Amy Lord; live art, brain-feeding & 90s at Our Time.

Amazingly talented people walk among us often hidden and unheard….I’ve really learnt that a lot recently. Not all creatively talented people call themselves artists – they are ordinary people, in everyday jobs and yet, they have talents so unbelievably amazing at their fingertips.

And often no matter, how engaged you are in the cultural sector and how “aware” you think you are – I’m always surprised when there is someone, doing something so amazing and fantastic and I didn’t know about it!? Sounds ridiculous – but I prize myself in being in the know and the now – so when I stumble across someone new and exciting, I’m both blown away but a little bit cross at myself – how did I miss this!?

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I first heard of Amy Lord, when a friend of a friend told me about this “project” in Newcastle taking over a townhouse and how they were exploring happiness and we had a mega long conversation about what exactly happiness is and how society has this version of happiness and zen……and I’m just over here, being ridiculous, not getting up at 5am and doing yoga and even when I’m happy, my world is chaotic.

So, this townhouse take over culmination was over Late Shows weekend – which is my busiest weekend – I never get to experience the Late Shows as an attendee – I work it and usually on the Gateshead side. So obviously, I missed Amy’s ‘Experiments in Happiness’ take over.

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Fast forward a few months and I’m sat listening all about the progression of this year’s Juice Festival and Our Time – Helen who is programme director said the ultimate which immediately secured my project buy in…..

“Rachel – so there is Amy Lord, she’s this mint visual live artist….she’s doing this Art House piece and you’re going to love it, it’s all about the 90s”.

Boom!

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So being the creep, I am – ultimate stalker mode started and what I discovered was an artist that is creating and doing very interesting work in collaboration with some of my favourite people at the moment in the North East Cultural Sector.

I really like visual live art – it combines some of the elements I love most about sculpture but encourages an evolving engagement. Amy describes it as a “multi-textured and layered encounters and experiences” and I think it sums it perfectly. So many elements and things brought together – with a strong focus on visual……

As someone with a passion for events – I really like Amy’s work from an space curation and the facilitation and provocation of audience experience…… that really excites me and I’d love to work with her in the future.

So now over to Amy…….

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Who are you?

Hello! My name’s Amy, I’m 31 and I’m from Northumberland! (In the style of Blind Date).

I’m an artist but I also run an events company on the side called Lemonade and Laughing Gas. I’m currently living in between London and Newcastle. I spend a lot of time on the Virgin Trains East Coast train route at the moment…

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Tell me about your arts practice?

I make live art. For me, this means creating anything from an interactive installation, a game, a video, a crafting activity and a performance. I always want my work to be personal, political and to not shy away from difficult or challenging subjects. Sometimes my work can be more about the process than the end result. I love working with different groups of different ages to capture the full spectrum of human experience.

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Tell me about a recent project?

My latest big project in the North East before my Our Time commission was Experiments in Happiness. I took over an empty townhouse on Grey street and filled it with installations and experiences exploring ideas around happiness and mood. 600 people turned up over 2 days – the interest in the project totally blew me away and has just made me want to do more stuff here.

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Everyone has a super interesting story about becoming an artist – tell me about your journey into Arts?

I’ve always got a buzz out of making things from a young age, but I think my first step into the arts was Uni. I was lucky to get into LIPA (Liverpool Institute for Performing Arts) and studied Theatre and Performance Design. Although I loved the course, I knew I didn’t want to be a theatre designer at the end of it. A tutor there introduced me to live art and more experimental theatre in my final year, and I was hooked. My first solo project was a work in a derelict restaurant about the media and pressure on body image for women (2007).

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Piece of advice for someone thinking about a career in the arts?

Try and build in time for ‘brain feeding’. It may feel indulgent but if you don’t keep seeing stuff, reading things and learning new skills, sometimes the inspiration well can start to dwindle!

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Why did you apply to be a part of Our Time?

I liked the structure of the ‘mini commission’ – creating something quickly for one night only appealed to me, as well as the positive feelings about the area and the past Team Juice were wanting to emphasise.

Tell me about your commission?

Research is often at the core of the work I make, this commission is no exception! I spent 3 days rummaging around news archives and microfilm to find good news stories from the 90’s – specifically in Newcastle and the North East.

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Then, we had a workshop with Team Juice to whittle these down and find out what was most interesting. We did some creative thinking and finally, shot some video on smartphones to make into a film that will be projected on a loop throughout the evening.

We’ve chosen to show the film in this bonkers tunnel in the museum, which we’ll be filling with 90’s music to help transport people back to that time!

What was the inspiration?

DIY culture/the contrast between technology in the 90’s and now.

The idea could have happened for any decade really, but I chose the 90’s because not only is it having another moment in the sun but it’s also the first decade I’ve felt properly nostalgic about, as I was 15 when the millennium arrived!

I used to think people obsessing about the 70’s and 80’s were just living in the past, but now I totally get it! Nostalgia and remembering those super important formative years can be totally delicious! As long as you balance it with living in the present too…I also can’t pretend I wasn’t influenced by watching Sing Street.

What do you want attendees to take away from your installation?

Fun. And maybe realising how many amazing things happened in the 90’s for our region.

Top 5 90s songs?

Wow, there are so many. Here’s some of the top of my head (that may have found their way onto the soundtrack!)

Dreams – Gabrielle

What’s Up – 4 Non Blondes

Another Night – Real McCoy

Sunshine After the Rain – Berri

The Whole of The Moon – The Waterboys

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Favourite 90s moment?

When everyone thought the world was going to end once we got past midnight on New Year’s Eve 1999.

