An interview with artist Slutmouth – an Instagram discovery with meaning, heart and soul.

Instagram Is a great place to discover new artists and it’s one of my first places to start when looking for new creative lushness. It’s given a place for creatives – their feed is their digital gallery and portfolio to the world, alongside an insight to themselves and their practice. I think Instagram increases democracy in artistic opportunities and audiences – there is more potential for folks to see their work, enjoy it in their own time and there doesn’t seem to be the same barriers for folks as there is in an art gallery.

I spend HOURS on Instagram looking at artists and creatives’ feeds on social – an introvert haven. Discovering new artists on Insta is almost as much of an addiction as my diet coke habit. Bettie/Slut mouth (love.that.name) is an Instagram super star creative, I’ve followed for some time – not only love their work, but also their ethos, integrity, passion for being real and bold in their work and they are one of my favourite (probably arguably my favourite – but I struggle with making final choices about favourites so ….) feminist and gender equality promoting artists. Their work crosses different mediums and like me – it’s kind of hard to describe what they do!

I’ve had Bettie on my list for a Culture Vulture blog for over a year – so I’m buzzed it’s actually happening and I got to interview this brilliant creative human. We need more Betties in the world. Part of my Culture Vulture adventure so far – it’s taught me as much about what and who I want to be personally, as it has professionally. Artists like Bettie create art that means something, says something to world and is an extension of who they are in a meaningful unapologetic way. Artists like Bettie, remind me, to be bold, be honest and to use my platform (and privilege) to say something to the world. Over to you Bettie….

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Hiyer, who are you?

I’m Bettie aka Slutmouth a surface designer and proud cat mom based in the North East more specifically, Hartlepool.

Tell me about your journey into the creative sector?

I was always very creative as a child, my mum nurtured this being a community artist herself. At age 14, I started to attend the National Saturday Art Club at which, was then, CCAD at Green Lane. We had the opportunity to exhibit our work in the Somerset House four times which is extremely cool at that age!

Whilst attending the Saturday club, I had the chance to use specialist art facilities which inspired me study Design crafts at the college and pursue a career in the Arts. During my time at the college, I really developed my love for freehand embroidery and created a bizarre and whimsical installation piece created as a homage to George Méliès and the Smashing Pumpkins.

The following year I started the Textile and Surface design course at the Northern School of Art where I really dived into Screen printing in the first year. It was in second year when watching John Waters ‘Pink Flamingos’ and The Cockettes documentary that I really began to home in on the ‘Slutmouth’ aesthetic and vibe. For the project of ‘Off Beat’ I was hugely inspired by Leigh Bowery and the Club Kids of New York and I feel that’s where I really started to explore my own identity, and what it meant to me within my work. This is when the penny really dropped and I felt I had a solid direction.

How would you describe your arts’ practice?

I would describe it as an extremely personal process with it originally being me exploring my identity, the taboos and negativity I was holding against my body and sexuality and breaking through those barriers by using my art to do so. I’ve always been a very colourful person even when in my emo phase and so this reflects within the colour palettes of my work. It is amalgamated stylised chaos, thought process.

Taking influence from music, art, fashion, film and feeling. I feel that I use my work as my platform to voice how I feel, think or would like to say. It’s very important to break down the barriers and stand for what you believe in if you have the ability to do so.

on her own

How did you come up with the name Slutmouth?

For years I went by my name Bettie Hope; that name on my artwork never really sat right with me – I loved the idea of having an alter ego where I can really express myself and not feel so attached to it, if I needed to walk away and start again I could.

It took days and days to figure out what I wanted to be called. Slutmouth was the first idea that popped into my head, I was really into listening to Girlpool at the time, but I kept talking myself out of it. In the end I felt so strongly about the name I said Fuck it and drew my logo up right then. The reason the name Slutmouth

resonated with me so much is because of the struggle I faced as a young woman in a world of people who are just rude, inappropriate and feel they can slut shame womxn, so in reality it was me taking ownership of that and hopefully turning it into something positive. It’s still a funny process when trading at events and people see my brand name; some people are often shocked shuffle away very quickly, others adore the name and I can only think that it’s because they also resonate with it.

Well I adore it – Your art really has playfulness, passion & purpose behind it – it’s art that means & says something to me – but the tongue & cheekness also makes me smile…..where do you get your inspiration from for your work?

