An interview with poet Mona Arshi: law, Masala Festival 19, & making sense of the world one poem at a time…

I had the absolute pleasure of being invited along to pretty much all of Gem Arts Masala Festival 2019. Their Bengal tiger certainly strutted across the #NorthEast with seven days of epic #MasalaFestival – This award winning, multi venue festival has been running for several years and has been growing each time. 2019 was certainly their biggest year not only in terms of an ah-mazing programme but also for huge audiences and sell out events. The festival had an incredible line up of the finest South Asian Arts and Culture; screenings, theatre, music, yoga on the beach, Bollywood dancing, crafts, spoken word, poetry and free family fun!

Attending a (nearly) full festival like #Masalafestival as The Culture Vulture is just brilliant;  I get to go and experience lots of things – some of them I might not have managed to swing by unless specifically invited. With the greatest will in the world, as The Culture Vulture, I can’t get to every single thing that I’d like to see and of course, I do miss out on loads. I have to sleep and eat after all. Being invited to everything for Masala Festival and kindly given free tickets meant that I experienced events and things that I really loved (Some I would have probably missed out on) and honestly, feel more enriched from doing so…..

One such event was GemArts Masala Festival: Luck & Hope – an evening of poetry with the endlessly talented poets; Mona Arshi & Imtiaz Dharker on Tuesday 16th July at Culture Lab in Newcastle University. I love poetry, I’m a huge reader of it – but I seek it out largely in books and online in places like Button Poetry. I don’t get to enough poetry events though….. its one of those things that I’m always like I *must* get to more and then never quite get round to it.

The style of poetry I like is usually very real, quite dark, sometimes has some humour but always very contemporary and makes me think. I like it because it shines a light on other ways of viewing and exploring things and topics; I love increasing my insights and perspectives of the world. Poetry really helps me tap into someone else’s experiences and in  a world, where as an introvert I’m sometimes trapped in my own head, I really jump at these moments.

Mona Arshi and Imtiaz Dharker are two of the best poets writing today whose poetry explores the nuances of luck, grief and hope within our often violent and unsettling contemporary world. When I chatted to folks and told them I was going to see them at Luck & Hope as part of Masala Festival…. Both names in the North east poetry community hold huge excitement and respect, so it’s not really a surprise that the event sold out.

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Mona & Imtiaz during Luck & Hope at Gem Arts Masala festival 19

Mona Arshi (the subject of this blog) worked as a Human rights lawyer at Liberty before she started writing poetry. In 2015 she won the Forward Prize for Best First Collection. At the centre of her latest book, Dear Big Gods is an overarching commitment to hope.

I asked Vikas Kumar MBE, GemArts Director if I could interview Mona and I was thrilled when she agreed. I was extremely touched and inspired by Mona’s readings – especially the focus and sharing of her own personal grief of the loss of her brother, her use of writing as a way of exploring, expressing and working through her experiences and, of course, the career change from being a lawyer into the creative sector. I really honed on her discussion during the audience question time, as she reflected that she went into the legal profession as a “proper job” to fulfil a melting pot of societal, parental and personal expectations before eventually taking the jump…… I felt so connected to that moment that I could have jumped up and announced “I did that too!”

An interview with Mona Arshi by The Culture Vulture

So, HI Mona! I think I will start with an obvious question and one you covered during the Luck & Hope event, but one I want to share with my readers….When and why did you start writing poetry?

About ten years ago…I have always read poetry since I was very young, but I became a heavy user of the stuff when I got pregnant with my twins and I had a career break from law; I had more time to read. I started reading more widely, contemporary poets, women (we were offered NO female poets at school), so it was refreshing and wonderful to see work being written by women of colour people like Imtiaz Dharker, Moniza Alvi, Sujata Bhatt etc…

CV- How interesting – I went to an all girls’ school and we studied a few female poets  – I saw myself as a tortured soul as a teenager, so used to love to write about it. I was VERY into women writers as a teen and hyper aware of them…

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When did you decide to pursue poetry as a career path?

I think being a poet is not something I set out to do. Who does really? I think poetry finds you rather than the other way around; it’s such a strange thing to do, to make poems and I think most people if they thought long and hard about it would realize it was a really strange and precarious enterprise and wouldn’t do it.

It’s more of a devotion than a career to be honest; in order to pursue the task of making poems you have to make a lot of compromises and be quite bloody minded and determined but when you are knee deep in the making of a poem and it’s all going well there is nothing like it; the freshness, the surprise, the encounter with language and trying to nail down an image and the other ingredient that particle that arrives like magic in a poem.

