Masculinity, #ladsladslads & theatre making – an interview with Jake Jarratt…..

An area I’ve been intensely interested in from a self-reflective exploring view point is gendered normative behaviour….as a 33yr old woman without children, on a non-conventional career path who embraces being quite eccentric and introverted as a badge of honour, the older I’ve gotten, the more aware I’ve become of society trying to pigeon hole me and push onto me, gender conventions or make excuses for me as to why I don’t succumb to them.

The more I don’t succumb, the more society tries to reinforce them and with more energy. I sometimes wonder, at what point others will accept the way I am, in the way I have learned to do so. Or I wonder, when I will stop playing up to this “eccentric” characterisation of myself…. !?

I never thought I’d get married or have children, I never spent time agonising over boys (I didn’t get it), I always knew as I can see a lot of my Father in me, that I would be fiercely ambitious and introverted, I had no interest in being in fashion or “popular”, I just liked what I liked…… I’ve forever been positioned as a “tom boy” or “ladette” as I’m not girly…..

Actually the term being “girly” always offended me even as a child and I have memories of trying SO HARD to play with Barbies, have Polly Pockets and “girly” things….it was exhausting but it made people happy and I was curious enough to see what the fuss was about. I remember having the realisation of holding a polly pocket as a mini me and thinking “this is a bit shit” and deciding to go back to collecting woodlice, building dens and tending to my imaginary horse farm where I played both the farmer and the horses….what can I say, I’m versatile!?

But there is something in rejecting the above and still for some reason carrying around this weird feeling of disappointing the universe that I’m not, never was, or ever will be what society seemingly demands of me. I’m the lass who quotes South Park and Family Guy like a second language, that loves to be outside in her own head, that really loves to wear bold dresses but equally loves to dress like an 80s power suited man, I hate talking about my feelings, I’m not emotional enough, I HATE cooking, make up is functional, I’m always the more dominant one in a relationship who takes a traditionally more “masculine role”, I’m the big spoon, I don’t have kids and I don’t feel empty not having them, I find commitment and stability absolutely terrifying…..

I’ve been told that some of my personality traits and the above make me quite “masculine” – that I could be intimidating to men….off putting. It’s weird isn’t it, how we have such a fixed ideal of what it means to be masculine or feminine? I’ve been classed as a hyper-masculine trait exhibiting female…..

And my Dad wasn’t classed as an A Typical “manly man”- he had no interest in being one either. So my Dad not “masculine” enough and me, who is very much like my Dad, with my supposed “hyper masculine” traits…..

We live in a bizarre world. A world where men are supposed to be strong. And women who are strong aren’t girly enough and too masculine and men who struggle sometimes are weak and told to “man up”. And whilst things are changing slowly…..there is a lot of work to be done.

I’m delighted that theatre maker Jake Jarrett is using masculinity as a theme and starting point for his show “Blokes, Fellas, Geezers”…… especially as you can see from above I’m extremely interested in this topic and how we keep telling kids they are free to be who they want to be and yet, reinforcing gendered stereo-types over and over again. Even I had to apologise in a meeting recently, when I used the term about myself “growing some balls” ….it slipped out and it reminded me, that what it is to be masculine and/or feminine is so ingrained in our minds that even I use an outdated phrase like that when championing strength and courage and of course, I totally cringed and wanted the ground to swallow me immediately.

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(Jake Jarratt)

As you can tell, this subject topic gets me buzzed and I’m super excited to see Jake’s show on 26th September at Arts Centre Washington, Sunderland; we are invited to enter Jake’s world, where the men are men and the pints are cold and what it’s like to inherit working-class masculinity whilst discovering what kind of person he wants to become.

I didn’t know Jake before this blog post (I’ve seen some of his past acting and writing work and heard of him as an emerging talent) but it was the subject content of this show that made me buy a ticket and to reach out to find out more ahead of the show.…

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Hi Jake, for my readers….Who are you?

I’m an actor, theatre-maker and part time book-maker from Crook in County Durham.

I ask this question to all the people I interview; can you tell me about your journey into the arts/creative sector?

