Gateshead Silent Film Festival 2019 – the low down

So now we are half way through January (how did that happen?!?), I hope you have your diaries full of events, happenings and plans for 2019…….there are so many amazing things going on in the region and my last post covered just a few of my top picks! One of my recommendations was the Gateshead Silent Film Festival – I’ve got my ticket and I’m so excited to go! It will be my third time attending and each year it just gets better and better, and as a Gateshead lass, I’m so proud that something like this happens right here, on my patch!

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This year’s Gateshead Silent Film festival, a collaboration between St Mary’s Heritage Centre & Side By Side Arts; two nights of silent movies accompanied by ‘live’ piano music.

Friday night is ‘Horror’ night showing the 1925 seminal American silent horror ‘Phantom of the Opera’. Scream for Pizza are serving a range of their ghoulishly gorgeous fresh made pizzas from 7pm, and a pay bar is available too. Tickets available here.

Saturday night is ‘Comedy’ night showing ‘Girl Shy’. The Poor Boy (Harold Lloyd) is a bashful tailor’s apprentice who longs to be a published author. Heading for the city to sell his romantic anthology, he encounters the Rich Girl (Jobyna Ralston) on a train, and he helps her hide her dog from the conductor. Excited about a budding romance, the Poor Boy goes off to a publisher and gets rejected. Disheartened, he gives up on the Rich Girl. However, when the publisher changes his mind, the Poor Boy tries to rekindle the spark of romance. Scream for Pizza will also be back serving from 6pm and bar open from 7pm. Tickets available here.

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But instead of me jabbering on about why you need to get tickets for Gateshead’s Silent Film Festival, I thought I’d catch up with Mr Gateshead Silent Film Festival, the Director of Side By Side Arts – Stuart Angus. We caught up recently (before Christmas) and bonded over Stuart’s FANTASTIC gin collection and I had the privilege of finding out all about Side by Side Arts and what is in store for this year’s Silent Film Festival!

Let’s start at the beginning for my fellow Culture Vultures – who are you?

My name Stuart Angus and I am the Director of Side By Side Arts.  I’m originally from Northern Ireland, but moved across when was 18 to study music at Newcastle University and fell in love with the North East so stayed!

The North East tends to do that, once you arrive here, people don’t want to leave/we don’t allow you to leave. So Side By Side Arts, what is it and what does it do?

Side By Side Arts is a Community Interest Company which aims to bring performing arts opportunities covering music, dance and drama to people in the North East who would not normally have the opportunity to take part. Currently we run stage schools for children, supported by partners and various funders, which enable young people from lower income backgrounds to take part. We also lead the Low Fell Community choir, have a music tuition studio, run group and individual piano lessons and even run an annual Silent Film Festival!

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Stuart leading Low Fell Community Choir at BALTIC as part of Great Exhibition of the North

You’ve just mentioned The Silent Film Festival, that’s what I want to hear more about! Tell my fellow Culture Vultures, what’s happening and what’s on across the festival?

The Silent Film Festival is now in its third year and run jointly with St Mary’s Heritage Centre. This year we are even bigger and better running three events, all celebrating the magic of silent film, over the 25th & 26th January.

Friday 25th January is horror night! Enjoy the gothic settings of St Mary’s while watching the all-time horror classic ‘Phantom of the Opera’.

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Saturday 26th sees the venue transformed into the St Mary’s Speakeasy where the hilarious Miss Dixie Swallows introduces the comedy film ‘Girl Shy’ featuring Harold Lloyd. This is a great love story about a guy who thinks he knows how to make women fall in love with men, but in reality can’t speak to a girl without stuttering!

Both evenings will be accompanied by myself live on piano, a pay bar open and the delicious Scream for Pizza will also be cooking up a storm!

This year for the first time we are also holding the family funny bones hour where we will be showing three short comedy silent films, one of which will be accompanied by myself on piano. These are three of my most favourite short films and the one I am accompanying live is my all-time favourite (Buster Keaton’s One Week). This event is especially for families to come along, be thoroughly entertained and have a great time together as a family.

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I really like your choice of films – Girl Shy is just fantastic. What made you select this year’s films?

I chose Phantom Of the Opera because most people are very familiar with the Andrew Lloyd Webber version, but the silent film is where it all began and a true class. I wanted to show the original film and surprise people with a similar story line but with music that you wouldn’t necessarily associate with the film.

Last year for comedy night we showed Charlie Chaplin and the year before we showed Buster Keaton, so for 2019 following on with the theme of showcasing some of the silent film comedy greats, we thought we’d let Harold Lloyd have a turn this year! Every year, I like to show a film which people are a bit less familiar with (everyone knows the scene where Harold Lloyd is hanging from a large clock face) and ‘Girl Shy’ has all the elements to make a great comedy film from a love story, through to hilarious slap stick and even a comedy chase!

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St Mary’s is just such a perfect venue for this type of event and as always, can’t wait to see it for horror night– from your perspective why did you pick this as your Silent Film Festival home?

St Mary’s is a fantastic venue and is so versatile in its uses. Who could imagine that such a place could host a wedding one week, a conference or a workshop the next and then even a silent film festival?!?! The gothic setting of a church is amazing to show horror films while speakeasies appeared in the most unlikely of places during the 1920’s prohibition, so where more unlikely to have one than in an old church?

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I’ve heard lots of people talking about this year’s festival – like they’ve just discovered it, which is always a great sign! But this is actually its THIRD year – how did it all start?

It all started with me going to the Heaton Park Silent Film Night which used to be held in the Summer time. From here I discovered silent films and in particular Buster Keaton. This inspired me to write my final dissertation on the evolution of silent film music and from there my love for the silent film era grew! I was really sad when the Heaton Park Festival ended because of the loss of funding and really wanted to bring silent films back to the North East!

You introduced me properly to silent films and since the first festival, I’ve been keening watching them and I’ve discovered that watching silent films was (and still is) actually anything but silent! People watching giggled, socialised, drank and of course, lots of live musical accompaniment. You’ll be doing live piano along to the films to bring them to life – are you doing a special score?

Every performance that I give is a soundtrack that I have compiled especially for the showing using a massive array of music, a lot of the music you will hear is taken from original music that would have been used to accompany films.

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Why do you love Silent Films? Why is it important for people to fall in love with the genre today?

I love silent films because they don’t have any of the mod cons that you would expect to see in modern cinema. All of the actors do their own stunts, there was no CGI and most importantly the main way that they could tell a story effectively was by using music to match with what you see on the screen.

It’s really interesting that the whole perception of what you watch and experience can be altered by what you hear! That’s why the musician’s job in the silent film era was almost as important as the actors who were on screen. It also led to so much more including folly artistry to provide sound effects which ultimately developed into what we recognise now as a modern day film score.

What I find interesting is that nowadays audiences are looking for that fully immersive experience while watching a movie; from attending showings with live orchestras playing the movie’s scores through to audience participation and live actors interpreting what is shown on screen simultaneously, so of course, what better way to enjoy a film than going back to where it all began?

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For people who haven’t seen any Silent Film before but just fancy a lush different night out to get them through January (it’s a long bliddy month), what can they expect if they get a ticket? Why should they get a ticket?

For people who haven’t watched a silent film I need to ask where have you been for the past two years!?!?!?! Coming to an event like this means that you are able to appreciate a film which is very cleverly made. While you’re watching you will get so engrossed in that you almost forget about everything around you because it is so visual! You can expect to have a unique experience with what you hear as the soundtrack is compiled especially for the event and not forgetting the amazing Miss Dixie on the Saturday night adding that extra bit of comedy!

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What’s next after the Silent Film Festival – what do you have planned for 2019?

2019 looks to be a busy year so far! I have a great project coming up with Imagine Gateshead where I will be working with a group of children to write a song about what they think Gateshead will be like in 100 years’ time! The Low Fell Community Choir are working on lots of great new music and getting ready to perform it over the coming months and I will also be growing the music studio. But most excitingly, I have a couple of new tutors who will be joining me over the coming weeks to take Side by Side Arts to the next level – so singing lessons, dance etc will be added to our growing offer!

You teach the piano and run lessons for adults and children – you’ve promised to give me a lesson or too (I’m not very musical), I need to know what you are going to teach me on the piano? My musical profile consists of Little Donkey on the recorder, The Rugrats theme tune on the glockenspiel so I’m eagerly awaiting another string to this bow…

I really don’t think that it is true that people aren’t musical….. you just have never had the right teacher! I firmly do believe that if you have the willing to learn something like piano and are happy to take 10 minutes a day to do a little bit of practice that you can learn to play in no time at all! (rant over!) So having said that my aim for you is to teach you a Britney Spears song as I know how much you love her!

Proud Britney Spears super fan right here…..right now I’m excited for my lesson. You also head up Low Fell Community choir and keep trying to get me join…… right this is your chance, 30 second pitch. I can’t sing, but love to sing as it makes me feel a bit lush inside….why should I join? If I join, can we do some Tina Turner or Britney? (non-negotiables)

The Low Fell Community Choir is a really friendly and welcoming choir, just like I say anyone can be musical, we really do believe that anyone can sing! We meet every Sunday at 5:30 at the Nest in Low Fell, there is no audition to join, you just have to turn up and sing! I teach everything by singing it to you and then you have a go at singing it back!

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Last year we did some amazing music from an Abba medley through to Adel’s Make You Feel My Love and big classics like Don’t Stop Believing! This year we are working on more epic tunes from Queen’s Somebody To Love, through to songs from Greatest Showman, a few modern day hits and yes! There is even a Tina Turner song to be learnt, but I’m not going to tell you which one – you’re going to have to come along to find out!!!