Have you seen the rest of the Our Time line up? What bits are you most excited for?

I’ve worked with Zoe Murtagh on my last project so obviously I’m a fan of her, and am looking forward to seeing what she’s created with ‘It Was Once A Dream Interactive Trail’. I also create a lot of multi-sensory work so I’m looking forward to getting in the Von Tuur Salon.

Also generally, we’ll be in a museum, at night, with a bar…absolutely winning!

Well, I’m just such a fan of so many things Amy said….. I’m all about trying to make time for “brain feeding” and the 90s is absolutely my jam……

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Thank you Amy….. I’m super excited to see and experience your piece.

I will be at Our Time at Great North Museum on 21st October – you’ll probably find me lurking and obsessing over Amy’s 90s piece and involuntarily breaking out into song and dance when ‘SunShine After The Rain’ comes on…..

Culture Vultures – this is the ultimate Culture Vulture event….. don’t miss it or Amy’s lush installation.

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Moth Studios: a studio putting taxidermy and entomology at the heart of the creative community in the North East!

It’s been a while since I blogged….I’ve missed it. I’ve missed seeking out new things, people and places to tell you about. It’s not that I didn’t seek them out – of course I did, it’s what I do and my notebook is as always, full of scribbles, names, ideas and things I’m looking forward to exploring in the coming months. It was more, I just didn’t have the time or the energy to do anything……

Those who really know me, know I’ve worked my socks off for the past 6months – I’m a prolific workaholic and an addicted culture vulture……but this year has just been something else – life in the fast lane, times a million. I don’t even know how it’s September or how I got through that workload, but it is and I did and I’ve worked on some fantastic projects so far and many more to come…..

I’m desperately trying to stand still and look back and reflect – but my head is just buzzing with all the ideas I’ve put on the backburner, collaborative opportunities I’m just itching to explore and new beautiful projects, that are at this point all mine to run free with…..

So even though I’ve had my head down to the ground, I’ve been watching, taking things in and for some, as creepy as it sounds (and I’m pretty good at being creepy), I’ve been admiring from a far. And if during this period of living amongst tornados of colliding priorities and projects, you have made me sit up and take notice of what you’re doing…….well you’re obviously doing something right.

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Have you ever had love at first sight moment? You get butterflies, you’re consumed, confused, overwhelmed and the world really does stop and skip a beat….. I had a moment like that when I stumbled upon Moth Studios in Ampersand Inventions earlier this year. Their studio wasn’t even open but I was peaking through the glass (told you I was good at creeping!) and it looked like the most interesting, weird, bizarre and absolutely captivating studio to work in. From the work space, it screamed that something really exciting and different was going on – a very different creative offering………

It was a bright space, full of animal and insect touches – think Tim Burton-esque meets very talented taxidermy. Of course, I’ve always been fascinated by taxidermy and entomology– the practice, the art of it and how it has gradually moved from quite a niche thing to infusing other types of art forms – especially stop-motion animation but I’ve not really had that much exposure to it. However, their studio managed, whilst being full of dead things, to feel absolutely full of life and energy…..

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My Ampersand tour guide at the time was all round megababe Melanie Kyles, who told me, that Moth Studios offer workshops and taxidermy sessions…… This peaked my interest absolutely and the more I thought about, the more it made absolute sense that this studio enabling people to experience taxidermy and entomology should sit right at the heart of this creative community.

As you know, the Culture Vulture is allllll about new things, different things and even bizarre things and Moth Studios is providing an offering that is so different and an experience like no other – so this is right up my street. And it’s not just me who thinks so – through-out this busy period my social media has been full of people from the North East championing their work and attending their workshops – from tiny skull sessions, to butterfly pining, to taxidermy…. I’m certainly not the only one fascinated and intrigued by this artist studio and exactly what goes on inside its doors……..

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But for this Culture Vulture – it’s the processes behind the finished items that really interests me and the symbolic nature of the pieces, their silhouettes and the slightly gothic nature of the materials being worked with…….and so my love at first sight with Moth Studios started – at first of course, from a distance and now, well I’m head over heels and I just had to find out more so I caught up with Founder, Sherene Scott who started this adventure in 2014…..

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So hello Sherene! Tell me about Moth Studios? Who are you? What is it all about?

I’m Sherene Scott, director and owner of Moth Studios. We are a contemporary ethical taxidermy studio located inside Newcastle city centre.

What was the inspiration behind starting it all?

I am an artist and taxidermist; I’ve had formal training, from Newcastle University and around the UK. The inspiration for Moth began in 2010 whilst I was still a student; I began training in taxidermy and I had an amazing interest for death and preservation; as strange as that may seem. My passion came to light when I realised it was a dying art form, the skill involved and particularly that it is a male dominated field of work.

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How did you end up residing in Ampersand Inventions? I’ve peaked through the doors of your studio when I visited and holy moly, it’s a beautiful space!

I joined the Ampersand ‘team’ before the space was even erected, as I had friends that were resident artists and directors of the spaces. So you could say I was there from birth and build!

“Birth and build” – I really like that! Here in Ampersand you’re surrounded by other creatives and artists and the building as a whole, all with different backgrounds and practices etc; how does that influence you?

It’s a warm yet very professional feeling working so closely with other artists, designers and small businesses. We all have each other’s backs and we’re never short of giving and receiving ideas, advice and networking whilst we are “living together”.

Do you think taxidermy is making a real come back – it seems quite fashionable at the moment and gathering interest?

