Mixtape 90s: The Six Twenty

We all know I love theatre, I love a good old night out, buzz light years over a pub quiz and currently experiencing an intense nostalgic love affair with the 90s….. so Sunderland Stages bringing Mixtape by The Six Twenty to The Peacock in Sunderland is right up my street. Sunderland Stages is all about bringing theatre to unexpected places in Sunderland…..and of course, theatre in an actual pub is pretty unexpected and lush.

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Mixtape is an immersive performance pub quiz….. The Six Twenty have taken it to festivals, Live Theatre and other venues, all with sold out performances. I’ve heard rave reviews so I’m super excited to attend on 30th June…. (tickets are available now – bring a group, bring yourself and in typical 90s Nirvana style – ‘come as you areeee!’)

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It’s also a perfect opportunity to check out the newly opened Peacock venue – a beautiful independent pub within Sunderland’s thriving cultural quarter….. I’ve heard they do a corking Sunday lunch too.

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And, The Six Twenty are a Newcastle based theatre company that is growing and has big plans for the future so this is an opportunity to check them out and their work…..

I caught up with The Six Twenty’s Artistic Director, Creative Producer and all round absolute megababe, Melanie Rashbrooke, to find out more and all about 90s Mixtape….

Hi Melanie, right tell me about The Six Twenty?

The Six Twenty are dedicated to creating playful, entertaining and immersive theatre that’s ambitious and fun. We make new work and also produce re-imaginings of classic and contemporary plays. We tour throughout the UK to theatres, outdoor spaces and unexpected places. We hope to make theatre that inspires, moves and creates conversation and brings people together.

Now tell me about Mixtape?

Mixtape is our infamous comedy music quiz show. It’s a unique concept that was invented at The Six Twenty and is performed and created by a brilliant band of theatre-makers, comedians and musicians who we call Mixtapers. Basically The Mixtapers perform comedy sketches that are created entirely out of song lyrics; the song lyrics can be reordered and repeated but no additional words can be used. Plus the sketch can’t be longer than the running time of the track that inspired it.

The Culture Vulture: I literally feel sick with excitement at the thought of this already….. I know 90s songs inside out…….

The audience plays along in teams and tries to guess the songs, bands and artists that inspire the sketches. The team with the most correct answers at the end of the night wins one of our highly coveted Golden Mixtapes. Each of our shows is themed and the next one is The 90s so expect a mix of pop classics, Summer anthems, dance tracks and Brit Pop!  It’s a really fun relaxed show that’s great for music and pub quiz lovers as well as theatre fans.

The Culture Vulture: New life ambition is to own one of these golden Mixtapes…….

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What’s it been like getting rave reviews and sell out shows!?

It’s been great to see the show grow and build a real following. I’m particularly excited by the feedback we get from audiences – especially people who might not attend the theatre that much and who really enjoy the show.

The Culture Vulture: As someone who works on events and organize my own, feeding off the audience buzz and interaction is what feeds the want to do another event. It’s lush when people enjoy and champion what you’ve put on and of course, had a lush time!

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What was the show’s inspiration?

It was something I dreamed up whilst I was working on a writing project with Write on Tap (a group of writers based in Newcastle). The theme for the project was ‘Who I am with You, Who I Am Without You’. I decided to challenge myself by writing a short script using just the lyrics of the U2’s song…yes that one! And thus Mixtape was born.

Also, I love my music and who doesn’t love a good old pub quiz!

You’re bringing Mixtape to Sunderland 30th June, the Peacock….tell me about the show?

We’re bringing our new 90s show; the show recently premiered at Live Theatre (where we create all of our new shows) to a sell-out crowd. Expect a night crammed full of 90s tunes, comedy, crop-tops, dance routines, mayhem and fun!

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What can attendees expect on 30th June? Why should people come and get their tickets?

Comedy, quiz, fancy-dress, music, fun! A night crammed full of super fly hits. From boy bands to dance anthems, grunge and summer hits; this show’s gonna be off the chain. So dig out your 90s crop tops and Docs, brush off your Discman, and bring a team along and see if you can win the Golden Mixtape.

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90s fancy dress is also highly encouraged with the best dressed 90s team winning a special prize too!

The Culture Vulture: Well I’m going to be prancing around the place dressed as blossom with a side pony tail.

