Interview with artist Josie Brookes – bringing a lot of joy and colour into the world one glorious illustration at a time.

As we move closer to the end of 2020 and the start of 2021, I thought i’d round out the year, with an artist interview with a creative that has brought me a lot of joy and colour across 2020, an artist that has been responsible for spreading a lot of joy into folx lives across a year like no other and worked on some joy filled creative projects.

Josie Brookes’ work is just pure joy! I first met Josie Brookes in my role at Gateshead Council on the Culture Team. Josie’s illustrations are the sort that just make you smile – full of colour, personality and something rather comforting with a hint of nostalgia. She makes the type of work, that you brings light into a room and if you hung it on your wall, you couldn’t ever imagine feeling sad in that room ever again.

Artist Josie Brookes

She’s is a freelance Illustrator, animator and art facilitator based in Newcastle upon Tyne, North East England. Her illustration work showcases illustration in its broadest context – illustration can be so much more than drawing, especially when you throw collage and bold patterns into the mix.

I’ve wanted to interview Josie for Vulture, for years – but seeing her resilience across 2020, the wonderful creative and community projects she’s been involved in and contributed to – well it spurred me on to make it happen!

You can check out Josie’s work to purchase HERE and read about her projects HERE.

Josie Brookes

So over to you Josie….

Well hello, can you introduce yourself for my fellow Culture Vultures?

Hello! I’m Josie, a North East Creative, an Illustrator/visual maker and creative facilitator living in my home city of Newcastle upon Tyne.

Tell me a bit about your journey into the creative industries – where did it all begin?

When I returned home from doing my BA in Graphic Design at Brighton University, I worked part-time at The Newcastle Arts Centre and then a-n – The Artists Information Company, whilst building up my work as a freelance Illustrator and facilitator, working on commissions and projects, largely with a community focus, around the region. In the earlier days, I also ran a business called ‘Prod’ with my husband Tom Madge selling patterned screen-printed belts and jewellery, but eventually my illustration and project work sort of took over and I was lucky enough to be able to invest in my freelance practice full time.

Thinking back, my first paid job as an illustrator was doing the horoscope Illustrations for The Crack magazine (after a stint of work experience whilst at Uni). I’ve always found the North East to be a very supportive place to work in, with a great sense of camaraderie in the creative community here.

Josie Brookes – Moonface

You are the true definition of a multi-disciplinary artist – illustrator, animator, collage, maker – but most well-known (IMO) for your illustration, how did you develop your illustration style?

I think my illustration style has evolved with me. At the core, my work focuses on character and colour. Most of the time I represent things from my own perspective rather than in a realistic way. I like to experiment with processes. The way it’s made – be it using pen, collage, print or digital techniques – can vary, and overlap, but always has those common themes.

Josie Brookes – Kindness

We were reunited on Art Crush (without ever meeting or talking – very 2020 of us!) working on the project! I was thrilled to see your name and the illustrations are of the “art personalities” are just perfect! Can you tell me in your words what Art Crush is?

Art Crush is a fun app designed to explore the Arts Council Collection (the UK’s most widely seen collection of modern and contemporary art, with more than 8,000 works by over 2,000 artists), in a less conventional way, and to learn a little bit about your artistic persuasions! Developed using a similar interface to apps such as Tinder, Art Crush enables folks to quickly and easily swipe through artworks to discover what art they like, create their own collection and discover their ‘art personality’.

Josie Brookes – Art Crush illustrations (App created by BLOOM)

What was your involvement in Art Crush and how did you come up with the concept of the visuals?

Sunderland Culture approached me to come up with the visuals for the Art Crush Art personalities, because they were looking for someone who they thought could have fun experimenting with these slightly abstract concepts and I had recently done an online talk about my work and showed some Horoscope illustrations I had made, which they likened the challenge to.

I got a description of each of the art personalities and started working up ideas and draft characters to feedback on. It was a lovely working process with them and luckily, there wasn’t much tweaking to do. My concept was that each character was ‘encased’ by their personality, around their head, with patterns, colour choices and little details providing an extra nod to their traits.

Josie Brookes – The Dreamer – Art Crush

Why should people download Art Crush and have a go?

It’s such a fun app and a great concept. It’s like Tinder but for Art. So, if you’ve been married as long as I have, you might never have used something like this (Tinder – the dating app) before! You swipe right and get to see lots of art from the Arts Council Collection, then once you have 15 matches you get to discover your Art Personality.