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I can feel my little feet stomping a la Proud Mary, in excitement already. So Culture Vultures, 25th & 26th January is this year’s Gateshead Silent Film Festival. Tickets are flying and it’s going to be a great weekend of silent film. I will be there lurking in the shadows on horror night, hanging out with minis (more on my level) for Funny Bones hour and cackling away at the back for comedy night.

If you see me – say hiyer and use the hashtag #GatesheadSilentFilm19 on social so I can track your silent film festival shenanigans!

That’s all for now.

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Events and Happenings to look forward to across the North East for 2019

So I’ve been plotting and planning this blog post for some time – but you know what it’s like over the festive period…..always more cheese to eat, more gin to drink, another cat to stroke…..

Lots of you send me messages via my various social media channels asking for my recommendations of things to do, happenings, events etc – so I thought I’d write a blog on the things that I’m excited and looking forward to in 2019. There are so many amazing events, exhibitions, performances, happenings, things to see, do, visit, coming up, that it’s impossible to include them all but these are the ones that give me excited butterflies……

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New Year New Artists – Thursday 17 January – Sunday 20 January

If like me New Year and January is all about trying and seeking out new things and you’re feeling musically experimental after BBC3 Radios New Music week across the first week of January, then THIS is for you. I get SO stuck in a music rut through-out the year – but I love gigs, discovering new bands, singers and types of music that day to day, I’d probably not be open to.

New Year New Artists at Sage Gateshead, in association with my pals at NARC Magazine, brings together stars of the future; a weekend full of new music, different genres and artists of tomorrow. You can say you saw them here first!

The programme this year is amazing but if I had to pick a Culture Vulture recommendation it would be to go to Saturday 19 January – BBC Introducing in the North East Presents. This evening will be filled with exciting emerging artists, unsigned, undiscovered and under the radar music across the UK. The line-up includes the AMAZING Beth Macari, who if you are a lover of the regional gig and live music scene, you’ll have seen and fallen in love with her, like I have. She is certainly one to watch!

Ticket/Entrance Cost: Various prices per gig/festival pass (and some are free!)

How to Book: Sage Gateshead Website

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Gateshead Silent Film Festival – Friday 25 January, 8pm & 26 Saturday January, 8pm

This is now in its third year at St Mary’s Heritage Centre and is run by the incredibly talented creative Side By Side Arts.  If you haven’t been to St Mary’s Heritage Centre – then please you MUST go and this is your perfect excuse! It’s one of my favourite venues for an event; think converted Church, atmosphere, bit gothic and PERFECT for a silent film fest!

Side By Side Arts present two nights of silent films accompanied by live piano music, taking you back to 1920s where film making was pure gold, without special effects. Night one is ‘Horror night’ with a screening of The Phantom of the Opera, a 1925 silent horror classic, about an enigmatic masked presence. Night two is ‘Comedy night’ with a screening of Girl Shy, a silent comedy classic about ‘Poor Boy’ heading to the city to sell his romantic anthology and stumbles into a romance of his own! Night two is also being brought to life with compare and Rusty’s legend Miss Dixie Swallows bringing some class and sass to the proceedings. New for this year, is the addition of Scream for Pizza serving up their lush pizza and of course, there is a pay bar and each night ends up with dancing (or in my case twirling) to 1920s-40s music.

Ticket/Entrance Cost: £10 per night (each booked separately)

How to book: Gateshead Council Box Office Website – Horror Night / Comedy Night

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Leonardo da Vinci: A Life in Drawing – Friday 1 February – Monday 6 May

In February 2019, to mark the 500th anniversary of the death of Leonardo da Vinci, 144 of the Renaissance master’s greatest drawings in the Royal Collection will go on display in 12 simultaneous exhibitions across the UK including Sunderland Museum and Winter Gardens! Sunderland has got it going on at the moment and we are SO lucky to have this on our door step – it’s a MUST visit!

1st Feb marks the opening weekend of Leonardo da Vinci, A Life in Drawing – and if like me, you’re all about being there first, then it’s all about the opening weekend! The exhibition is your rare opportunity to see the extraordinary drawings of Leonardo da Vinci from the Queen’s Collection. The drawings on selected for display reflect the full range of Leonardo’s interests and his innovation – painting, sculpture, architecture, music, anatomy, engineering, cartography, geology and botany.

Keep an eye on Sunderland Culture social media and website over the coming weeks for a wide ranging programme of supporting events and activities for families and adults through-out the exhibition period.

 

Even though the exhibition doesn’t open until 1st Feb – tickets are on sale now and I do recommend pre-booking yours to avoid disappointment.

Ticket/Entrance Cost: £2.50 per person & Under 16s free (but ticket still needed)

How to Book: Visit the Sunderland Culture Leonardo website page.

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Sunderland Comedy Project- Thursday 7 February, 7.30pm

With Jesterval Comedy Festival, South Tyneside Comedy Festival, Arts Centre Washington comedy programme and of course, The Stand Comedy Club, I think we do pretty well for comedy. I love attending comedy shows and seeing touring comedians. However, I’ve just found out about The Sunderland Comedy Project and their monthly shows with regional comedians at the lush Sunderland venue, The Peacock. This is a MUST for this Culture Vulture in 2019….

The Sunderland Comedy Project has just announced their February show and line-up; I’m buzzing that Jesterval fave (and organiser) Dave Haddingham is comparing for the evening. Now, I’ve seen Dave many times before and I’ve go to this, just for him alone – he’s hilarious! Other acts announced so far are Karen Bayley and Vince Atta with more to come. This sounds like a great night to discover some new comedy; I will be cackling in the back!

Ticket/Entrance Cost: £10 per-booking or £12.50 on the door.

How to Book: Visit the Jokepit online box office.

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Screenage Kicks: True Romance- Thursday 14 February, 7pm

After a year-long absence, which left a hole in my social life heart, Screenage Kicks is back with a vengeance in 2019! Now, if you haven’t heard of Screenage Kicks – well they are a MUST for you in 2019. Screenage Kicks creates bespoke immersive pop up cinema events celebrating absolute cult cinema classics in truly unique locations. They have to be experienced to be believed – but think live music, character performance, beautifully themed venue decorations and special touches inspired by the films themselves.

So, here they are back for 2019, returning with their first ever (Anti) Valentines special, screening one of their (and mine!) favourite cult classics, Tony Scott’s beloved ‘True Romance’. Presented in full Screenage action packed glory, within the unique and romantic surrounds of a space never yet used by Screenage Kicks; The Assembly Rooms is set to be transformed into The Beverley Ambassador.

Ticket/Entrance Cost: £22 or £39.60 for a couples ticket (Please note – this is NOT a couples event – everyone and anyone is welcome!)

How to Book: Visit the Seetickets Screenage box office.

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The Art of Taxidermy: Artist Talk- Saturday 2 March, 11am

With Taxidermy and Entomology having a big revival and growing in popularity – are you feeling a bit curious? Have you thought about having a go but a bit unsure? I certainly have! Moreover, I have so many questions! Moth Studios are the leading Taxidermy and Entomology studio in the region, hosting a wide range of workshops in their own studio and all their items are responsibly and reputably sourced – for one special morning, Moth Studio is hosting a talk at St Mary’s Heritage Centre Gateshead (what a PERFECT venue for it!?).

In this artist talk and demonstration with Moth Studios, they will share their visionary way of re-introducing Taxidermy, Natural History and Entomology into contemporary lifestyle, exploring techniques they use, hints and tips for your own pieces and how you can get involved in the practice.

The talk is such a unique opportunity to find out more and will close with a Q&A so you can truly satisfy your curiosity.

I really love an Artist talk!

Ticket/Entrance Cost: £6 per person

How to Book: Visit the Gateshead Council box office

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Where There’s Muck There’s Bras- Wednesday 13 March, 7.45pm

This beautiful show at The Northern Stage celebrates the ‘real’ Northern Powerhouse – the sung and unsung women of the North of England. Its politicians, entertainers, musicians, sportswomen, activists, writers, innovators and mould breakers – women who are often missing in the ‘standard’ Northern Powerhouse who (in my opinion) consist mostly of white men in suits. I mean how tragic was the line-up for the Business Conference during Great Exhibition of the North!?!?! I’ve felt more inspired by a smack in the face….

In this hilarious and thought provoking show, stand up poet and Radio 4 regular Kate Fox and actor Joey Holden champion #lasses such as Britain’s first astronaut Helen Sharman, the first female speaker of the House of Commons, Betty Boothroyd and music hall star the inimitable Hylda Baker alongside some #lasses you may not have heard of, Liverpool’s Hilda James who introduced the front crawl to the UK, Lilian Bader, one of the first black women in the RAF and “Red Ellen” Wilkinson the MP who led the Jarrow March!

I heard AMAZING things about this show during its mini tour last year so I’m mega excited to see it myself! In addition to Northern Stage – it’s playing all over the North including Darlington, York, Halifax, Middlesbrough and many other venues – visit Kate Fox Facebook for full tour details.

Ticket/Entrance Cost: From £10 per person

How to book: Northern Stage Website – Where There’s Muck There’s Bras

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Curious Arts Fundraiser – Friday 16 March, 8pm

Curious Arts champions and develops LGBTQ arts, artists and audiences across the North East. Their work, events and yearly festival in July celebrates and explores Lesbian, Gay, Bisexual, Transgender and Queer Culture through the arts. Every event, I’ve attended has blown my mind – interesting, high energy, such a memorable experience and guaranteed that you leave curious for more. In short, I love everything they do. They haven’t announced their festival programme for July 2019 – but I can promise you, it will be amazing!

