visual fast paced spectacle.

If I were under eleven I would go and be a Little Inventor…. Little Inventors is a creative initiative that takes children’s amazing ideas seriously and brings them to life working with local makers. From food waste to space travel, Little Inventors have tapped into children’s creative powers to engage them with the issues of today. At Thrift…

  • Dominic head inventor at Little Inventors (and Sunderland-born designer) will launch the new Pioneers Energy Challenge right at Festival of Thrift, a new project for children aged 8 – 12 to invent better ways to make, use, store and stop wasting energy.
  • Work with Little Inventors to create your own invention from ideas that help generate, save or use energy better. Come and draw your idea and have a go at making a simple prototype model using recycled materials, helped by the Little Inventors team. Your idea could help to save the planet!

If I were under five I would want a go on…  

  • The hand-carved wooden roundabout – The Bewonderment Machine. A visually stunning cycle-powered carousel creating a magical journey for small children-This handmade, human-powered merry-go-round combines hand carved animals, puppetry, and music. This is a miniature theatrical flight of the imagination, empowering the very young to care and to be curious. Climb on and embark on joyful journey. For times visit HERE!

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For adults – there is literally loads to do see, do, eat, listen to but this year….

  • I can’t wait to taste this year’s menu in our community meal – The Town is the Menu, inspired by the town Guisborough – The Town is the Menu is created by Simon Preston with Menu by Jess Miller and Sammy Coxell, the Ugly Duckling team. It’s £7 for 3 courses and there are limited slots left….you can see the whole menu HERE!
  • I always love the ingenuity of the Oxglam fashion show; it’s moon inspired this year! The Oxglam fashion show, features stunning creations using recycled clothing donations, is one of the highlights of the Festival weekend.
  • I am fascinated by the WRAS show – The Best of All Possible Worlds.. The story of a trio of innocents continuously buffeted by fate – 3 characters torn out of the pages of a book, Candide, and placed in an unfamiliar, unstable world. There’s a wilderness, the growth of civilisation, territorial disputes, war, a flood, a miraculous get-away, bad weather, hell and a happy ending that isn’t what it seems This puppet/object theatre show  will be presented with all the visual panache and wit expected from the Whalley Range All Star. For times visit HERE!
  • And all festivals are about their live music and we’ve got a great outdoor live music programme….

These highlights are just a fraction of what we have lined up this year. There’s plenty more to come and, as ever, people can expect the unexpected at the Festival of Thrift…..

Tell me about the Friday community parade launching this year’s festival?

We began the Parade last year to join the town to the village – it was a hit so we have created another one…. This year’s Thrifty parade will launch the seventh Festival of Thrift in joyful style, championing creativity and community in Redcar and helping to spread the Thrifty message of good living in sustainable ways.

Led by Stellar Projects, the procession will include a combination of local community groups, professional performers and musicians, including last year’s popular CowCar (has to be seen to be believed), to restate the highly topical warning of the dangers of methane emissions, and dancers wearing Kasia Molga’s extraordinary Human Sensor costumes, which measure and reflect  diesel emissions in the atmosphere!

Setting off from Kirkleatham Museum with a cohort of bikes which will make their way to Redcar town centre where they will meet the walking parade participants which will include school and community groups, performance groups and structures. The parade will take Thrift through the heart of the town centre and along the sea front to finish Bandstand.

It starts at 6.30pm at from Kirkleatham Museum and it’s going to be ‘Breath of Fresh Air’!

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Festival of Thrift is a jewel in the North east events and festival programme…..rightly so! Why do you think Thrift is SO popular and much loved?

We take huge pride in being a one-of-a-kind event with our packed celebration of sustainable living and we are promising another riot of ways to have fun at the festival this year.

It’s just a joyful weekend packed with sustainable arts, crafts, music, fashion, food, entertainment, shopping, demos, workshops and upcycling inspiration, our hugely popular Festival offers a weekend of free eco-friendly fun and attracted over 35,000 visitors last year.  A true weekend to remember!

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Whilst the festival is a lush weekend, there is a really strong environmental and sustainability message – what could the eco-curious take away from Thrift?

That each of us has a responsibility and each of us can make a difference but altogether, we can make a big difference.

Do you think events like Thrift has positive change making effects for the everyday?

Certainly – our audiences tell us this every year. But we also need to get active, join campaigns, make our voices heard. It’s a 365 day a year project – not just a weekend! Festival of Thrift is a great starting point for the rest of the year and an excellent way to discover new ideas….

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What’s one bit of Thrifty advice you have for my readers?

To ask ourselves questions in the moment….

  • How much do we really need?
  • What can we share?
  • What would we want our grandchildren to think about how we have contributed to creating the world they will live in?

We have those answers ourselves.

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Well thank you Stella – I’m totally in the mood for Festival of Thrift right now and I hope my fellow Culture Vultures are too.

Click here for 10 Festival of Thrift 2019 highlights and get planning your visit and happenings. The official Thrift website is a fountain of EVERYTHING happening across the weekend….or be like me, plan nothing and just discover as you go…..

Until next time Culture Vultures…. xx

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#AD – Interview with musician Anthony Vacher ahead of his Lindsfarne Fest main stage shenanigans…..

I’m off to Lindisfarne Festival next weekend, 29th August – 1st September for the ultimate end of Summer party on the Northumberland coast; born out of the desire to create something special for the North East, Lindisfarne Festival came to life in early September 2015, when a 2000 strong crowd descended onto the glorious fields at Beal Farm to experience a weekend like no other. Now into 2019…this lush independent festival is growing year on year – there are still tickets left (less than 400) so you can still join the party.

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Being the Culture Vulture means I get to meet and interview absolutely amazing creative folks – it gives me a total buzz. Folks who are passionate, doing exciting lush things and full of ambition to make a creative mark on the world. For 2019 Lindisfarne Festival ran a Musicians Against Homelessness Unsigned band competition – those who follow social might remember a post, I did about the final short list encouraging votes. Check out the short list, as all of the folks are mega and that’s what festivals are truly about to me…. Discovering new music and shaking myself out of my usual Spotify playlist comfort zone.

MAH put on 100s of gigs & festivals across the UK, creating opportunities and spaces for up-coming talent to play and raise money for homelessness services. Now that’s a double bubble of Culture Vulture love right here, as I’m all about champion independent new talent alongside advocating for positive social change through using my voice. Homelessness is a real issue – I was totally humbled by the recent exhibition across Newcastle “History of Homelessness” – especially when moving from venue to venue, homeless folks were in doors all over the city being ignored and their stories unheard so projects like MAH are imperative.

The winner of the MAH competition secured the opportunity to perform at Lindisfarne Festival 2019 on the bliddy main stage……which for an up and coming musician/band is an amazing opportunity to play to thousands! I was super excited when I heard the winner – he was one of my short list faves and I’ve had the pleasure of interviewing him this week, before his Lindisfarne main stage shenanigans….

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So let’s get this interview started…. Step right up ANTHONY VACHER & THE SILHOUETTES; you can catch Anthony on Friday at the main stage at 1.30pm. Look out for me fan girling at the front, thrashing my elbows around and stomping my feet (a.k.a. “dancing”)……

Singer-songwriter Anthony Vacher has been a familiar name on the North East music scene for some time. Often accompanied by his trademark ukulele and accompanied by his band The Silhouettes; his songs are as beautiful as they are honest but with a real zest for life that fills the heart with joy. He’s also got a LOYAL social media and fan following which have surely helped him to win this competition….

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So hi you, who are you?

I’m Anthony Vacher, hi!

Tell me about your journey into the music scene – when did it all start?

I launched my solo music roughly 2 years ago when I released my first single I Don’t Wanna Wake Up. The legends at Punch-Drunk Comedy who are also at Lindisfarne gave me my first stage to perform on, opening before the comedians play, and it wasn’t long after that I won a competition to play at the O2 and I knew I needed the band behind me to make the shows a much better experience. They’re more just my good mates as opposed to my band because I make nowhere near enough to pay them – hahaha. Chris has been with me from the start but Dom and Gary have just recently joined me.

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So they do it for the love! Sum up your music in three words?

Really tough one cause there’s quite a lot of variety between the full band and acoustic stuff! I think I’ll go, energetic, fun but emotional.

Sounds like you’ve described my life so far…. Can we listen to your music pre-fest to get in the mood? 

Of course! You can find me on all streaming services, Spotify, Apple Music etc, or just head over to my facebook/twitter/insta/whatever your preference is and you can find stuff there too!

facebook.com/anthonyvachermusic

Twitter @anthonyvacheruk

Instagram @anthonyvacher

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What made you enter the Musicians Against Homelessness Comp?

I’ve followed MAH on social media for a while and I only saw the competition on the final night! But a chance to play at Lindisfarne and work with Musicians Against Homelessness was something I couldn’t not apply for.

Aha a last minute larry, a man after my own heart! Why are projects like MAH important?

Homelessness is a huge and growing issue at the moment, and what MAH are doing is incredible. Simultaneously helping homeless people whilst giving upcoming artists huge opportunities to grow, it’s quite simply amazing.

