So I’ve had a full weekend of Culture Vulturing – I’ve been all over the place to galleries previews, to live painting, to workshops, to Christmas markets, to the theatre, to Lumiere Durham and I can tell you, that it has given me a total Monday spring in my step.
Giant Slinky – End Over End at Lumiere Durham
It has filled my soul with such lushness and all feels great in the world of the Culture Vulture, today on this glorious Monday. Lumiere Durham was of course, a total highlight…. I mean…. WOW! I LOVE Durham at the best of times, but with light installations, sculpture and projections around every corner, I fell in love with it more. So after Lumiere Durham, catching up with Stellar Projects ahead of Nightfall AND hitting up Light Up North’s residency launch at The Biscuit Factory on Friday eve – my world is presently #lit with my love for light installations so it just feels like the perfect time to share this interview with one of my hands down fave light artists, Stuart Langley.
Stuart Langley is one of many artists creating a BRAND new light installation art work for Nightfall 2019 (last few tickets still available for this lush outdoor event in Teesside) and he is someone I’ve fangirled from a far for ages. I’ve had the absolute pleasure of championing his work, programming his work, I’ve even got slightly drunk at a Curious Arts auction and purchased his work and across 2019, I’ve worked with him multiple times. It’s funny in the freelance world – folks like Stuart, whilst I’ve only met a couple of times in *real* life, due to ongoing projects, I speak to him more currently than some of my mates.
Stuart is a graphic designer, maker, installation creator and neon rule breaker…. His light installation pieces are just amazing. I knew from the moment, he created a toilet with a neon rainbow coming out of it, that he’d cemented his place on my top fave artist list. AND he’s a local lad from Hartlepool, big up the North creating work on a National (and International) field.
I’m BEYOND excited to see his new piece at Nightfall – I’ve seen the mock up drawing of and I know where it is going to go – it’s epic, it’s brilliant, it’s colourful, it’s ambitious….it’s VERY Stuart Langley.
So without further ado…. Let’s hear from Stuart!
Hi Stuart, we’ve had this interview on the cards for ages…. So let’s get down to it for my readers; who are you and what’s your practice?
I’m Stuart Langley and I design, create and imagine things with lights and that.
Standard Culture Vulture question…… tell us about your journey into the creative arts?
I’ve always created – from making model rollercoasters and stop motion animation as a kid to being able to create big installations nowadays. I didn’t do a degree in the arts (I ended up doing Japanese and French), not even a GCSE, because I was always told being creative could only ever translate into a hobby. I ended up doing a foundation degree in graphic design and worked (and still do) as a graphic designer which gave me the confidence to imagine on a big scale.
Amusements – Stuart Langley
It’s so bizarre that folks don’t believe that there is a career possible in the creative industries and that message is still being communicated….Your pieces are really interesting, some have a ‘Langley flare’ and others are completely different in style…. Where do you get the inspiration from for your pieces?
Anywhere and everywhere but anything that holds my interest for longer than a day or so is always worth developing.
Tell me about your involvement with Nightfall 2019?
For Nightfall, the plan is to create a piece that is going to reanimate the iconic aviary space which is very exciting but kinda intimidating as it’s a space I’ve wanted to do something in for ages. I’m just one of a number of commissioned artists that are going to be turning Preston Park into a magical moon themed escape for two nights in December.
Hartlepool Art Gallery – Stuart Langley Solo Exhibition
Tell us a little more about your piece? What was the inspiration?
So the iconic Aviary is going to be filled with about 3,000 floating iridescent butterflies that should look a little like magic. The work is inspired by a moment: at the end of July this year I looked out of the window and saw hundreds of butterflies everywhere – I was having a shit day and it made me smile.
Apparently, painted lady butterflies make an annual 7,500 mile trip from Africa to the Arctic Circle every year and 2019 just so happened to feature a major pit stop on the Teesside coastline. So, thinking about extraordinary journeys in the sense of 2019 being the anniversary of the first moon landing, the aim is to create a piece which celebrates a magical journey of the natural world.
Why should folks get tickets for Nightfall 2019 and see your piece?
First off, for a one-of-a-kind and memorable trip out on a cold December evening, it’s a bargain. Plus, there is so much going on in the programme, there is bound to be something for everyone to enjoy – not forgetting the appearance of the iconic ‘Museum of the Moon’ by Luke Jerram which is surely reason enough to get tickets.
There feels a real buzz around culture and events in Teesside at the moment – do you feel that too?
Yes – Teesside and its people, have so much resilience, humour and creativity. It’s good to be the underdog and so many organisations (the Auxiliary, Pineapple Black, Platform A, Navigator North, Creative Factory etc etc) are proper flying the flag for creativity in the North East. There’s a ridiculous myth that art happens down South and although there is a higher concentration of cultural activity down there I think Teesside is able to put a completely different spin on things.