I think in the last few years, there has been a complete revival and resurgence in taxidermy. It’s an amazing feeling to see people interacting, enjoying and educating themselves with the idea of AND physically getting involved with life, death and anatomy.

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There also feels like there has been a big shift from people seeing it as a technical process but something not often openly talked about or featured in a “cabinet of curiosities” to now being much more mainstream, with greater interest in both the process but also in it as an art form? Do you feel that too?

There has indeed been a shift in the way people see taxidermy… I.e. no longer only in museum displays, curiosity cabinets and dusty old traditional taxidermy with complicated dioramas.

Now because we have so many taxidermy laws and there are no longer illegal ‘trophy rooms’ for silly status value; I would like to think we no longer see taxidermy as a bad practice, but seen as beautiful, artistic and ethical pieces of natural beauty, with the dioramas now being your own home, space or a unique 21st century touch.

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Tell me about some of your upcoming workshops – they are really unique and interesting? And how can people book onto them?

Moth Studios hosts many workshops and classes alongside their own work and online shop. We have beginner’s taxidermy and entomology (insect pinning) classes throughout the whole year!

Autumn/winter season is very popular for Moth… We have classes ranging from bugs to mice to squirrel, skull decorating, birds and even our specialised workshops themed around Halloween and Christmas, where we will be having bauble and wreath gift making evenings!

All of our up and coming classes are posted on our Facebook events page and I can be contacted directly via email contact@mothstudios.co.uk to get booked onto a session.

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Where do you source your materials from?

All of Moth Studios specimens and skulls come from responsibly sourced donations and finds from various different people, rangers, aviaries, farms and so on.

Do you take commissions?

Moth Studios does take commissions and projects; mainly specimens that have been found or that Moth already has. However, I do not commission pets…….

Do you have any new projects on the horizon and what’s next for Moth?

We have many exciting projects on the horizon and 2018 will see a whole new class list, new works and entire new collection in our shop. We will also be touring Moth Studios classes to exciting external locations in the North East and down south!

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Well that sounds massively exciting, thank you Sherene and if like me, you want to check out one of their classes – well why not come along with me and be my date…..I really fancy something Halloweeny or a Christmas wreath….get in touch and let’s do it.

Keep in touch with Moth via; Instagram: moth_studios , Facebook: Moth-Studios , Email: contact@mothstudios.co.uk , Website: mothstudios.co.uk or No: 07958658009.

Until next time Culture Vultures…..

 

 

GemArts Masala Festival 2017; a South Asian cultural infusion of a festival……

Working in Culture within the North East is possibly the best sector in the entire world to work in; it’s just mint! The ideas, the events, the projects, the people and beyond. As a none people loving people person, I really finding my little space in the world, with such brilliant people.

The Cultural sector in our region is just so diverse – I’ve never experienced anything like it. The cross fertilisation of ideas, partnerships and collaborations and the ever emerging willingness to work together culminates to ensure an exciting bubbling richness of lush things and people.

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GemArts and Sunderland Stages present Gods & Mortals at Sunderland Minster

The sector is also very close knit – you can attend any event really and see a smattering of friendly creative faces smiling, championing you and your projects and attending the things you do. It’s a like a secret club of lushness…… the people you work alongside or attend their things and champion, very easily move from project partner or such and such from that organisation….and become friends. Real friends and people who you celebrate every cultural moment with.

Sinead from Gem Arts is one of those people (and in fact really the whole Gem Arts team….but Sinead really likes cats and is quite ridiculous like me, so she’s my favourite). I’ve known of Gem Arts for some time and championed them for as long as I have worked in the cultural sector….. their Mini Mela was my induction into working with a large scale cultural children’s event.

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GemArts is a dynamic arts development organisation presenting South Asian arts. They produce and programme new and exciting culturally diverse arts, by creating and developing high quality concerts, events, festivals, workshops and commissions with regional, national and international artists. Every event I’ve attended has been a cultural hot pot and celebration of South Asian diversity and learning about respective cultures.

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Last year they launched Masala Festival and I had the pleasure of championing it as part of Gateshead Arts Team and of course, as Sinead’s mate Horts. So as we are literally about to jump into the second Malasa Festival (deep breaths Sinead and team – it’s going to be mint!), I thought I’d take the opportunity to catch up with her and find out what this year has in store for the region alongside digitally championing to my fellow Culture Vultures what a cracking week this is going to be…..

Well hello Sinead, so first up; what is Masala Festival?

Masala Festival is the North East’s very own, award winning, South Asian Arts Festival, bringing a mix and blend of the finest art and artists to the region for 7 days in July starting on 17th July.

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How many years has it been running and what kicked it all off?

GemArts launched Masala Festival in July 2016, offering a truly eclectic programme, spanning traditional and contemporary arts. After 16+ years presenting diverse arts in the North East, we decided it was time to put our expertise to good use, and create a brand new Summer Festival, showcasing artists from the UK, South Asia and beyond.

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This year the Masala Festival programme explores partition, migration, globalisation, identity, heritage, tradition and modernity, and marks the 70th anniversary of Independence for both India and Pakistan, something we were already starting to think about in 2016.

You won a Culture award for last year- tell me what that was like?

Recognition is the icing on the cake, alongside the incredible support we continue to receive from participants, audiences, trustees, volunteers, sponsors, partners and local communities, to whom we are hugely grateful and celebrates the creative talents of artists from the region, across the UK, South Asia and beyond.

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It was a joy to collaborate, connect and celebrate with thousands of people from across the region at our first Masala Festival, and we can’t wait to do it all again.