Now time for the big question – what was your Arts Personality?

Mine was Truth Seeker. I was secretly hoping for Boundary Breaker, but there you go! Although, you can do it as many times as you like, and it may change depending on your mood. I’ve done it a few times now and keep getting Truth Seeker, so feel like that’s my destiny!

Now onto a project I’ve watched from a far and loved……can you tell us about Monkfish Productions’ A Little Bit of Good in the World project? What is it? How’d you get involved?

I saw the project call out on the Tyne and Wear Cultural Freelancers facebook feed and immediately loved the concept of the idea. After such a prolonged period of turmoil for everyone in the creative industry (and everyone in general) a project which focused on bringing a little bit of good in world was headily appealing. I went through the interview process and thankfully was asked to be involved. The project is about exploring ‘how lots of small creative bits of good can be connected to facilitate something bigger’. Monkfish have been working with Projects4Change so it has included workshops with their young people and I have gotten to work with fellow artist Melanie Kyles, who has been making a beautiful embroidery piece for the project too.

Josie Brookes – A Little Bit of Good in The World

Can you share a project highlight so far? How can folx get involved with the remainder of the project?

There’s so many! Getting to do some ‘in real life’ workshops with the Projects4Change youth group, my first and only ones, since March. Also the online ‘Drink and Draw’ evening we had on Zoom, and getting to produce some self-initiated artwork… so basically the whole lot!

There are a series of online creative activities on the Monkfish Productions’ blog that I helped to create with Amy Lord; it would be great for people to get involved with those.

You sell lots of cards, prints and are available for commissions..where do you seek inspiration for that work? Do you create work with the intention of selling it, or do you have fun making/illustrating something and then think.oh I might add a print of that to my shop? How can folx purchase from you?

I’m more in the having fun then thinking oh that would make a nice print camp. At the start of Lockdown, in a moment of organisation (panic) I got a lot of prints made up and set up my online shop properly. There’s nothing like a pandemic to get you to do those things you’re always meaning to but normally never get round to. People can shop for my prints/originals and greetings cards on my online shop.

Josie Brookes

You did the illustration for Culture Vulture favourite, stand-up comedian Kate Fox and their tour Where There’s Muck, There’s Bras”, a show celebrating Northern women and their contributions, commissioned for Great Exhibition of the North 2018. I just loved the show branding can you tell me about your involvement in the project and what you thought of the show? What was it like being a lush creative woman, working on a project about celebrating and championing women!?

Thank you. I love Kate and it is always a pleasure to create work for her. We worked on a project together around 6 years ago with Helix Arts and YHNE and have stayed in touch since. The branding for her ‘WTMTB’ show, and then tour, was a dream. I learned so much from drawing up all the Strong Northern women that feature in the show. It was really emotional watching the show and realising just how much these women and their achievements have been written out of or glossed over in history. I feel privileged to have been a tiny part of the process of highlighting their Awesomeness. It was also empowering to work on a on an all-Northern all-woman led project. I am very proud of where I come from, so always appreciate opportunities to champion people from the North.

Josie Brookes – Where There’s Muck There’s Bras

Can you tell me a bit about your involvement with the band Warm Digits?

Myself and my husband Tom, were asked to make the lead single video ‘View from Nowhere’ for Warm Digits new album (released in February this year) and we decided to make it using stop motion animation. We visited Emma pollock the guest vocalist on the track up in Glasgow to record her performance. It was an intense and massively fun project to do together, and we are really happy with the result. Unfortunately, Lockdown 1 put the launch gig at The Cluny, Newcastle on hold, but it’s something to look forward to in 2021.

Josie Brookes – Warm Digits

And your link with Newcastle based Chalk; an organization that creates cultural, immersive experiences for the whole family?

I’m honoured to be an associate artist for Chalk. I really appreciate, all the hard work they do to provide fun and interesting family-focused events in the region (which I have enjoyed as a parent with my kids), so I was thrilled when they first asked me if I would be involved with their events. I have live animated through two of their gigs, for bands Archipelago and Stealing Sheep, and also run children’s animation workshop. I also recently did an online Chalk workshop as part of the Summer Streets Festival exploring ‘What does Music look like?’ and I really look forward to being involved in more exciting events in the near future. Chalk are always coming up with something different.

Josie Brookes – Live animating Stealing Sheep

You were the artist and residence at Northern Festival of Illustrationwhat was that like? Tell me about your residency?