It was the usual thing of doing school plays and then attending a drama group that triggered a variation of stuff; from Christmas shows to issue-based work that was used to educate audiences at other schools and conferences.  I loved ‘Bouncers’ by John Godber and ‘Bones’ by Peter Straughan at school and that style of work. Writing that focuses on people and places that are familiar to us is what excited me when I was younger. Paul Charlton went to the same drama group that I went to, and seeing him do really well and seeing his sketch show ‘The Ginge, The Geordie and The Geek’ on the tele was inspiring and showed that it was possible as well.

After doing drama for my GCSE’s and at A level, I finally went on to do 4 years at Northumbria to study drama. Where I spent 2 years hating the subject and really enjoying the last 2. It was during the last 2 that I found a buzz for performing again, and a buzz for making and writing my own work which was very new to me. And after graduating (which is nearly 2 years ago) I decided to make a career as a freelancer in this mad industry.

Katie Jarvis making her own presse drink at Bottlegreen. Wednesday 21st of January 2015

(Bouncers)

So on to this show ‘Blokes, Fellas, Geezers’ – what’s it all about?

The show is about inherited masculinity in the North-East; that is boiled down and filtered through a father/son relationship. It focuses on how boys through to men are told or taught to behave in a specific way that fits a mould of what men in the north-east should be. This is the second time I’m doing the show and what’s been a big focus this time is looking at what makes a father want to project toxic behaviours on to their sons.

I know this is a tough question, but if you could sum the show up in three-words?

Fast, funny, familiar

Who would you like to come and see the show or who do you think it will appeal to?

Anyone from the North-East (I know that’s a massive range haha!). It’s a piece of work that looks at the region as it is now. We see a lot of work from the time when the mining and shipping industry was thriving, and I think it’s nice to make a piece of work that looks at the place in the present.

I think my show will appeal to men of all ages. The performance gives an insight to how men react to their environments and deal with their mental health. You see one character having to live up to a reputation laid out by his dad. And you see another character struggling to deal with his life and how that affects his relationship with his son.

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Why should people come see Blokes, Fellas, Geezers” on 26th September at Arts Centre Washington?

It gives them a chance to see and explore what’s happening at either side of masculinity. Why young people are growing up and feeling they have to behave in this way and seeing why fully-grown men are behaving this way. It’s a performance that allows us to look at toxic masculinity as a whole rather than just blaming an individual or a group of individuals.

What do you want the audience to take away from seeing your show?

To understand what’s making men tick. A big part of putting the show together has been looking at why people do the things they do and just to leave with that in their heads or the back of their heads. We’re quick to judge and write people off, but just to open up, reflect and think why?

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How do you feel about the pressure to behave in a “masculine” way?

It’s concerning. Because men, no matter what age, feel like this is an appropriate way of dealing with how they feel, because they’ve been told that any other way is a sign of weakness. And you’re left with men dealing with their issues in damaging ways; which sometimes goes on to affect their relationships with family and friends as well as themselves. I think there’s more out there now to try and break that “Grow some balls” stereotype with men’s mental health groups and its presence in the media; but still think there’s stacks more to be done.

What’s your advice to young men still trying to figure stuff out?

Look after yourselves and your pals; always check in on each other. It’s a proper man thing to struggle on with dealing with your mental health and one of your mates will be as well, and I’ve seen that from either side.  But being more open will make it easier as you grow up. And I suppose its finding who you are and not feeling you have to live up to an outdated stereotype. And not being afraid to admit you’ve gotten it wrong. I can’t count many times I’ve done something and I realised that I’ve been a dickhead. It’s about realising we’ve made mistakes, and stopping ourselves and pals from making them again.

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Tell me about your work before this show?

This is my first one – my first solo show. So this is me bairn I suppose.

I co-wrote and performed in a piece with Cameron Sharp who is one third of Bonnie and the Bonnets called ‘Wank Buddies’. It looks at 2 lads, one gay, one straight, at a Uni house party and how they are very similar as people and how their sexualities have dictated a journey against each other.

I co-wrote and performed in a little project called ‘Two Heads, One Shirt’ with Andrea Scrimshaw that looked at genders in sport and how men and women’s sports are regulated differently.