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How did it feel being shortlisted and then seeing the love for you on social media?

It was crazy really, but if I’m honest I had totally forgotten about it! I was just sat at home at the time and saw that MAH had tagged me in a post, and I was like, huh? Then when I looked at it and saw we’d been shortlisted, and it was to play on the main stage, It felt mad! I instantly messaged the lads and we all got hyped up and knew we had to win this.

I’ve actually been away from playing music for a few months due to illness, but seeing that I still had so much support after all that time out was a feeling I simply can’t explain. The amount of shares, comments and people passing the link around was something I’m so grateful for.

Well I was one of the folks championing you – I hadn’t heard of you before the competition shortlist and now you’ve got a firm fan! What did you do when you found out you won and you’re playing the main stage? What went through your mind?

The first thing I did was ring my Mam hahaha! There was a day between the competition ending and them announcing the winner so I actually thought we didn’t get it as we’d heard nothing. I woke up the next day, opened my laptop and the first thing I saw was a picture of my face saying we had won and I went crazy. Great way to start a day!

Happy dances a hoy! What can festival goers expect from your set?

This is a massive opportunity to play in front of a lot of people who have highly likely never heard of me before so we have to put absolutely everything into it. We’ll be playing a mixture of full band & acoustic tunes, so something for everyone!

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Well I’m really looking forward to it and your set. Festivals are all about discovering new music and stepping outside of your comfort zone – is there anything on the festival line up that you think “I might go see/do that!”?

Lindisfarne has a tonne going on. Comedy, street art, even fire walking! I’m planning on making the most of it and catching as much of everything I can!

Who are your top three fellow musician ‘must sees’ at the festival…the line-up is a cracker this year so I know it’s hard to choose?!

The line-up really is amazing this year, so I’m going to avoid the obvious ones and plug some smaller musicians/friends haha!

  1. HATi. I’ve worked with HATi in the past and played alongside her, and she is an incredible songwriter and an amazing musician.
  2. C-Collective. C-Collective are so much fun and they put on an incredible show. You cannot miss them.
  3. Can I name a stage? Cause the MAH Stage has an incredible line up with some amazing local musicians, Sarah Connolly and Sleeptape to name a couple. It’s a stage everyone should 100% go and check out!

Have you played a festival before and/or are you a festival goer?

I’ve only ever played more local festivals which are a tonne of fun, but Lindisfarne will be my biggest to date. I used to work at music festivals too so I’ve been to most!

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Do you have any advice for fellow festival goers?

Yeah, come see us play! But really, just enjoy yourself. There’s so much going on at Lindisfarne so try to catch a bit of everything. Head over to the smaller stages every now and again, go see a bit of comedy, try something new like fire walking or yoga.

Forget what the weather may be, relax or get drunk, whichever you prefer, but pretty much just forget real life for the weekend and enjoy yourself.

Festivals are a total escape from life “good time2 bubble” – Festival drink of choice?

If its sunny get yourself a fruity cider, goes down perfectly!

Are you staying the full weekend? If so I hope you’re embracing the Viking theme and expect mega outfit! 

Sadly due to other commitments the band and I can’t stay the full weekend but we’re staying the full Friday! To be honest I wouldn’t make a very convincing Viking, I have a total baby face and I have tried but can’t grow a beard to save my life!

What’s next for you after Lindisfarne fest? Where can people keep in touch with you post Lindisfarne?

I only have one show lined up following Lindisfarne which sadly I cannot talk about yet! If you follow me on all my social media links then you’ll hear about it very soon:

facebook.com/anthonyvachermusic

Twitter @anthonyvacheruk

Instagram @anthonyvacher

Mainly though, I recently released an acoustic EP, and now we’re planning on recording a lot more music in the very near future so keep your eyes peeled for that too!

𝘽𝙞𝙩𝙚 𝙢𝙮 𝙏𝙤𝙣𝙜𝙪𝙚 is out NOW on all streaming services.

Spotify: https://spoti.fi/2KiMq9o

Apple: https://apple.co/2YSydba

Physical edition: http://bit.ly/2YQxNSB

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Well thank you Anthony, you’re totally mega! Absolute pleasure to see and meet an upcoming musician – I’m excited to see what he does next!

Tickets for Lindisfarne down to the final few hundred so nab them quickly….. http://www.lindisfarnefestival.com

(#AD) Sundown Social -the new mini festival on the block.

So one of the wonderful things about being the Culture Vulture is that I have my ear to ground and seek out all the lush new happenings and stumbling across or finding a new event is one of my favourite things – I have a serious constant case of FOMO.

And if this was a superhero movie, I’d class this chapter as “the rise of the independents!” The event and festival sector is extremely dominated in the region by big corporates or same old same old and I don’t know about you lot, but I’m hungry for more, things that are a bit special and new. Independent event organisers and commissioners are nailing it at the moment –putting on lush events, with a community heart that focuses on audiences having a great time and are able to experiment, take risks, be bold with their programming. I’m loving watching independents thrive.

I’ve had my eye on Saltwell Park for some time….. I’ve lived at the top of it for 30 years and it just screams potential.. I’ve had three ambitions for Saltwell Park as The Culture Vulture – I wanted festivals, I wanted outdoor theatre and I wanted a Silent Disco. My silent disco ambition has become a bit of a joke across my networks as I’m always banging on about it – but going off Beccy Owen’s success and their beach silent disco – I’m happy that other folks are finally buying into how mint it is! So how excited was I when I heard Third Space events (an amazing independent events company) was building on the smash hit successes of their Gateshead food markets and launching Sundown Social on 27th July – an outdoor event with a festival vibe AND a silent disco. And to use Meatloaf’s song title…. two out of three ain’t bad!

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Thirdspace are doing fantastic things and they are certainly ones to watch – their food markets are full of folks who really “get” their events, food traders who love being a part of them (this is not an easy task believe me!), audiences who return month after month and people just having a bliddy good time. It takes a long time to establish an event and A LOT of hard work has gone into things – so hats off to them…..they were on my list for some Culture Vulture love!

Visit their Low Fell Food Market facebook page to see other events they’ve run!

A head of the launch of Sundown Social THIS Saturday in Saltwell Park (Tickets and more info available HERE) – I thought I’d sit down with them for a weeee interview to find out more about the event, what to expect, why tickets are must have and what’s next!

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Of course, sitting down with me a few days before a new event…perfect Culture Vulture timing (haha!). So tell my readers who you are and what you do?

We are Liz and Sally from Third Space Events; a 3 year old events company which specialises in pairing up interesting, beautiful or underused spaces with high quality events. We each have an MA in Event Management along with a total of 15 years’ experience in events, exhibitions and hospitality between us. So it’s fair to say we LOVE events and creating memorable experiences. We are also friends who go way back and share a passion for good food, the outdoors and making the most the time we have with our nearest and dearest.

Well I can’t think of a more underused space than Saltwell Park’s Grove and all the best friendships are formed over food…..What is Sundown social?

A chilled out gathering in beautiful surroundings with a fun, festival vibe – that’s it in a nutshell! The first one is on Saturday 27th July – this weekend. We like to think of it as an exclusive party in the park where you can sip a craft gin or beer under the trees, be entertained by a host of pop up performances and have a bite to eat from some of the regions’ best street food stalls.

We’ve got two slots – one is 4.30pm – 7pm and is family friendly (adults £4.50 & Children £3) and then a more adult session 7.30pm -10pm (Adults £4.50 & Children £4.50). Babies under two are free but need a ticket.

Who should go to Sundown social?

For all! We’ve split the event into two and packed a lot into both. The afternoon session has more of a family vibe with activities such as a play bus and free kids yoga, dance and storytelling sessions. When the kids have run off enough steam the adults can sit back and enjoy a summer tipple along with the finest regional street food. The evening session is more for adults, so people can take full advantage of the food, wine tasting, holistic treatments, amazing local ales and fizz whilst enjoy amazing live musicians, comedians and of course our silent disco.

Why did you pick Saltwell Park for this event?

Because we love it! It’s leafy, lush and green. Add some live entertainment, street food and folk kicking back and relaxing whilst enjoying a cool drink – well you’ve got the best beer garden in the North East!

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As you know, I’m allllll about the food. My Buddha belly is a testament to that….so come on, what food traders have you got?

Well – not only will we be delighting the senses with live music and performances we’ll also have your foodie favourites to feast on. Folk can choose from freshly cooked wood fired pizzas from Noshbox Pizza, Catalinas Newcastle with their flavoursome topdog kebabs and bruschetta, loaded fries and tasty wraps from Hatch76, Acropolis Street Food with the best gyros in the North East, delicious rolled naan with your choice of tasty curry from CurryRolls and Churros Barcelona will be serving up their dangerously delicious fried treats drizzled in chocolate!

Mama Horts LOVES Churros… I shall alert her. I’ve got friends with minis who want to come…what’s there for families?