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As someone who is OBSESSED with the 90s….I dig the theme. Why did you go for the 90s music?

We’ve created a variety of Mixtape shows based on different music themes including North East bands, Alternative music, Rock ’n’ Roll 50s, Boy Bands vs. Girl Bands, 80s…the list goes on. So it was about time we tackled the most bangin’ decade. There are some seriously good tunes featured in the show.

The Culture Vulture: Right – I need to see every single show……love the sound of all of these!

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Your favourite 90s song of all time?

Ooooh tricky…there’s so many to choose from. I’m going to go with a curve ball option – I’m Too Sexy by Right Said Fred. Come and see the show and find out why……

The Culture Vulture: Now that’s a controversial and interesting choice – I need to know more. I’ve rediscovered E-17 recently – ‘House of Love’ plays on repeat currently…..

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Tell me a bit about some other The Six Twenty projects (fans!) and other things coming up?

In 2016 we won the Bridging the Gap award to create a new show called FANS which is part music gig and part theatre show and written by the brilliant Nina Berry and made with an awesome team of theatre-makers, musicians and creatives. It explores what it means to be a music fan. We’ll be redeveloping the show later this year and then re-touring the show in 2018.

We’re also working on a couple of new shows. One is with Mixtaper Lewis Jobson called Redcoat and explores what it means to be happy and what happens when you have an ‘off day’ and you tell Barney the Dinosaur to f***k off (in front of a load of kids)…at Butlins…in Bognor Regis.

The Culture Vulture: What a great concept for a show…..

The other show we’re working on is with Charlie Raine who performed in FANS. It’s called The Playground. For this we’re interviewing children aged between 4-7 years old about their lives and their views of the world. The final show will be performed by adults for adults as adults – using the words of the children we interview and collaborate with.

The Culture Vulture: This is brilliant – kids say hilarious and pure things.

And of course we’ve got loads more Mixtapes coming up!

To find out more about the projects we’ve got coming up and how you can get involved visit our website at www.thesixtwenty.com

Well thanks Melanie, this all sounds lush and brilliant………. I’m so passionate about theatre in and around the North East – love it! Get your tickets for 90s Mixtape everyone…….you’ll be greeted on the door by The Culture Vulture, manically happy, like some 90s super fan.

Big love from The Culture Vulture. xx

Creative Start-up Shepherd Illustration…

The heart and soul of Culture Vulture is my passion for culture and arts in the North East……I’m on a cultural adventure to seek out and discover as many things and creative people as possible. I’ve built a business based around seeking the unfound and going out and about in the region…..literally my dream.

My starting point with artists and creatives is them as individuals; teasing out their story and perspective. I don’t just want to see an arts piece or performance; I want to experience it, understand it, question it and learn from in. I am fantastically lucky that in my day job and as The Culture Vulture, I get to meet an array of creatives and artists. I really get to know them and they become a part of the Culture Vulture network and family. I look out for them and champion everything they do……..what is so brilliant about meeting so many people and hearing their stories, is the different journey people have often taken to become an artist, a creative, a creative business, practitioner, a performer, designer….however, an individual sees themselves. And this is why I do blog interviews….to learn more , explore but also for you lovely lot………

So pleased to meet you Lauren Shepherd, lush creative business and recent start up – you will be able to meet her at the after-party at Newcastle Start-up Week……….

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Hi L, Tell me about Shepherd Illustration?

Shepherd illustration was born out of my accidental habit of drawing. Each art course, I have ever taken, be it fine art, spatial design or animation, I have always found myself focusing on drawing. Many art forms need so much equipment, where as to draw you just need a scrap of paper and a pen.

I like being quiet (this will come as a surprise to anyone who knows me as I talk…. Too much) but when I am on my own, I just love to be quiet; drawing offers me that sanctuary. I ended up with a bunch of drawings and wanted to do something with them; at first I found it really hard to focus on creating a product and still now, I realise I have gaps in my product range and I don’t focus on creating a card for every occasion. I like to give the customer chance to think for themselves and to become a part of the creative process. I’m still learning and I enjoy meeting people on this journey of turning my passion into a business.

Tell me about your journey setting up a creative business?

At first it was very exciting and still is; but it’s hard receiving knockbacks especially when I still work full time and come home after a long week to receive emails saying “no”.