However, they have just announced their fundraiser evening at Alphabetti Theatre; this evening directly supports the Curious Festival 2019 programme. Last year was a BLAST, so you can expect a line-up packed full of talented performers, dance and drag artists with the proceedings most likely led by Mutha Tucka. I promise, you will laugh until your sides hurt, see performers from the region doing amazing things showcasing the unreal talent we have in the region and you’ll end the night dancing away in Alphabetti’s theatre bar.

And if like me, you’re curious for more or if you can’t make the fundraiser – they also have Northern  Stage is Curious: 2019 on 1 June, for a preview of what to expect from award-winning Curious Festival 2019;  an evening of comedy, theatre and performance from established and emerging Queer Northern talent.

Ticket/Entrance Cost for Fundraiser: £10

How to book: Via the Curious ticket website.

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The Bon Bons Cabaret: God Save the Queens – Thursday 28 March, 9pm

Bonnie and The Bonnettes and The House of Love are back with another one of their fun, feisty, entertaining and infamous Bon Bons Cabarets; God Save The Queens. Tonight they explore and celebrate what it takes, to be a Queen! Whether it’s Mariah Carey, or Mary Queen of Scots, these Queens have always got the job done. From a culturally shifting Christmas number one to running the entire country of Scotland, they inspire generations, they make their mark, their voices heard; they are true Queens. During the night, Bonnie and The Bonnettes explore what exactly makes a “Queen”? Are you born one? Do you transform into one? Do other people’s love and adoration make you become one?

Get ready for a night like no other at Alphabetti Theatre and remember to wear your crowns and tiaras!

Ticket/Entrance Cost: £7 (£5 concessions)

How to book: Via the Alphabetti Theatre website

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The Guilty Feminist- Saturday 4 May, 6.30pm

The Guilty Feminist podcast has become a comedy phenomenon with over 50 million downloads since it launched in late 2016 – it is pretty much my life Bible and small bit of sanity during periods of absolute insanity. I actually didn’t know this was even coming to Newcastle’s City Hall until I was tagged into a social media post and the lush ladies from Third Space Events sorted me a ticket to join their gang! I am so excited – I will be fangirling and whooping like a cracker!

Lush megababe – Comedian Deborah Frances-White and her guests discuss things which all twenty-first century feminists agree on – while confessing the insecurities, hypocrisies and fears which undermine those noble goals. For this special touring version of the show, Deborah will be joined by some of your favourite comedians, guests and musicians from the podcast for a celebration of how far we’ve come, and a conversation about what remains to be done.

Now in a world where “feminism” has become a bit of a (sadly) negative term…. I promise you this evening will have you giggling, thinking “oh my god – ME TOO” and walking away empowered. #LASSES

Ticket/Entrance Cost: £26.50 – £32

How to Book: Visit the Theatre Royal Website

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Elmer’s Great North Parade – Early August – November 2019

In 2016, did you (like me) fall in love with Snowdogs? I was a one woman advocate and superfan! LOVED IT! So I’m so excited that another mass Art participation event is planned for 2019, an even bigger set of feet will be parading through our region’s streets, parks and coastline – Elmer the Elephant’s ‘Great North Parade’, in support of St Oswald’s Children Hospice, is coming to town!

This beautiful art trail made up of individually designed sculptures based on the much loved Elmer character will stomp its way across the region for 10 weeks from August to October 2019.

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It will be similar to in concept to last time – expect Elmer’s across Gateshead, Sunderland, Newcastle, Northumberland & South Tyneside designed by local, regional and International Artists with one or two celebrities thrown in for good measure. You will be able to follow a paper trail map or an app on your phone in order to follow the trail alongside lots Elmer themed events across the whole region.

I am sure Elmer will absolute capture the hearts and minds of the region again – getting you all to be tourists in your own town. I am SO bliddy excited for this and it’s just fantastic that it benefits St Oswald’s Hospice; I was humbled recently, when I was invited for a tour of the hospice and hear about all the great work they do.

Keep an eye on the Facebook page for announcements or sign up to the mailing list.

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World Transplant Games 2019- Saturday 17 – Saturday 24 August 2019

If like me, you get borderline obsessed during the Olympics, then you’ll be super excited about a week long of live sporting events right here to the region. Held over seven days, the Summer World Transplant Games are held every two years in host cities around the world. I’m over the moon NewcastleGateshead have been chosen to host.

Summer 19 will see around 3000 visitors from 70 countries come to NewcastleGateshead to compete; competitors are aged from 4 to over 80 and will all have had lifesaving organ or tissue transplants. There will be events for living donors and donor families, as well as a number of social and cultural events for the public – alongside the obvious opportunity to attend the Games to watch at venues like Gateshead International Stadium. Sports will include archery, athletics, badminton, basketball, cycling, darts, football, golf, volleyball, petanque, squash, swimming, table tennis, ten-pin bowling and tennis.

Details about pricing and how to book are yet to reveal – follow the Facebook event page to keep in the loop!

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Well that was just a flavour of a few of the things I’m excited for across 2019….. quick shout outs also go to:

No28 – their themed quiz nights are amazing – I had a blast at last year’s Peep Show one!

MAPS Festival by Chalk – a creative and immersive weekend of art, music and play aimed at children under 8 and their grown-ups.

Lundgren Tours – they are yet to announce their tours for 2019 – but I’ve heard rumbling of Lake District and as I’m trying to get back to my outdoorsy best, I’m excited!

Tyneside Cinema – I’ve fallen back in love with the cinema again and one of my New Year’s Resolutions is to go to the cinema at least once every two weeks…. Tyneside always feature amazing films and host unique film events.

Low Fell Food Market – Everyone loves a food market and I especially love Spring/Summer ones in Saltwell Park and Gateshead (easier for me to roll home full). They are yet to announce dates – but they are coming!

Great Northumberland – After the MASSIVE success of last year’s Summer event season, it’s no surprise that I’ve heard rumours of this happening again! I really love Northumberland and the programme of events they put on so I’m eagerly awaiting more news and I will update you as I find out!

That’s all for now Culture Vultures!

 

 

Enchanted Parks 2018 the Artist edition…..celebrating outdoor art and hidden stories with Helen Yates!

We’ve been blessed across the North this year for outdoor festive events – you could literally attend something lush and magical every day and night. When you’re attending you might forget that these events are only possible thanks to a mega team of creatives; a project team and a whole lot of blood, sweat and tears that make such events happen. Since I’ve started working on outdoor events as The Culture Vulture, I’ve gained a whole new appreciation for these people and all the artists/creatives involved.

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The Finders Keepers at Enchanted Parks, Theatre Space NE (Photo: Rich Kenworthy)

I recently attended this year’s Enchanted Parks at Saltwell Park; Enchanted Parks is an outdoor after dark arts adventure around the park with light installations, sound, performance – all based around a theme. This year the theme was The House of Lost and Found – the story of a mysterious travelling circus that collects lost things and reunites them with their owners. You can get a sense of this year via this year’s professional photos from local (and bliddy amazing) photographer Rich Kenworthy.

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Enchanted Parks 2018 Photo: Rich Kenworthy

In my opinion, it was a great year and I loved all of the installations – quite different than previous and pushing the boundaries! A firm favourite of mine was an installation called ‘Precious and Found’ by Helen Yates – Burning Light Arts. Helen’s installation consisted of hanging in the branches of the Cherry Tree Walk in Saltwell Park, a series of birdcages hosting a fascinating array of curiosities, each with a story to tell.

I became really curious about what it’s like to be behind the scenes, working on this type of event and the artist experience! How scary mary, but also lush to have your artwork out there for all to see – night after night! So I decided to reach out to Helen Yates for the artist perspective – to find out more about her piece, how she came to be a part of this year’s Enchanted Parks and of course, her Enchanted Parks experience as an artist!

So step forward Helen Yates, one of this year’s Enchanted Parks’ artists!

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Precious and Found by Helen Yates at Enchanted Parks 2018 (Photo:Rich Kenworthy)

Hi Helen, thank you so much for allowing me to interview you – so let’s start at the beginning for my Culture Vultures; tell me about you? Who are you?

Who am I? Strangely enough I made a piece a number of years ago with that very title, a textured, wax wall piece that incorporated the phrase in as many languages as I could track down. Some languages don’t even have the words to be able to ask the question!

Me? Well…… I have had a number of labels over the years: artist, lead artist, educator, lecturer, project manager, workshop leader, schools’ artist….I reckon my most enduring labels have been mother and artist.

Can you describe your arts practice?

I am one of those people that loves to gather new skills, materials and processes; so my work varies. I feel I have succeeded whatever the piece is, if I can create a response, a need to touch or discover more. Site specific installation tends to be my preferred way of working at the moment. I want to make work that fits the people and place that it is intended for and introduce some elements of hidden stories and thoughts for people to question. Temporary installations are great because people and places change, so I like that the work doesn’t feel static.

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The Lost and Found Tree, Dave Young at Enchanted Parks 2018. Photo: Rich Kenworthy

I ask every artist I interview this question….what was your journey into the arts?

From a very young age, I loved to read and draw. My mum would order me outside to ‘get some fresh air’ when she thought I had stayed in my room to long…. I would take my books and pencils outside and sit until I went numb with cold.

Throughout my life I have drawn, made and created things. My journey wasn’t as typical as most but I was always determined to go to college and university to ‘prove I was a creative’, so just after my son was born I did. I gained my degree and 2 daughters along the way! From there I hounded my local arts officers and officially became an artist. Three children and tight finances led to diversifying into college teaching and from there into arts development whilst still working as an artist.