In the spring I performed in a belter show called ‘Isolation’ written by Elijah Young, which looked at a group of students in a struggling school, and how their home lives and other issues affect their relationships with one another.

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What do you think the difference between solo performing and performing with others?

I much prefer working with others. The first time I did this show for 90% of time I was by myself for writing and performing. It’s so much more enjoyable to share your time writing and rehearsing with people. ‘Wank Buddies’ with Cameron was class craic, we spent a lot of time in the making phase of the show and it was mint to share that with someone.

With ‘Isolation’ there was a cast of 8 which was great because you get to see what people are doing differently in rehearsal room so it’s a good learning experience, as well having 7 other people to put up with my shit banter ha.

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(Wank Buddies)

This is the second outing of this show, what are you doing with it this time?

Yeah, I’ve made a lot of changes to the script which are going to be good to play with. I’ve also gotten funding to build a team up, so it’s nice to see what we can do to make the performance more than just me on stage with cardboard boxes. Scott Young from Odd Man Out is directing, he’s also been helping me with the writing, so it’s good to bring another head into the show as well to see what we can do with it.

As a freelancer like me, you’ll have a million different hats on…what else are you up to alongside Blokes, Fellas, Geezers?

I’ve been getting ready to work with November Club, who’ve got a project at the Lit and Phil, which is really exciting. Following on from Wank Buddies, Cameron and I, along with Jack Lloyd, Dan Watson and Elijah Young have looked at making a piece as a group that focuses on male mental health set in a super market. Its working title is “The Meat Aisle” which is subject to change though and its very early doors.

Also ‘Wank Buddies’ goes back out on a tour next year which is exciting; I cannot wait for that.

Other than that, it’s been reading plays and going to auditions. Just trying to keep busy.

Wank Buddies written and perfomed by Jake Jarratt and Cameron Sharp in Elevator Festival 19 at Live Theatre 7

(Wank Buddies)

What is your highlight of 2019 so far?

Oooo ermm. Doing Elevator at Live Theatre was great; I’d love to do that over again. I enjoyed taking Blokes, Fellas, Geezers down to Hull and Farsley. It was nice to get outside of the North-East and take my work outside the region.

What’s next for 2020?

2020 see’s WB come back out and hopefully go to a venue in London. I’ve never performed in London so it be nice to tick that off the list. I will probably end up spending about £100 bar on a sandwich.

After WB I want to spend some time focusing on writing. I enjoy writing, but BFG and WB have been done under a pressure to get them out in time for a show. I want to spend some time getting better and learning more about the writing process. I don’t have a writing back ground, so I think it be nice to take some time to just focus on that.

Saying that, I also want to focus on my performing; looking at working with more theatre companies as an actor. And I want to look at working outside the region more in theatre or film. I find I learn more watching and hearing from other performers and it be belter to get in these spaces more often.

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Well thanks Jake!

So Blokes, Fellas, Geezers is coming to Arts Centre Washington on 26th September and is the first show on this tour run….you can get your tickets here! Exciting new theatre from an exciting lush new theatre maker…..

It’s also on a three shows for £15 special, if you fancy making a habit of Arts Centre Washington Theatre shenanigans on a Thursday night!

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There are other dates for shows too if you can’t make it including 5th October at Gala Theatre .

(#AD) GemArts Masala Festival 2019: strutting into Summer like a Bengal Tiger….

We are so blessed in the North East for wonderful events and festivals all year round – there are often total gems in the event/festival calendar that due to you all being busy bees that you might not know about or discovered yet. I see my role as Culture Vulture to tell you about them and champion them!

Well let me tell you about a PROPER Culture Vulture festival gem – GemArts’ Masala Festival….

This award winning, multi venue festival has been running for several years and has been growing each time. It’s back for 2019 across 15th – 21st July 2019 with a mix and blend of the finest South Asian Arts and Culture. They’ve got an incredible line up of film screenings, theatre, music, yoga on the beach, Bollywood dancing, crafts, spoken word, poetry and free family fun!