CV – I think a lot of what you said above is equally transferable across a variety of creative industries and we are taught there is no “money” in the arts sector. For the determined and resourceful – I believe there are opportunities and magic to be had everywhere.

How did you first get published?

I was first published I think…after my poem ‘Hummingbird’ won a competition for the inaugural MAGMA competition. It was quite lovely and unexpected. The poem won first prize; no one had ever heard of me of course and I then had to read the poem at the Prize Event. It was the first time I had ever read a poem on stage, I remember reading it really badly; too fast with my knees shaking.

What inspires you to write?

That’s a difficult question for any writer. I don’t think I can say there’s something specific that ignites a poem…I think you can make poem about almost anything. I think it’s more to do the quality of attention you give to a thing or an experience as a poet. Most writers are curious people but poets can and do get up close and personal to the thing their examining, we turn the stones over and see what’s lurking there, we might probe and stay longer with an experience, that’s what it feels like for me in any case.

You’re read from “Dear Big Gods” at Luck & Hope- it was wonderful.  Can you tell me a bit about that collection of poems?

Dear Big Gods is my second collection and I think of it as a sister book to Small Hands. ‘Small Hands’ was written right in the middle of a traumatic event; a death of a brother and the heart centre of the book contains poems around that experience. But DBG is written with distance but the experience is still being examined and aftershocks felt.

In some ways DBG is a post-event book; it’s me looking at the grief-terrain and taking stock. I think the book looks at other themes too, the garden is a character in the books, there are small things like insects and flowers which arrive like fugitive guests in the soil of the book, I am having conversations with them too.

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Why do you think so many people love and connect with your poetry?

Gosh I hope they do! I think successful poems (or poems that I think are successful) are very good at accessing and ambushing your senses and your heart; I think a lyric poet is very good at this, so you feel very familiar in a poem as well as feeling as if you’ve heard the language fresh for the first time, so in a way, both familiar and foreign. Poems are and need to be active creatures and there is a role that the reader has in participating in the poem in the reading of it. Good poems should allow this space for the reader.

CV- Well I certainly felt connected with your work – you convey very human experiences and emotions.

How did you come to get involved in this year’s GemArts Masala Festival?

Well I think there was some talk of me doing Masala Festival, a few years ago and the dates didn’t work out. But I so wanted to do it as I’d heard what a rich festival it is and have also heard incredible things about Newcastle University so it was wonderful to be asked to be involved in 2019.

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How does the troubling contemporary world, in the present, affect your writing?

This is a difficult question but an important one. What is the role of Poetry (and art for that matter) when we risk losing so much in our liberal democracies? Should we insist on making art that is overtly political? Some artists do this very successfully of course and we need to remember that poets historically have always had a role to play in saying the unsayable in the most authoritarian regimes.

Ted Hughes said of the Eastern European poets that they were some of the most ‘Wide awake’ poets writing. I think that’s an important phrase, that poetry has to be alive and awake to the times we live in, the meat of the language to work and of course, it has to engage the wider world or what’s the point? There are many ways of doing this, subtle and overt but mostly through the language itself. We should also remember that poetry somehow always manages to survive and flourish in the most difficult of conditions.

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What would you say to someone who thinks an evening of poetry or poetry in general isn’t for them?

I think people who say this should try it before they make up their mind. The most interesting work currently being written is by poets. Poets are imagineers; it’s a very alive creaturely thing a poem and it has a different sort of vitality when you hear poetry live.

Why? Because it wakes up our ears!

So much of what we do in our daily lives is about privileging our senses, that if you sit and listen carefully and tune ourselves into language that hits our ear it’s a very different experience.

My first degree is in law, I studied at Newcastle University Law School and you were a Human Rights lawyer – what was the trigger from legal practice into poetry?

Studying law and being a lawyer equips you for many things but one of those things is not writing poetry! Having said that lawyers and poets are careful and attentive with text. I think it’s helped sharpen my editing skills. I have always read widely including poetry and I think fundamentally like for all writing that is the key to me being able to write. I guess I wanted to write, when I actually had time to write, so I took a career break when my twins were born and did a masters in poetry which opened up a huge new world.

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Advice to an aspiring poet or writer?  Or, advice to someone who is already writing but wants to grow further?

Read widely. Read the canon of course, but also read translation, read out of your comfort zone, and keep on reading some more.

CV – I really don’t read enough – I need to read more.

Can you share with us any other poets that you admire?