This was such a great experience for me as an Illustrator; there aren’t that many Illustration specific residency opportunities out there and The Pop Up studio residency was a fantastic way to break from my usual routine of projects and invest some time in pure self-initiated experimenting. I had the chance to connect with the creative scene in Teesside through the Northern School of Art and Empty Shop. I met new people and had the chance to share the space with fellow resident artist Laura Fitton. I ran group workshops, put on a fun Drink and Draw and enjoyed the chance to explore the Teesside area more.

Josie Brookes – The Pop Up Studio Residency

Whats your 2020 highlight been?

I’d have to say my creative highlight this year would be releasing the Warm Digits music video. It was such a nice way to combine these different facets of my practice in one – using print, collage, mark making and animation, all together. It was also a happy time getting to collaborate with my husband Tom.

Josie Brookes – Warm Digits

Can you share something new youre working on/coming up?

I am currently working on a collection of new print and collage-based work inspired by the Warm Digit’s project, that was going to be exhibited at Northern Print in September this year; it has had to be postponed until next year. I’m also working with Monkfish on one of their other great projects ‘Going the Social Distance’ which is based online and working with young people around creativity and well-being.

I’m also really excited to start working on Claire Newton’s (Creatively Conscious) new project ‘Creativity Island’ with her and writer Danielle Slade. It is all about connection, creativity and well-being in motherhood, which are subjects that I am very passionate about!

Josie Brookes – Squidgy Heart

Any artists/creative folx that are inspiring you right now, that you suggest I should check out?

I have been really enjoying Instagram. It feels like a great platform for spotting people that you I love the work of. I’d recommend checking out the feeds of Lisa Congdon, Jayde Perkin, Elisoa Henderson-Figueroa, Peopleiveloved, thejoyeclectic, Sarah Bagshaw designs, moragmyerscough, local illustrator pal Laura Sheldon and my friends at Flea Circus who always give me shopping urges and helping me to ‘shop small’ as much as possible.

How can folx keep in touch with you?

Instagram, Facebook or send me a message on my website www.josiebrookes.com

Josie Brookes – Chalk – Stealing Sheep

Well thank you Josie – wonderful to catch up with an artist that has smashed 2020 out the park whilst bringing joy to so many folx too. Please check out Josie’s online shop, keep an eye out for her future projects into 2021 and check out those Instagram suggestions – they are goodies!

All my love Culture Vultures – more interviews on the way!

Interview with queer feminist artist Louise Brown a.k.a. goodstrangevibes; smashing the patriarchy, learning to love your body & running a lush creative business.

I’ve always had a love hate/relationship with my mind, body and soul. I’ve loved being different and seeing the world from my own perspective – but I never really liked myself, not deep down. I grew up during an era of glossy mags that distinctly lacked any diversity, lack of representation in the media, a push towards conforming and the era of the waif (you might argue it’s like that now – but honestly, it was even worse!). I didn’t value myself, I am and always will be my worst critic, I didn’t look after my body….in fact I’ve lived at 10000miles an hour distinctly doing the reverse to self-care. I’ve proudly burnt the candle at both ends, I’ve fought world war three in my head for decades and my mental health rollercoaster is a consistent part of my life.

As a teen, there was no social media – my social sphere was who I engaged with in the immediacy. No online movements, no creative projects focusing on body positivity, mental health issues were not discussed (I didn’t even know what the word anorexia meant – despite having it for years), artists creating social work could not reach me – it was a different landscape to now. My only sense of understanding about mental health and body positivity was through poetry and reading – reading about mental illness, feeling like your body belonged to someone else and wanting the world to stop for a moment and feeling a sense of “gosh – I hear ya!”

In my 30s – I gradually sought out nourishment for my mind, body and soul; I even started to like myself (a bit). I’ve spoken about this before – but a place, I most often seek out content nourishment is via Instagram – a wonderful platform that has democratised (to an extent) art and enabled artists to reach audiences without institutional gatekeepers that often create more barriers than they enable (that’s another conversation entirely!). I spend hours stumbling upon artists and online communities that are creating not just amazing work, running amazing projects, leading positivity movements for thousands or millions of people, people living their purpose, proud of their differences, being the different they want to see in the world and championing diversity.