I sat down with Vikas Kumar MBE, GemArts Director recently for a catch up (I’ve been a GemArts supporter for many years now and he’s been a Culture Vulture champion since the beginning!) and to interview him about this year’s festival. But before I get into our interview, I thought I’d walk you through this year’s Masala Festival programme…because it’s a corker!

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GemArts in The Crack Magazine

Masala Festival launches on 15th July, at Sage Gateshead, with an incredible collaboration and special evening of music composed and performed by the internationally renowned Sarod maestro Ustad Wajahat Khan with a String Quintet from our region’s fantastic chamber orchestra Royal Northern Sinfonia. And if you’re like me, and have to be the first at everything, then you’ll be joining me at this feast of music. I’ve seen RNS quite a few times and they are quite something, so I’m excited for this collaboration.

This is followed by, on the 16th July at the Lit & Phil, two of the most prominent women on the contemporary jazz scene, pianist Zoe Rahman performs alongside saxophonist Laura Macdonald. These two ladies are at the top of their music game and so accomplished…. I will be fan girling from the audience. And after the show, why not continue the Jazz theme and swing Prohibition Bar…that’s why I will be headed!

For spoken word and poetry, look no further than Luck and Hope: an evening of poetry with two of the best poets writing today Mona Arshi and Imtiaz Dharkar at Culture Lab on 16th July. I know those in the poetry scene are extremely excited about that one! They also have a a stellar line up of regional spoken word talent in Strictly Spoken with at Arch16 on18th July which is now sold out. Spoken Word largely thanks to Button Pottery and the likes of McNish has jumped in popularity and the fast, Strictly Spoken has sold out highlights that – but good news is, that I’ve nabbed tickets just in time, so I will let you know what it’s like!

Masala Festival has a fantastic line up of films and this is music to my ears as since turning 30, I’ve really got back into my independent films and visiting the cinema at least once a week. At Masala Festival they’ve got the heartwarming, ‘feel good’ comedy of the year Eaten by Lions on 15th July; half-brothers Omar and Pete are on a journey of discovery via Blackpool, featuring Jonny Vegas, Jack Carroll and rising star Antonio Aakeel. At Tyneside Cinema on 17th July, they’ve got The Sweet Requiem with stunning cinematography and subdued tension highlights the ongoing and often forgotten Tibetan refugee crisis. This film, feels extremely timely and I’m sure will provoke a lot of reflections.  At BALTIC on 19th July, GemArts are screening Woman.; a specially curated evening of  contemporary South Asian film shorts about freedom, desire, resistance and the indomitable spiriot of women.

Writer, performer and professional wrestling manager (natural combo!), Pariah Khan brings his ‘shrewd and bitingly funny’ An Indian Abroad to Northern Stage on 20th July; we follow the story of Krishnan, who is stifled by life in middle class India and decides to visit the exotic island of Great Britain. This is a hilarious journey of self-discovery especially when he falls in love with one of the “natives”.

If you want to get yourself moving, why not try out Bollywood dance on 20th July,  yoga on the beach  on 21st July or if you are in need of a little TLC before your summer holidays try out an introduction to Meditation on 15th July.

Masala Festival is back at Dabbawal Street Food Kitchen. Over seven days, you can sample a specially crafted and delicious menu created by Dabbawal’s talented chefs. I’m a HUGE fan of Dabbawal’s food – as soon as I found out they did gluten free onion bhajis and lush spicy curries, I’ve been visiting lots ever since. I’m planning on going a few times to work my way through the menu…..

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GemArts Masala  Festival ends on a total high on Sunday 21st July at Live Theatre’ Garden with a spectacular FREE fun packed Mini Mela finale, with South Asian arts, craft, music and dance workshops for all of the family to enjoy! This year enter a seafront arcade in a caravan with ….. Elvis’ Bingo Balls, neon, sounds of the slots and an Indian Elvis as your bingo caller! Not to mention Circus Raj, a circus troupe from India performing throughout the day, with stilt walkers, extreme juggling, sword swallowing and acrobatics, plus dancing marionettes, Dabbawal serving up delicious Indian street food, and much, much more…..

Visit www.gemarts.org to find out more and book tickets.