We’ve got this covered in the afternoon session. As well as the street food and free live entertainment, there is free activities with yoga, dance and storytelling. We also have a play bus and for just £1.50 for your child to climb, slide and play in the ball pool! We also have the amazing Kay Ella who’ll be adding a bit of extra sparkle to the event with her glitter creations.

I’ve got a troop of my child free pals coming…. What is there for them? I’ve heard rumours of a Silent Disco (literally screamed with excitement and hope Britney is on repeat) and my pal Si Beckwith providing some funnies!

If you’re pals are planning to come to sessions 2 then we’d fully expect to see them dancing the evening away with our Silent Disco. We’ll be keeping it old school with hits from the 70s, 80s and 90s – so we recommend your pals to wear these dancing shoes!

The evening will also feature amazing live acts with Duke – Duo – acoustic music, Matt Grant and comedians Si Beckwith and Andrew Flood from Off The Wall Comedy.

They won’t be going thirsty either with regional ales from Black Storm Brewery, fizz on tap with Fizz On The Tyne and a great selection of gins, lagers and wine with The Tipsy Trailer.

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Mama Horts is coming with me and she loves all your events – which is high praise indeed…. What is there for Mama Horts and her pals?

We know Mama Horts is a lady of refinement so a spot of wine tasting with Laneberg Wine Ltd would be right up her street – you can book onto a slot via this link or at the event. Gateshead’s first and only Urban Winery, Laneberg Wine Ltd invites you to a night of wine tasting like no other! Head Winemaker Elise Lane will guide you through their very first vintage made here in the North East, sampling four fantastic 2018 English wines, explaining how each wine was made and giving you the chance to taste.

Or if Mama Horts is after a bit of pampering then she should head over the our Holistic Treatment tent which includes Indian Head Massage and Organic Facial Treatment with Neal’s Yard.

I’m obsessed at outdoor events – at being head to toe covered in glitter….my boyfriend has embraced this by getting involved too….i need glitter deets?

Who isn’t?! We love a bit of sparkle! Expert in all that shines and glimmers Kay’Ella will be at Sundown Social creating that glasto vibe with glitter face and body creators.  We love Kay’Ella because all her products are water based, biodegradable and alcohol free so everyone can be part of her fabulous festival services.

Why are you so passionate about championing and supporting North East (and often Gateshead based) independents?

As we’ve said, we both live in Gateshead so what can be better than supporting your home town by hosting a range of events. Keeping it local is always part of how we operate. From the food, to the drink, to the live entertainment – Sundown Social, like all our events, showcases the melting pot of creativity and hard-working small independent businesses we have here in the North East.

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Blackstorm Brewery

Why do you think people are really buzzing about Sundown social and that tickets have been flying?

Hopefully we’re adding something different into the mix of fabulous events that are offered in Gateshead and the region already. For us the setting of Saltwell Park for this kind of event could not be any better. We can’t wait to welcome everyone in the event on Saturday 27 July and to have a well earned drink (or two) when it’s finished.

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Sum up the event in 3 words

Chilled, feel-good, fun

Is there going to be more Sundown socials?

The next Sundown Social lined up is Friday 23rd August. Stay tuned for announcements about that! Next year, as well as Saltwell Park, you will be able to find us at some new exciting venues and locations across the region.

P.S. For any of you festival loving couples who are looking for an alternative wedding, give us a shout as we offer individually curated Sundown Socials for your special day. How exciting!

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If I was going to get married, I’d want an outdoor festival vibe! You’ve certainly tapped into something there….and we’ve got some collaborating to do in 2020 haven’t we!? I’m super excited for Saturday and to see how this grows and grows.

Well you will find me down at Sundown Social on Saturday as The Culture Vulture with my gal Marion in tow – so if you’re around and coming along– make sure to say hello!

Tickets for Sundown social are available here!

Disclosure : I have not been paid to write this post but I have been given comp tickets to the event and doing a social media take over on the second second.

(#AD) GemArts Masala Festival 2019: strutting into Summer like a Bengal Tiger….

We are so blessed in the North East for wonderful events and festivals all year round – there are often total gems in the event/festival calendar that due to you all being busy bees that you might not know about or discovered yet. I see my role as Culture Vulture to tell you about them and champion them!

Well let me tell you about a PROPER Culture Vulture festival gem – GemArts’ Masala Festival….

This award winning, multi venue festival has been running for several years and has been growing each time. It’s back for 2019 across 15th – 21st July 2019 with a mix and blend of the finest South Asian Arts and Culture. They’ve got an incredible line up of film screenings, theatre, music, yoga on the beach, Bollywood dancing, crafts, spoken word, poetry and free family fun!

I sat down with Vikas Kumar MBE, GemArts Director recently for a catch up (I’ve been a GemArts supporter for many years now and he’s been a Culture Vulture champion since the beginning!) and to interview him about this year’s festival. But before I get into our interview, I thought I’d walk you through this year’s Masala Festival programme…because it’s a corker!

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GemArts in The Crack Magazine

Masala Festival launches on 15th July, at Sage Gateshead, with an incredible collaboration and special evening of music composed and performed by the internationally renowned Sarod maestro Ustad Wajahat Khan with a String Quintet from our region’s fantastic chamber orchestra Royal Northern Sinfonia. And if you’re like me, and have to be the first at everything, then you’ll be joining me at this feast of music. I’ve seen RNS quite a few times and they are quite something, so I’m excited for this collaboration.

This is followed by, on the 16th July at the Lit & Phil, two of the most prominent women on the contemporary jazz scene, pianist Zoe Rahman performs alongside saxophonist Laura Macdonald. These two ladies are at the top of their music game and so accomplished…. I will be fan girling from the audience. And after the show, why not continue the Jazz theme and swing Prohibition Bar…that’s why I will be headed!

For spoken word and poetry, look no further than Luck and Hope: an evening of poetry with two of the best poets writing today Mona Arshi and Imtiaz Dharkar at Culture Lab on 16th July. I know those in the poetry scene are extremely excited about that one! They also have a a stellar line up of regional spoken word talent in Strictly Spoken with at Arch16 on18th July which is now sold out. Spoken Word largely thanks to Button Pottery and the likes of McNish has jumped in popularity and the fast, Strictly Spoken has sold out highlights that – but good news is, that I’ve nabbed tickets just in time, so I will let you know what it’s like!

Masala Festival has a fantastic line up of films and this is music to my ears as since turning 30, I’ve really got back into my independent films and visiting the cinema at least once a week. At Masala Festival they’ve got the heartwarming, ‘feel good’ comedy of the year Eaten by Lions on 15th July; half-brothers Omar and Pete are on a journey of discovery via Blackpool, featuring Jonny Vegas, Jack Carroll and rising star Antonio Aakeel. At Tyneside Cinema on 17th July, they’ve got The Sweet Requiem with stunning cinematography and subdued tension highlights the ongoing and often forgotten Tibetan refugee crisis. This film, feels extremely timely and I’m sure will provoke a lot of reflections.  At BALTIC on 19th July, GemArts are screening Woman.; a specially curated evening of  contemporary South Asian film shorts about freedom, desire, resistance and the indomitable spiriot of women.

Writer, performer and professional wrestling manager (natural combo!), Pariah Khan brings his ‘shrewd and bitingly funny’ An Indian Abroad to Northern Stage on 20th July; we follow the story of Krishnan, who is stifled by life in middle class India and decides to visit the exotic island of Great Britain. This is a hilarious journey of self-discovery especially when he falls in love with one of the “natives”.

If you want to get yourself moving, why not try out Bollywood dance on 20th July,  yoga on the beach  on 21st July or if you are in need of a little TLC before your summer holidays try out an introduction to Meditation on 15th July.

Masala Festival is back at Dabbawal Street Food Kitchen. Over seven days, you can sample a specially crafted and delicious menu created by Dabbawal’s talented chefs. I’m a HUGE fan of Dabbawal’s food – as soon as I found out they did gluten free onion bhajis and lush spicy curries, I’ve been visiting lots ever since. I’m planning on going a few times to work my way through the menu…..

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GemArts Masala  Festival ends on a total high on Sunday 21st July at Live Theatre’ Garden with a spectacular FREE fun packed Mini Mela finale, with South Asian arts, craft, music and dance workshops for all of the family to enjoy! This year enter a seafront arcade in a caravan with ….. Elvis’ Bingo Balls, neon, sounds of the slots and an Indian Elvis as your bingo caller! Not to mention Circus Raj, a circus troupe from India performing throughout the day, with stilt walkers, extreme juggling, sword swallowing and acrobatics, plus dancing marionettes, Dabbawal serving up delicious Indian street food, and much, much more…..

Visit www.gemarts.org to find out more and book tickets.

Look out for GemArts Masala Festival beautiful brochure around Newcastle and Gateshead or download your full brochure here GemArts Masala Festival 2019 Brochure

And if that hasn’t convinced you to come along to Masala Festival starting on Monday, well…. Let’s hand over to Vikas Kumar MBE, GemArts Director to find out more!

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So I know how important GemArts is to our region but for those who haven’t heard of GemArts, tell us what GemArts is?