It’s long hours and hard; sometimes you can’t see friends or fit in going to the gym. It’s really hard when you feel like no one sees your work and you spend more on products than you make. But then all of a sudden someone says “yes” and I get to do something extraordinary. For example I love to ski and approached Chalet Rosiere as I had heard they offer places to artists; they emailed back and were actually interested in commissioning me to do some work for them! I was totally overwhelmed but I grabbed the chance and spent the next 2 weeks creating 8 new pieces of work for the chalet which I honestly think are my best to date. 1 month later I was skiing in the Alps hosted by the wonderful owners of Chalet Rosiere.

Also if you’re creative you just can’t help it, you have to make!

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I really love your branding – what was the inspiration behind that?

My branding comes directly from my illustration. I wanted to create a brand rather than just a collection of drawings; I try and keep everything as stylized as I can. When I first started drawing everything was very macabre. But at that point, I was a young singleton drinking too much gin; I don’t think it’s any coincidence that the happier and more secure I have become in my life, the more romantic and positive my illustrations have become.

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Do you have an inspiration behind your style of work?

I am hugely inspired by botanical illustrations and Thomas Bewicks’ engraving. I feel my drawings are a modern interpretation of his engravings and share the same love of the countryside. This could be why I unintentionally draw solely in black ink. But I also feel again that it is the simplicity of only needing one sheet of paper and a pen to be able to start work. I often look at painters and feel a pang of jealousy when they are sat amidst huge boxes of paints and turps, paintbrushes, easels and canvases but then I remember that’s not where I currently am artistically.

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What about your love of dogs?

I love dogs! I am a dog person. My miniature dachshund isn’t my baby; but O truly think she’s a part of me. I got her when she was 10 weeks old and I was only 19. She has travelled the length of the country with me and looked after me much more than I have her. This year we have been together for 10 years and I can’t thank her enough for getting me through some very hard times. I’m very lucky to have a great team at YourFilm and my boss’s even let me sneak her into work so she can snooze beneath my desk.

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What was your journey into animation? You work for Your Film?

I came to study animation at Northumbria University and completed my degree in Motion graphics & animation BA. I was not necessarily the best person on my course and often felt I wouldn’t be able to find a job in the field, especially in Newcastle; a city I fell in love with and didn’t want to leave.  Through hard work I found some really great projects to work on even before graduating; this gave me enough experience and confidence to apply for my job at Yourfilm.

A few people applied from my course and I honestly didn’t know how the interview had gone, but only a few hours later Matthew rang me to ask me when I could start. I couldn’t believe it and screamed down the phone…. In hindsight I wish I had played this cooler. Fast forward nearly 4 years and I am still with the company. It is a fantastic place to work and being part of a small team means I have full control over the projects I work on and am constantly learning.

What’s next for you? Next project?

I currently only sell through a few independent retailers but would love to move into more shops and get my products noticed by a larger audience. Fingers crossed I will have some exciting news on the horizon soon. I have also been asked to be part of a new exhibition in York and am working hard on a new product range for the Thought Foundation.

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Creative, artist, animator, all round absolutely lush megababe gin lover Lauren Shepherd………..you can see more of her at Newcastle Start-Up Week………

Invest into and start learning from NE culture & arts, oh and start paying them too!

No one actually makes a living as an artist, right? The cultural sector pays pennies? Go get a “proper” job? Actually the reverse is true, the creative sector and industries in the region are BOOMING…… people want bespoke, creative, individual…..there is the biggest movement to shop and support local and to reject the everyday for something more unknown, exciting, opportunistic and emergingly edgy.

I champion the entrepreneurial agenda, it’s in my blood (literally) and I love it but I really struggle with two issues…………. Firstly that creatives are often not viewed as legitimate business people and yet to see so many creatives launching themselves as a business and behaving more and more like a start-up is fantastic to see. Some of these businesses, it’s been that blend between day job and passion project testing, until opportunity……..without realising and a business is launched and they are trading; they’ve been through years and years of testing without realising. For artists, they have often been drawing or making for YEARS, putting their stuff on Instagram or selling at craft fairs, developing their product and skill set, until they launch…..often accidentally. Someone commissions something, asks to buy or like me, offers you a lump sum of money for a freelance project that gives you traction and a real starting point to launch and oh hello, I think there might be some kind of business here……….