Receiving an award for something your team is truly passionate about is a dream come true, and has given everyone an even stronger drive to continue championing creativity and diversity at every level, supporting young and emerging artists, and offering people from all backgrounds and ages, community groups and schools, engaging opportunities to take part in our culturally rich and diverse arts offer.

So… now 2017; what’s coming up for Masala?

This year’s Festival (17th-23rd July) will ramp things up, building on our award success we’ve been even more ambitious, and added exciting collaborations and takeovers to last years list.

GemArts has commissioned work from celebrated companies and artists  and the programme is packed; award winning poetry readings (Daljit Nagra: Heritage and Identity), specially curated short film programmes (Changes), celebrations of Sikh soldier’s music tradition and contributions to the First World War (Sacred Sounds), leading choirs from India (Gandharva Choir), two nights of powerful theatre (No Dogs, No Indians), Masala Festival takeovers and collaborations (Q Festival, Trinity Square and Dabbawal), Mini Mela family fun days, Indian storytelling shows (Henna),  talented musicians fusing jazz, electronic and Indian classical music (Sarathy Korwar), folk music and dance (Rajasthan Heritage Brass Band),  film screenings (The Jungle Book, Ghandi), exhibitions (AURORA by Jayamini de Silva), food events (Biryani Club), fantastic workshops (Bollywood dance, Meditation and Yoga), talks and demos (including GBBO contestant Chetna Makan) and lots more……

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What should I not miss out on?

We think you should attend everything, but there probably aren’t enough hours in one person’s day. Three events we know the Culture Vulture will really enjoy would be;

SACRED SOUNDS – A national project called Sacred Sounds, which tells some of the largely forgotten stories of British India’s role in the First World War. Using archive footage, letters, photos, music and poetry, SACRED SOUNDS is a multi-art form performance which explores Sikh musical heritage and traditions, which soldiers took with them to the battlefield.

HENNA INDIAN STORYTELLING SHOW – As part of our Q Festival takeover we’ve invited international storytellers Peter and Gorg Chand to tell a very special story. On the eve of a wedding a young bride-to-be is having henna applied to her hands. As the patterns emerge, the stories begin to unfold… love, loss, betrayal and Bollywood! Plus GemArts Henna artists will be on hand to create beautiful designs for any of our audience who want them.

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NO DOGS NO INDIANS – A powerful new play from Siddhartha Bose. Three intertwining stories, spanning decades, explore the effects and legacy of the British in India in a powerful new play to mark the 70th anniversary of independence.

I’m always up for trying something new and out my comfort zone- do you have any recommendations?

CHANGES: stories on the edge will certainly make audiences ask some serious questions, and think long and hard about the world they live in and the resilience of people. Following last year’s successful ALIVE film programme, we’ve teamed up with creative producer Bobby Tiwana again, who has curated a stunning line up of short films for CHANGES; a programme of lives on the edge – personal and political conflicts test human resolve.

My little mini Culture Vulture Beck (one of my best pals little boys) – he’s really into trains, stamping his feet, stairs and exploring- anything for him and his lush fam?

There is plenty for mini Culture Vultures and their adults to get involved in during Masala Festival. We’re starting our Q Festival takeover with Bollywood dance classes for ages 2+ from 9am, and then from 11am we’ve Stories from the Punjab and Beyond for ages 5+ , a fun, interactive, and lively session of Indian tales.

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Part of our Movies at Masala programme with the Jam Jar Cinema, shows The Jungle Book at 11am on Saturday morning.

Sunday sees the return of our popular Masala Festival Mini Mela, which last year welcomed more than 500 people throughout the day. Like all GemArts Mini Melas the day includes a range of drop in arts workshops, from Rangoli, Kite making and Silk painting to Bollywood Dance and Dhol drumming, plus we’ve invited an amazing group of musicians to really bring the space to life, as the Rajasthan Heritage Brass Band will perform throughout the day.

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Heard about the curry night at Arch 16 which obvs I’m all over that…..I like my curry to be an experience…..

BIRIYANI CLUB AT ARCH 16 – We love working with our friends and neighbours, and when we read about Arch 16’s curry clubs with Ashiyana Café we knew we had to chat Masala Festival with them. A tasty curry for less than £10, and GemArts DJs spinning the best bhangra hits, what’s not to like?!

CHETNA MAKAN CHAI, CHAAT AND CHUTNEY – As big fans of food shows, food cooking and food in general, we were over the moon when former Great British Bake Off contestant Chetna Makan was available to deliver a cooking demonstration during Masala Festival. Chetna will share stories from her travels around India for new cookbook, Chai Chaat and Chutney, and attendees will get to taste a selection of delicious street food recipes created before their very eyes!

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Well that’s all a little bit amazing isn’t it – so make sure you check out GemArts Masala Festival next week…..you’ll see instantly why  it won a Culture Award and how fantastic it is – every night a brand new experience of diverse lushness – so much to see, do and of course Culture Vultures, EAT!

So bye for now Culture Vultures and Sinead, well I’ll see you on the other side of Masala Festival…..

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The Culture Vulture xx

Mixtape 90s: The Six Twenty

We all know I love theatre, I love a good old night out, buzz light years over a pub quiz and currently experiencing an intense nostalgic love affair with the 90s….. so Sunderland Stages bringing Mixtape by The Six Twenty to The Peacock in Sunderland is right up my street. Sunderland Stages is all about bringing theatre to unexpected places in Sunderland…..and of course, theatre in an actual pub is pretty unexpected and lush.