GemArts is an arts organisation and charity based in the North East of England.  We are a nationally recognised leader in the South Asian and diversity arts sector, and we create, produce and programmes high quality concerts, events, festivals, workshops and commissions with regional, national and international artists across all art forms. GemArts is committed to excellence in our participatory arts practice, particularly supporting artists working in the diversity sector, and we specialise in delivering arts projects with schools and community groups across all age ranges, to provide creative and enjoyable learning experiences, and to promote a greater understanding of people and their respective cultures.

Why and When did GemArts start?

GemArts started in 1992, working in Gateshead primarily and then across the North East.  We now work Nationally and Internationally through our commissioning and touring programme.  We passionately believe the arts enrich the lives of individuals and communities through celebrating our shared cultural diversity – Raising aspirations, building stronger communities and breaking down barriers.

We know that inequalities exist, and many communities and artists face social, economic and cultural barriers, so are excluded from taking part; this is disproportionately more so if you are from a Black, Asian, minority ethnic, asylum seeker or refugee background.  GemArts mission and focus is to increase equality of opportunity for everyone to engage with culturally diverse arts – as artists, producers, participants and audiences.

I’ve told everyone about what Masala Festival is in the present (top of this blog) – but can you tell us what was the inspiration behind starting it?

The festival is a mass of GemArts yearlong programme condensed into one colourful and creativity fuelled week in July.  We wanted to really show the breadth of incredible artists and art forms from the Indian subcontinent and diaspora, and celebrate the fantastic contribution that South Asian communities and culture has made to the region, UK and the world.  Masala itself is a mix of spices that goes in a curry or tea; we’ve taken that concept and replaced the spices with amazing arts and culture!

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Oh I like that Vikas! Masala festival is award winning (in fact I can remember “whooping” for you in the audience) which is just fantastic as I know you are such a small but perfectly formed team who work so hard, so to get that recognition is lush; can you tell us about the award? 

GemArts Masala Festival won the coveted Arts Council Award at The Journal Culture Awards in 2017, which was brilliant for everyone involved!  And we were runner up for Best Event Tyneside in 2018, which again is great recognition…..hopefully more in the future!

How would you describe Masala Festival to someone who hasn’t been before?

Since its launch in 2016, the weeklong festival has become a yearly celebration of South Asian arts and culture, bringing thousands of people to experience the best music, dance, theatre, visual arts, film, literature, performances, workshops, pop, ups, talks, family fun days, food events and much more.

The programme presents a diverse mix of contemporary and traditional South Asian artists, art forms and identities, produced and curated by GemArts, working with artists from the UK and Indian sub-continent.

This year the festival is across even more venues than ever before and the programme feels jam packed – is the intention to keep growing it year after year?

We’ve always had aspirations and ambitions to grow and develop the festival, and it has year on year.  We are very lucky in Newcastle and Gateshead to have so many amazing flagship venues who we work in partnership to present work.  Accessibility and ownership is something which is fundamentally important to GemArts, and we are absolutely committed to working with independent and community venues to programme arts and cultural experiences by, with and for communities, so we always want to build on our current work.  It would be great to expand the festival further South of the region……..watch this space!

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Last year’s GemArts festival launch as part of Gateshead Council’sGreat Exhibition of The North programme

Why are independent festivals like this important in the North East? 

Independent festivals are massively important because they shine a light on artists and art forms which might not get a look in otherwise.  They are culturally relevant and enable communities to celebrate their identities; people see their traditional and contemporary lives and stories reflected in venues and spaces.  Independent festivals, like Masala Festival, absolutely demonstrate that in the North East creativity and diversity is thriving and championed, and that we can connect on so many levels across so many experiences  whether that’s food, music, dance, etc .  We need more of this now than ever.

We absolutely do Vik!Tell me a bit about this year’s festival programme?

The design of this year’s Masala Festival brochure is just brilliant, if I do say so myself….you need to see it to believe it!

GemArts is (literally and visually) strutting into summer like a Bengal tiger as we bring the region another magnificent Masala Festival!  Over 7 days, from 15th to 17th July we are thrilled to present another  incredible line up of classical, traditional and contemporary artists from the UK and Indian sub-continent exploring themes of home, belonging, freedom, resistance, luck and hope.  We have music, dance, theatre, visual arts, film, literature, performances, workshops, pop, ups, talks, family fun days, food events and much much more.

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I’m excited! You always start the festival with a big of a bang with a launch event, what’s in store this year for the launch? 

Launching Masala Festival on 15th July, at Sage Gateshead, we have an incredible collaboration and special evening of music composed and performed by the internationally renowned Sarod maestro Ustad Wajahat Khan with a String Quintet from our region’s fantastic chamber orchestra Royal Northern Sinfonia.  It’s going to be epic!

I’m really looking forward to attending Woman at BALTIC – feels like a very pertinent time to be showing film shorts about women in the current climate; have you seen any of the shorts? Is there one that you are most looking forward to seeing?

Curated by Bobby Tiwana, this year’s shorts programme on 19th July at BALTIC is inspired by the political act of being a woman; exploring themes of freedom, desire and resistance. You can read about Bobby’s film choices in his blog post here and why as a man he has curated a programme about women.  I have seen all the films, and ‘The Field’ is a beautifully crafted short set in rural Punjab in India.  I’m from Punjabi heritage, and go see family in Punjab whenever I visit, so it particularly resonated with me, especially the scenery.  I’m looking forward to seeing War-ia again as it was written and directed by Bobby. We also have a post-screen discussion with filmmakers Sandhya Suri and Riffy Ahmed which will give a great insight into their creative process.

Don’t forget your complimentary glass of wine or juice on arrival!

I’ve fallen in love with poetry – both written and spoken word performance – I literally hit 30 and it just happened. You’ve got quite a few poetry related events as part of the event programme, can you tell me a bit about them?

We are working in collaboration with curator Dr John Challis and NCLA to present Luck and Hope on Tuesday 16th July at Culture Lab, an evening of poetry with two of the best poets writing today, Mona Arshi and Imtiaz Dharkar, whose poetry explores the nuances of luck, grief and hope within our often violent and unsettling contemporary world.

Then on Thursday 18th July we have a stellar line up of North East talent in Strictly Spoken (it’s sold out!) at Arch16.  We have Tahmina Begum, Prerana Kumar and Wajid Hussain presenting spoken word and poetry on identity, South Asian heritage and inspiration.

It’s really exciting that you’ve taken some of the festival out to Whitley Bay – WB is having a real evolution as an independent cultural hub of the region – what made you take some of Masala out there? 

GemArts has been working with Jam Jar cinema for a while now, and they are always up for working with us and programming films with a South Asian flavour during Masala Festival.  It enables us to expand our cultural offer and engage new audiences up in Whitley Bay.  We’ve got heart-warming, ‘feel good’ comedy of the year Eaten by Lions, which follows half-brothers Omar and Pete on a journey of discovery via Blackpool, featuring Jonny Vegas, Jack Carroll and rising star Antonio Aakeel.

For those who attend Masala Festival every year/have attended before, what would be your recommendation as a “must experience”?

I’d recommend two things:

If you’re looking for a night out and a good laugh – Definitely recommend An Indian Abroad, as writer, performer and professional wrestling manager, Pariah Khan brings his shrewd and bitingly funny show to Northern Stage on Saturday 20th July.  It’s getting great reviews as it tours the UK, and we are delighted to be presenting at Masala Festival this year.  It follows the story of Krishnan, who is stifled by life in middle class India and decides to visit the exotic island of Great Britain.

I’d also recommend The Sweet Requiem at Tyneside Cinema on 17th July with stunning cinematography and subdued tension it highlights the ongoing and often forgotten Tibetan refugee crisis

For those who haven’t been to Masala Festival before, what would you recommend them checking out to introduce them to the Masala vibe?

The true Masala vibe will be at the Lit & Phil on the 16th July; we have two of the most prominent women on the contemporary jazz scene, pianist Zoe Rahman performs alongside saxophonist Laura Macdonald. This will be a powerhouse of a performance, and guaranteed to sell out so get your tickets quick!

What about for those, who prefer to have a go at something….what do you suggest?

We’ve got a whole host of workshops that people can take part in Bollywood dance, yoga on the beach, or an introduction to Meditation.

Also check out the Chai & Chat exhibition at Gateshead Central Library, beautiful textile artwork inspired by traditional chai recipes.  You can also take part in paper tea cup making.

Full details to book on workshops see www.gemarts.org

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GemArts Bollywood Dance workshops as part of Late Shows 2019

Through-out the festival, you’ve got a bespoke special menu at Dabbawal, which is my favourite place to get a curry, so i’m excited for the Masala menu! Can you tell me a bit about the (commissioned!?) art work, you have on the walls at one of Dabbawal’s restaurants?

Dabbawal are the original authentic street food restaurant in the region, and it’s always a pleasure to work with them – their food is simply outstanding!  Each year their talented chefs craft a special menu which is available during the festival, and we can’t wait to sample it!