Body Appreciation

goodstrangevibes – Louise Brown

It makes me smile. And this is why creatives really matter – all the time – especially NOW. These creatives instigating these online movements are creating meaningful work to enrich lives, empower others, add colour, connect, increase representation, create community, reduce isolation (real and perceived) and to reach out with open arms – to the likes of a teenage me who would have massively benefitted. Social media audiences respond in their millions – with their interest and engagement. This is why these movements have such a great following – they are SO needed and tapping into something; they are also often the first defence during a mental health dip. I know they are with me – Instagram is my quickie version of picking up a self-help book.

So if the movements are needed, the movements are hugely popular due to their positive enabling, the creative visualisations and representations the creatives make are connecting and speaking with people in a way that other things aren’t able to do, then the creatives behind the movements and making the creative visuals must therefore be super important too. You can see where I’m going with this….

I’m spending time on this intro to reiterate how important art can be in relation to well-being and how important artists are in these movements. We are walking blindly into a mental health crisis. We have less mental health resources available than ever before. Our system is not pre-emptively set up. The impact of artists creating an online safe space community, increasing representation, positivity movements and feed into improved well-being is repeatedly understated…… I believe art and artists could play a much bigger role if they were supported and funded appropriately. I believe this is just one of many reasons that we need to reconsider investment in the arts and its wider impact. I’m always blown away with the thought- if THIS is the impact of arts and artists without anywhere near the levels of appropriate funding, imagine if we actually funded and invested into them…..

Giving No Fucks

goodstrangevibes – Louise Brown

An Instagram account that nourishes me and many others, I discovered a year or so ago was Louise Brown’s @goodstrangevibes – Louise was one of the first local NE accounts that I saw pop up during the beginning of the I Weigh movement. Her work focuses on body positivity, increasing diverse representation and is always a rainbow of colour – she is doing a lot of the above, with authenticity putting her own personal experience at the core; Louise’s account consequently is one that I often revisit on my doom days.

Louise a proud feminist, instrumental (imo) to the local movement claiming back the word “feminist” positively and in her early 20s. She gives me such a bubble of hope in my tummy – if I have folks like Louise coming up behind me pushing forward the next generation of creatives, then it makes me sleep better at night. The world is not shot to shit with wonderful younger folks like Louise in it. And she’s an account that I refer many young people, I work with to look at, especially if they are struggling in some way with themselves.

Louise’s work was censored by Newcastle University Library (not the University as a whole) for depicting naked women/bodies and the fear of it being sexual and offensive. That caught my attention and immediately made me shout BORE OFF when I read it in the Chronicle and how far we still need to go with womxn’s bodies. As Vulture, I proudly got behind the campaign to make the point that a boob or naked body illustration in day light is not a threat to society. (“A boob is not a threat to society” – could be my new 2020 tag line!)

No matter what you ate yesterday, you deserve to eat today

goodstrangevibes – Louise Brown

She recently attended my recent event (Pre-COVID and the project is unfortunately on hold at the moment) – Newcastle Herstory – Womxn’s Rights as an unfinished fight! Nearly 100 people attended the event to discuss Newcastle feminist histories and womxn’s rights past, present and to plot/reflect on the next chapter. Louise was such a lush addition to the event and I decided there and then, I wanted to interview her so you could find out about her, understand the positive impact her work is having and I’m dead excited to see her creative journey unfold – I’m here for it and along for the ride to support as Vulture.

So here you go – here is Louise Brown.

So hello, for my Culture Vultures – please introduce yourself!

Hello! I’m Lou; a queer feminist artist and final year student at Newcastle uni studying Politics, Psychology and Sociology. I set up and run goodstrangevibes; a small arts business which aims to promote body positivity and mental health awareness through my illustrations.

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goodstrangevibes – Louise Brown

Tell me about your journey into the creative industries so far…..how long have you been an artist? When did you start drawing/illustrating/writing?

Hmmm, there’s a big difference from when I started producing art to when I felt entitled to call myself an artist. I think only since introducing goodstrangevibes have I started to say I am an artist, I’m not sure why – thinking back I could have said it earlier… my grandpa wrote this about me when I was just five years old ‘she is the most unusual creature who wants to be ‘Somethink’ rather than ‘Nothink’ but as she keeps disappearing under the table to draw pictures we can’t really say …’. So I guess I’ve always been an arty human but only self-identified as an artist as of the last couple of years.

That’s is the best answer to that question, I’ve ever had…. I used to spend a lot of time under a table as a mini in a creative haze – only I was writing. So tell us about your work– it covers a wider breadth of themes – what inspires it?