Look out for GemArts Masala Festival beautiful brochure around Newcastle and Gateshead or download your full brochure here GemArts Masala Festival 2019 Brochure

And if that hasn’t convinced you to come along to Masala Festival starting on Monday, well…. Let’s hand over to Vikas Kumar MBE, GemArts Director to find out more!

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So I know how important GemArts is to our region but for those who haven’t heard of GemArts, tell us what GemArts is?

GemArts is an arts organisation and charity based in the North East of England.  We are a nationally recognised leader in the South Asian and diversity arts sector, and we create, produce and programmes high quality concerts, events, festivals, workshops and commissions with regional, national and international artists across all art forms. GemArts is committed to excellence in our participatory arts practice, particularly supporting artists working in the diversity sector, and we specialise in delivering arts projects with schools and community groups across all age ranges, to provide creative and enjoyable learning experiences, and to promote a greater understanding of people and their respective cultures.

Why and When did GemArts start?

GemArts started in 1992, working in Gateshead primarily and then across the North East.  We now work Nationally and Internationally through our commissioning and touring programme.  We passionately believe the arts enrich the lives of individuals and communities through celebrating our shared cultural diversity – Raising aspirations, building stronger communities and breaking down barriers.

We know that inequalities exist, and many communities and artists face social, economic and cultural barriers, so are excluded from taking part; this is disproportionately more so if you are from a Black, Asian, minority ethnic, asylum seeker or refugee background.  GemArts mission and focus is to increase equality of opportunity for everyone to engage with culturally diverse arts – as artists, producers, participants and audiences.

I’ve told everyone about what Masala Festival is in the present (top of this blog) – but can you tell us what was the inspiration behind starting it?

The festival is a mass of GemArts yearlong programme condensed into one colourful and creativity fuelled week in July.  We wanted to really show the breadth of incredible artists and art forms from the Indian subcontinent and diaspora, and celebrate the fantastic contribution that South Asian communities and culture has made to the region, UK and the world.  Masala itself is a mix of spices that goes in a curry or tea; we’ve taken that concept and replaced the spices with amazing arts and culture!

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Oh I like that Vikas! Masala festival is award winning (in fact I can remember “whooping” for you in the audience) which is just fantastic as I know you are such a small but perfectly formed team who work so hard, so to get that recognition is lush; can you tell us about the award? 

GemArts Masala Festival won the coveted Arts Council Award at The Journal Culture Awards in 2017, which was brilliant for everyone involved!  And we were runner up for Best Event Tyneside in 2018, which again is great recognition…..hopefully more in the future!

How would you describe Masala Festival to someone who hasn’t been before?

Since its launch in 2016, the weeklong festival has become a yearly celebration of South Asian arts and culture, bringing thousands of people to experience the best music, dance, theatre, visual arts, film, literature, performances, workshops, pop, ups, talks, family fun days, food events and much more.

The programme presents a diverse mix of contemporary and traditional South Asian artists, art forms and identities, produced and curated by GemArts, working with artists from the UK and Indian sub-continent.

This year the festival is across even more venues than ever before and the programme feels jam packed – is the intention to keep growing it year after year?

We’ve always had aspirations and ambitions to grow and develop the festival, and it has year on year.  We are very lucky in Newcastle and Gateshead to have so many amazing flagship venues who we work in partnership to present work.  Accessibility and ownership is something which is fundamentally important to GemArts, and we are absolutely committed to working with independent and community venues to programme arts and cultural experiences by, with and for communities, so we always want to build on our current work.  It would be great to expand the festival further South of the region……..watch this space!

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Last year’s GemArts festival launch as part of Gateshead Council’sGreat Exhibition of The North programme

Why are independent festivals like this important in the North East? 

Independent festivals are massively important because they shine a light on artists and art forms which might not get a look in otherwise.  They are culturally relevant and enable communities to celebrate their identities; people see their traditional and contemporary lives and stories reflected in venues and spaces.  Independent festivals, like Masala Festival, absolutely demonstrate that in the North East creativity and diversity is thriving and championed, and that we can connect on so many levels across so many experiences  whether that’s food, music, dance, etc .  We need more of this now than ever.