Our artist Kate Hunter Parker will be creating art work inspired by this year’s Masala Festival brochure design, as well as elements from the programme and the menu, so expect to see vibrant, luscious and colourful work at both High Bridge and Jesmond restaurants.

So the finale…. any yearly Masala Festival goer knows that you round off the festival in style with a mini Mela at Live Theatre courtyard for families and adults alike. Can you tell me about this year’s Mela programme, what can attendees expect?

GemArts Masala  Festival ends on Sunday 21st July at Live Theatre’ Garden with a spectacular fun packed Mini Mela finale, with FREE South Asian arts, craft, storytelling, music and dance workshops for all of the family to enjoy! If you love caravans, bingo and Elvis, then look no further as this year’s finale brings you…….. Elvis’ Bingo Balls –  enter a seafront arcade in a caravan with neon, sounds of the slots and an Indian Elvis as your bingo caller! We’ve also got Circus Raj, a circus troupe from India performing throughout the day, with stilt walkers, dhol drummers, extreme juggling, sword swallowing and acrobatics, plus dancing marionettes, Dabbawal serving up delicious Indian street food, and much, much more…..

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How on earth, did you stumble across the Indian Elvis bingo caller? He sounds brilliant and fellow Culture Vultures who love things a bit out there and different will be all over this! ?

This is going to be so special!  We really wanted to introduce something new and exciting to this year’s mini mela which will connect with young and older audiences alike, and Elvis’ Bingo Balls absolutely will.  The theatre piece has been produced by Black Country Touring and it’s great that we can bring it up here for the finale.

It’s perfect, as it’s the start of the summer holidays and you’ve got a bingo caller clad in his Elvis outfit, telling stories of moving to this town ‘so every day can be a holiday’……what’s not to love!?

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And finally, if you could sum up Masala Festival 2019 in three words, what would they be?

  1. Epic

2.Vibrant.

  1. Fun

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Mini Mela 2018 as part of Masala Festival 2018

Well thanks Vikas and I just can’t wait! I’m taking over GemArts social media during the launch on Monday AND during Mini Mela, AND I will be attending lots of Masala events so you can follow my journey on my Facebook & Insta.

Visit www.gemarts.org to find out more and book tickets.

Look out for GemArts Masala Festival beautiful brochure around Newcastle and Gateshead or download your full brochure here GemArts Masala Festival 2019 Brochure

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Circus Raj Puppets which are set to be at Mini Mela

That’s all for now Culture Vultures – until next time!

P.s. I’ve had the exclusive opportunity to interview several Masala festival artists and performers – so look over for those interviews coming out in the next week or so!

(Full disclosure: I am not being paid to write this post but I have received complimentary tickets to the full GemArts Masala Festival 2019 programme and I am working with them on the festival’s audience development).

Calling all rebels this International Women’s Day!?

After Eurovision (which is like my own personal Christmas), there is only one annual celebration that gets me super excited….. and that’s International Women’s Day. An opportunity to toast some of my favourite #lasses, recognise achievement and those who have supported the journey towards equality.

And this year, I’m throwing a proper party with Thought Foundation & Durham Distillery called Rebel Disco – I’ve wanted to throw a party for years and with The Culture Vulture thriving and vibing with so many lush megababes in my network, it seemed like the perfect time. Rebel Disco is an opportunity to get glittered up (we’ve got an eco- glitter bar!), dance to an amazing female DJ who is going to DJ some diva cracker tunes with projection, creative shenanigans for you to have a go at, food on offer, “tit-tails” and more. It’s this coming Friday and tickets are £12… why not join me, bring your rebel tribe and disco tits and get ready a corker of a party in the name of International Women’s Day….

Tickets are £12 and available from HERE.

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IWD is celebrated on 8th March annually and is a focal point in the movement for women’s rights. After the Socialist Party of America organised a Women’s Day on February 28, 1909 in New York, the 1910 International Socialist Woman’s Conference suggested a Women’s Day be held annually. After women gained suffrage in Soviet Russia in 1917, March 8 became a national holiday there. The day was then predominantly celebrated by the socialist movement and communist countries until it was adopted in 1975 by the United Nations.

Today, International Women’s Day is an International day of recognition; in some countries it’s celebrated as a day that championing people who identify as female and womanhood, in others it’s a day of protest and sadly, still in many places it’s ignored.

International Women’s Day is sometimes perceived as quite contentious or a day of “feminism”….. but I think it’s a beautiful celebratory day and at the heart of it, is about recognising the history of women and suffrage alongside championing the achievements of female identifying wonderful humans and an opportunity to have a discussion about the issues that exist in the present.

This year’s theme is right up my street too…. Totally recognising that IWD is not Men verses Women (I don’t believe in two genders for the record); it’s about celebrating wonderful people and striving for equality. This year’s campaign theme is #BalanceforBetter – focusing on forging a more gender-balanced world and trying to secure equality. I’m totally against any form of bias including preferential treatment (quotas on a business board – please! I either am the right candidate or I’m not – I don’t want my place to tick a box.).

So really excited for this year’s IWD and Rebel Disco; this party is going to be mega and it’s all about celebrating women and dancing the night away whilst enjoying “tit” tails made with Durham Gin (one of my FAVE gins by the way). I bet you’re wondering what a “tit tail’ is.. good question….basically we’ve taken the “cock” out of cocktail and swapped it for “tit” and then devised a LUSH Durham Distillery gin cocktail! Simple as that!

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However, I’m not the only one doing something MINT for this year’s International Women’s Day – actually this year feels like a bit of a festival of IWD happenings. So I thought this was a good opportunity to do some Culture Vulture IWD suggestions and recommendations for events I think you should be aware of and checking out!

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Film Screening: Kusama: Infinity (12A)

Gosforth Civic Theatre, Tuesday 5 March, 7.30pm

Insightful documentary about #kween of polka dots Yayoi Kusama, and her journey against the odds to become an internationally renowned brilliant artist. Yayoi is an absolute ray of light in the arts world.

Tickets are £5 and available from HERE!

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Hear My Voice: A Working Woman’s Fight For The Vote

Caedmon Hall, Gateshead Central Library, Thursday 7 March, 6.30pm

Mark, IWD with Meridith Towne; she will lead you on a march through history to discover the determined women who sparked “The Cause” through to the Edwardian militants who refused to take “no” for an answer. This is a brilliant lively and informative talk about women who were inspired to go forth with “Deeds not Words”. I’ve seen Meridith many times before – and she’s excellent!

Tickets are £5 and available from HERE!

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Stupid

Northern Stage, Thursday 7 March, 8pm

A “not-just-me-then” tale of one woman figuring life out. We meet Stupid on her first day as a supply teacher and follow her quest to piece herself together, one school (and life) lesson at a time. New writing by an extraordinary megababe – a hilariously honest story about adulthood and whether it will ever really make sense?

I’ve seen the show and it was fantastic – written by Sian Armstrong and directed by Anna Ryder; two of my favourite humans.

Tickets are £10 and available from HERE!

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Period Positivity Event

Newcastle City Library/Grey’s Monument, Friday 8 March, 10am

This event is all about raising awareness surrounding period poverty and promoting period positivity. Starting at Newcastle City Library, you will have the opportunity to make red pompoms before taking them to Grey’s Monument to make it red. There will also be a flash-mob choir performing.

You will also be able to drop by and donate to Red Box and Streetwise.

Tickets are free – but you can register your interest HERE!

International Women’s Day Story Time

Seven Stories The National Centre for Children’s Books, Friday 8 March, 10.30am, 1pm & 3.30pm

Awesome stories about inspirational super-women shared all day in celebration of International Women’s Day. Dress up as your favourite independent woman and tag us in on Instagram #IWD2019.

Storytime is free with general Seven Stories admission.

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International Women’s Day at City Space with Sister Shack

City Space, Sunderland University, Friday 8 March, 11am-7pm

Sister Shack will be showcasing stalls, activity and workshops with a creative, entrepreneurial and artistic background. This event will have a focus on the wellbeing of women by the way of specialist stalls, speakers, workshops and performers.

Entry is free and no need for tickets – but visit the website to find out more about the schedule of activity.

Sister Shack is also running an event the next day at Tyne Bank Brewery, so if you can’t make the Sunderland event – check out the Newcastle one!

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Reclaim The Frame presents The Kindergarten Teacher

Tyneside Cinema, Sunday 10 March, 3pm

This screening is part of the fantastic Birds’ Eye View’s Reclaim The Frame project; a mission to bring ever greater audiences to films by women, to build a more balanced film future.

Maggie Gyllenhaal stars as Lisa Spinelli, a kindergarten teacher and poet fed up with her career, her oblivious husband and teenage kids who largely ignore her. When she discovers that a five-year-old in her class may be a poetic prodigy, Lisa becomes fascinated and tries to protect him from neglectful parents.

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There will be a post screening panel discussion hosted by Mia Bays who runs Birds’ Eye View, the charitable pathfinder for films by women and network for those who make, show, release and watch them. She is an Oscar-winning producer of documentaries and fiction.