My first real inspiration for the ‘Off Beat’ project was my late friend Gary Pearson. I met him when I was in second year of University and he was in first year, he bounced into our room wearing this wonderful leather gimp mask; I was so excited and we instantly became friends. We chatted about so much; sex, relationships, music and it made me realise I wanted to be as open and make my work more personal to myself.

I started this process back in secondary school when I made a giant ragdoll that was supposed to be me. I think it’s very important to constantly looks inwards and challenge yourself to as authentic as possible.  Gary was such a fabulous leather daddy creature who introduced me to Tom of Finland. I’m honoured to have known him during that period of time; he really helped me begin to understand myself.

Equality

In your pieces, you explore feminism, identity, sexuality, queerness, empowerment, sex, bodies, being human…. Can you tell me about that?

I think the themes I explore are things that I have difficulty within the sense that I struggle to understand them within myself, and they then become things I can deal with. I also use my work as a platform for others and try to voice my thoughts through my work. Like I mentioned earlier I feel it’s very important to challenge the ‘norm’ and stand up for what you believe in, also to speak up for those who can’t find their own voice, you might become the thing that inspires them to do so.

I’m working on several feminist projects at the moment – and supporting several too. What do you think it means to be a feminist in 2020? What does it mean to you?

I think feminism is different for everyone; for me it’s about equality for all womxn and providing a safe space for us all to live and grow in whilst supporting each other to do the same. I love to explore feminist themes within my work to outline the struggles womxn still deal with today. The world can be a tough and nasty place and in recent years it seems as though we are taking huge steps backward in the western world, there are a lot of topics that can be covered within feminism, it can be quite overwhelming sometimes when thinking of social issues not just for womxn but for all sentient beings as I would like to help wherever I can, but sometimes you have to leave that fight for others; you can only do your best and so much but even then, that can make a huge difference.

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Tell me about your involvement with Sassify Zine Issue #7? What is Sassify for those who don’t know?

Sassify Zine is a platform to local and international LGBTQ+ artists and they aim to be advocates for meaningful change and education about the queer community. It is a not-for-profit Queer culture print magazine giving you all the best queer art and sassiness. In the Queer Heroes #7  issue the work I have featured is a digital illustration  named ‘Femme and Fierce’ and the ‘Luxury Period’ piece that was also exhibited at The Art of Being Queer exhibition, at the exhibition it was framed in ornate golden frame, but for the magazine its styled and photographed to look like a sanitary towel that is almost functional. If anyone is interested in seeing what I have featured then you can pre order the zine on http://www.sassifyzine.com

I was a lurker on your Insta for some time before I stumbled on to your work at The Art of Being Queer exhibition last year, which was absolutely the highlight of Middlesbrough Art Weekender – how did you get featured and what was the experience like of being featured?

Pineapple black was and still is an absolute Hub of creativity; my friend Gav Paughan who is a fantastic textiler, creates gorgeous gold work masks and wearables, was working in the studio space that he won and he was working on a new project something along those lines, another very busy artist.. anyway he got talking to Josh the guy that runs The Art of Being Queer blog and got himself in the exhibition and name dropped me – Josh contacted me and I submitted imagery of my work to be exhibited.

It was an amazing experience, I had lots of fun and it was unreal to be surrounded by the sheer amount of amazing artists I couldn’t quite believe the level of quality I was witnessing. The opening night was fantastic and the exhibition really stepped up the mark for the Middlesbrough Art scene, I’m very much looking forward to keeping an eye on where The Art of being Queer travels to next. In the mean time you can head over to the blog and keep up to date with more established and emerging queer artists.

Hanley_LuxuryCycle

Of course, I fell in love with your “Period Products Are A Necessity Not A Luxury” embellished sanitary pad exhibited….Can you tell me about the piece and the process of making it?

Wow thank you – this piece was created to highlight just one of many issues within period poverty. I started to create the piece just as embroidered typography, then during the process I had a brain wave whilst embroidering into the bleached calico to create a sanitary pad shape. I wasn’t sure if I was taking it too far at this point it was around 1am and I may have been delirious, but it was obviously the best kind of delirious.

I went on the search for a sanitary pad to get the shape accurate and began to incorporate the shape into my design, I then started to think how I could stuff it and make it 3D, from that point the typography read “Period Products Are A Necessity Not A Luxury” .