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Mixtape is an immersive performance pub quiz….. The Six Twenty have taken it to festivals, Live Theatre and other venues, all with sold out performances. I’ve heard rave reviews so I’m super excited to attend on 30th June…. (tickets are available now – bring a group, bring yourself and in typical 90s Nirvana style – ‘come as you areeee!’)

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It’s also a perfect opportunity to check out the newly opened Peacock venue – a beautiful independent pub within Sunderland’s thriving cultural quarter….. I’ve heard they do a corking Sunday lunch too.

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And, The Six Twenty are a Newcastle based theatre company that is growing and has big plans for the future so this is an opportunity to check them out and their work…..

I caught up with The Six Twenty’s Artistic Director, Creative Producer and all round absolute megababe, Melanie Rashbrooke, to find out more and all about 90s Mixtape….

Hi Melanie, right tell me about The Six Twenty?

The Six Twenty are dedicated to creating playful, entertaining and immersive theatre that’s ambitious and fun. We make new work and also produce re-imaginings of classic and contemporary plays. We tour throughout the UK to theatres, outdoor spaces and unexpected places. We hope to make theatre that inspires, moves and creates conversation and brings people together.

Now tell me about Mixtape?

Mixtape is our infamous comedy music quiz show. It’s a unique concept that was invented at The Six Twenty and is performed and created by a brilliant band of theatre-makers, comedians and musicians who we call Mixtapers. Basically The Mixtapers perform comedy sketches that are created entirely out of song lyrics; the song lyrics can be reordered and repeated but no additional words can be used. Plus the sketch can’t be longer than the running time of the track that inspired it.

The Culture Vulture: I literally feel sick with excitement at the thought of this already….. I know 90s songs inside out…….

The audience plays along in teams and tries to guess the songs, bands and artists that inspire the sketches. The team with the most correct answers at the end of the night wins one of our highly coveted Golden Mixtapes. Each of our shows is themed and the next one is The 90s so expect a mix of pop classics, Summer anthems, dance tracks and Brit Pop!  It’s a really fun relaxed show that’s great for music and pub quiz lovers as well as theatre fans.

The Culture Vulture: New life ambition is to own one of these golden Mixtapes…….

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What’s it been like getting rave reviews and sell out shows!?

It’s been great to see the show grow and build a real following. I’m particularly excited by the feedback we get from audiences – especially people who might not attend the theatre that much and who really enjoy the show.

The Culture Vulture: As someone who works on events and organize my own, feeding off the audience buzz and interaction is what feeds the want to do another event. It’s lush when people enjoy and champion what you’ve put on and of course, had a lush time!

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What was the show’s inspiration?

It was something I dreamed up whilst I was working on a writing project with Write on Tap (a group of writers based in Newcastle). The theme for the project was ‘Who I am with You, Who I Am Without You’. I decided to challenge myself by writing a short script using just the lyrics of the U2’s song…yes that one! And thus Mixtape was born.

Also, I love my music and who doesn’t love a good old pub quiz!

You’re bringing Mixtape to Sunderland 30th June, the Peacock….tell me about the show?

We’re bringing our new 90s show; the show recently premiered at Live Theatre (where we create all of our new shows) to a sell-out crowd. Expect a night crammed full of 90s tunes, comedy, crop-tops, dance routines, mayhem and fun!

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What can attendees expect on 30th June? Why should people come and get their tickets?

Comedy, quiz, fancy-dress, music, fun! A night crammed full of super fly hits. From boy bands to dance anthems, grunge and summer hits; this show’s gonna be off the chain. So dig out your 90s crop tops and Docs, brush off your Discman, and bring a team along and see if you can win the Golden Mixtape.

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90s fancy dress is also highly encouraged with the best dressed 90s team winning a special prize too!

The Culture Vulture: Well I’m going to be prancing around the place dressed as blossom with a side pony tail.

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As someone who is OBSESSED with the 90s….I dig the theme. Why did you go for the 90s music?

We’ve created a variety of Mixtape shows based on different music themes including North East bands, Alternative music, Rock ’n’ Roll 50s, Boy Bands vs. Girl Bands, 80s…the list goes on. So it was about time we tackled the most bangin’ decade. There are some seriously good tunes featured in the show.

The Culture Vulture: Right – I need to see every single show……love the sound of all of these!

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Your favourite 90s song of all time?

Ooooh tricky…there’s so many to choose from. I’m going to go with a curve ball option – I’m Too Sexy by Right Said Fred. Come and see the show and find out why……

The Culture Vulture: Now that’s a controversial and interesting choice – I need to know more. I’ve rediscovered E-17 recently – ‘House of Love’ plays on repeat currently…..

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Tell me a bit about some other The Six Twenty projects (fans!) and other things coming up?

In 2016 we won the Bridging the Gap award to create a new show called FANS which is part music gig and part theatre show and written by the brilliant Nina Berry and made with an awesome team of theatre-makers, musicians and creatives. It explores what it means to be a music fan. We’ll be redeveloping the show later this year and then re-touring the show in 2018.

We’re also working on a couple of new shows. One is with Mixtaper Lewis Jobson called Redcoat and explores what it means to be happy and what happens when you have an ‘off day’ and you tell Barney the Dinosaur to f***k off (in front of a load of kids)…at Butlins…in Bognor Regis.

The Culture Vulture: What a great concept for a show…..

The other show we’re working on is with Charlie Raine who performed in FANS. It’s called The Playground. For this we’re interviewing children aged between 4-7 years old about their lives and their views of the world. The final show will be performed by adults for adults as adults – using the words of the children we interview and collaborate with.

The Culture Vulture: This is brilliant – kids say hilarious and pure things.

And of course we’ve got loads more Mixtapes coming up!