What inspires your practice?

There are probably three things that have been extremely influential in shaping what I do. The first was at Uni; I obsessively drew and painted large scale nude figures in empty spaces – I wanted to portray being ‘human’. Secondly, when asked why I never incorporated objects or clothes, my response was that these things labelled people, put them in categories, people made assumptions. The more I thought about it, it led me to thinking about the power of objects and how we respond to them. I have always loved history, so archaeology and how objects are used to build pictures of long gone people become the overriding theme in my work…. Objects ruled! The third event was my visit to the Tate modern some years ago and seeing Cornelia Parkers Cold Dark Matter: An Exploded View – she exploded a shed and its collection of objects into thousands of pieces and then reconstructed them in mid-air, creating a still, quiet and beautiful moment in time from a noisy, destructive moment in time. I saw how installations transformed and created their own spaces and this idea has stayed firmly in my mind.

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Cornelia Parkers Cold Dark Matter: An Exploded View

Can’t believe I’d forgotten about Cornelia’s piece – went to see it at the Tate and WOW! But back to you….You had an installation at this year’s Enchanted Parks – how did that come about?

I came across the opportunity and loved the theme…. The idea of storytelling and lost objects immediately caught my attention. I have collaborated with storytellers on previous projects; I feel it’s a wonderful way of creating a new link between the work and audience. It invites people into thinking about an objects past, its meaning and the people that owned it. I want my work to engage children as well as adults so this commission had the possibility to do all of that. So I applied and I am extremely glad to say I was asked to create my proposal for the Cherry Tree walk at Saltwell Park.

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Precious and Found by Helen Yates at Enchanted Parks 2018 (Photo:Rich Kenworthy)

What was the inspiration behind the piece?

The overriding theme of the commissions for Enchanted Parks 2018 was put forward within the brief and some images were sent within this to visualise these ideas. Within this was an image of a contortionist who had squeezed into a birdcage, it was a very striking image, if a little sinister! From here I wondered where Peter Chavalier (travelling circus leader) might store all his found objects on his travels and birdcages seemed very portable and just the kind of thing he might use to keep the found objects safe. They also seemed an excellent way of lighting and displaying the Precious and Found objects.

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Helen during the rigging process for Enchanted Parks 2018

How did you chose what items went inside the cages? Loved the Octopus and it was a firm favourite for visitors!

Thank you! The items were inspired by my research into what items have ended up in lost property offices around the world and it seems some very unusual items have been found, including an octopus on the London underground – probably not as big as the one in Precious and Found… but you never know! Can you begin to imagine though how anyone can lose a bag of skulls, a prosthetic leg or a missile guidance system? Of course others are more usual, the teddy bear and the puffer fish (well maybe not!!).

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Precious and Found by Helen Yates at Enchanted Parks 2018 (Photo:Rich Kenworthy)

What does it feel like having families and culture vultures seeing your work every night and engaging so positively with it?

It makes me smile, even when I saw a toddler vigorously tugging at the octopuses leg one half of me was worrying that the leg would stay on, the other was chuckling and loving the intense concern that the child had, wanting to free a foam and latex, pink octopus..… I love the interaction…. It’s why I do it.

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Precious and Found by Helen Yates at Enchanted Parks 2018 (Photo:Rich Kenworthy)

What did you think of this year’s Enchanted Parks theme?

Excellent! It has given rise to a lot of varied and excellent work. I feel the way the theme has been created is extremely creative in itself …. Well done Enchanted Parks!

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The Little Legionnaires of Lost and Found Studio McGuire at Enchanted Parks 2018 – Photo: Rich Kenworthy

I recently found a story about a day in the life of a chicken written by a 6 year old me – it’s so lush and pure; I don’t remember being obsessed with chickens but apparently I was a big chicken fan as a mini….have you ever found something that you thought you’d lost forever?

That’s a lovely story….chickens make excellent children’s characters! Unfortunately my response is not so lovely. After a brain injury some years ago, I lost the ability to walk, communicate and draw even a simple circle! Over the following years I found all these things again.  Words can’t explain my relief at knowing they were not lost forever.

The Little Legionnaires of Lost and Found Studio McGuire at Enchanted Parks 2018 – Photo: Rich Kenworthy

They say that the brain never really forgets – it’s just the path to remembering which is damaged. Whilst all the pieces are fantastic this year – do you have one that stands out and you’d say is one of your faves?

Can I cheat and chose two? I love And Now’s piece with its carousels and fire garden and the lost and found labels hung by the visitors are a treat to read. Whilst that piece is beautiful low tech, I also love The Mcguires’ Studio pieces, The Little Legionnaires, I love the mix of tech wizardry and the beautifully constructed 3D elements that make up their enchanting illusions.

Merry Glow Round, And Now at Enchanted Parks 2018. Photo: Rich Kenworthy

Now EP is done and dusted – do you have a bit of down time? Christmas plans?

Not yet, I have workshops in schools immediately after the de installation, after that hopefully a mince-pie and brandy or two might be in order!

Looking back across the year, tell me about a highlight for you/your practice in 2018?

2018 has been a good year for work – I have been kept busy and produced work that I have enjoyed creating so I can’t ask for more. Of course Enchanted Parks has been my highlight, great people, great place, met lots of interesting artists from around the country, excellent food (think I’ve put on half a stone!) all in all a very lovely and interesting opportunity.

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Nova by Studio Vertigo at Enchanted Parks 2018. Photo: Rich Kenworthy

What is on the horizon for you 2019?

I enjoy collaborating with other artists, especially when they bring very different skills to the mix, so I have a couple of ideas in the pipeline…..watch this space!

Well thank you Helen! Such an interesting insight into being a part of Enchanted Parks and it’s been lush to hear about the artist experience. Really looking forward to seeing how Helen’s 2019 unfolds….

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Precious and Found by Helen Yates at Enchanted Parks 2018 (Photo:Rich Kenworthy)

Promise not to leave it soon long Culture Vultures!

Thoughtful Night Market Winter 18

There is still something for me about a Saturday night….I struggle to stay in (not a Saturday night TV fan) and yet, the call of Saturday nightclubs are long gone! But I still crave to get out and about on a Saturday night! I love going to different things on a Saturday night that still have an evening vibe and a bit different. This Saturday night I’m hitting up Thought Foundation in Birtley Gateshead for The Thoughtful Night Market Winter 18 edition!

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If you’ve been along before – you’ll know how magical and lush this event is (this one’s even bigger and better!) – but if you haven’t, then it’s a must for this Saturday evening! Go along, go as a troop and I’ll be lurking there.

I thought I’d take some time out from what has been an insane week of Culture Vulture work so far to catch up with my faves The Crafthood who present this event with Thought Foundation!

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Well hello lovelies…right so tell my fellow Culture Vultures who you are and what you do?

We are The Crafthood; a North East based modern craft company. We are a female duo; Kay & Sharon and we deliver contemporary craft workshops and events as well as designing and producing a range of products.

(Visit their website to see all their lushness in all it’s glory and their Instagram game is pretty good too! http://www.thecrafthood.co.uk)

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Now onto what we are here to hear about….tell everyone about the Thoughtful Night Market!

The Thoughtful Night Market is a collaborative project with the wonderful Thought Foundation. First held in November 2017, we set out to create a ‘market’ that was experiential and engaging with a focus on the provenance, ethics and ethos of the businesses that were selling.

We wanted attendees to come along and have a great night out… for it to be a pleasure away from the hustle of the high street with a great atmosphere; music, great food and a programme of workshops on offer. We also wanted to support and showcase amazing local small creative businesses – at an event they enjoy and are also happy to be part of. We really wanted to champion the #shopindie movement and encourage guests to see the lovely range of unique goodies and talent that is out there. This is the third event and each time round we learn and build something new into it.

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Crafthood Baubles

So tomorrow evening; what can people expect when they visit the Thoughtful Night Market?

There are 2 goody bag drops – for the first 25 through the door at both 5pm or 7:30pm so if you are lucky you may receive one of these bags of treasure made up of a selection of goodies from our stall holders.

Once through the door they can beat the winter chill with some amazing food and drink from the super tasty brain food kitchen at Thought Foundation. There are a selection of creative workshops going on through the night from festive watercolour to chunky knitting to terrarium baubles (more on that later).  There will be live music throughout the evening from a singer that Leanne (Thought Foundation) found, the artist was busking on Northumberland Street at the time!

However, the main feature is of course, the beautiful stalls made up of 25 of the regions’ finest makers and creators alongside the Thought Foundation Shop, which is in constant residence. This is a chance to chat with and meet the makers and find out the story behind the items you choose. If you are a selfie fan then make sure you find the balloon backdrop from our event stylist Imaginarium Balloons – it’s the stuff of Instagram dreams. We hope you feel it is cosy and thoughtfully put together. Entry into the Thoughtful Night Market is £3.50 which includes a donation to our chosen charity Help Refugees – a double whammy of the feel-good factor.

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Crafthood product

You’ve mentioned workshops….what is available to take part in across the evening?

We have three workshops running across the night. Firstly, Festive Watercolour Gift tags with Katie Burns from Katie Burns Design House.  Katie will guide you through some simple contemporary watercolour mark making to create some unique festive gift tags.

Next up, we have Woolly Nana leading a chunky knit hand-woven scarf workshop.  In this workshop you will be provided with everything you need to start your very own chunky hand-woven scarf so no need for needles at all – revelation! Expert tuition will be provided by Woolly Nana and you will leave with your own cosy winter scarf and the skills to make more.