Tickets are £7.25-£10.75 and available HERE.

Tyneside Cinema are running a whole season of International Women’s Day inspired films.

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Newcastle Fuck Up Night (in collaboration with Women of Tyneside)

Ampersand Inventions CIC, 39 Pilgrim Street, Tuesday 12 March, 7pm

An evening of all-female line up of artists, writers, business people and entrepreneurs who are set to tell their stories – this evening is all about celebrating the mistakes, the “whoops”, the blind faith moments, the moment it all went tits up – yep the fuck ups…. These moments are learning opportunities and often the making of us – this event celebrates and shares them.

Tickets are free but pre-bookable – available HERE.

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Other lush events coming up to note:

Women of Tyneside Festival

Across Newcastle & Gateshead, March – June

I was lucky to catch up with one of the project co-ordinators Gemma Ashby to find out about the festival and it sounds fantastic. A wide programme of collaborative events and TWAM led events celebrating women in Tyneside and exploring the representation of women in Museum collections.

Festival information and programme of events can be found HERE.

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Women are Mint Festival

Cobalt Studios, 10-12 May

Women Are Mint Festival is a three day event showcasing the best of local female talent including Culture Vulture megababes Becca James, The Cornshed Sisters, Ladies of Midnight Blue and Lady Annabella. Women are absolutely MINT, but we already knew that.

Festival information and tickets can be found HERE.

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And if you can’t wait to see Lady Annabella…well guess what? She’s DJing Rebel Disco, so come and sample a tit-tail with me on Friday and get your Rebel Disco tickets!

I have a feeling I’m going to be raising a lot of glasses full of gin across the week at all these IWD events, toasting lots of megababes….

That’s all for now Culture Vultures! xx

Gateshead Silent Film Festival 2019 – the low down

So now we are half way through January (how did that happen?!?), I hope you have your diaries full of events, happenings and plans for 2019…….there are so many amazing things going on in the region and my last post covered just a few of my top picks! One of my recommendations was the Gateshead Silent Film Festival – I’ve got my ticket and I’m so excited to go! It will be my third time attending and each year it just gets better and better, and as a Gateshead lass, I’m so proud that something like this happens right here, on my patch!

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This year’s Gateshead Silent Film festival, a collaboration between St Mary’s Heritage Centre & Side By Side Arts; two nights of silent movies accompanied by ‘live’ piano music.

Friday night is ‘Horror’ night showing the 1925 seminal American silent horror ‘Phantom of the Opera’. Scream for Pizza are serving a range of their ghoulishly gorgeous fresh made pizzas from 7pm, and a pay bar is available too. Tickets available here.

Saturday night is ‘Comedy’ night showing ‘Girl Shy’. The Poor Boy (Harold Lloyd) is a bashful tailor’s apprentice who longs to be a published author. Heading for the city to sell his romantic anthology, he encounters the Rich Girl (Jobyna Ralston) on a train, and he helps her hide her dog from the conductor. Excited about a budding romance, the Poor Boy goes off to a publisher and gets rejected. Disheartened, he gives up on the Rich Girl. However, when the publisher changes his mind, the Poor Boy tries to rekindle the spark of romance. Scream for Pizza will also be back serving from 6pm and bar open from 7pm. Tickets available here.

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But instead of me jabbering on about why you need to get tickets for Gateshead’s Silent Film Festival, I thought I’d catch up with Mr Gateshead Silent Film Festival, the Director of Side By Side Arts – Stuart Angus. We caught up recently (before Christmas) and bonded over Stuart’s FANTASTIC gin collection and I had the privilege of finding out all about Side by Side Arts and what is in store for this year’s Silent Film Festival!

Let’s start at the beginning for my fellow Culture Vultures – who are you?

My name Stuart Angus and I am the Director of Side By Side Arts.  I’m originally from Northern Ireland, but moved across when was 18 to study music at Newcastle University and fell in love with the North East so stayed!

The North East tends to do that, once you arrive here, people don’t want to leave/we don’t allow you to leave. So Side By Side Arts, what is it and what does it do?

Side By Side Arts is a Community Interest Company which aims to bring performing arts opportunities covering music, dance and drama to people in the North East who would not normally have the opportunity to take part. Currently we run stage schools for children, supported by partners and various funders, which enable young people from lower income backgrounds to take part. We also lead the Low Fell Community choir, have a music tuition studio, run group and individual piano lessons and even run an annual Silent Film Festival!

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Stuart leading Low Fell Community Choir at BALTIC as part of Great Exhibition of the North

You’ve just mentioned The Silent Film Festival, that’s what I want to hear more about! Tell my fellow Culture Vultures, what’s happening and what’s on across the festival?

The Silent Film Festival is now in its third year and run jointly with St Mary’s Heritage Centre. This year we are even bigger and better running three events, all celebrating the magic of silent film, over the 25th & 26th January.

Friday 25th January is horror night! Enjoy the gothic settings of St Mary’s while watching the all-time horror classic ‘Phantom of the Opera’.

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Saturday 26th sees the venue transformed into the St Mary’s Speakeasy where the hilarious Miss Dixie Swallows introduces the comedy film ‘Girl Shy’ featuring Harold Lloyd. This is a great love story about a guy who thinks he knows how to make women fall in love with men, but in reality can’t speak to a girl without stuttering!

Both evenings will be accompanied by myself live on piano, a pay bar open and the delicious Scream for Pizza will also be cooking up a storm!

This year for the first time we are also holding the family funny bones hour where we will be showing three short comedy silent films, one of which will be accompanied by myself on piano. These are three of my most favourite short films and the one I am accompanying live is my all-time favourite (Buster Keaton’s One Week). This event is especially for families to come along, be thoroughly entertained and have a great time together as a family.

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I really like your choice of films – Girl Shy is just fantastic. What made you select this year’s films?

I chose Phantom Of the Opera because most people are very familiar with the Andrew Lloyd Webber version, but the silent film is where it all began and a true class. I wanted to show the original film and surprise people with a similar story line but with music that you wouldn’t necessarily associate with the film.

Last year for comedy night we showed Charlie Chaplin and the year before we showed Buster Keaton, so for 2019 following on with the theme of showcasing some of the silent film comedy greats, we thought we’d let Harold Lloyd have a turn this year! Every year, I like to show a film which people are a bit less familiar with (everyone knows the scene where Harold Lloyd is hanging from a large clock face) and ‘Girl Shy’ has all the elements to make a great comedy film from a love story, through to hilarious slap stick and even a comedy chase!

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St Mary’s is just such a perfect venue for this type of event and as always, can’t wait to see it for horror night– from your perspective why did you pick this as your Silent Film Festival home?

St Mary’s is a fantastic venue and is so versatile in its uses. Who could imagine that such a place could host a wedding one week, a conference or a workshop the next and then even a silent film festival?!?! The gothic setting of a church is amazing to show horror films while speakeasies appeared in the most unlikely of places during the 1920’s prohibition, so where more unlikely to have one than in an old church?

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I’ve heard lots of people talking about this year’s festival – like they’ve just discovered it, which is always a great sign! But this is actually its THIRD year – how did it all start?

It all started with me going to the Heaton Park Silent Film Night which used to be held in the Summer time. From here I discovered silent films and in particular Buster Keaton. This inspired me to write my final dissertation on the evolution of silent film music and from there my love for the silent film era grew! I was really sad when the Heaton Park Festival ended because of the loss of funding and really wanted to bring silent films back to the North East!

You introduced me properly to silent films and since the first festival, I’ve been keening watching them and I’ve discovered that watching silent films was (and still is) actually anything but silent! People watching giggled, socialised, drank and of course, lots of live musical accompaniment. You’ll be doing live piano along to the films to bring them to life – are you doing a special score?

Every performance that I give is a soundtrack that I have compiled especially for the showing using a massive array of music, a lot of the music you will hear is taken from original music that would have been used to accompany films.

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Why do you love Silent Films? Why is it important for people to fall in love with the genre today?

I love silent films because they don’t have any of the mod cons that you would expect to see in modern cinema. All of the actors do their own stunts, there was no CGI and most importantly the main way that they could tell a story effectively was by using music to match with what you see on the screen.

It’s really interesting that the whole perception of what you watch and experience can be altered by what you hear! That’s why the musician’s job in the silent film era was almost as important as the actors who were on screen. It also led to so much more including folly artistry to provide sound effects which ultimately developed into what we recognise now as a modern day film score.

What I find interesting is that nowadays audiences are looking for that fully immersive experience while watching a movie; from attending showings with live orchestras playing the movie’s scores through to audience participation and live actors interpreting what is shown on screen simultaneously, so of course, what better way to enjoy a film than going back to where it all began?

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For people who haven’t seen any Silent Film before but just fancy a lush different night out to get them through January (it’s a long bliddy month), what can they expect if they get a ticket? Why should they get a ticket?