To find out more about the projects we’ve got coming up and how you can get involved visit our website at www.thesixtwenty.com

Well thanks Melanie, this all sounds lush and brilliant………. I’m so passionate about theatre in and around the North East – love it! Get your tickets for 90s Mixtape everyone…….you’ll be greeted on the door by The Culture Vulture, manically happy, like some 90s super fan.

Big love from The Culture Vulture. xx

Mobile; a class theatre show about class.

I don’t come from an artsy back ground; I come from one in which new experiences and trying different things was encouraged. My first and only experience of the theatre, as a child was either through primary school trips or my yearly panto trip. It wasn’t until I was older, as a shy introverted child, that I decided getting involved in drama was a good idea and one, which pushed me out of my comfort zone. I acted in plays, wrote stories and took countless different drama exams – theatre and performance were important as they not only let me challenge myself but they also let me be myself. I found the confidence to have a voice as opposed to a teen that had a million and one thoughts and things going on in my head, but just never had the courage to say them. This will sound hilarious now as someone who often never stops talking or putting forward her opinion…..

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Now as an adult, I engage and enjoy theatre from the other side – as an audience member. I love theatre and performance for many reasons; firstly – it’s pure escapism and storytelling at its very best. You can lose yourself in another world, whilst having a really lush experience or evening out. Secondly, it’s a shared experience and moment – an absolute one off that you share with the audience around you, the people you’ve come to see the show with and of course, the cast and crew. And finally, and yet mostly importantly, it offers a different perspective of a theme, a story, a thing and triggers reflection and a growing sense of a new understanding.

I love things that make me think – things that challenge my perception of life and theatre can and does, open you up to a whole new world. In some instances, it might be a show of make believe and in others, many of my favourite shows, the story resonates and sits very close to home, exploring societal themes and stories.

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Couple that with my love of something unique; what I like to call a “sneaky hidden cultural adventures” – an arts experience in an unexpected place; well I was thrilled to go and see Mobile, a performance piece by an all-girl collective called The Paper Birds (gan on lasses!). Mobile was brought to Sunderland Winter Gardens on 28th and 29th May by the lush Sunderland Stages. Sunderland Stages take theatre and performance to unexpected places across Sunderland and let’s be honest, there is nothing more unexpected that a theatre show next to Mowbray Park in a caravan……

You can watch the Mobile trailer here!

The dynamic company The Paper Birds comprises Artistic Director Jemma McDonnell, Kylie Walsh and Bonnie Mitchell. After their first show, A Smile Fell in the Grass, featured in the National Student Drama Festival, the company formed in 2003. 14 years on The Paper Birds strive to create and share devised work that is culturally, socially and politically important in day to day life and often tells and prioritisies the stories and voices of women.

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Mobile is the second of a trilogy series about class; the first in the series was a show called ‘Broke’. Many of you may have seen the piece already when it appeared in 2016 at Live Theatre and received smash hit rave reviews. The Guardian has even reviewed it: “Mobile neatly turns the caravan into a magic box where every cupboard and drawer springs a surprise”.

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But for those who haven’t seen it; Mobile is a piece entirely set in a caravan, the audience is invited inside the caravan after playing name games with each other outside. The set-up is one that reminded me of a festival / camping feel so automatically I felt at ease and was enjoying chatting to other audience members.

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Once inside the caravan, the story is told with one narrator and explores the themes of class, home, society and identity through a whole host of appliances, which are used in a really innovative digital means to give voices to other “characters” sharing their story and experience of class boundaries, barriers and labels.

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The show was interactive, thought provoking and exceptionally emotional in parts. For 40mins, so many class-related questions were posed, stories shared and it was a beautiful production. It was interesting to explore how much of our sense of self, is defined by birth right, labels given to us and societies construction of who and what we are, what we could be and who we should be.

I caught up with Jemma McDonnell, the artistic director of Paper Birds to find out more about Mobile and to dig a little deeper about the show…..

Tell me about Paper Birds and the inspiration behind the name and the collective?

The idea was based on taking a piece of paper and creating something new from it and to be honest I think at the time I had meant origami but was not sure of the spelling so wrote ‘paper bird’.  Because we are a devising theatre company and we try to make work that is very current this felt like it would symbolically work for the company and our aims.

Now tell me about Mobile; a play that is set inside a caravan – what’s it all about?

We were utilising the research of a sociologist at the London School of Economics (Dr Sam Friedman) about social mobility and it inspired us. Enshrined within this is the notion of class and social structure in Britain both past and present. We wanted to tap into how we all feel resonance with different classes, and the universality of the issues they include; family, home, ambition.

What was the inspiration behind setting the piece in a caravan?

The caravan symbolised for us, holidays and nostalgic memories of family; we wanted to use the intimacy of such a small space to be able to explore things theatrically that could never work on a stage. It was the proximity of the audience to the performer and the immersive aspect that enticed us.

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We were also really attracted to the idea that the caravan itself has experienced social mobility; 100 years ago the caravan was an affluent symbol, and since then it has both risen and declined in popularity. In particular it now represents a ‘working class’ holiday – and the complexity of this shift seemed to fit perfectly with the subject we were exploring.

It must have been a real challenge creating and playing in such a small location as a caravan, with just eight people sat so close to you?

The challenges certainly include how you can use the space; there’s not a lot of room, especially when the caravan is at capacity! We had to be really inventive with the way we transformed the space with technology and AV design. It also limits the capacity for cast members/actors; we found creative ways of including as many voices and stories as possible despite only using one actor.