So many, that I can’t name. I am a really eclectic reader. I have just finished re-reading Shivanee Ramlochans collection ‘Everyone Knows I am a Haunting’. I  think she’s pulled off something interesting in that book. I am currently reading and loving Maggie Nelson’s strange and wonderful prose/Poetry. If I lose my foothold somehow in this strange ephemeral art there are some go-to poets that always bring me back and they are Keats, Mimi Khalvati, Paul Celan and Sylvia Plath.

CV – I am also the biggest Sylvia Plath fan and often go back to her writing when I need some grounding or in a fug.

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You can find out more about Mona and how to get your hands on her work to read by visiting HERE!

Thank you to GemArts for inviting me along to Masala Festival and enabling this brilliant opportunity of interviewing Mona Arshi!

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(#AD) GemArts Masala Festival 2019: strutting into Summer like a Bengal Tiger….

We are so blessed in the North East for wonderful events and festivals all year round – there are often total gems in the event/festival calendar that due to you all being busy bees that you might not know about or discovered yet. I see my role as Culture Vulture to tell you about them and champion them!

Well let me tell you about a PROPER Culture Vulture festival gem – GemArts’ Masala Festival….

This award winning, multi venue festival has been running for several years and has been growing each time. It’s back for 2019 across 15th – 21st July 2019 with a mix and blend of the finest South Asian Arts and Culture. They’ve got an incredible line up of film screenings, theatre, music, yoga on the beach, Bollywood dancing, crafts, spoken word, poetry and free family fun!

I sat down with Vikas Kumar MBE, GemArts Director recently for a catch up (I’ve been a GemArts supporter for many years now and he’s been a Culture Vulture champion since the beginning!) and to interview him about this year’s festival. But before I get into our interview, I thought I’d walk you through this year’s Masala Festival programme…because it’s a corker!

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GemArts in The Crack Magazine

Masala Festival launches on 15th July, at Sage Gateshead, with an incredible collaboration and special evening of music composed and performed by the internationally renowned Sarod maestro Ustad Wajahat Khan with a String Quintet from our region’s fantastic chamber orchestra Royal Northern Sinfonia. And if you’re like me, and have to be the first at everything, then you’ll be joining me at this feast of music. I’ve seen RNS quite a few times and they are quite something, so I’m excited for this collaboration.

This is followed by, on the 16th July at the Lit & Phil, two of the most prominent women on the contemporary jazz scene, pianist Zoe Rahman performs alongside saxophonist Laura Macdonald. These two ladies are at the top of their music game and so accomplished…. I will be fan girling from the audience. And after the show, why not continue the Jazz theme and swing Prohibition Bar…that’s why I will be headed!

For spoken word and poetry, look no further than Luck and Hope: an evening of poetry with two of the best poets writing today Mona Arshi and Imtiaz Dharkar at Culture Lab on 16th July. I know those in the poetry scene are extremely excited about that one! They also have a a stellar line up of regional spoken word talent in Strictly Spoken with at Arch16 on18th July which is now sold out. Spoken Word largely thanks to Button Pottery and the likes of McNish has jumped in popularity and the fast, Strictly Spoken has sold out highlights that – but good news is, that I’ve nabbed tickets just in time, so I will let you know what it’s like!

Masala Festival has a fantastic line up of films and this is music to my ears as since turning 30, I’ve really got back into my independent films and visiting the cinema at least once a week. At Masala Festival they’ve got the heartwarming, ‘feel good’ comedy of the year Eaten by Lions on 15th July; half-brothers Omar and Pete are on a journey of discovery via Blackpool, featuring Jonny Vegas, Jack Carroll and rising star Antonio Aakeel. At Tyneside Cinema on 17th July, they’ve got The Sweet Requiem with stunning cinematography and subdued tension highlights the ongoing and often forgotten Tibetan refugee crisis. This film, feels extremely timely and I’m sure will provoke a lot of reflections.  At BALTIC on 19th July, GemArts are screening Woman.; a specially curated evening of  contemporary South Asian film shorts about freedom, desire, resistance and the indomitable spiriot of women.

Writer, performer and professional wrestling manager (natural combo!), Pariah Khan brings his ‘shrewd and bitingly funny’ An Indian Abroad to Northern Stage on 20th July; we follow the story of Krishnan, who is stifled by life in middle class India and decides to visit the exotic island of Great Britain. This is a hilarious journey of self-discovery especially when he falls in love with one of the “natives”.