For people who haven’t watched a silent film I need to ask where have you been for the past two years!?!?!?! Coming to an event like this means that you are able to appreciate a film which is very cleverly made. While you’re watching you will get so engrossed in that you almost forget about everything around you because it is so visual! You can expect to have a unique experience with what you hear as the soundtrack is compiled especially for the event and not forgetting the amazing Miss Dixie on the Saturday night adding that extra bit of comedy!

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What’s next after the Silent Film Festival – what do you have planned for 2019?

2019 looks to be a busy year so far! I have a great project coming up with Imagine Gateshead where I will be working with a group of children to write a song about what they think Gateshead will be like in 100 years’ time! The Low Fell Community Choir are working on lots of great new music and getting ready to perform it over the coming months and I will also be growing the music studio. But most excitingly, I have a couple of new tutors who will be joining me over the coming weeks to take Side by Side Arts to the next level – so singing lessons, dance etc will be added to our growing offer!

You teach the piano and run lessons for adults and children – you’ve promised to give me a lesson or too (I’m not very musical), I need to know what you are going to teach me on the piano? My musical profile consists of Little Donkey on the recorder, The Rugrats theme tune on the glockenspiel so I’m eagerly awaiting another string to this bow…

I really don’t think that it is true that people aren’t musical….. you just have never had the right teacher! I firmly do believe that if you have the willing to learn something like piano and are happy to take 10 minutes a day to do a little bit of practice that you can learn to play in no time at all! (rant over!) So having said that my aim for you is to teach you a Britney Spears song as I know how much you love her!

Proud Britney Spears super fan right here…..right now I’m excited for my lesson. You also head up Low Fell Community choir and keep trying to get me join…… right this is your chance, 30 second pitch. I can’t sing, but love to sing as it makes me feel a bit lush inside….why should I join? If I join, can we do some Tina Turner or Britney? (non-negotiables)

The Low Fell Community Choir is a really friendly and welcoming choir, just like I say anyone can be musical, we really do believe that anyone can sing! We meet every Sunday at 5:30 at the Nest in Low Fell, there is no audition to join, you just have to turn up and sing! I teach everything by singing it to you and then you have a go at singing it back!

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Last year we did some amazing music from an Abba medley through to Adel’s Make You Feel My Love and big classics like Don’t Stop Believing! This year we are working on more epic tunes from Queen’s Somebody To Love, through to songs from Greatest Showman, a few modern day hits and yes! There is even a Tina Turner song to be learnt, but I’m not going to tell you which one – you’re going to have to come along to find out!!!

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I can feel my little feet stomping a la Proud Mary, in excitement already. So Culture Vultures, 25th & 26th January is this year’s Gateshead Silent Film Festival. Tickets are flying and it’s going to be a great weekend of silent film. I will be there lurking in the shadows on horror night, hanging out with minis (more on my level) for Funny Bones hour and cackling away at the back for comedy night.

If you see me – say hiyer and use the hashtag #GatesheadSilentFilm19 on social so I can track your silent film festival shenanigans!

That’s all for now.

Events and Happenings to look forward to across the North East for 2019

So I’ve been plotting and planning this blog post for some time – but you know what it’s like over the festive period…..always more cheese to eat, more gin to drink, another cat to stroke…..

Lots of you send me messages via my various social media channels asking for my recommendations of things to do, happenings, events etc – so I thought I’d write a blog on the things that I’m excited and looking forward to in 2019. There are so many amazing events, exhibitions, performances, happenings, things to see, do, visit, coming up, that it’s impossible to include them all but these are the ones that give me excited butterflies……

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New Year New Artists – Thursday 17 January – Sunday 20 January

If like me New Year and January is all about trying and seeking out new things and you’re feeling musically experimental after BBC3 Radios New Music week across the first week of January, then THIS is for you. I get SO stuck in a music rut through-out the year – but I love gigs, discovering new bands, singers and types of music that day to day, I’d probably not be open to.

New Year New Artists at Sage Gateshead, in association with my pals at NARC Magazine, brings together stars of the future; a weekend full of new music, different genres and artists of tomorrow. You can say you saw them here first!

The programme this year is amazing but if I had to pick a Culture Vulture recommendation it would be to go to Saturday 19 January – BBC Introducing in the North East Presents. This evening will be filled with exciting emerging artists, unsigned, undiscovered and under the radar music across the UK. The line-up includes the AMAZING Beth Macari, who if you are a lover of the regional gig and live music scene, you’ll have seen and fallen in love with her, like I have. She is certainly one to watch!

Ticket/Entrance Cost: Various prices per gig/festival pass (and some are free!)

How to Book: Sage Gateshead Website

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Gateshead Silent Film Festival – Friday 25 January, 8pm & 26 Saturday January, 8pm

This is now in its third year at St Mary’s Heritage Centre and is run by the incredibly talented creative Side By Side Arts.  If you haven’t been to St Mary’s Heritage Centre – then please you MUST go and this is your perfect excuse! It’s one of my favourite venues for an event; think converted Church, atmosphere, bit gothic and PERFECT for a silent film fest!

Side By Side Arts present two nights of silent films accompanied by live piano music, taking you back to 1920s where film making was pure gold, without special effects. Night one is ‘Horror night’ with a screening of The Phantom of the Opera, a 1925 silent horror classic, about an enigmatic masked presence. Night two is ‘Comedy night’ with a screening of Girl Shy, a silent comedy classic about ‘Poor Boy’ heading to the city to sell his romantic anthology and stumbles into a romance of his own! Night two is also being brought to life with compare and Rusty’s legend Miss Dixie Swallows bringing some class and sass to the proceedings. New for this year, is the addition of Scream for Pizza serving up their lush pizza and of course, there is a pay bar and each night ends up with dancing (or in my case twirling) to 1920s-40s music.

Ticket/Entrance Cost: £10 per night (each booked separately)

How to book: Gateshead Council Box Office Website – Horror Night / Comedy Night

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Leonardo da Vinci: A Life in Drawing – Friday 1 February – Monday 6 May

In February 2019, to mark the 500th anniversary of the death of Leonardo da Vinci, 144 of the Renaissance master’s greatest drawings in the Royal Collection will go on display in 12 simultaneous exhibitions across the UK including Sunderland Museum and Winter Gardens! Sunderland has got it going on at the moment and we are SO lucky to have this on our door step – it’s a MUST visit!

1st Feb marks the opening weekend of Leonardo da Vinci, A Life in Drawing – and if like me, you’re all about being there first, then it’s all about the opening weekend! The exhibition is your rare opportunity to see the extraordinary drawings of Leonardo da Vinci from the Queen’s Collection. The drawings on selected for display reflect the full range of Leonardo’s interests and his innovation – painting, sculpture, architecture, music, anatomy, engineering, cartography, geology and botany.

Keep an eye on Sunderland Culture social media and website over the coming weeks for a wide ranging programme of supporting events and activities for families and adults through-out the exhibition period.

 

Even though the exhibition doesn’t open until 1st Feb – tickets are on sale now and I do recommend pre-booking yours to avoid disappointment.

Ticket/Entrance Cost: £2.50 per person & Under 16s free (but ticket still needed)

How to Book: Visit the Sunderland Culture Leonardo website page.

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Sunderland Comedy Project- Thursday 7 February, 7.30pm

With Jesterval Comedy Festival, South Tyneside Comedy Festival, Arts Centre Washington comedy programme and of course, The Stand Comedy Club, I think we do pretty well for comedy. I love attending comedy shows and seeing touring comedians. However, I’ve just found out about The Sunderland Comedy Project and their monthly shows with regional comedians at the lush Sunderland venue, The Peacock. This is a MUST for this Culture Vulture in 2019….

The Sunderland Comedy Project has just announced their February show and line-up; I’m buzzing that Jesterval fave (and organiser) Dave Haddingham is comparing for the evening. Now, I’ve seen Dave many times before and I’ve go to this, just for him alone – he’s hilarious! Other acts announced so far are Karen Bayley and Vince Atta with more to come. This sounds like a great night to discover some new comedy; I will be cackling in the back!

Ticket/Entrance Cost: £10 per-booking or £12.50 on the door.

How to Book: Visit the Jokepit online box office.

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Screenage Kicks: True Romance- Thursday 14 February, 7pm

After a year-long absence, which left a hole in my social life heart, Screenage Kicks is back with a vengeance in 2019! Now, if you haven’t heard of Screenage Kicks – well they are a MUST for you in 2019. Screenage Kicks creates bespoke immersive pop up cinema events celebrating absolute cult cinema classics in truly unique locations. They have to be experienced to be believed – but think live music, character performance, beautifully themed venue decorations and special touches inspired by the films themselves.

So, here they are back for 2019, returning with their first ever (Anti) Valentines special, screening one of their (and mine!) favourite cult classics, Tony Scott’s beloved ‘True Romance’. Presented in full Screenage action packed glory, within the unique and romantic surrounds of a space never yet used by Screenage Kicks; The Assembly Rooms is set to be transformed into The Beverley Ambassador.

Ticket/Entrance Cost: £22 or £39.60 for a couples ticket (Please note – this is NOT a couples event – everyone and anyone is welcome!)