Finally, we have a workshop that is now sold out – Terrarium Bauble making – a little birdie tells us that this proved so popular Hoe’s & Ditches are running another at Thought Foundation on December 2nd.

All of these workshops are available to book onto in advance via Event Brite (all include cost of entry into the event).

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I’m passionate about purchasing all my Christmas gifts from independents this year…. So tell me more about the traders?

We have over 25 very varied traders with us on the night and have recently written a blog which details them all (along with a few of our other favourite North East indies) and have really tried to cover all bases so you’ll get something for everyone.

(Culture Vultures you can read the blog post here! )

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What about the live music? Can’t have a Saturday night without some music….

Along with the chance to participate in a creative workshop, we have live music from Megan Davidson. You can check her out before the event on spotify – we cannot wait to hear her on the night and Megan may even provide a little entertainment outside to people waiting to get in! It’s the third market of its kind and have found that people come along and help contribute to the atmosphere and banter so whether you come with friends, partners or family; it’s a great chance to get Christmas ready in a chilled out way.

How did this collaboration with Thought Foundation come about?

We connected with Thought Foundation as soon as we heard about them. They appealed to us so much because of the ethos behind their brand; Thoughtfulness, Kindness and Creativity – so much positivity!! In the very first meeting we had with Leanne (Thought Foundation co-founder) we discussed having a market in their space and around six months later the first Thoughtful Night Market was actually happening!  We were so worried that nobody would turn up but had almost 300 people through the door and a queue to get in!!

Thought Foundation are a dream team to work with and having similar values means that the event has a strong identity that we are continuing to build. We love working with them! They are so pro-active and have so many ideas, that they are both a joy and inspiration to be around.

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Leanne and Gareth – Team Thought Foundation!

This is a silly question – because Thought Foundation is just a lush unique space – but I’m going to ask it anyway! Why did you pick Thought Foundation as a venue?

For anyone who hasn’t been to Thought Foundation then we always urge people to check it out. It is in Birtley, Gateshead and we LOVE the fact that a creative arts space and is thriving in this area.  The space is an ideal market venue as all traders are in the same area allowing for a unique atmosphere.  Thought Foundation already has a beautiful and eclectic shop (which is like having another beautiful stall in the place).  It is easy to get to being on a major bus route from both Durham and Newcastle and there is parking around the venue.  Thought Foundation epitomises everything the market stands for and is a unique blend of creativity, energy, warmth and thoughtfulness so it’s how could we not?!

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Thought Foundation

You’ve piqued my interest when you mention goody bags…. Tell us more!

The goody bags are EPIC. We ask every trader to provide a small number of items that are then distributed across the bags.  Traders are unbelievably generous and so the goody bags are not just full of flyers/business cards but host a range of beautiful bespoke goodies.  We have already made up the goody bags this year and yet again have been blown away by what we have been able to put in them! Think gin, jewellery, greetings cards, baubles – we are not surprised that people queue round the block to get their hands on them.  Each bag is hand lettered by us too.

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You had me a gin….Now this is a good question and something we all collectively champion….Why is it important to buy from independents at Christmas/In general?

Shopping from local independents feels good; not only will the individual maker be truly grateful that you have chosen them (and do a happy dance with each sale!!), you are also supporting the local economy and creative sector. When you buy independent, like at the Thoughtful Night Market, you will get the unique opportunity of being able to chat to the maker and ask questions that they can easily and happily answer.  They will often go the extra mile; for example by offering a beautifully packaged purchased or arranging to make something to your requirements. In buying independent, you are investing in the maker and contributing to developing a local talent helping to secure vibrant and diverse gift options. You are also securing a unique item that cannot be purchased widely on the high street – perfect for anyone wanting the wow factor.

We are passionate supporters of the movement towards ‘consciously consuming’ – shopping thoughtfully, investing in great quality items that are well crafted using quality resources by makers who know their supply chain. We have consistently found that small creative businesses often have ethical making and creating at their core.

Shopping indie is just all round more colourful and joyful than the alternative! Please do support what independents you can even if it is #just a card.

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Couldn’t agree with you more ladies! Right….Culture Vultures The Thoughtful Nightmare is just a lush and different way to spend a Saturday night. I’m itching to see what’s on offer and will be doing some live social media during the event as The Culture Vulture. I will share my haul of goodies purchased from all the lush stall holders too…..

And of course – look up The Crafthood for all their lush work! http://www.thecrafthood.co.uk

Gateshead Open Studios 2018 – 27th October; a day to celebrate creativity in Gateshead.

I had the absolute pleasure about 8 months ago of being invited to Brighton Road Studios in Bensham, Gateshead. I was excited because it’s an artist studios inside a converted Church and somewhere I’ve been wanting to visit for ages– behind the front door I found an independent creative studio space, lush facilities and full of local artists, creatives and SME creative businesses all doing great things – certainly somewhere I could see The Culture Vulture thriving and setting up camp. My meeting was with several of the artists to hear about what they are doing, their plans as a creative collective and fabulously, their plan to do Gateshead Open Studios.

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Gateshead Open Studios is a proudly Gateshead centric project and has been something that many artists, creatives and venues based in Gateshead have discussed and flirted with (including myself) so it was great to hear Brighton Road Studios wanting to lead on it. Fast forward to the present day and Gateshead Open Studios is an exciting impending reality – it’s happening in Gateshead!

On Saturday 27th October, the lush people of Gateshead will be able to discover what’s hidden away in 5 different but all very brilliant creative and historic hubs….

I caught up with James Oliver (artist name: William Fawkes) who is arguably the lead on this year’s Gateshead Open Studios organisation (however – there is a whole host of brilliant artists and creatives also making this happen). I wanted to catch up with James so my fellow Culture Vultures could hear what is in store for them on 27th October across Gateshead.

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Hi James Oliver/William Fawkes – I am over the moon to see how far you’ve taken Gateshead Open Studios – enabling it to be a reality in spite of many challenges. So let’s start with you and your work – tell me a bit about you and your practice?

I’ve always been an artist from a young age inspired & encouraged by my mum, and have painted my whole life. But it’s only been in the last couple of years, that I took the plunge to rent a studio, and start practicing more seriously. I previously worked professionally as a graphic designer, designing record sleeve artwork for clients including Blur, Sigur Rós, Trojan Records, EMI, and Universal music. I’ve also been a web designer and user experience researcher in recent times. All these skills have helped prep me for the world of marketing, events and experience design.

As a professional artist I chose to adopt the alter-ego William Fawkes, an ancestor from my family tree. My recent artwork is based on surreal storytelling, with a collection of dying British institutions with skeleton characters being an emerging body of work. I tend to create a master painting or drawing, and then have high quality framed prints available for sale.

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William Fawkes

What is the inspiration behind Gateshead Open Studios? Why now?

Since I moved up north 3-4 years ago, I was immediately drawn to what was happening over in Ouseburn with their Open Studios’ events. As soon as I’d found a studio in my local neighbourhood Gateshead, I looked around and thought “why isn’t Gateshead doing Open Studios?”. My mother passed away in January this year, and because of this, I decided ‘Gateshead Open Studios needs to happen this year!’ I’ve been driven ever since to make it happen, and had some great encouragement & support from fellow peers, friends and family.

So when is it?

Saturday 27th October 2018, from 10am to 5pm across multiple Gateshead venues.

Which Gateshead venues are involved?

There are 5 venues across Gateshead opening their doors:

  1. NewBridge Project: Gateshead High Street.
  2. Saint Cuthbert’s Church, Bensham
  3. Bensham Grove Community Centre
  4. Brighton Road Studios, Bensham
  5. Saint Chad’s Church, Bensham.

We also have partner cafes nearby who have been really supportive and can provide refreshments including The Staiths Café (who have an exhibition available to view) and The Nest Café in Low Fell. There will also be friendly volunteers on the day to help direct people, give you tours and generally make you feel welcome.

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So what is in store for visitors – what can they expect to be able to see/do?

You will be able to explore unique creative environments and historic venues, some of which have never had a public open day like this. You will be able to meet practicing creative people, see their studio spaces and be inspired, and even take part in creative workshops and try making new things to take home. There will be art, music, conversation, refreshments and a friendly excitable community buzz on the day.

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Will people be able to buy things on the day?

Yes, the artists and makers will have unique items you can purchase, or you can even discuss a private commission. There will also be creative workshops & demos happening for free, and other courses in the near future people could book on to learn a new process.

There is something so brilliant about being invited into an artist studio – a behind the creative scenes if you will! Are you excited to have people come into your studio?

Yes I think it’s great, and I can’t wait for people to come have a rummage, ask me questions and hopefully be inspired! I’ll try to make sure it’s tidy before they arrive!

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Here is the mini sales pitch – tell my fellow Culture Vultures why is this an unmissable weekend for Gateshead?

It’s a chance to explore hidden historic venues right on your doorstep, meet the quirky creative inhabitants and see their personalities spilling out through their work!

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Why are events like this so important for artists and creatives?

Creative people are not always the best at promoting themselves, but this is a unique chance to get a glimpse into their world and see something you never imagined you’d see! I can promise you’ll come away inspired and with a greater respect for Gateshead local talent.

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Tell me about your studios in Gateshead and who is in there with you?