If you want to get yourself moving, why not try out Bollywood dance on 20th July,  yoga on the beach  on 21st July or if you are in need of a little TLC before your summer holidays try out an introduction to Meditation on 15th July.

Masala Festival is back at Dabbawal Street Food Kitchen. Over seven days, you can sample a specially crafted and delicious menu created by Dabbawal’s talented chefs. I’m a HUGE fan of Dabbawal’s food – as soon as I found out they did gluten free onion bhajis and lush spicy curries, I’ve been visiting lots ever since. I’m planning on going a few times to work my way through the menu…..

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GemArts Masala  Festival ends on a total high on Sunday 21st July at Live Theatre’ Garden with a spectacular FREE fun packed Mini Mela finale, with South Asian arts, craft, music and dance workshops for all of the family to enjoy! This year enter a seafront arcade in a caravan with ….. Elvis’ Bingo Balls, neon, sounds of the slots and an Indian Elvis as your bingo caller! Not to mention Circus Raj, a circus troupe from India performing throughout the day, with stilt walkers, extreme juggling, sword swallowing and acrobatics, plus dancing marionettes, Dabbawal serving up delicious Indian street food, and much, much more…..

Visit www.gemarts.org to find out more and book tickets.

Look out for GemArts Masala Festival beautiful brochure around Newcastle and Gateshead or download your full brochure here GemArts Masala Festival 2019 Brochure

And if that hasn’t convinced you to come along to Masala Festival starting on Monday, well…. Let’s hand over to Vikas Kumar MBE, GemArts Director to find out more!

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So I know how important GemArts is to our region but for those who haven’t heard of GemArts, tell us what GemArts is?

GemArts is an arts organisation and charity based in the North East of England.  We are a nationally recognised leader in the South Asian and diversity arts sector, and we create, produce and programmes high quality concerts, events, festivals, workshops and commissions with regional, national and international artists across all art forms. GemArts is committed to excellence in our participatory arts practice, particularly supporting artists working in the diversity sector, and we specialise in delivering arts projects with schools and community groups across all age ranges, to provide creative and enjoyable learning experiences, and to promote a greater understanding of people and their respective cultures.

Why and When did GemArts start?

GemArts started in 1992, working in Gateshead primarily and then across the North East.  We now work Nationally and Internationally through our commissioning and touring programme.  We passionately believe the arts enrich the lives of individuals and communities through celebrating our shared cultural diversity – Raising aspirations, building stronger communities and breaking down barriers.

We know that inequalities exist, and many communities and artists face social, economic and cultural barriers, so are excluded from taking part; this is disproportionately more so if you are from a Black, Asian, minority ethnic, asylum seeker or refugee background.  GemArts mission and focus is to increase equality of opportunity for everyone to engage with culturally diverse arts – as artists, producers, participants and audiences.

I’ve told everyone about what Masala Festival is in the present (top of this blog) – but can you tell us what was the inspiration behind starting it?

The festival is a mass of GemArts yearlong programme condensed into one colourful and creativity fuelled week in July.  We wanted to really show the breadth of incredible artists and art forms from the Indian subcontinent and diaspora, and celebrate the fantastic contribution that South Asian communities and culture has made to the region, UK and the world.  Masala itself is a mix of spices that goes in a curry or tea; we’ve taken that concept and replaced the spices with amazing arts and culture!

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Oh I like that Vikas! Masala festival is award winning (in fact I can remember “whooping” for you in the audience) which is just fantastic as I know you are such a small but perfectly formed team who work so hard, so to get that recognition is lush; can you tell us about the award? 

GemArts Masala Festival won the coveted Arts Council Award at The Journal Culture Awards in 2017, which was brilliant for everyone involved!  And we were runner up for Best Event Tyneside in 2018, which again is great recognition…..hopefully more in the future!

How would you describe Masala Festival to someone who hasn’t been before?

Since its launch in 2016, the weeklong festival has become a yearly celebration of South Asian arts and culture, bringing thousands of people to experience the best music, dance, theatre, visual arts, film, literature, performances, workshops, pop, ups, talks, family fun days, food events and much more.

The programme presents a diverse mix of contemporary and traditional South Asian artists, art forms and identities, produced and curated by GemArts, working with artists from the UK and Indian sub-continent.

This year the festival is across even more venues than ever before and the programme feels jam packed – is the intention to keep growing it year after year?