But the best thing is that we don’t need to rig and focus all the lights at each new venue we tour to- as they are all in position already!

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Considering the volatile nature of modern politics, are there any timely messages that Mobile has to offer?

The main political strand that evolves throughout the piece relates to the notion of fairness; in how our culture lays out the promise of a fair and just society for all where we are free to prosper and rise. But as is experienced by our character Cindy, those who do not start with financial advantage are very rarely rewarded with the same level of upward mobility as it would seem.

You’re currently touring the show up and down the country, what has the audience response been like so far?

The show is always received with positive reactions – being so close to the audience and sharing the enclosed space means that audience experience is always clearly obvious; most people experience a reflective and emotional engagement with the issues and themes and often this is characterised by shedding a few tears! But it’s not all doom and gloom – there are plenty of laughs along the way!

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What can the audience expect getting into the caravan and what will they take away?

We hope that people come away with a new found appreciation for all that their family and upbringing involved, that they leave the caravan thinking about class and how social structure relates to them. We hope that they identify with if not one, but several of the characters they meet along the way, and above all else – that they are wowed by the technical wizardry installed into the humble interior of a family caravan!

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Well thank you Jemma – what a pleasure and good luck with the rest of the tour. Can’t wait to see what The Paper Birds do next!

Still curious about Mobile? Well you can watch audience feedback here and The Paper Birds are currently touring the show across the Summer, so make sure on your Summer adventures to plan in time to see this amazing show.

Big love to Sunderland Stages for bringing this lush and thought provoking show to the North East….they are shortly announcing their Autumn programme so keep an eye out – but Mobile certainly gives you a flavour of the different type of theatre shows to expect.

Even bigger love to fellow Culture Vultures – see you soon!

Are you in the Crafthood?

We all know I love small businesses….that’s a given right? Well what I love even more than that, is a small business that are absolutely owning and disrupting an established sector……And of course, what else could top trumps this? – well of course; an all-female run creative business….

Well hello there; The Crafthood….

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The Crafthood are a business that I heard about through other people (always a good sign) so I can’t claim they are my discovery, but I certainly am one of their biggest champions…. First of all what’s in a name? Well The Crafthood have a really good one, just by going to something I feel a part of their ‘hood! I love their name and branding…..Secondly, they are making crafting amazing, exciting, essential for the modern day lass and socially responsible….

Right up my street!

If you don’t know who the Crafthood are…. Well you’re going to over the next 12 months! They are one of the most exciting creative businesses; growing and thriving in the North East currently. Their offering is three fold; they run their own workshops within North East’s up and coming independents – as fantastically talented craftswomen, you’ll get a lush crafting experience like no other. Secondly, they sell a fantastic bespoke range of products; from cards, to notebooks to clothing, to bespoke lettering and signage – all with their lush Crafthood edge! Thirdly, they organise their own events or add value to a pre-established event (keep an eye out for their pop-ups).

The Crafthood invited me along to one of their Brush Lettering workshops as a punter in May 2017 and I absolutely loved it……so where to begin…..

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First and foremost, I’d like to say that The Crafthood workshops are for both artsy and crafty folk and others (like me!) – so for those that love crafting and trying new things in a new environment and taking time out just for you, to create; well their workshops are for you. However, if you’re like me and are massively creative but not at all “crafty”, well I can promise these workshops are for you too and you’ll love them.

 

I rocked up to their Brush Lettering workshop, I sat down with the other fellow participants and The Crafthood talked through our beautiful Brush Lettering pack, equipment, exercises and information. The first thing that hit me was the care to detail; everything I had was take away, beautifully presented and made me feel super excited to get started.

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We had 20mins of expert tuition and information (and lush cake and refreshments from Flat Cap Joes) and then we were ready to get started. What was stand out through-out the session was how inclusive the session felt, whilst being able to experiment, chill and get creative. In all honesty, I felt like I was taking time out for me, creating and absolutely loving it! I also was able to chat to other participants through-out the session – was lovely to hear more about them and their creative interests.

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Sharon and Kay (The master creatives behind Crafthood) chatted about their workshop portfolio, which currently consists of Brush Lettering, Soy Wax Candle-making and Modern Calligraphy. They also run their Crafty socials and attend events with add on mini taster workshops. For every workshop or organisation workshop booked, they book another workshop for a community group or charity– buy one gift one. It was lush to hear the “Wearside Women in Need” were benefitting from our brush lettering workshop…..

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When we got hands on with the brush lettering, we worked through lots of different exercises and Kay and Sharon (The Crafthood) were always on hand to guide and offer feedback.

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A lot of exercises were repetitive practicing of shapes and letters; the process of experimenting with technique and shape was really cathartic. As someone who struggles with detail and perfection, I actually found the process really freeing – being able to let go, make marks and just have a go without worrying about what things looked like…..However, I could not and still can’t master a “d”…… I will one day *shakes fist at the sky*…….

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We were working towards a sentence or word – of course, because I’m the Culture Vulture, I wanted to write my name and also CV in brush lettering; luckily no “d”s involved. I was massively surprised how easy it was to become engrossed with the letter shape and completely forget how to spell things…..so there were a few moments when I would look proudly at my work and see letters missing….. boo!

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As I got to the end of the workshop, I thought several things – firstly, I’d really enjoyed myself; I felt like I’d taken time out of the busy to do something lush just for me; this is something I so rarely do. Secondly, I’d learnt something new; I’m all about personal development and challenging myself – I felt walking away from this session that I’d actually developed a brand new skill and that was mint.