Neon and That – Stuart Langley
I couldn’t agree more and In Teesside you see that real unique partnership work of Indie galleries and orgs working together with the more “traditional sector players”….you don’t often see that. Back to your work, you often create outdoor art pieces that require real technical knowledge to survive the elements – do you enjoy the creative challenge that creates?
To say that I create things is a bit of a fib. I’m fortunate to work with so many other people with so many different skills and knowledge and the success of a piece is always reliant on the quality of the collaboration. It’s essential to collaborate when you’re coming up with ideas for outdoor pieces as there are so many different factors to consider.
Over – Stuart Langley
Tell us about your involvement with Curious Arts (who will also be popping up at Nightfall!)?
Being a gay lord myself, I think it’s important to support work that champions the outsider and increases visibility of LGBTQ+ comrades. Curious Arts are doing some really ground-breaking work in terms of making the arts part of a wider drive for equality and I’m always happy to play a small part in that.
(The Culture Vulture adds – Following the success of Start’s installation ‘over’, featured as part of Curious Festival 2016, Curious Arts reconnected with him to reimagine the World AIDS Day ribbon. Curious Arts challenged Stuart to create an artwork inspired by the World AIDS Day charity ribbon to reinstate its distinctiveness in ensuring visibility for the 36.7 million people globally who are living with HIV & AIDS.
36point7 saw the creation of 36.7 of Stuart’s neon light box, available for a minimum donation of £360.70 each. Curious Arts’ ambition is that each limited edition piece will be displayed in a visible public area for a minimum of two weeks annually – National HIV testing week and the week of World AIDS Day (1st December). In addition, a large touring piece is in development which will be accompanied by a programme of workshops and talks delivered in partnership with local HIV & AIDS affected communities. I purchased one of the smaller Light boxes for £360.70 to support the project)
Do you have a fave piece that you’ve created? If I had a gun to your head and you had to pick one?
I’ve never had a gun to my head, a few other choice implements but never a gun – so that’s quite difficult. I am never happy with the work I put out – it’s a feeling a lot of other creatives have – there’s always something that could have been done differently to improve the end result. But staring down that loaded barrel, there’s a work I keep revisiting called VHS R.I.P. (the fourth incarnation of it was shown at Pineapple Black earlier in the year, the first version was shown as part of Nuit Blanche Brussels way back in 2014) which has a very exciting mix of subject and material: video tape, horror and light. Maybe being obsessed with films like The Dark Crystal, Labyrinth and The Never Ending Story as a kid has something to do with my love of VHS and wanting to give it a proper send-off/funeral but it’s also nice to think of defunct technologies like absent friends and do right by them through celebration.
LOVE that answer….Tell me about the toilet with the rainbow coming out of it?
I’m a big fan of the work of people like John Waters, David Hoyle and more recently the artist Christeene. They all promote the idea of revealing and celebrating the beauty to be found in the dirt; ultimately highlighting the ridiculousness and hilarity of modern values that try and push us towards glazing over the more unsavoury and carnal aspects of our existence. So, the rainbow in a bog considers a lot of these ideas as well as being a direct response to some of Bobby Benjamin’s work which I thought looked a bit like the insides of a very healthy and active bowel.
Rainbow in a Bog – Stuart Langley
Tell me about a fellow artist that inspires you currently?
I went to see Christeene perform Sinead O’Connor’s The Lion The Witch and The Cobra at the Barbican recently and loved how feral and honest her performance was. She has so much drive and ambition and never apologises for being so intense and direct – her energy is inspirational and I hope one day I can take my own work to a level where it might have a positive impact on other people’s lives.
Any advice for future creatives?
Just make stuff.
Two Hearts – Stuart Langley
You don’t really do much social media – which blows my mind – how do you champion yourself and your work?
I came off Facebook in 2013 or summat and have since ditched everything else, most recently turning off Instagram. There was a time when what you experienced and what people told you directly mattered most and whilst there are some really good things about social media I personally think it adds too much noise, distraction and negativity to our lives. Maybe I’ll turn it back on in a year or so when all the commissions dry up from lack of presence on the internet.
Well, if you need a social media “representative” look no further! Do you have a highlight of 2019 so far?
I’m working on two big projects at the moment – the Nightfall installation and something for Ushaw College in Durham so fingers crossed I don’t fuck it up…
What’s next for Stuart in 2020 – anything you can share?
All buns in the oven for now but I would really, really like to make a ghost train before I pass away…
Cars – Stuart Langley
Can I be one of the first to ride it please? Thanks Stuart, an artist who inspires me and reminds me that my dream of having a house full of neon art work to dance around near, on a Friday night, is more possible than ever before. See, all you folks planning your families and lives and I’m planning when I can afford a Langley commission, with a Light Up North commission and a Dan Cimmerman….
To see Stuart’s new commission at Nightfall 2019, why not nab one of the last few tickets available….. I’m so excited to see it in person! You can’t follow Stuart on social but he does have a website…so you can check him out there!