Secondly, this intrinsic opportunity ethos for creatives to work for free; don’t pay them – just let them perform, suggest future opportunities that might lead onto paid work, as if engaging with them is a favour. From a business perspective; outlay of materials, time and then freebies offering, is crippling and removes the legitimacy. Should they be grateful for the opportunity…..as if you offering them a space or time is enough!?As a business think about the implications on the cash flow…….moreover, many creative start-ups are already under-pricing themselves, not factoring in their time, don’t value their service or practice in a similar way to a “product” or factor in materials so before you even think about “may be possibly” paying them what they are owed……they are already doing it for you for a brilliant deal.

This is so short sighted as I find the creative and cultural sector in the North East, as exciting as the Digital Sector at the moment, something to invest into and be a part of……however, there are key differences. There isn’t the investment available, there isn’t the capital and people don’t necessarily take creatives as seriously, as a business they can really understand. So what you have instead is individuals, independents and artists launching on a shoe string; they are resilient, constantly willing to learn, eager for feedback, out there networking, seeking opportunities, developing business models that are lean, mean and sustainable – they are the blueprint learning wise for a start-up business and entrepreneurs……instead of operating with big sales forecasts and massively unrealistic ambitions, they instead operate seeking collaboration, they show patience, evidence a longer term strategy to grow, can afford to keep going without sales or bookings, experiment and take mitigated risks……it’s not all or nothing, or go hard or go home; instead it’s about building something they love, care about and growing at their own pace incrementally on their own terms, making their own rules.

And you may say, well these creative businesses are not going to be the next “big” thing, they aren’t going to feature in Forbes and world isn’t going to change………I’d argue the other way….instead there is no entrepreneurial ego, they are real; a massive big business that had mega investment that people view as “proper” may never get off the ground and no one might ever hear of it, whereas a creative business located in the North East hundreds and often thousands know their name, the people behind it, buy from them, champion and support them….there is less “talking” about doing business and more of the making, creating and trying to get out there from day one……..  they have priced their product, sold it, met their customers, marketed it, submitted accounts and got their hands entrepreneurially dirty……… however, we could help them grow….just by paying them fairly for what they do and the service they offer.

To reflect that into my business; is the Culture Vulture going to make me millions?….probably not. Do I want it to? NO – there I’ve said it. I don’t want a massive business, I don’t want investment – I want my own entrepreneurial and creative sphere……….and I want to do what I love. That is my driver in entrepreneurship and I want to enable others to do the same.

So please don’t apologise or shy away from having a creative business, be massively proud – it isn’t any less “proper”…..Creative businesses usually have real values and passion at the heart………people, talented and excited brilliant people behind it. You have more real life business experience than most, so own that!

Creative businesses and people are the next big thing; there is a movement on going in the North East; I’m so excited to be a part of it………..will Creative businesses, artists and creatives change the world? YES they will…….because they re-imagine it, they challenge it, redesign it, express it, embracing all those aspirational entrepreneurial attributes – ability to handle uncertainty, resilience (anyone who has sold all day at a craft fair and sold nothing), ability to absorb learning and feedback and to build something that is not income dependent……. Their projects and activity happens irrespective of funding because they make it happen………….for most creatives, lack of funding is not a barrier to launch a business…….they assume there is no funding and they launch anyway, because their passion makes it almost like a compulsion………..

Moreover, their creative products bring smiles to people’s faces and they mean something to both the person who purchased it and (if appropriate) the intended recipient. That’s an emotional buyer connection that many businesses can only dream about.

More traditional entrepreneurs and start-ups have a lot to learn from creatives and artists………..so creative businesses and artists, respect them, learn from them, seek them and of course, pay them……

GIFT 2017: The low down- what it is, why you need to go and get tickets immediately…..

I’m a big fan of theatre and performance – as someone who spent their childhood and teens doing drama related activity and in plays – I fell in love with it and it’s fair to say I have a leaning towards the dramatics in my everyday life; I’m certainly an animated personality and my face is the most expressive you’ve seen.