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Thirdly, that I’d defs continue this; the lushness of brush lettering is that you can do it anywhere and The Crafthood workshop sets you up nicely with everything you need so you can practice and do it often. I am now a brush lettering aholic (minus the letter “d”)!

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The Crafthood have a whole host of lush workshops, events and activities coming up – they are adding a new workshop to their workshop portfolio every season, so watch out for a developing programming……as always I will be championing them and attending – so check them out Culture Vultures and make sure you become a part of the C ‘Hood.

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Creative Start-up Shepherd Illustration…

The heart and soul of Culture Vulture is my passion for culture and arts in the North East……I’m on a cultural adventure to seek out and discover as many things and creative people as possible. I’ve built a business based around seeking the unfound and going out and about in the region…..literally my dream.

My starting point with artists and creatives is them as individuals; teasing out their story and perspective. I don’t just want to see an arts piece or performance; I want to experience it, understand it, question it and learn from in. I am fantastically lucky that in my day job and as The Culture Vulture, I get to meet an array of creatives and artists. I really get to know them and they become a part of the Culture Vulture network and family. I look out for them and champion everything they do……..what is so brilliant about meeting so many people and hearing their stories, is the different journey people have often taken to become an artist, a creative, a creative business, practitioner, a performer, designer….however, an individual sees themselves. And this is why I do blog interviews….to learn more , explore but also for you lovely lot………

So pleased to meet you Lauren Shepherd, lush creative business and recent start up – you will be able to meet her at the after-party at Newcastle Start-up Week……….

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Hi L, Tell me about Shepherd Illustration?

Shepherd illustration was born out of my accidental habit of drawing. Each art course, I have ever taken, be it fine art, spatial design or animation, I have always found myself focusing on drawing. Many art forms need so much equipment, where as to draw you just need a scrap of paper and a pen.

I like being quiet (this will come as a surprise to anyone who knows me as I talk…. Too much) but when I am on my own, I just love to be quiet; drawing offers me that sanctuary. I ended up with a bunch of drawings and wanted to do something with them; at first I found it really hard to focus on creating a product and still now, I realise I have gaps in my product range and I don’t focus on creating a card for every occasion. I like to give the customer chance to think for themselves and to become a part of the creative process. I’m still learning and I enjoy meeting people on this journey of turning my passion into a business.

Tell me about your journey setting up a creative business?

At first it was very exciting and still is; but it’s hard receiving knockbacks especially when I still work full time and come home after a long week to receive emails saying “no”.

It’s long hours and hard; sometimes you can’t see friends or fit in going to the gym. It’s really hard when you feel like no one sees your work and you spend more on products than you make. But then all of a sudden someone says “yes” and I get to do something extraordinary. For example I love to ski and approached Chalet Rosiere as I had heard they offer places to artists; they emailed back and were actually interested in commissioning me to do some work for them! I was totally overwhelmed but I grabbed the chance and spent the next 2 weeks creating 8 new pieces of work for the chalet which I honestly think are my best to date. 1 month later I was skiing in the Alps hosted by the wonderful owners of Chalet Rosiere.

Also if you’re creative you just can’t help it, you have to make!

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I really love your branding – what was the inspiration behind that?

My branding comes directly from my illustration. I wanted to create a brand rather than just a collection of drawings; I try and keep everything as stylized as I can. When I first started drawing everything was very macabre. But at that point, I was a young singleton drinking too much gin; I don’t think it’s any coincidence that the happier and more secure I have become in my life, the more romantic and positive my illustrations have become.

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Do you have an inspiration behind your style of work?

I am hugely inspired by botanical illustrations and Thomas Bewicks’ engraving. I feel my drawings are a modern interpretation of his engravings and share the same love of the countryside. This could be why I unintentionally draw solely in black ink. But I also feel again that it is the simplicity of only needing one sheet of paper and a pen to be able to start work. I often look at painters and feel a pang of jealousy when they are sat amidst huge boxes of paints and turps, paintbrushes, easels and canvases but then I remember that’s not where I currently am artistically.

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What about your love of dogs?

I love dogs! I am a dog person. My miniature dachshund isn’t my baby; but O truly think she’s a part of me. I got her when she was 10 weeks old and I was only 19. She has travelled the length of the country with me and looked after me much more than I have her. This year we have been together for 10 years and I can’t thank her enough for getting me through some very hard times. I’m very lucky to have a great team at YourFilm and my boss’s even let me sneak her into work so she can snooze beneath my desk.

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What was your journey into animation? You work for Your Film?

I came to study animation at Northumbria University and completed my degree in Motion graphics & animation BA. I was not necessarily the best person on my course and often felt I wouldn’t be able to find a job in the field, especially in Newcastle; a city I fell in love with and didn’t want to leave.  Through hard work I found some really great projects to work on even before graduating; this gave me enough experience and confidence to apply for my job at Yourfilm.

A few people applied from my course and I honestly didn’t know how the interview had gone, but only a few hours later Matthew rang me to ask me when I could start. I couldn’t believe it and screamed down the phone…. In hindsight I wish I had played this cooler. Fast forward nearly 4 years and I am still with the company. It is a fantastic place to work and being part of a small team means I have full control over the projects I work on and am constantly learning.

What’s next for you? Next project?

I currently only sell through a few independent retailers but would love to move into more shops and get my products noticed by a larger audience. Fingers crossed I will have some exciting news on the horizon soon. I have also been asked to be part of a new exhibition in York and am working hard on a new product range for the Thought Foundation.

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Creative, artist, animator, all round absolutely lush megababe gin lover Lauren Shepherd………..you can see more of her at Newcastle Start-Up Week………