I do illustrations of nude humans with the aim of promoting body positivity and mental health awareness. I often use captions and text in my artwork to help convey the messages further. I aim to draw all sorts of bodies so that people can see my work and find an illustration that looks a bit like them in some shape or form.

My experience of low body image led me to create these illustrations. I had been in recovery (from an Eating Disorder) for a while and was being supported by professionals but I still was in the habit of staring at my body in the mirror each night and picking out parts I wanted to change. I knew that I wouldn’t be able to break this habit completely, so instead I decided to draw my reflection in the mirror as a sort of distraction from the negative thoughts as I was now focusing on drawing.

I drew my body every evening during the time I would have spent critiquing it. In appreciating the artwork I produced, I began to see my body as art and worthy of appreciation. From that, I started drawing a diversity of different bodies and posting them on my art Instagram (@goodstrangevibes). I received positive feedback from people who said I helped them feel better about their bodies and this really inspired me to keep creating and posting my work. Goodstrangevibes has really helped with my own mental health and provided me with a lot more self-confidence and happiness.

Other artists have also definitely inspired my practice such as Polly Nor, Alice Skinner, Frances Cannon, Pink_Bits… the list goes on!

Thinking about life

goodstrangevibes – Louise Brown

Well you’ve helped mine too ❤ – not just in appreciating my own body but the diversity of the human body in general. Your drawing style is pretty distinctive,  I can recognise a “Louise Brown” anywhere – how did that develop over time?

I think once I let go and stopped trying to create a ‘good’ proportional drawing, I began to see myself drawing my playful long-limbed flexible humans. I love drawing without the pressure of things being ‘perfect’, very much in the same way I began to embrace my body and stopped striving to affirm society’s conception of a ‘perfect’ body. It’s very freeing to just draw and accept what appears on the page. I very rarely use pencils or rubbers.

I have to ask this question…..how is/has COVID-19 effecting your work, life and practice?

Emotionally it’s been tough, but I am coming to terms with it all as best I can. For one I moved back in with my parents in London and had to leave Newcastle. I am incredibly sad about leaving, but I am very excited to come back up as soon as I can, I feel very at home in Newcastle. At first, I struggled with motivation which has been hard, but I’m taking my time and being kind to myself which definitely helps things!

It’s hard feeling unhelpful sitting at home when so many people are really suffering. I’ve been trying to use my art to hopefully comfort people who are struggling with their mental health and recently contributed to a free downloadable self-care colouring book which will be released soon.

We Will Get Through This Together

goodstrangevibes – Louise Brown

Ohh keep me in the loop about the colouring book as will be all over that! So you’re a feminist artist; what does being a feminist mean to you in the present day? Why is being a feminist important to you?

Being a feminist to me means believing in gender equality and actively calling out injustices, trying to change the status quo and fight the patriarchy! I feel very strongly about it because of all the inequalities that are still prevalent worldwide that need to be acknowledged, confronted and overthrown.

A feminist concern that I feel equipped to influence the fight against is body image issues. Having experienced an eating disorder when I was younger, I feel strongly about the importance of promoting positive body image in girls and young womxn. Body image is a feminist issue since body image concerns affect womxn disproportionately to men. This is not surprising considering the pervasiveness of the patriarchal idea that womxn should be judged by their bodies, and men by their minds. It angers me so much all the time and energy that is taken from womxn due to the pressures to conform to a single conception of beauty which is unattainable for the majority of womxn to attain anyway! It’s a capitalist patriarchal trap!

Jump

goodstrangevibes – Louise Brown

You depict REAL bodies in such a positive way – I personally find it, even as a 34yrs old woman, extremely inspiring. What do you want people who view your work who are struggling with their bodies, to take away from it?

Thank you, that’s super lovely to hear! To those struggling with their bodies who view my work, the aim would be to help them spark a shift in their mind, perhaps that it doesn’t have to be that you need to change your body to be worthy or that it is possible to accept how you look and not let that hold you back. Or I’d want them to see a body like theirs being presented in a positive light in my work, and I would hope that could comfort someone going through a tough time with their relationship to their body.

I’m so much happier now I have stopped battling with my relationship with food and I hope people can maybe take hope in the fact that it is possible to rekindle your relationship with yourself. Although I am also very conscious that this is much easier for a naturally slim white woman like myself to do this, as I do not experience fatphobia or other kinds of discrimination from society because of the way I look.