I’m based at Brighton Road Studios. We are housed inside a beautiful 3-storey converted church, which was designed by Christoph of Kiosk Architecture & Design, who is also still a tenant. Other tenants include Skunkwork Props who specialise in replicating Star Wars helmets such as Darth Vader. Kourosh Edalat is another painter & illustrator who is always busy with commissions. We have Serious Stamp Company run by Clare who makes personalised rubber ink stamps and seals for your personalised stationary needs. Little Silver Ring Co. is run by another Claire who practices as a silversmith but also dabbles in other things. Chris is another talented silversmith, who is also a teacher at Bensham Grove. Raw Leather Company is run by Phillippa and she makes beautiful leather bags, purses and other bespoke items. IG Media won’t be present on the day but operate as an animation & web design company. Bobzilla is a busy guy – he dabbles in painting, outdoor street art mural designs, concrete pot-making, and also a resident DJ. Finally Gaelle of Tamiah Designs imports Ivorian African textiles to make cloth-bound books, bags and many other unique items.

There’s 14 studios spaces all together, and currently a couple vacancies as I understand.

What will be going on in your studios specifically?

In my studio I’ll be showing people my work, talking though different pieces and explaining how I get inspiration. I’ll also have a large blank canvas set up on an easel and I’ll be encouraging anyone who wanders in to have a go painting a little of whatever they wish, and over the day hope to have a unique piece of work created which will be a great memento of the event! I’ll share the final outcome on social media.

I’ve also produced a limited set of framed art prints of my most popular work which will be on sale for those wishing to take home a unique piece of signed art / it could be the perfect time to grab an early Christmas gift for someone special.

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Other creatives in Brighton Road will be talking though their work, giving demos or running fun activites and also some will have a unique items to sell.

We also have special guests The Nest Cafe offering a pop-up Refreshments stall, and gentle background music provided by DJ friends of ours.

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I will be culture vulturing and doing some live social media on the day – do you have a suggested route for me?

There’s no particular order you have to do things, but if you’re travelling into Gateshead Metro station on the day, a logical route is to start with venue no.1 – NewBridge Project which is right outside. From there it’s 15mins walk or short bus ride into Bensham to reach venue no.2 – Saint Cuthbert’s Church. After that you’ve got venue no.3 minutes away – Bensham Grove Community Centre. From there venue no.4 – Brighton Road Studios is again only several minutes walk away, and finally venue no.5 – Saint Chad’s Church is just across on a parallel street.

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What is next for Gateshead Open Studios in 2019?

This year is a 1-day experiment to see what the appetite is like in Gateshead for discovering what’s inside a few quirky creative venues! If all goes well, we plan to seek funding next year to expand the event to potentially include further venues and cover a whole weekend. It may even split into a twice-yearly event if the appetite is there.

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I can’t wait for 27th October – it’s going to be a great day for Gateshead.  Really looking forward to some true Culture Vulturing at some Gateshead venues. You can follow my journey across Gateshead via The Culture Vulture and of course, keep an eye on the main event page for updates before the main event!

Until next time Culture Vultures and see you on the 27th October!

Project: WORTH – Lady Kitt, defacing bank notes,gender equality, championing brilliant women & crowdfunding!

So this is a first for my blog…..I’m revisiting an artist I’ve interviewed before…Lady Kitt. When I interviewed her last time it was the very beginning of getting to know her after fangirling from a far. Since then…we’ve met lots of times and I’ve seen her work, one of her performances and fallen in love with her even more. Officially one of my favourite humans.

You can read my last blog post here – find out all about Lady Kitt, her practice and of course Nasty Women North East.

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Now for this post – I’m going Lady Kitt project specific; I’m talking about LK’s project WORTH. And I will let LK tell you in her own words about the project but this post feels timely to me. At the heart of project WORTH is the (rational) human ideal of gender equality. It’s about championing the women who have fought and raised the rest of us up enabling and empowering us politically, professionally, inspirationally and everything in between. It’s also about recognising the areas of work and sectors where women remain under-represented and highlights that we still have some work to do!

So I’ve been incredibly disheartened and surprised that in sharing on my social channels other projects, art and blog posts about gender equality and championing women that I’ve lost audience and received messages from individuals who clearly do not champion gender equality and feminism – and it has reminded me how essential projects like WORTH and how brave people like LK are for putting themselves out there…..

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LK is crowdfunding for project WORTH and it won’t happen with you! It really seriously won’t….we need you to donate. Before we move on to LK – I thought I’d express why I love this project and why I’m donating to it….

It recognises the wonderful humans that fought and enabled some of us to get the vote. I think sometimes we forget how big a deal it was for The Suffragettes to stand up against society and the patriarchy of the time and demand change, to be heard and ensured visibility. We are forever indebted to these women – they enabled us to strive towards the path where women can be anything and anyone they want to be….astronauts, business owners, politicians, playboy bunnies, Britney Spears….

It’s championing women in underrepresented sectors… it’s so important to recognise that there is still work that needs to be done and there are still some sectors where a woman is a lone voice in the room. And I’ve been that lone woman before….

Project WORTH is empowering women – by supporting this project – we are supporting and enabling others! You’re uniting women with a cause and common voice – encouraging them to discover and realise their worth within them….WORTH really speaks to my interests, my motivations as The Culture Vulture (to empower others) and of course, my heart.

So let’s hand over to Lady Kitt to find out more about the project.

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For those that didn’t read my last blog post….. tell me who you are and a bit about you?

Hiya, I’m Kitt. I live in Newcastle and LOVE the North East with a wild passion. I’m an artist, an activist, a Nasty Women, a drag king and a parent to two lush little people. My favourite colour is red and I’m the oldest person I know who likes emojis as much as I do.

You’ve been called “The International Superstar of feminism”…. How the bliddy hell did that feel

😀 😁  😃 😄 😅 😆 😉 😊 😋 😎 😍 😘 😗 😙 😚

It felt a bit like that ^^

It’s a pretty bold statement made by Callum and Alex the lovely folks behind Creative Debuts (CD) London. The local feminist art group that I’m part of, Nasty Women North East, collaborated on a project with CD earlier in the year and from that they invited us to be part of The Anti-Art Fair in London in October. The fair is a celebration of international creativity and a call for greater diversity in the arts. If you’re in London Oct 4th-7th get yourself along!! You can even get a lovely little (33%) Nasty discount by using the discount code NWFRIENDS.

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Nasty Women North East are showcasing a couple of our projects ‘the (small but) FIERCE mag’ – a magazine for children who want to change the world and the adults who support them and the Nasty Women International Art Prize 2018. I’m also one of the artists showing work in the Nasty Women section of the fair, curated by Elijah Wheat Showroom, New York..

Being labelled an International Super of Feminism is totally mega … generally I’m pretty confident about my abilities, you certainly couldn’t call me modest; but when I saw that – blush inducing for sure and anything like that label comes with sense of responsibility. So I feel like I’d better boss the shit out of this feminist ‘art-ing’ now someone’s said that. So LET’S DO IT!

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What’s been your experience as an identifying female in the work place and in the arts?

On an interpersonal level, for me, generally fine, often fantastic. But I have heard dreadful things from other women in the arts. One women I know missed out on a big commission because she had recently got married and the commissioners assumed that she was going to have children (which she wasn’t) and assumed that by having children she would no longer be able to take on work- rubbish!!

On a more general level- fucking dreadful. It’s been relatively well reported in national media in the last year or so, that there is a woeful lack of female artists in public collections. Not just lack of women but the general lack of diversity is mind bogglingly bad. Many institutions are addressing this, but it’s a slow old slog.

It’s not just changing the attitudes to collecting but also changing the way that existing collections shown, interpreted and cared for. With a few exceptions the lack of women in senior roles in museums, galleries, within funding bodies, educational institutions etc, really effects all this. Also, the prices women artists can expect for their work is considerable less than for male artists. There tends to be poor provision for parents in the Arts. Residencies, especially rarely offer provision / support for artist with caring responsibilities. I could go on and on and on…

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So today we are chatting about your project: WORTH…. Can you tell me about the project? What’s it about? What was the inspiration?

It started early last year! Our children have some great books celebrating amazing women in history- which are absolutely lush, however a lot of these women are dead or super-duper famous. So I thought I’d like to teach my children about women who I personally think are amazing – but aren’t necessarily as well known.  I was inspired by Caroline Criado-Perez’s campaign to have more women represented on Bank of England issue bank notes – so I’ve celebrated these women and created portraits – papercutting the faces of several local women like MP Chi Onwurah and drag artist Venus Di Milo onto various currency notes. I’ve also included some completely astonishing children who are already awesome campaigners and activists.

Bank Of England Unveils Jane Austen Ten Pound Note

Caroline Criado-Perez’s campaign led to Jane Austen appearing on the above £10 note

Finding out about all these people has been so inspiring- it makes me feel good about the world. It’s also, connected to the centenary of (some) women’s right to vote in the UK- it pulls together a lot of things I’m interested in. But, you know the more I think about it, the more I realise it’s a bit of love letter really to these women I admire and to my children. I want to show them everyone has the ability to make the world a better place and to do things that they believe in- age, gender, all sorts of other stuff might get in your way, but it doesn’t have to stop you.

Projects like this are essential to celebrate how far we’ve come and highlight areas that need to be worked on – you’re a creative change maker! Where do you think women are the most underrepresented?

In the UK it’s in STEM for sure. One of my WORTH portraits is of Prof Charlotte Roberts, Archaeology professor at Durham University; for me she is a great example of a women who has approached work in STEM and in academia in a really unusual and interesting way- she actually started her career as a nurse. If you have a chance – look her up I would really recommend it; she has done some great interviews and is really fun and engaging about her subject.

Over the last 10 years I done several of collaborations with scientists (many of the women) and have heard first-hand accounts of gender discrimination within STEM workplaces. This prompted me to start researching about women in STEM, which is quite depressing. According to Wise Campaign statistics, in the UK in 2017 only 23% of the STEM workforce identified as female. But there are some fantastic people and organisations working to change this. For anyone interested in this the Athena SWAN awards and charter is a great place to start.