Another brain wave later; I decided to make it look like it had been used, which I would have preferred to have known at the start, but It was very organic the way this piece established itself in my brain. Once the watercolour had dried, I then began to embellish with a pearl trim and golden chain to make it seem unwearable and luxury. I had so much fun creating this piece I felt like I went back to my roots when doing so.

filth

You make some products like tea towels & pom poms – I’m surprised I’ve got this long into the questions before asking about the pom poms….LOVE pom poms (also a tea towel….very underrated in my experience) – tell me about your products?

My products are all handmade or hand finished; for example the T-shirts, I buy are organic cotton but I would then screen print the designs or hand embroider onto them. Any designs digitally printed are my own, but I source the digitally printing in the UK and then make up the product myself on the sewing machine. It’s just putting my artwork on different surfaces, I would eventually like to create garments alongside accessories, and play around with wallpaper again. I like to keep myself very busy if I’m not exhibiting my work, I’m trading sellable stock at fairs and on my website. I have just always loved to make sellable things since being around 16 years old and studying design crafts, at this age I also started to organise my own craft events.

jesus is a drag queen

Tell me about fuzzy bosom? What is it? When the next “thing”?

Fuzzy Bosom is a side company I have set up with my lovely friend Adele Catchpole. We studied at Uni together and became very close; whilst at Uni I was the President of the SU and Adele was my VP – we started to put on events for other students there such as zine fairs and designer maker fairs.

We both have our own freelance businesses but we saw that Hartlepool was lacking in this field; we also wanted to offer bespoke artist workshops for the community along with a platform for local artists. It is also a lot of work to organise an event on your own, so we decided to join forces and share the load and thus the Fuzzy team was formed. We have lots of amazing ideas, and more events to plan, but we are both moving homes at the moment; so we have put it on the back burner for a few weeks before we get back to it. We have recently ran a weaving workshop and screen-printing workshop during the Stand Together event in Hartlepool.

What’s the art scene like over in Hartlepool? I want to make a day trip of going there – where should I be visiting? What should I be seeing?

The art scene is pretty strong; the place is heaving with creativity at the Bis Centre on Whitby street, in the Northern School of Art, Hartlepool Art club and The Art Gallery. The main art scenes are music events that have community arts projects involved I find, which is why we set Fuzzy Bosom up.

I am also admin to the NE: Creatives group on Facebook which was formed to give local artists access to specialist opportunities. You should certainly check out my students, they are superbly talented, I am the National Saturday Art Club tutor, based in the Centre of Excellence in Creative Arts, the students are aged 14-16, the group bridges the gap between school and college and really gives the students the opportunity to develop specialist art skills that can develop into a career.

We have recently been creating a GIANT pom pom which I am super excited about and I’m sure you will be too, so I will send you photos when our hard work is complete. We have also been working on self-portraits and hand embroideries. You need to check out our Instagram to see the raw talent these emerging artists have its @northernartsatclub.

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This week is International Women’s Week…. Any womxn artists that I should be checking out/aware of/inspire you?

I am surrounded by so many amazing femxle artists that are local so I will name drop a few! Just Harry Designs, Cat Call, Adele Catchpole, Jade Lenehan, Kirsty Jade Designs, Betty and the Lovecats, Mandas Cat, Make it Reign Studio, Hun North East, Molly Arnold, Lucy Alice Winter, Hairy Yetti, Laura Moon, Wild Lamb and Megabethpaints–  Just to name some off the top of my head, some serious talent!!

Well that was a total feast for me to discover….What awaits you in 2020? Any projects you can give me flavour of?

The first project that awaits me is finishing unpacking in my new studio. Then at some point this I will be creating some new pieces that will be exhibited at the ‘Wild Slut’ Wild Lamb and Slutmouth Collaboration exhibition date TBC.

I will also be trading my wares the following day at Base Camp which is host to GRL 2020 an event packed with live music, street food and a feminist market. Sunday the 15th of March I am going to be chatting with Chantal from Sister Shack on Pride Radio. I’m not really sure what the rest of the year entails, but I know it’s going to be an exciting one, I can feel it. Check out my Instagram @slutmouthdesign and website http://www.slutmouth.co.uk to stay up to date in the world of Slutmouth.

that toxic masulinity

Well thank you….if I wasn’t in love with Bettie before – I sure am after this interview. And what a perfect week to share this interview, than on International Women’s Day WEEK!

And that’s all for now Culture Vultures.

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