I absolutely love going to the theatre whether smaller productions or things at Northern Stage or Theatre Royal – it’s always a dream. Theatre is all about total immersion, escapism and storytelling. I love disconnecting from my life and my reality and being absorbed into watching someone else’s. Getting lost in a visual story…….

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And it’s not just about the acting and make believe – it’s one of those art forms into which everyone can engage and get involved. Whether it’s the writing, the costume designing, the lighting, the sound, the set design – a feast of visual, performance and digital arts.

Those who read this blog and follow The Culture Vulture, will know by now that I LOVE the undiscovered and the unfound – stepping outside of my comfort zone, seeing different things and new things. Something which embraces my love for performance and need for the new and unfound, is matched perfectly within GIFT Festival which is returning again (yahoo) for 2017 across Friday 28th – Sunday 30th April….. how exciting!?

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GIFT is an annual festival of theatre celebrating the new, unfound and experimental performance and theatre right here in Gateshead……last year, I attended and got to experience a performance as part of a wild hen party; disco, dancing, shots and crisps. And also, a version of Stand By Me with a soundtrack by the Eurythmics.

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This year the programme is jam packed with lots to see performance wise (for adults and children alike), workshops and discussion across Baltic , Caedmon Hall at Gateshead Libraries, St Mary’s Heritage Centre, The Central Bar and Prohibition Bar. And I’m even more excited that FINALLY this year, after a couple of years of no funding, GIFT was awarded their Arts Council funding, on top of running a successful crowd funding campaign….

I caught up with GIFT’s Programme Director and Queen of all things GIFT; Kate Craddock to find out about this year’s programme and what to expect. Kate is someone who I’ve known for many years now and who champions the up and comers in performance and empowers her students, at Northumbria University to reach their full potential……so by my standard, not just a mega talent and asset to the region but also an all-round cultural megababe.

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Hi Kate – last time we caught up was in Prohibition Bar over a G&T – this time, I want to hear all about GIFT 2017….so for those who haven’t been to GIFT before – what’s the low down?

GIFT is back for 3 days at the end of April – Friday 28th – Sunday 30th Aptil. GIFT is an international theatre festival based in Gateshead that aims to present new performances and the kind of that nowhere else in the region is able to put on. We are able to take a chance and do something new.

You are unlikely to see a traditional ‘play’ at GIFT; instead the work is more contemporary, visual, physical, conceptual, devised… .GIFT festival allows for a more experimental programme with less risk for the venue programming the same artists/work alone.

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GIFT offers a platform to showcase opportunity for NE based artists and theatre makers to show their own work in a lively festival context. It also brings International work to Gateshead and the region that we otherwise wouldn’t see. And of course, it brings performances and artists from across the UK who have never performed been here before to introduce North East audiences to new artists and ways of working.

Essentially GIFT is 3 days of artists and audiences coming together, forming a festival community whilst seeing lots of shows together; talking about the work they are seeing, networking and partying. A big feature of GIFT that makes it distinctive from some other festivals is that it is really personal, small scale and grass roots. It really tries to open up possibilities and opportunity for everyone participating.

What inspired you to start GIFT?

There were a number of factors that all came together at once.

I was one of the artists who was in the original SHED Artist studios on Gateshead High St, and I was living in Bensham-spending a lot of time in Gateshead at a time when there was lots of focus on regeneration and redevelopment…

I really wanted to do something that was about connecting the culturally regenerated quayside with Gateshead town centre and beyond – and knew that a festival had the potential to do this – acting as a catalyst. I realised that there wasn’t a theatre venue in Gateshead as such, but instead there were loads of really unique spaces and lots of very wiling supportive people who were happy to let me do things -like put performances in empty shops, or in church halls, or in the interchange.

I was also making some quite experimental performance work myself, but was finding that there was quite a limited number of platforms to show this  kind of work – and I realised I wasn’t alone in that.  – However, there was a community of artists really wanting to make something happen. I was also in a really lucky position where I was travelling and working at other European International festivals; these were hugely inspirational for me -and made me realise that we needed GIFT.

Why Gateshead? What venues have you selected this year?

When I founded GIFT in 2011, I was living and working in Gateshead and I got frustrated with the fact that for lots of people (in Newcastle) Gateshead meant a trip over the bridge to the Sage or Baltic and that was as far as they would venture. I wanted to do something that opened up other areas (some neglected, some beautiful) and connect performance to these areas.