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You have and will immortalise some amazing women by papercutting their portraits out of currency notes……but why use paper currency and paper cutting as the medium?

A loooong time ago- before I studied art, I used to make stencils for spray painted work. I made thousands of them! And then I started to look at the stencils and think “these are quite interesting object in themselves”. I didn’t really do anything with it for ages, until my sister commissioned me to create some artwork for an album by her then band (Bridie Jackson and the Arbour).

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Album cover

Initially the idea was to create a spray painted work, but as it developed into a paper cut and that was the first time I really made a finished work that was a paper cut. I love the simplicity of the process, I love that it’s pretty eco-friendly, I love that it’s so fragile…. The practice is largely considered to be a craft, it’s something that has a long history of being made in a domestic setting, often by women, from old newspapers etc – Beamish Museum has some great example of some of these for anyone who, like me, is a paper nerd.

It’s a pretty performative art form- As much of my practice is performance based that appeals to me hugely- Hans Christen Anderson used to tell stories and make paper cuts at the same time- by the end of the story he would present the listeners with a paper cut character from the tale! I just love it.

Cutting up money started with wanting to create a response to Caroline Criado-Perez’s campaign. I made the first piece in 2017, which is of Malala Yousifazi. I showed it at the 1st UK Nasty Women exhibition and it was really well received and then brought by a collector in Amsterdam. That experience just made me want to do more. Also, cutting up money is very fun- physically fun because it’s thin but strong and smooth which is great for very intricate paper cuts and it feels a tad anarchic!

I’d been doing the series for over a year before I realized that there is quite a community of money defacing artists round the world! I started following a few on Instagram and then the fantastic Bob Osborne (Rebel not Taken) approached me to be in a book of defaced banknote art and an exhibition at the Saatchi Gallery; since then I’ve met loads of fellow money artists – it’s great!

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Elements of WORTH is featured in the book Cash is King – available in The Saatchi Gallery, London; can you tell me how this came about? It’s totally brilliant!

Via Instagram.

There are loads of shit things about Instagram- I could write a book about those; but there are also very good things. Being able to directly connect with people all over the world who share a very specific interest or a passion with you is one.

I used the hashtag #feministdefacedbanknoteart And that’s how it happened…

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You’re crowdfunding for this project…. Tell me why should people support the project and donate?

The feedback I’ve had from supporters of the project so far is that they are excited to be part of a project that reflects their political believes, supports a local artist and is celebratory. People have been extremely generous and some have told me what they would have used the money for if not for the project- which is really interesting (everything from designer socks, to gig tickets, packets of fags and a months’ worth of “posh” cleaning products!!). This project has already had many successes and looks set to have more- I think it’s fun for people to be able to say- “I helped make that project happen“. Which is absolutely true- despite having sold work from the series I have completely run out of money to move the project forward- it’s pretty expensive coz- you know I’m cutting up 50 quid notes … every time someone donates I get closer to creating the next work in the series, that’s vital for me and exciting for supporters.

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So now on to the mega important question; how do people donate to support project: WORTH?

Through my Just Giving page

If WORTH is successfully funded – what will it enable you to do?

It will enable me to make, exhibit and promote the whole series of 13 planned works. I will also run a workshop on how to create a successful gender equality project like Caroline Criado-Perez’s project.

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You’ve got loads of brilliant rewards if people support the crowdfunding campaign – can you tell me a bit about them?

Aww thank you- I’m glad you like them! I think it’s really important to offer something back to people who have supported the project. Any amount up to £25- I invite people pop into my studio (in Newcastle upon Tyne, UK) and pick something from my portfolio of sketches, practice pieces and unfinished beauties; they tend to be A4. £25 will get you one of my $1 skull cuts, entitled “So many ways I love you”; each one is made by cutting between 30-80 love heart shapes from a $1dollar bill.

The pieces are backed with black card and accompanied by a small glass vial filled with the cut out hearts! I also keep making odd different dollar cuts like a zebra or a butterfly- keep an eye on my social if you want to see what I come up with next…..

£70 will get you a bespoke portrait (created by cutting hearts from a single sheet of papyrus) of a subject of your choice.

£100 a 2.5 hr paper cutting workshop at my house or studio for 2-6 people

£300 one of the Worth pieces once the exhibition is finished

Apart from the workshop, these are all super reduced prices for the work and are only available through the Just Giving campaign! I am also, open to suggestions so if there’s something someone wants and they think I might be able to do it- they should just get in touch!

Are you going to have a project launch party if the funding is successful?

YES!!! I love a party and I especially love a feminist art party. On Fri Nov 2nd 7-10 pm at the glorious PRAXIS Gallery in Commercial Union house in Newcastle I will be unveiling the completed series; there will be interactive art, music, performances, and FREE drinks. Everyone is welcome.

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What was the moment you realised your ‘WORTH’ as a woman? And also as an artist?

There are so many answers to this question- it’s a constant evolution. I’m generally pretty confident, but there are certainly been times where I’ve questioned myself especially when our children where very little. Not exactly my WORTH, but thought am I doing enough? Am I looking outwards enough or I’m I just getting a bit insular And nest-y?!

Getting involved in Nasty Women was part of the answer to those questions. I guess I was thinking- being a “good parent” isn’t just about looking out for the children’s immediate needs- it’s about looking at the world more widely and thinking what could do with changing- what battles have I had that I don’t want my children to have, or at least I don’t want them to have those battles feeling unsupported.

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WORTH celebrates some women getting the vote…. How do you feel about the Suffragette movement? I sometimes feel like there is another wave happening right now – people like me and you as the rebels pushing and championing…..

I think some of the utter drivel that we still have to put up with even now irrespective of the things we campaign for is terrible – And that’s now, in the 21st century, where we are supported by people all over the world, where there are feminist politicians, policy makers and police officers. We have so many rights and come from such a base of strength in many ways. And it’s STILL hard as fuck.

I just can’t even imagine how complex it must have been for people involved in the suffragette movement back in the 1900s. Having said all that, I’m still very uncomfortable with the acts of destruction and violence that some campaigners carried out. Also the Suffragettes were a women only organisation- not my sort of thing. I think things will be fairer and better by everyone having a stake in the change and through cooperation; not be excluding certain groups. But then there are also things about the Suffragists which I find complicated- it was largely a very middle class organisation, focussed on parliamentary activity which restricted it to people who lived near London / who could write / afford to send letters. I know I can’t possibly understand the circumstance of those women and how desperate they were for change, but I always want to try and find ways of creating change in peaceful and cooperative ways. Having said that I’m the one who’s chopping up 100s of pounds worth of perfectly legal, useful money to make a point, so what do I know…

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Do you a role model/inspiration?

Soo, so many- that’s what WORTH is all about!! This could be a loooong list, but some people who really inspire me at the moment: My amazing sister Bridie Jackson, Nasty Women North East co- founders Michaela Wetherell and Aly Smith, one of my WORTH subjects Francesca Di Giorgio, long term chum and male Nasty Woman David Wright and You.

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Ohhh being one of your inspirations…. Now that is a BIG compliment and you’re one of mine. How would you describe a modern day feminist in 2018?

Me! You! Anyone (any gender, age, background- no Limits) who believes in gender equality.

Project: WORTH in 2019 is….?

Aaaaahhhh exciting- sooo many plans and amazing opportunities. I can’t say much specific at the moment, but WORTH is going International.

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Well that sounds flipping exciting….. and sounds like I will be doing another Lady Kitt blog post in 2019!

So please donate to Project: WORTH – if any of the above has hit a cord and lit a fire in your belly – please donate. Only you can make this amazing project happen! You can donate HERE!

Very soon I will be doing some live social media from INSIDE Lady Kitt’s studio (8th October) – I will be going behind the scenes of Project: WORTH in action!

You can also find out more about and meet Lady Kitt by booking on to her Paper Cutting workshop in Gateshead on 11th October! It’s 12 per ticket, you’ll be using Project: WORTH as inspiration for your papercutting and you will also be able to donate to WORTH during the workshop.

And that’s all for now Culture Vultures!

p.s. DONATE!

Zara Worth – Online/Offline: Art, Academia & Instagram

Ok I admit it – I’ve recently lost my blogging mojo and it’s been a while since I’ve posted – my head has been full of projects and events…..well after some time out away – I’m back and I’ve lined up some cracking posts and some brilliant interviews with artists.

So first up is an interview with the wonderful Zara Worth. Zara has been an artist on my radar for a while – someone who has kept popping up in either my news feed or connected to various projects. So I was delighted when she emailed me about a year ago – introducing herself and her projects. It’s so lovely to have artists actually reach out and tell me about their work (So why not do the same!?)….

I became really interested in the fact she is a post graduate student – as someone who has always been in love with academia, research and what I’d like to call intellectual adventuring – I’m extremely hungry for knowledge and challenging it. I’ve always been interested in an artist/creative, something we assume is inherently practical actually engaging in PhD research. And there are lots of artists and performers out there doing just that – I really enjoy the process of reading their research/papers whilst simultaneously enjoying their pieces of work or performances. For me it adds often an additional socio-dynamic or element of political/self-expression.