We’ve always had aspirations and ambitions to grow and develop the festival, and it has year on year.  We are very lucky in Newcastle and Gateshead to have so many amazing flagship venues who we work in partnership to present work.  Accessibility and ownership is something which is fundamentally important to GemArts, and we are absolutely committed to working with independent and community venues to programme arts and cultural experiences by, with and for communities, so we always want to build on our current work.  It would be great to expand the festival further South of the region……..watch this space!

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Last year’s GemArts festival launch as part of Gateshead Council’sGreat Exhibition of The North programme

Why are independent festivals like this important in the North East? 

Independent festivals are massively important because they shine a light on artists and art forms which might not get a look in otherwise.  They are culturally relevant and enable communities to celebrate their identities; people see their traditional and contemporary lives and stories reflected in venues and spaces.  Independent festivals, like Masala Festival, absolutely demonstrate that in the North East creativity and diversity is thriving and championed, and that we can connect on so many levels across so many experiences  whether that’s food, music, dance, etc .  We need more of this now than ever.

We absolutely do Vik!Tell me a bit about this year’s festival programme?

The design of this year’s Masala Festival brochure is just brilliant, if I do say so myself….you need to see it to believe it!

GemArts is (literally and visually) strutting into summer like a Bengal tiger as we bring the region another magnificent Masala Festival!  Over 7 days, from 15th to 17th July we are thrilled to present another  incredible line up of classical, traditional and contemporary artists from the UK and Indian sub-continent exploring themes of home, belonging, freedom, resistance, luck and hope.  We have music, dance, theatre, visual arts, film, literature, performances, workshops, pop, ups, talks, family fun days, food events and much much more.

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I’m excited! You always start the festival with a big of a bang with a launch event, what’s in store this year for the launch? 

Launching Masala Festival on 15th July, at Sage Gateshead, we have an incredible collaboration and special evening of music composed and performed by the internationally renowned Sarod maestro Ustad Wajahat Khan with a String Quintet from our region’s fantastic chamber orchestra Royal Northern Sinfonia.  It’s going to be epic!

I’m really looking forward to attending Woman at BALTIC – feels like a very pertinent time to be showing film shorts about women in the current climate; have you seen any of the shorts? Is there one that you are most looking forward to seeing?

Curated by Bobby Tiwana, this year’s shorts programme on 19th July at BALTIC is inspired by the political act of being a woman; exploring themes of freedom, desire and resistance. You can read about Bobby’s film choices in his blog post here and why as a man he has curated a programme about women.  I have seen all the films, and ‘The Field’ is a beautifully crafted short set in rural Punjab in India.  I’m from Punjabi heritage, and go see family in Punjab whenever I visit, so it particularly resonated with me, especially the scenery.  I’m looking forward to seeing War-ia again as it was written and directed by Bobby. We also have a post-screen discussion with filmmakers Sandhya Suri and Riffy Ahmed which will give a great insight into their creative process.

Don’t forget your complimentary glass of wine or juice on arrival!

I’ve fallen in love with poetry – both written and spoken word performance – I literally hit 30 and it just happened. You’ve got quite a few poetry related events as part of the event programme, can you tell me a bit about them?

We are working in collaboration with curator Dr John Challis and NCLA to present Luck and Hope on Tuesday 16th July at Culture Lab, an evening of poetry with two of the best poets writing today, Mona Arshi and Imtiaz Dharkar, whose poetry explores the nuances of luck, grief and hope within our often violent and unsettling contemporary world.

Then on Thursday 18th July we have a stellar line up of North East talent in Strictly Spoken (it’s sold out!) at Arch16.  We have Tahmina Begum, Prerana Kumar and Wajid Hussain presenting spoken word and poetry on identity, South Asian heritage and inspiration.

It’s really exciting that you’ve taken some of the festival out to Whitley Bay – WB is having a real evolution as an independent cultural hub of the region – what made you take some of Masala out there? 

GemArts has been working with Jam Jar cinema for a while now, and they are always up for working with us and programming films with a South Asian flavour during Masala Festival.  It enables us to expand our cultural offer and engage new audiences up in Whitley Bay.  We’ve got heart-warming, ‘feel good’ comedy of the year Eaten by Lions, which follows half-brothers Omar and Pete on a journey of discovery via Blackpool, featuring Jonny Vegas, Jack Carroll and rising star Antonio Aakeel.

For those who attend Masala Festival every year/have attended before, what would be your recommendation as a “must experience”?