Gateshead Council and Culture Team (formally the Arts team) have always been so supportive of the arts (Angel, Sage, Baltic, all the arts team work etc) and they were so supportive when I first approached them about it. For the first 3 years GIFT took place mainly in Gateshead old town hall, the Central, St Mary’s as well as other venues dotted around. In 2014 we relocated our main hub to Caedmon Hall, which is where we will be again this year for lots of our events. We will also be presenting performances at Baltic  this year for the first time – as well as Prohibition Bar, Central, St Mary’s , Caedmon Hall and our closing part will be at The Old Police House.

Tell me about the programme this year?

This year we have teamed up with 2 other UK festivals to present a programme of work from across Europe. On Friday night we will present the UK premiere of Possibilities that disappear before a landscape’ by El Conde de Torrefiel from Barcelona. This is being presented in collaboration with Transform Festival in Leeds where they are performing the partner piece Guerrilla a week before GIFT. Possibilities is stunning piece that works like a visual essay -so you are both reading and listening to spoken text while seeing multiple images played out on stage in front of you.

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The company are one of the most exciting to emerge from Spain in recent years and are in huge demand. I first saw this company in 2012 and have been trying to get them to GIFT since then – so I am totally thrilled they will be here! I also think they will really appeal to people who love visual art but might not be so sure normally about going to the theatre. We have also teamed up with BE Festival Birmingham to host Best of BE Festival – 3 amazing shows from across Europe. I have seen the work and can’t recommend it enough. Best of BE (or BE @ GIFT) is always a great fun night, and the work always rich and varied.

Also we have Julia Taduevin from Glasgow with ‘Blow Off’ described as one of the most memorable shows of the year by the Scotsman – and it is, completely unforgettable and completely stunning. All female punk band – music, spoken word, feminism – very loud! Would definitely appeal to people interested in live music but don’t think theatre is for them!

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One of the shows coming from Leeds is ‘Something Terrible Might Happen on Saturday’ by Uncanny Theatre at The Central – it will be hilarious and it looks at how obsessed we are with things going wrong. Enjoy the show while having a pint!

Other fab things are we have teamed up with Chalk to host Noise Lab -lots of young children working with a sound artist to turn their tantrums and crying into art, at Baltic.

Who are you most excited about seeing? I know it’s difficult to choose……

Literally all of it; one of the best things for me too is seeing the artists actually meeting each other, talking to each other and their audiences about their work – that is always so brilliant and rewarding; when this happens and works well, I know I am doing a good job.

Is there anything for families?

Yes –Noise Lab by Chalk on Friday morning – this is the strand of GIFT called Little GIFT and is for early years and their parents. On Sunday there is also a rolling programme of live performance and dance work at Baltic that is all free to attend.

Zoe Murtagh will also be at St Mary’s on Friday all day peeling potatoes and inviting audience members to help her discover her Irish heritage -there will be some dancing and laughs involved. Altgif7hough these events are not strictly for families as such, they will definitely appeal to a curious adventurous audience member of any age!

What should someone who has never been to GIFT before expect?

Expect to be surprised by each performance you encounter – and to take risks with what you go see. Expect to be welcomed by the GIFT crowd, to get involved and to throw yourself into opportunities – to chat and to meet new people.

You’ve had challenges this year with funding (again!) and you’ve set up a crowdfunding page – can you tell me a bit more about this and why people NEED to donate? 

Yes, we have really struggled to secure enough funding to make the festival happen this year – but Arts Council Funding has come through at the last minute after a lot of hard work resubmitting applications We also have a crowdfunding page on the go at the moment to help raise money towards supporting a lot of the infrastructure around the festival enabling the festival to happen – like paying technicians at the venues, to support the artists and also to be able to offer artists some support with their shows – towards their production budgets and costs involved in performing at GIFT like travel -and feeding them while they are here!

What would advice would you give to an aspiring performer, or script writer, set designer etc?

See as many performances and different types of performances as you can – and take every opportunity that is offered to you to network and meet people. But of course, the best advice I can give you at the moment is to get yourself along to GIFT between 28 – 30 April!

Thank you Kate…..

And that’s what I love about the Cultural sector at the moment- it’s all about feeling empowered and being the change you want to see; she wanted an experimental theatre and performance festival in the region and made it happen!