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goodstrangevibes – Louise Brown

You identify as queer – how much does your queer experience influence your work?

I think being queer, and openly so, makes me feel more capable of covering whatever I want in my art – like a sort of byproduct of being open with who I am means I feel more comfortable also then being open with my art. If that makes sense!

I personally don’t think there are enough lesbian icons/visibility in mainstream society – what do you think?

I completely agree with this. I feel I grew up and am still growing up with a lack of representation of LGBTQ+ people in general. There’s still so much I feel like I’m slowly discovering bit by bit. Much of the lesbian visibility in mainstream society seems so fetishised and aimed at a male audience.

Any advice for folks struggling with their identity or sexuality during this period?

I’m not sure I qualify for giving advice, but I guess to be kind to yourself, take your time to listen to what feels right in your head and body. It’s okay if you’re not sure instantly or if you are discovering or coming out later on in your life. I can imagine for folks quarantined with people who are unaccepting of LGBTQ+ it must be really hard. Maybe try to find online LGBTQ+ groups so you can still express your identity somewhere and feel free to directly message me on Instagram if I can offer a listening ear (though I can’t promise I’ll say the right thing, but I’ll listen!).

Surfer Babe Colours

goodstrangevibes – Louise Brown

How can folks buy or engage with your work?

You can follow my page on Facebook and Instagram @goodstrangevibes where I post my art, or have a cheeky browse at my website www.goodstrangevibes.com where I have an about the artist page, some of my writing, example commissions (email me if you’re interested goodstrangevibes@gmail.com) etc. I also have my online shop on my website which is currently in ‘pre-orders’ as I can’t access a post office – but people can order anything and it will be reserved for them until I can post! I’m planning on releasing vouchers too that can be given as presents to be spent on the online shop or saved until I’m at markets again.

Solidarity

goodstrangevibes – Louise Brown

What would be success for Louise this year?

Ooh tricky question. It’s very hard to say in this confusing climate what’s going to be possible! I’d like to give my all to goodstrangevibes once my degree is done post June and see what happens. I’m applying for a foundership programme at Newcastle uni next year which would be amazing business-wise as it provides loads of support, but it’s highly competitive, so unlikely. But in general, success would be to get my art in more places and hopefully make viewer’s feel comforted or better about their bodies or minds because of it. I’d like to paint large scale on walls in people’s homes as a new part of commissions I could offer. An exhibition would be super exciting …

In non-business terms, success would be to feel more free, to skinny dip lots, surf, pole dance, do the things that make me happy with people I love. Travelling could bag me some happiness with meeting strangers from around the world and sharing experiences and discovering, but perhaps that will have to wait for a while now!

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goodstrangevibes – Louise Brown

I’ve reflected a lot about the question I just asked you – my wants for this year are more personal than professional. I certainly want to travel and adventure. Do you have any projects that you’d like to share and talk about?

I’ve just launched a new project ‘revolutionising sex education’ where I am illustrating people’s sexual experiences and including three words they felt during and three words they felt after in an attempt to portray the diversity of sexual experiences possible and the different emotions that comes with that. How sex can be fun, romantic, boring, scary, exciting, awkward, embarrassing, confusing, upsetting, silly and many many more things!

I want to represent a diversity of sexual experiences, especially LGBTQ+ and others that aren’t explored in mainstream media and sex education at schools. I define ‘sex’ as  e.g. masturbation/foreplay/intercourse – basically anything that one considers part of their sex life. If

anyone is interested in submitting a story entry – email goodstrangevibes@gmail.com or direct message me to show your interest and I will tell you what the next steps are! I’m hoping to display all the illustrations in a book, zine or online resource – I’m not sure exactly what yet. It would be super cool to get a publisher in the future and make it into a proper book!!

I’ve also been investing in environmental business practices and have now launched my upcycled screen printed eco top range on my website if anyone wants to grab one! They are one-off tops that I bought from charity shops in an attempt to combat fast fashion. My designs were screen printed on with the help of Newcastle based Nick Christie at Incubate Printmaking.

Free From Confines

goodstrangevibes – Louise Brown

I want to be involved in all Louise’s projects and ideas, especially the sexual experiences one; society’s view and treatments toward a womxn who enjoys sex needs a lot of work. such an exciting human to watch creatively flourish! Check out Louise’s website and @goodstrangevibes insta for a dose of creative LUSHNESS.

 

That’s all for now Culture Vultures. xx