I’d recommend two things:

If you’re looking for a night out and a good laugh – Definitely recommend An Indian Abroad, as writer, performer and professional wrestling manager, Pariah Khan brings his shrewd and bitingly funny show to Northern Stage on Saturday 20th July.  It’s getting great reviews as it tours the UK, and we are delighted to be presenting at Masala Festival this year.  It follows the story of Krishnan, who is stifled by life in middle class India and decides to visit the exotic island of Great Britain.

I’d also recommend The Sweet Requiem at Tyneside Cinema on 17th July with stunning cinematography and subdued tension it highlights the ongoing and often forgotten Tibetan refugee crisis

For those who haven’t been to Masala Festival before, what would you recommend them checking out to introduce them to the Masala vibe?

The true Masala vibe will be at the Lit & Phil on the 16th July; we have two of the most prominent women on the contemporary jazz scene, pianist Zoe Rahman performs alongside saxophonist Laura Macdonald. This will be a powerhouse of a performance, and guaranteed to sell out so get your tickets quick!

What about for those, who prefer to have a go at something….what do you suggest?

We’ve got a whole host of workshops that people can take part in Bollywood dance, yoga on the beach, or an introduction to Meditation.

Also check out the Chai & Chat exhibition at Gateshead Central Library, beautiful textile artwork inspired by traditional chai recipes.  You can also take part in paper tea cup making.

Full details to book on workshops see www.gemarts.org

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GemArts Bollywood Dance workshops as part of Late Shows 2019

Through-out the festival, you’ve got a bespoke special menu at Dabbawal, which is my favourite place to get a curry, so i’m excited for the Masala menu! Can you tell me a bit about the (commissioned!?) art work, you have on the walls at one of Dabbawal’s restaurants?

Dabbawal are the original authentic street food restaurant in the region, and it’s always a pleasure to work with them – their food is simply outstanding!  Each year their talented chefs craft a special menu which is available during the festival, and we can’t wait to sample it!

Our artist Kate Hunter Parker will be creating art work inspired by this year’s Masala Festival brochure design, as well as elements from the programme and the menu, so expect to see vibrant, luscious and colourful work at both High Bridge and Jesmond restaurants.

So the finale…. any yearly Masala Festival goer knows that you round off the festival in style with a mini Mela at Live Theatre courtyard for families and adults alike. Can you tell me about this year’s Mela programme, what can attendees expect?

GemArts Masala  Festival ends on Sunday 21st July at Live Theatre’ Garden with a spectacular fun packed Mini Mela finale, with FREE South Asian arts, craft, storytelling, music and dance workshops for all of the family to enjoy! If you love caravans, bingo and Elvis, then look no further as this year’s finale brings you…….. Elvis’ Bingo Balls –  enter a seafront arcade in a caravan with neon, sounds of the slots and an Indian Elvis as your bingo caller! We’ve also got Circus Raj, a circus troupe from India performing throughout the day, with stilt walkers, dhol drummers, extreme juggling, sword swallowing and acrobatics, plus dancing marionettes, Dabbawal serving up delicious Indian street food, and much, much more…..

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How on earth, did you stumble across the Indian Elvis bingo caller? He sounds brilliant and fellow Culture Vultures who love things a bit out there and different will be all over this! ?

This is going to be so special!  We really wanted to introduce something new and exciting to this year’s mini mela which will connect with young and older audiences alike, and Elvis’ Bingo Balls absolutely will.  The theatre piece has been produced by Black Country Touring and it’s great that we can bring it up here for the finale.

It’s perfect, as it’s the start of the summer holidays and you’ve got a bingo caller clad in his Elvis outfit, telling stories of moving to this town ‘so every day can be a holiday’……what’s not to love!?

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And finally, if you could sum up Masala Festival 2019 in three words, what would they be?

  1. Epic

2.Vibrant.

  1. Fun

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Mini Mela 2018 as part of Masala Festival 2018

Well thanks Vikas and I just can’t wait! I’m taking over GemArts social media during the launch on Monday AND during Mini Mela, AND I will be attending lots of Masala events so you can follow my journey on my Facebook & Insta.

Visit www.gemarts.org to find out more and book tickets.

Look out for GemArts Masala Festival beautiful brochure around Newcastle and Gateshead or download your full brochure here GemArts Masala Festival 2019 Brochure

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Circus Raj Puppets which are set to be at Mini Mela

That’s all for now Culture Vultures – until next time!

P.s. I’ve had the exclusive opportunity to interview several Masala festival artists and performers – so look over for those interviews coming out in the next week or so!

(Full disclosure: I am not being paid to write this post but I have received complimentary tickets to the full GemArts Masala Festival 2019 programme and I am working with them on the festival’s audience development).