We absolutely do Vik!Tell me a bit about this year’s festival programme?

The design of this year’s Masala Festival brochure is just brilliant, if I do say so myself….you need to see it to believe it!

GemArts is (literally and visually) strutting into summer like a Bengal tiger as we bring the region another magnificent Masala Festival!  Over 7 days, from 15th to 17th July we are thrilled to present another  incredible line up of classical, traditional and contemporary artists from the UK and Indian sub-continent exploring themes of home, belonging, freedom, resistance, luck and hope.  We have music, dance, theatre, visual arts, film, literature, performances, workshops, pop, ups, talks, family fun days, food events and much much more.

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I’m excited! You always start the festival with a big of a bang with a launch event, what’s in store this year for the launch? 

Launching Masala Festival on 15th July, at Sage Gateshead, we have an incredible collaboration and special evening of music composed and performed by the internationally renowned Sarod maestro Ustad Wajahat Khan with a String Quintet from our region’s fantastic chamber orchestra Royal Northern Sinfonia.  It’s going to be epic!

I’m really looking forward to attending Woman at BALTIC – feels like a very pertinent time to be showing film shorts about women in the current climate; have you seen any of the shorts? Is there one that you are most looking forward to seeing?

Curated by Bobby Tiwana, this year’s shorts programme on 19th July at BALTIC is inspired by the political act of being a woman; exploring themes of freedom, desire and resistance. You can read about Bobby’s film choices in his blog post here and why as a man he has curated a programme about women.  I have seen all the films, and ‘The Field’ is a beautifully crafted short set in rural Punjab in India.  I’m from Punjabi heritage, and go see family in Punjab whenever I visit, so it particularly resonated with me, especially the scenery.  I’m looking forward to seeing War-ia again as it was written and directed by Bobby. We also have a post-screen discussion with filmmakers Sandhya Suri and Riffy Ahmed which will give a great insight into their creative process.

Don’t forget your complimentary glass of wine or juice on arrival!

I’ve fallen in love with poetry – both written and spoken word performance – I literally hit 30 and it just happened. You’ve got quite a few poetry related events as part of the event programme, can you tell me a bit about them?

We are working in collaboration with curator Dr John Challis and NCLA to present Luck and Hope on Tuesday 16th July at Culture Lab, an evening of poetry with two of the best poets writing today, Mona Arshi and Imtiaz Dharkar, whose poetry explores the nuances of luck, grief and hope within our often violent and unsettling contemporary world.

Then on Thursday 18th July we have a stellar line up of North East talent in Strictly Spoken (it’s sold out!) at Arch16.  We have Tahmina Begum, Prerana Kumar and Wajid Hussain presenting spoken word and poetry on identity, South Asian heritage and inspiration.

It’s really exciting that you’ve taken some of the festival out to Whitley Bay – WB is having a real evolution as an independent cultural hub of the region – what made you take some of Masala out there? 

GemArts has been working with Jam Jar cinema for a while now, and they are always up for working with us and programming films with a South Asian flavour during Masala Festival.  It enables us to expand our cultural offer and engage new audiences up in Whitley Bay.  We’ve got heart-warming, ‘feel good’ comedy of the year Eaten by Lions, which follows half-brothers Omar and Pete on a journey of discovery via Blackpool, featuring Jonny Vegas, Jack Carroll and rising star Antonio Aakeel.

For those who attend Masala Festival every year/have attended before, what would be your recommendation as a “must experience”?

I’d recommend two things:

If you’re looking for a night out and a good laugh – Definitely recommend An Indian Abroad, as writer, performer and professional wrestling manager, Pariah Khan brings his shrewd and bitingly funny show to Northern Stage on Saturday 20th July.  It’s getting great reviews as it tours the UK, and we are delighted to be presenting at Masala Festival this year.  It follows the story of Krishnan, who is stifled by life in middle class India and decides to visit the exotic island of Great Britain.

I’d also recommend The Sweet Requiem at Tyneside Cinema on 17th July with stunning cinematography and subdued tension it highlights the ongoing and often forgotten Tibetan refugee crisis

For those who haven’t been to Masala Festival before, what would you recommend them checking out to introduce them to the Masala vibe?