Zara explores many themes in her work – but the ones I’m currently captivated by; living your life both off line and online and the effect that has on your mental health and self-identity. As an introvert who has made a living building a brand and identity online – I find it an interesting topic especially when I consider the impact of living my life as The Culture Vulture visibly and how that sits at odds with the fact I’m actually a very private person and one, that whilst I knows a lot of people – I only have a certain amount of really meaningful friendships. Secondly, how people perceive me after getting to know me online – their construction of who I am, my personality, how I will interact in “real” life – the fact via social media we build up snap shots of people via what their shareable content and Instagram feed. Which leads onto questions about mental health – especially in the North East where there have been several recent suicides of people many would consider “influencers” on social media and who presented a very happy, exciting and often successful life…..img-0796_orig

Screenshot of ‘Economics of the Kitchen (an A to Z)’ appearing in Instagram feed (Zara Worth 2018) [performance to video for Instagram]

Zara has recently ran a workshop with discussion at Vane in which she invited participants to explore social media and self-identity…. Whilst I couldn’t attend (booo to working every weekend over the Summer and missing some ace events!) – I heard some fantastic things and I’m delighted that she’s running another version as part of the Gateshead Live programme in October for young people and adults alike. Attendees will use collage as the medium to patch together social media identities – a bit like an Instagram feed. So whilst it’s an opportunity to explore the creation of social media themes, styles, visuals and making them as impactful and engaging as possible – it’s also an opportunity to reflect on how social media imagery prompts us to feel, trigger us to behave and influences our mind set.

You can find out more about the upcoming workshop by following the link

So I’ve told you why I’m super interested in Zara and her work …. But now it’s time to hear from Zara herself. So Culture Vultures…. Who is Zara Worth when she’s both online and offline?

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Zara Worth

Hi Zara – thank you for agreeing to be my blog subject! I first discovered your work when I was researching Northern artists about a year ago – so it’s so brilliant to finally connect – we have so many mutual creative interests. Can you tell my readers about your work?

Lovely to be discovered! My work at this moment feels to be a type of contemporary religious art; I’ve been reflecting a lot on what connects my current practice with the work I’ve made in the past and I’ve realised I am drawn towards belief systems and ideological communities.

In terms of how I make work, currently I’m exploring developing a practice which mirrors our current condition of living life simultaneously on- and off-line: so nearly all of the works I’ve been making since 2016 have an online element – usually on Instagram on the @zara_worth account – and also have an offline aspect – so drawing, or perhaps an object. I’ve also started using the same title for works with connected on- and off-line elements, to further conflate this relationship between them.

Instagram has been a key source of interest since 2014; and its prevalence as a theme within my work has led my practice to be described as ‘swipe-specific’: a term which I also really align with.

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‘The Artist’s Presence’ (Zara Worth – 2018) [Chairs and AR app] made with kind support from Ian Truelove and Field Design

Swipe-specific is something I really align with too – everything is so in the moment, instantly discovereable but equally immediately forgettable….

Everyone has a really interesting story of how they got involved in the arts….so tell me about your journey?

I suppose my journey is fairly typical; being an artist always felt inevitable, and I feel very fortunate to have been able to pursue it. One thing I always find interesting, particularly at this stage in my life, is how hard people find understanding that you identify as something – an artist – which isn’t necessarily your primary or only source of income. I used to think that I would be satisfied with just helping other people with their creative projects – working in film or for other artists – I very quickly realised that I was miserable if I wasn’t making my own work.

The origins of my interest in belief systems is perhaps more interesting than my story as an artist so far. Whilst puzzling over why I have these aesthetic preferences starting my PhD it dawned upon me the impact that my Granny’s faith had on me. At this point it is important to note that my Granny seemingly inexplicably became a devout follower of the Russian Orthodox Church. It’s also worth noting that my family is in no way Russian and to this day I have no idea why this was the particular strand of Christianity that she was drawn to.

Living in Congleton, Cheshire, funnily enough there wasn’t anywhere specifically Russian Orthodox to worship, so being pragmatic she bought a large shed from B&Q and started a Russian Orthodox church in her back garden, complete with papier-mâché onion dome (later replaced with a fiberglass one when the first one melted in the rain). So growing up, when I went to Granny’s house I was surrounded by religious icons, and I used to love trotting down to the back of the garden and lighting candles and incense in the church. She died when I was 17 and I never properly spoke to her about her faith, and I suppose a lot of my work is trying to make sense of its significance.

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‘QR Codes’ (Zara Worth/Vane – 2018) [QR codes on rice paper]

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‘Void Fill’ (Zara Worth/Vane 2018) [void fill strip curtain]

I have aspirations of one day returning into academia and education at some point – I’d certainly like to do a postgraduate in 2019 – something around people and behaviour and also a coaching qualification  – I know you’re doing your PhD…… how does that compliment or effect your arts practice?

Someone recently asked me if starting a PhD had caused me to hate my art practice and that completely horrified me. I’m just starting my third year of a part-time PhD (six years in total) and my experience so far has been brilliant; studying at Leeds Beckett University has already opened up so many doors and I’ve worked in collaboration with some really fantastic academics, so it has been a very productive time already. My practice is driven by ideas, so I’m not forcing an academic framework on my practice.

I would also say to anyone thinking about doing a PhD to try to make sure you work well with your Director of Studies and your Supervisor(s); I already knew my Director of Studies, Professor Simon Morris and really landed on my feet with my Supervisor, Dr Jill Gibbon, but I’m aware of other people at other institutions who do not have great relationships with theirs and it’s been hell for them.

I’ve really been enjoying studying part-time; I was a full-time Masters student when I was at Goldsmiths and the whole thing felt like a mad sprint and I don’t feel I really had time to get the most out of the experience. I feel very fortunate to have received a part-time studentship as it’s allowed me to pursue other experiences alongside study, which would have been inconceivable if I was a full-time student, plus it supports the development of a sustainable practice in the long run – as the reality is I am unlikely to have the luxury of practising art full-time in the immediate future.

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 ‘Quotations I, III, II’ (Zara Worth/Vane – 2018) [23.5 carat gold leaf on paper]

I agree with that – becoming sustainable in the creative and cultural sector is a strategic process – very similar to building a business. Back to your work – what mediums do you use?

The medium is the message. I like my work to be loaded, so the materials should be working ideologically as well as be visually interesting. As I’ve mentioned, my recent works have on- and off-line lives, the online aspects have been predominantly performance to video for Instagram, and Instagram collages; though recently I created a piece involving Augmented Reality.

As for the off-line aspects of the work, mediums include celery; void fill (packing peanuts); and 23.5 carat gold, all chosen for the significance that they carry.

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‘A drawing made by cutting up my body weight in celery’ (Zara Worth/Vane – 2016-17) [celery and kitchen knife on paper]

We are going into the latter part of the year – it’s insane how quickly this year has gone by. Consequently, this question seems crazily appropriate – what’s been your highlight of 2018 so far?

Opening my first solo-exhibition, ‘FEED’, at Vane, this August. The Directors at Vane, Chirs Yeats and Paul Stone, have been incredibly supportive and I’ve had such an amazing response from visitors and everyone who has participated in the events running alongside; it’s been quite overwhelming. In the same month I also installed Matty Bovan’s exhibition for the London Design Biennale – I was Project Manager and it has been brilliant to be a part of; quite a crazy summer.

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‘A drawing made by cutting up my body weight in celery’ (Zara Worth/Vane – 2016-17) [performance to video for Instagram]

Going forward into 2019 – what do you have planned?

I’m joining The Newbridge Project’s Collective Studio programme, which is a nine-month studio residency and development programme for emerging artists, so by 2019 I’ll be immersed in the programme.

I’m in the early stages of planning an exhibition with Carol Sommer looking particularly at the use of language on Instagram, and in early 2019, if not sooner, the issue of The Journal of Writing in Creative Practice, which I’ve been guest-editing, should be published! I’m also wanting to focus on moving my writing forward with my PhD, up until now, everything has been very practice-led; as a practice-led PhD should be, but I’m really looking forward to spending some time digging down into the work I’ve been making.

You seem to have connections with mental health with projects and are passionate about the project area (as am I!) – can you tell me a bit more?

I work part-time at Gateshead College and was fortunate enough to receive a Level 1 qualification in Mental Health Awareness through an ESF course provided by the College. It really drew my attention to the importance of caring for our mental health and I started drafting ideas for a mindfulness workshop with input from a friend who is a professional art therapist.

During the collage workshop, ‘DisCONTENTed Dining’, which I ran at Vane to coincide with my exhibition, we were making collages in reference to social media, and something which came up was how much pressure people feel under after looking at social media, but how calming it was just taking time to participate in a creative activity. I’ll be running a similar workshop very soon in Gateshead and in early 2019 will deliver ‘Still Life, Still Mind’: a mindfulness drawing workshop designed to encourage positive mental health using creative drawing exercises which participants can replicate at home. My research does make me concerned about the negative impact social media has on our mental health, so I hope that these activities and exhibitions offer some small ways to resist against that and also help us reflect on our own behaviours when we are online.

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Screenshot of ‘Economics of the Kitchen (an A to Z)’ appearing in Instagram feed (Zara Worth – 2018) [performance to video for Instagram]

Well thank you Zara and good luck with your Newbridge residency – excited to see how that pans out! Extremely excited to see more of Zara’s work and how the mental health and social media element further entertwine and develop.

I am beginning to work on the very beginnings of a mental health event for 2019 for freelancers, self-employed and creatives and I sense some real synergy here! If you’d like to meet Zara – as she mentioned, she’s running another social media workshop called “Who am I, when I’m online?” in Gateshead….. you’ll have the opportunity to explore Instagram as a channel, use collage techniques to consider how we present ourselves online and think/reflect on the difference between online and offline identities…. So come along and do something creative on 6th October and join what is sure to be some really interesting discussion!