Well you can expect to see The Culture Vulture at every single event and performance for GIFT – I’m obviously most excited for ‘Blow Off’, Pug Party anddddd GIFTed: Late Night Lip Sync CabaretBonnie and the Bonnettes and GIFTed guests

Check out the full GIFT 2017 programme in all its glory.

If you see me, feel free to say hello

 

July…. Saltwell Park meets Sculpture 30

July, ohhhh July, where is your summer sunshine and why is it hiding? I can’t promise sun shine for July, but I can promise a celebration of all things Saltwell Park as part of Gateshead Sculpture 30 Festival.

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I’ve grown up in Low Fell, living right along the top of the park my whole life, since I was about 18months old. It was where I first rode a bike (into a tree – my Dad caught it on video), it was where I used to play out during long hot 90’s summers, it was where my Grandma told me that all the fireworks on Bonfire night (my birthday) were just for me and everyone was celebrating (I was such a diva child that of course, that seemed quite plausible), it is my walk to route every morning and it is my go to place for reflection. I love it.

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Tyne Bridge – Alan J Smith, Red Box Design

Part of my job (my old job) was working for Local Studies and I did a lot of cataloguing of Saltwell Park images and history….. I really got to know the history and saw images of the park from different ages and people in the park socialising and their wonderful fashions of the time (60s-90s is always a favourite of mine…. 80s hair was just brilliant).

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Saltwell Park started life as a Victorian park in Gateshead. It was opened in 1876; the park was designed by Edward Kemp and incorporates the mansion and associated grounds of estate owner William Wailes. The park has flourished over the years and also during certain periods fallen into disrepair.

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Across 1999 – 2005, the Park received £9.6million funding from Gateshead Council and Heritage Lottery for restoration and now the park is back into full bloom. Whilst 2million people visit the park for simply enjoyment and recreation, it is also the home of multiple events across the year, Enchanted Parks, Gateshead Family Sculpture Day and Gateshead Bonfire Night.

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Enchanted Parks

So for July, Gateshead Culture Team are bringing a few events to Saltwell Park to celebrate culture in Saltwell Park.

Sculpture In Action

Every Tuesday (5th, 12th, 19th and 26th July, 10am-3pm) our July Sculpture 30 artist of the Month will be carving one of his stone sculptures in Saltwell Park. Gilbert has several pieces across the North East including Foliate Carving in Saltwell Park; he will be talking about his practice and pieces, so why not stop by and pay him a visit and see him in action.

Gilbert in action

He will be carving next to the Rose Garden, near Foliate Carving so just drop by!

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Foliate Carving – Gilbert Ward

Have you walked around the Park and noticed all the amazing and interesting pieces of art and sculpture dotted around and thought “what is that?”. I know I have!

Saltwell park Sculpture Walk (meet at Saltwell Towers)

Tuesday 5th July, 10.30am – 12.30pm

Join Anna Pepperall, Public Art Curator on this informal walk and talk and discover some of the varied pieces of Sculpture in Saltwell Park. Many of these pieces have both National and International acclaim, so for a culture vulture of the North East, this walk and talk is an amazing opportunity to see the Park from a different perspective.

To book   : https://online.gateshead.gov.uk/EventTicketsOnline/pages/eventdetails.aspx?ky=3608

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Juxtaposition – Hideo Furuta

Creative Writing & Walking Workshop

Calling all budding writers…..we have a Creative Writing & Walking Workshop with writer and poet Ellen Phethean on 7th July, 6pm-8.30pm.

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Wiggle – Colin Rose

You will be using Saltwell park and the surroundings as inspiration and prompts for a series of writing exercises. This workshop will push you out of your writing comfort zone and we are so lucky to have the legendary Ellen to facilitate this. I love her work!

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To find out more about Ellen, follow this link…. http://www.diamondtwig.co.uk/people/ellen.phethean.html

To book and for more info: https://online.gateshead.gov.uk/EventTicketsOnline/pages/eventdetails.aspx?ky=3609#

So get yourself along to one of these events……..and if you can’t, well you have the whole summer to discover or rediscover Saltwell Park. I 100% know for a fact that it looks and feels better, with an ice-cream in hand….so that’s my top tip!

Over and out!