How to Book: Visit the Seetickets Screenage box office.

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The Art of Taxidermy: Artist Talk- Saturday 2 March, 11am

With Taxidermy and Entomology having a big revival and growing in popularity – are you feeling a bit curious? Have you thought about having a go but a bit unsure? I certainly have! Moreover, I have so many questions! Moth Studios are the leading Taxidermy and Entomology studio in the region, hosting a wide range of workshops in their own studio and all their items are responsibly and reputably sourced – for one special morning, Moth Studio is hosting a talk at St Mary’s Heritage Centre Gateshead (what a PERFECT venue for it!?).

In this artist talk and demonstration with Moth Studios, they will share their visionary way of re-introducing Taxidermy, Natural History and Entomology into contemporary lifestyle, exploring techniques they use, hints and tips for your own pieces and how you can get involved in the practice.

The talk is such a unique opportunity to find out more and will close with a Q&A so you can truly satisfy your curiosity.

I really love an Artist talk!

Ticket/Entrance Cost: £6 per person

How to Book: Visit the Gateshead Council box office

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Where There’s Muck There’s Bras- Wednesday 13 March, 7.45pm

This beautiful show at The Northern Stage celebrates the ‘real’ Northern Powerhouse – the sung and unsung women of the North of England. Its politicians, entertainers, musicians, sportswomen, activists, writers, innovators and mould breakers – women who are often missing in the ‘standard’ Northern Powerhouse who (in my opinion) consist mostly of white men in suits. I mean how tragic was the line-up for the Business Conference during Great Exhibition of the North!?!?! I’ve felt more inspired by a smack in the face….

In this hilarious and thought provoking show, stand up poet and Radio 4 regular Kate Fox and actor Joey Holden champion #lasses such as Britain’s first astronaut Helen Sharman, the first female speaker of the House of Commons, Betty Boothroyd and music hall star the inimitable Hylda Baker alongside some #lasses you may not have heard of, Liverpool’s Hilda James who introduced the front crawl to the UK, Lilian Bader, one of the first black women in the RAF and “Red Ellen” Wilkinson the MP who led the Jarrow March!

I heard AMAZING things about this show during its mini tour last year so I’m mega excited to see it myself! In addition to Northern Stage – it’s playing all over the North including Darlington, York, Halifax, Middlesbrough and many other venues – visit Kate Fox Facebook for full tour details.

Ticket/Entrance Cost: From £10 per person

How to book: Northern Stage Website – Where There’s Muck There’s Bras

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Curious Arts Fundraiser – Friday 16 March, 8pm

Curious Arts champions and develops LGBTQ arts, artists and audiences across the North East. Their work, events and yearly festival in July celebrates and explores Lesbian, Gay, Bisexual, Transgender and Queer Culture through the arts. Every event, I’ve attended has blown my mind – interesting, high energy, such a memorable experience and guaranteed that you leave curious for more. In short, I love everything they do. They haven’t announced their festival programme for July 2019 – but I can promise you, it will be amazing!

However, they have just announced their fundraiser evening at Alphabetti Theatre; this evening directly supports the Curious Festival 2019 programme. Last year was a BLAST, so you can expect a line-up packed full of talented performers, dance and drag artists with the proceedings most likely led by Mutha Tucka. I promise, you will laugh until your sides hurt, see performers from the region doing amazing things showcasing the unreal talent we have in the region and you’ll end the night dancing away in Alphabetti’s theatre bar.

And if like me, you’re curious for more or if you can’t make the fundraiser – they also have Northern  Stage is Curious: 2019 on 1 June, for a preview of what to expect from award-winning Curious Festival 2019;  an evening of comedy, theatre and performance from established and emerging Queer Northern talent.

Ticket/Entrance Cost for Fundraiser: £10

How to book: Via the Curious ticket website.

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The Bon Bons Cabaret: God Save the Queens – Thursday 28 March, 9pm

Bonnie and The Bonnettes and The House of Love are back with another one of their fun, feisty, entertaining and infamous Bon Bons Cabarets; God Save The Queens. Tonight they explore and celebrate what it takes, to be a Queen! Whether it’s Mariah Carey, or Mary Queen of Scots, these Queens have always got the job done. From a culturally shifting Christmas number one to running the entire country of Scotland, they inspire generations, they make their mark, their voices heard; they are true Queens. During the night, Bonnie and The Bonnettes explore what exactly makes a “Queen”? Are you born one? Do you transform into one? Do other people’s love and adoration make you become one?

Get ready for a night like no other at Alphabetti Theatre and remember to wear your crowns and tiaras!

Ticket/Entrance Cost: £7 (£5 concessions)

How to book: Via the Alphabetti Theatre website

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The Guilty Feminist- Saturday 4 May, 6.30pm

The Guilty Feminist podcast has become a comedy phenomenon with over 50 million downloads since it launched in late 2016 – it is pretty much my life Bible and small bit of sanity during periods of absolute insanity. I actually didn’t know this was even coming to Newcastle’s City Hall until I was tagged into a social media post and the lush ladies from Third Space Events sorted me a ticket to join their gang! I am so excited – I will be fangirling and whooping like a cracker!

Lush megababe – Comedian Deborah Frances-White and her guests discuss things which all twenty-first century feminists agree on – while confessing the insecurities, hypocrisies and fears which undermine those noble goals. For this special touring version of the show, Deborah will be joined by some of your favourite comedians, guests and musicians from the podcast for a celebration of how far we’ve come, and a conversation about what remains to be done.

Now in a world where “feminism” has become a bit of a (sadly) negative term…. I promise you this evening will have you giggling, thinking “oh my god – ME TOO” and walking away empowered. #LASSES

Ticket/Entrance Cost: £26.50 – £32

How to Book: Visit the Theatre Royal Website

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Elmer’s Great North Parade – Early August – November 2019

In 2016, did you (like me) fall in love with Snowdogs? I was a one woman advocate and superfan! LOVED IT! So I’m so excited that another mass Art participation event is planned for 2019, an even bigger set of feet will be parading through our region’s streets, parks and coastline – Elmer the Elephant’s ‘Great North Parade’, in support of St Oswald’s Children Hospice, is coming to town!

This beautiful art trail made up of individually designed sculptures based on the much loved Elmer character will stomp its way across the region for 10 weeks from August to October 2019.

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It will be similar to in concept to last time – expect Elmer’s across Gateshead, Sunderland, Newcastle, Northumberland & South Tyneside designed by local, regional and International Artists with one or two celebrities thrown in for good measure. You will be able to follow a paper trail map or an app on your phone in order to follow the trail alongside lots Elmer themed events across the whole region.

I am sure Elmer will absolute capture the hearts and minds of the region again – getting you all to be tourists in your own town. I am SO bliddy excited for this and it’s just fantastic that it benefits St Oswald’s Hospice; I was humbled recently, when I was invited for a tour of the hospice and hear about all the great work they do.

Keep an eye on the Facebook page for announcements or sign up to the mailing list.

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World Transplant Games 2019- Saturday 17 – Saturday 24 August 2019

If like me, you get borderline obsessed during the Olympics, then you’ll be super excited about a week long of live sporting events right here to the region. Held over seven days, the Summer World Transplant Games are held every two years in host cities around the world. I’m over the moon NewcastleGateshead have been chosen to host.

Summer 19 will see around 3000 visitors from 70 countries come to NewcastleGateshead to compete; competitors are aged from 4 to over 80 and will all have had lifesaving organ or tissue transplants. There will be events for living donors and donor families, as well as a number of social and cultural events for the public – alongside the obvious opportunity to attend the Games to watch at venues like Gateshead International Stadium. Sports will include archery, athletics, badminton, basketball, cycling, darts, football, golf, volleyball, petanque, squash, swimming, table tennis, ten-pin bowling and tennis.

Details about pricing and how to book are yet to reveal – follow the Facebook event page to keep in the loop!

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Well that was just a flavour of a few of the things I’m excited for across 2019….. quick shout outs also go to:

No28 – their themed quiz nights are amazing – I had a blast at last year’s Peep Show one!

MAPS Festival by Chalk – a creative and immersive weekend of art, music and play aimed at children under 8 and their grown-ups.

Lundgren Tours – they are yet to announce their tours for 2019 – but I’ve heard rumbling of Lake District and as I’m trying to get back to my outdoorsy best, I’m excited!

Tyneside Cinema – I’ve fallen back in love with the cinema again and one of my New Year’s Resolutions is to go to the cinema at least once every two weeks…. Tyneside always feature amazing films and host unique film events.

Low Fell Food Market – Everyone loves a food market and I especially love Spring/Summer ones in Saltwell Park and Gateshead (easier for me to roll home full). They are yet to announce dates – but they are coming!

Great Northumberland – After the MASSIVE success of last year’s Summer event season, it’s no surprise that I’ve heard rumours of this happening again! I really love Northumberland and the programme of events they put on so I’m eagerly awaiting more news and I will update you as I find out!

That’s all for now Culture Vultures!