The true Masala vibe will be at the Lit & Phil on the 16th July; we have two of the most prominent women on the contemporary jazz scene, pianist Zoe Rahman performs alongside saxophonist Laura Macdonald. This will be a powerhouse of a performance, and guaranteed to sell out so get your tickets quick!

What about for those, who prefer to have a go at something….what do you suggest?

We’ve got a whole host of workshops that people can take part in Bollywood dance, yoga on the beach, or an introduction to Meditation.

Also check out the Chai & Chat exhibition at Gateshead Central Library, beautiful textile artwork inspired by traditional chai recipes.  You can also take part in paper tea cup making.

Full details to book on workshops see www.gemarts.org

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GemArts Bollywood Dance workshops as part of Late Shows 2019

Through-out the festival, you’ve got a bespoke special menu at Dabbawal, which is my favourite place to get a curry, so i’m excited for the Masala menu! Can you tell me a bit about the (commissioned!?) art work, you have on the walls at one of Dabbawal’s restaurants?

Dabbawal are the original authentic street food restaurant in the region, and it’s always a pleasure to work with them – their food is simply outstanding!  Each year their talented chefs craft a special menu which is available during the festival, and we can’t wait to sample it!

Our artist Kate Hunter Parker will be creating art work inspired by this year’s Masala Festival brochure design, as well as elements from the programme and the menu, so expect to see vibrant, luscious and colourful work at both High Bridge and Jesmond restaurants.

So the finale…. any yearly Masala Festival goer knows that you round off the festival in style with a mini Mela at Live Theatre courtyard for families and adults alike. Can you tell me about this year’s Mela programme, what can attendees expect?

GemArts Masala  Festival ends on Sunday 21st July at Live Theatre’ Garden with a spectacular fun packed Mini Mela finale, with FREE South Asian arts, craft, storytelling, music and dance workshops for all of the family to enjoy! If you love caravans, bingo and Elvis, then look no further as this year’s finale brings you…….. Elvis’ Bingo Balls –  enter a seafront arcade in a caravan with neon, sounds of the slots and an Indian Elvis as your bingo caller! We’ve also got Circus Raj, a circus troupe from India performing throughout the day, with stilt walkers, dhol drummers, extreme juggling, sword swallowing and acrobatics, plus dancing marionettes, Dabbawal serving up delicious Indian street food, and much, much more…..

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How on earth, did you stumble across the Indian Elvis bingo caller? He sounds brilliant and fellow Culture Vultures who love things a bit out there and different will be all over this! ?

This is going to be so special!  We really wanted to introduce something new and exciting to this year’s mini mela which will connect with young and older audiences alike, and Elvis’ Bingo Balls absolutely will.  The theatre piece has been produced by Black Country Touring and it’s great that we can bring it up here for the finale.

It’s perfect, as it’s the start of the summer holidays and you’ve got a bingo caller clad in his Elvis outfit, telling stories of moving to this town ‘so every day can be a holiday’……what’s not to love!?

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And finally, if you could sum up Masala Festival 2019 in three words, what would they be?

  1. Epic

2.Vibrant.

  1. Fun

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Mini Mela 2018 as part of Masala Festival 2018

Well thanks Vikas and I just can’t wait! I’m taking over GemArts social media during the launch on Monday AND during Mini Mela, AND I will be attending lots of Masala events so you can follow my journey on my Facebook & Insta.

Visit www.gemarts.org to find out more and book tickets.

Look out for GemArts Masala Festival beautiful brochure around Newcastle and Gateshead or download your full brochure here GemArts Masala Festival 2019 Brochure

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Circus Raj Puppets which are set to be at Mini Mela

That’s all for now Culture Vultures – until next time!

P.s. I’ve had the exclusive opportunity to interview several Masala festival artists and performers – so look over for those interviews coming out in the next week or so!

(Full disclosure: I am not being paid to write this post but I have received complimentary tickets to the full GemArts Masala Festival 2019 programme and I am working with them on the festival’s audience development).